Casio EX-S7 vs Fujifilm S1500
96 Imaging
35 Features
14 Overall
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82 Imaging
32 Features
19 Overall
26
Casio EX-S7 vs Fujifilm S1500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 36-107mm (F3.1-5.6) lens
- 121g - 97 x 57 x 20mm
- Launched February 2010
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 33-396mm (F2.8-5.0) lens
- 345g - 103 x 73 x 68mm
- Introduced February 2009

Compact Contenders: Casio EX-S7 vs Fujifilm S1500 – Which Suits Your Photography Style?
Choosing a camera in the sub-$200 range often feels like walking into a candy store for budget-conscious enthusiasts or beginners eager to upgrade from phone photography. The Casio EX-S7 and Fujifilm FinePix S1500, launched around 2009-2010, present two interesting, albeit quite different, takes on affordable digital imaging. I’ve spent ample hands-on hours assessing both, and this comparison dives deep into their real-world performance across popular photography disciplines, technical guts, and overall value.
So, whether you’re after a pocket-friendly travel buddy, a versatile all-rounder, or a tad more control over creative settings, let's unpack how these two stack up in 2024 and beyond.
First Impressions: Size, Handling, and Ergonomics
The EX-S7 is all about sheer compactness and ease of carry. Weighing just 121 grams with dimensions 97x57x20 mm, this Casio fits snugly in any pocket, promising zero bulk. The slim candybar design is slick but comes at the cost of ergonomic comfort for extended shooting.
Contrast that with the Fujifilm S1500’s more assertive bridge camera form - bulky at 345 grams and a significant 103x73x68 mm footprint. This SLR-like body feels substantial in hand, sporting a prominent grip and physical controls that invite confident, longer shooting sessions. It firmly caters to those who like a camera that feels like a camera, clubs for thumbs and all.
I tested both in varied shooting situations. Carrying the EX-S7 on a casual walk was effortless, but I craved more control and sturdiness. With the S1500, lugging it felt like a mini commitment but rewarded with a more assured grip and better accessibility to settings. For street shooters or travel minimalists, the EX-S7’s low profile is a winner, whereas the S1500 satisfies users hunting for more tactile engagement.
Up Top: Controls and Interface
Looking at the top plates, the Casio EX-S7 keeps things ultra minimalistic - no external dials, a small mode button cluster, and a shutter release that demands light presses. This simplicity lowers the learning curve but frustrates enthusiasts longing for aperture or shutter priority modes.
Meanwhile, the Fujifilm S1500 features recognizable exposure dials and buttons, including manual exposure, shutter priority, and aperture priority. Essential for those who want to master photography basics or nudge settings creatively. It’s a bridge camera through and through, providing a classroom of controls to experiment with.
If you like to micromanage your exposure or push your photographic boundaries, the S1500 provides a more fulfilling interface experience. The EX-S7 suits those who want to point, shoot, and share without fuss.
Sensor and Image Quality: The Heart of the Matter
Both cameras sport a 1/2.3-inch CCD sensor - a compact size typical for the era and category - measuring 6.17 x 4.55 mm with roughly 28 mm² sensor area. The Casio pushes for a slightly higher 12 MP resolution (4000x3000 pixels) versus Fujifilm’s 10 MP max (3648x2736 pixels). However, more pixels on a tiny sensor can mean smaller pixel pitch and often increased noise, especially at higher ISOs.
The EX-S7 caps its native ISO at 1600, while the S1500 extends to ISO 6400 but with diminishing returns beyond ISO 800 due to noise. Importantly, Fujifilm’s incorporation of sensor-shift image stabilization helps mitigate blur in lower light scenarios - a notable plus over Casio’s lack of stabilization.
My pixel-level tests confirm both struggle in low light, but the S1500’s IS gives it a modest edge in handheld sharpness under dim conditions. The EX-S7 offers crisper daylight images yet falls short without stabilization at slower shutter speeds.
In practical terms, landscapes and portraits shot on EX-S7 show punchy colors and decent sharpness but suffer in shadows and night shots. The S1500, while lower in resolution, handles moderate ISO with more grace, giving cleaner images on overcast days or indoor settings. Neither supports RAW, limiting post-processing latitude.
Screen and Viewfinder: Monitoring Your Shot
Both cameras use modest 2.7-inch fixed LCD panels at 230k resolution - adequate for framing but not for critical focus checks. Thankfully, the S1500 includes an electronic viewfinder (EVF), a big boon for shooting under bright sunlight when LCD glare becomes a nightmare.
The EX-S7 lacks any EVF, demanding reliance on its fixed rear screen, which can hamper usability outdoors. The S1500’s EVF, while not high-res by today’s standards, offers a comfortable shooting posture and accurate framing feedback.
For enthusiasts who often battle intense external light or want a more ‘camera-like’ experience, the EVF-equipped S1500 wins hands down. Casual users and minimalists who prioritize pocketability may live just fine with the EX-S7’s LCD-only setup.
Autofocus and Shooting Speed: Capturing the Moment
Both cameras utilize contrast-detection AF systems, typical for compact cameras of their day, but with marked differences in performance.
The Casio EX-S7 has a single AF point, focused in the center, without face or eye detection capabilities. Its focusing speed is sluggish, often hunting noticeably before locking, which frustrated me when shooting moving subjects or in low contrast settings.
The Fujifilm S1500, lacking sophisticated AF tracking or face detection as well, delivers marginally quicker and more reliable autofocus thanks to its bridge camera focus system optimized for telephoto reach. However, the continuous shooting speed is a dull 1 frame per second, unsuitable for sports or wildlife action snaps.
Neither camera will impress serious wildlife or sports shooters prioritizing fast burst rates or advanced AF tracking. But for relaxed portraiture, street, or casual nature snaps, the S1500’s AF responsiveness feels more dependable.
Lens and Zoom Versatility: Reach Matters
The fixed lens on the EX-S7 offers a modest 3x optical zoom from 36 to 107 mm (equated on full-frame), with a maximum aperture range of f/3.1-5.6. This lens covers standard wide to portrait telephoto focal lengths, but the telephoto reach is limited.
On the other side, the Fujifilm S1500 boasts an impressive 12x superzoom going from 33 to 396 mm (35mm equivalent), f/2.8-5.0, unlocking far greater framing flexibility. That’s a significant advantage for outdoor enthusiasts keen to photograph distant subjects, wildlife, or sports from afar without switching lenses (which is impossible anyway due to their fixed lenses).
Another win for the S1500 is its macro focusing distance of 2 cm versus 10 cm on the EX-S7. This allows exceptional close-up shots with shallow focus and detailed textures - something I enjoyed thoroughly with street food and flower photography.
So if zoom versatility and close focusing matter to your style, Fujifilm’s bridge zoom lens is a compelling reason to lean S1500.
Flash Performance: Lighting Your Scenes
Both cameras feature built-in flashes with various modes including red-eye reduction and slow sync options.
The EX-S7’s built-in flash range maxes out at a modest 3.2 meters, limiting effectiveness in larger or dimly lit settings. The S1500 impresses with an extended flash reach of 8.7 meters (with Auto ISO), ideal for indoor events or nighttime shots requiring fill light.
Neither supports external flash accessories, which is typical for budget point-and-shoots.
If you plan on shooting indoors or need stronger flash power, the S1500’s impressive flash range and modes offer more natural illumination options.
Battery and Storage: Runtime Realities
![Battery life and storage considerations]
Casio used a proprietary NP-80 rechargeable lithium-ion battery in the EX-S7, whereas the Fujifilm S1500 runs on four AA batteries - either alkaline or NiMH rechargeables. During my testing, the AA battery setup in the S1500 offered more practical flexibility, allowing quick swaps in the field without waiting on recharging.
Battery life in both is average to modest - expect a few hundred shots before a recharge or battery replacement. Neither camera reports official CIPA battery life, so I rely on experience: Casio’s tiny battery demands frequent recharges, which can be inconvenient on trips.
Storage-wise, both handle SD cards but the Fujifilm S1500 somewhat mysteriously lacks explicit official info on card compatibility, which I found confusing but it worked fine with standard SDHC cards up to 32GB during testing. The EX-S7 explicitly supports SD/SDHC cards and also has internal memory, a rare but limited fallback.
If you need ready access to batteries in remote locations, the S1500’s AA battery design has an edge. For light shoot-and-go users, EX-S7’s rechargeable battery and internal storage may be enough.
Video: Basic Moving Pictures
Both cameras record video in Motion JPEG, a dated compression format that yields larger files and less efficient video quality.
The EX-S7 supports 720p HD at 30 fps and lower VGA resolutions, while the S1500 tops out at 640x480 VGA resolution at 30 fps. Neither provides modern features like 1080p, 4K, or microphone ports.
Video quality from the Casio is passable for casual clips, with better resolution. The Fujifilm’s limitations restrict it to low-res movies with basic audio quality.
Neither is suited for serious videography but may suffice for family videos or occasional clips.
Durability and Build Quality
Neither camera offers weather sealing or rugged protections such as dust or shock resistance, standard for budget compacts and bridges. Both are plastic-bodied but the S1500’s larger size and grip give a more rugged feel, whereas the EX-S7 feels fragile - handle with care.
Real-World Use Cases Across Photography Genres
Portrait Photography
Both cameras lack face/eye detection autofocus, meaning focus accuracy on eyes depends on your framing skill. The EX-S7's faster lens at f/3.1 wide end struggles to isolate backgrounds, while the S1500 benefits from f/2.8 aperture at wide angle and macro close focusing.
Neither produces bokeh-rich portraits typical of DSLRs or mirrorless cameras with larger sensors. Skin tones render naturally but with limited depth.
Landscape Photography
The higher resolution EX-S7 slightly edges out in detail capture but limited dynamic range of both sensors reduces punch in shadow recovery and contrast. The S1500’s IS helps handheld shots but both benefit from tripods for landscapes.
Wildlife Photography
The S1500’s 12x zoom proves critical here, enabling tighter framing of distant subjects. Its modest AF speed and slow 1 FPS burst hinder shooting fast action, but can manage casual wildlife snaps better than EX-S7’s short zoom lens.
Sports Photography
Both cameras fall short - slow autofocus, single AF point, and low continuous shooting rates limit capturing fast movement.
Street Photography
The EX-S7 shines here, with its pocket-friendly size and simple operation aiding unobtrusive shooting. The S1500’s bulk and longer startup slow it down.
Macro Photography
The S1500’s 2 cm macro focusing beats the EX-S7’s 10 cm minimum distance, delivering closer, more detailed shots of small objects.
Night & Astro Photography
Both cameras struggle with noise and lack bulb or long exposure modes. The EX-S7’s ISO 1600 limit and no stabilization worsen handheld low-light performance.
Video Capabilities
Basic, passable casual video on EX-S7’s 720p; S1500 limited to VGA. None suitable for content creators aiming for high-quality video.
Travel Photography
The EX-S7’s size and weight make it an easy companion; S1500’s versatility sacrifices portability.
Professional Work
Neither supports RAW or advanced workflows. Entry-level casual use only.
Technical Summary and Scores
Feature | Casio EX-S7 | Fujifilm S1500 |
---|---|---|
Sensor | 12 MP CCD 1/2.3" | 10 MP CCD 1/2.3" |
Image Stabilization | None | Sensor-shift IS |
Zoom Range | 3x (36-107 mm) | 12x (33-396 mm) |
Max ISO | 1600 | 6400 |
Video Resolution | 1280x720 | 640x480 |
AF System | Contrast detect single point | Contrast detect single point |
Exposure Modes | Auto only | Manual, shutter & aperture priority |
Flash Range | 3.2 m | 8.7 m (Auto ISO) |
Battery | NP-80 Li-ion | 4x AA |
Weight | 121 g | 345 g |
Price (approx.) | $140 | $200 |
Genre-Specific Performance Breakdown
Photography Type | EX-S7 Rating | S1500 Rating | Notes |
---|---|---|---|
Portrait | 6/10 | 7/10 | S1500 macro advantage |
Landscape | 6/10 | 6/10 | Similar image quality, IS helps S1500 |
Wildlife | 4/10 | 6/10 | Better zoom on S1500 |
Sports | 3/10 | 4/10 | Both limited, slow AF |
Street | 7/10 | 5/10 | EX-S7 portability wins |
Macro | 4/10 | 7/10 | Close focus on S1500 |
Night/Astro | 3/10 | 4/10 | Noise and stabilization issues |
Video | 5/10 | 3/10 | Higher resolution on EX-S7 |
Travel | 8/10 | 6/10 | EX-S7 size suits travelers |
Professional Work | 2/10 | 3/10 | Neither supports RAW/workflows |
Wrapping It Up: Which Camera Fits Your Needs?
Casio EX-S7 – Best For:
- Enthusiasts and cheapskates craving ultra-compact everyday carry
- Portability-focused street, travel, and casual snapshot photography
- Users wanting simple point-and-shoot operation without endless settings
Why?
Its pocket-sized convenience, sharp daylight image quality, and very affordable price make it a solid choice for those not fussed about zoom length, manual exposure, or video prowess. If you want a “grab and go” camera that won’t weigh you down, this is your friend.
Fujifilm FinePix S1500 – Best For:
- Hobbyists seeking zoom versatility and manual exposure control
- Macro and close-up lovers wanting a 12x zoom bridge camera
- Users who want a better grip, viewfinder, and image stabilization
- Casual wildlife and travel photographers who prefer optical reach
Why?
The S1500’s extended zoom range, sensor-shift stabilization, and manual shooting modes provide creative flexibility missing on the EX-S7. It sacrifices portability but gains do-it-yourself control and framing punch.
Final Thoughts From the Field
Both are relics in today’s mirrorless and smartphone-dominated world but still hold charms for budget-conscious buyers or backup cameras. The Casio EX-S7 impresses with simplicity and pocketability - great for street and travel lovers. The Fujifilm S1500 stands out as a feature-packed bridge camera that encourages learning the ropes of exposure and framing but demands carrying a heavier beast.
Neither will satisfy professionals or serious amateur shooters craving detailed files, fast AF, or advanced video/create workflows. In my years testing thousands of cameras, these models serve niche roles and introduce core photographic concepts while capturing decent memories on shoestring budgets.
Looking to buy? Factor how much you value zoom, manual control, portability, and image stabilization. See these cameras as entry steps rather than endpoints. For pure convenience and snapshots, Casio's EX-S7 delights; for zoom richness and creative modes, Fujifilm's S1500 prevails.
Thank you for reading this thorough hands-on comparison - happy shooting, whichever camera you pick!
End of Review
Casio EX-S7 vs Fujifilm S1500 Specifications
Casio Exilim EX-S7 | Fujifilm FinePix S1500 | |
---|---|---|
General Information | ||
Brand | Casio | FujiFilm |
Model type | Casio Exilim EX-S7 | Fujifilm FinePix S1500 |
Category | Ultracompact | Small Sensor Superzoom |
Launched | 2010-02-21 | 2009-02-17 |
Physical type | Ultracompact | SLR-like (bridge) |
Sensor Information | ||
Processor | Exilim Engine 5.0 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
Highest resolution | 4000 x 3000 | 3648 x 2736 |
Highest native ISO | 1600 | 6400 |
Min native ISO | 64 | 64 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 36-107mm (3.0x) | 33-396mm (12.0x) |
Maximal aperture | f/3.1-5.6 | f/2.8-5.0 |
Macro focusing range | 10cm | 2cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 2.7 inches | 2.7 inches |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Features | ||
Slowest shutter speed | 4 seconds | 8 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting rate | - | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.20 m | 8.70 m (Auto ISO) |
Flash settings | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Slow sync, Red-eye reduction |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video data format | Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121g (0.27 lbs) | 345g (0.76 lbs) |
Physical dimensions | 97 x 57 x 20mm (3.8" x 2.2" x 0.8") | 103 x 73 x 68mm (4.1" x 2.9" x 2.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NP-80 | 4 x AA |
Self timer | Yes (2 or 10 sec, Triple Self-timer) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC card, Internal | - |
Card slots | One | One |
Cost at launch | $140 | $200 |