Casio EX-S7 vs Sony A580
96 Imaging
34 Features
14 Overall
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64 Imaging
55 Features
82 Overall
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Casio EX-S7 vs Sony A580 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 36-107mm (F3.1-5.6) lens
- 121g - 97 x 57 x 20mm
- Introduced February 2010
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Revealed May 2011
- Previous Model is Sony A100
Photography Glossary Casio EX-S7 vs Sony A580: Ultracompact Charm Meets DSLR Muscle in a Bold Camera Showdown
Choosing your next camera sometimes feels less like a photography decision and more like navigating a jungle of specs, marketing hype, and personal workflow needs. Today, I’m rolling up my sleeves and putting two vastly different cameras side-by-side: the diminutive Casio EX-S7, a compact point-and-shoot from 2010, versus the more substantial Sony A580, a 2011 entry-level DSLR. From sensor tech to real-world handling, lenses to battery life, I’ll share hands-on insights to help you understand what you gain - and lose - when moving between these two.
Grab your favorite lens for this deep dive - there’s plenty to focus on.
Getting Acquainted: The Casio EX-S7 and Sony A580 in Context
At a glance, the Casio EX-S7 and Sony Alpha A580 couldn’t be more different. The EX-S7 is an ultracompact fixed-lens camera, designed for maximum portability - think of it as your slinky pocket sidekick. Meanwhile, the A580 is an entry-level DSLR, aimed at enthusiasts looking for manual control, interchangeable lenses, and serious image quality. The EX-S7 launched in early 2010 with a price tag nudging $140, the A580 followed a year later at around $850 - a substantial jump, but each caters to different photographic priorities.
Both cameras represent their era’s technology faithfully, though comparing them head-to-head illustrates how far imaging tech can diverge depending on design goals.
Size and Ergonomics: Pocketability vs Comfortable Control
I can’t discuss these two without mentioning size - after all, one invites you to slip it in your pocket, the other demands a dedicated bag and some hand real estate.

The Casio EX-S7 measures just 97 x 57 x 20 mm and weighs a mere 121 grams - it’s almost invisible in a pocket, making it ideal for spontaneous snapshots or casual travel. However, that tiny size comes at a cost to handling: its sleek design means fewer physical buttons and a smaller grip area, which can feel fiddly if you’re accustomed to DSLRs.
On the flip side, the Sony A580 sits at 137 x 104 x 84 mm and weighs in at a heftier 599 grams. It feels much more substantial and secure in hand, with a pronounced grip and plenty of physical controls easily reachable by thumb and forefinger. This body style invites you to slow down a bit, engage manually, and enjoy the tactile feedback that DSLRs thrive on.
If you want to travel light and shoot casually, the EX-S7 feels like a friend who’s always ready. But if your photography involves longer sessions or heavier shooting, A580’s ergonomics win hands down.
Control Layout and Top-View Design: Minimal vs Feature-Rich
Handling also extends to control philosophy - how many dials and buttons will you juggle to get the shot?

The Casio EX-S7 is stripped to basics with very few external controls. No aperture priority, shutter priority, or manual exposure on offer here. Its mode dial is simplistic, geared mostly to point-and-shoot ease. This works fine for snapshots but frustrates when you want to tweak settings.
Sony’s A580 is a playground of dials and buttons, reflecting a design aimed at enthusiasts who love control. Exposure compensation, manual modes, shutter priority, aperture priority, and custom white balance are all at your fingertips. The tilting 3-inch LCD screen is crisp at 922k dots, providing flexibility for awkward angles.
If you enjoy learning and experimenting with exposure options, the Sony’s layout dramatically expands creative possibilities compared to Casio’s minimalism.
Sensor Technology and Image Quality: Small Sensor vs APS-C Brilliance
Now, the meat and potatoes of image quality - both cameras encapsulate what's possible given their sensor tech, but the differences are stark.

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Casio EX-S7 features a 1/2.3-inch CCD sensor measuring just 6.17 x 4.55 mm with 12 megapixels. It maxes out at ISO 1600 but lacks RAW support, limiting post-processing versatility. Small sensor size restricts dynamic range and low-light performance.
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Sony A580 sports a robust APS-C CMOS sensor at 23.5 x 15.6 mm, packing 16 megapixels. Its native ISO range spans from 100 to 12,800 (expandable to 25,600), and it supports RAW files, critical for fine-tuning in professional workflows.
In tests, the Sony produces images with dramatically better noise control, tonal gradation, and color depth - DXOmark confirms this with an overall sensor score of 80 for the A580 (Casio wasn’t tested but would lag far behind).
While Casio’s photos are fine for small prints and casual sharing, the Sony unleashes vibrant landscapes, fine detail in portraits, and excellent high ISO performance in low light or night scenes. This is a decisive advantage if you demand image quality beyond social media snapshots.
Composing and Reviewing: LCD Screen and Viewfinder Experience
Nothing shapes the shooting experience more than your window to the image - the viewfinder or screen.

The EX-S7 sports a 2.7-inch fixed LCD with a modest 230k dot resolution. It’s basic but serviceable for framing in daylight. Unfortunately, no viewfinder means you strain a bit in bright conditions. Live view autofocus works but is basic.
Sony’s A580 offers a 3-inch tilting LCD with high resolution (922k dots) that greatly improves composition flexibility. Plus, it has a pentamirror optical viewfinder with 95% coverage and 0.53x magnification - indispensable for outdoor or action shooting, especially when glare hampers rear screens.
This combination in the Sony offers a vastly more immersive and responsive viewfinder experience - crucial for precision and comfort during shoots.
Autofocus Performance: Hunting or Snapping?
Autofocus separates those who can capture decisive moments from those who miss them, especially in wildlife and sports.
The Casio EX-S7 uses a contrast-detection AF system with single-point focus - typical of ultracompacts but much slower and less reliable tracking moving subjects. Face detection is absent, and there are no continuous or tracking AF modes.
The Sony A580 shines here with a hybrid AF system combining contrast and phase detection, offering 15 focus points (3 cross-type). It supports continuous AF, face detection, selective AF areas, and predictive tracking with impressive accuracy. Burst mode at 7 fps ensures rapid sequences aren't missed.
For wildlife or sports shooters requiring sharp focus on fast-moving subjects, the Sony has a clear advantage. The Casio is fine for static scenes or leisurely snapshots.
Lens Ecosystem and Versatility: Fixed Lens vs Interchangeable Power
The Casio has a fixed 36-107 mm equivalent lens (3x zoom, f/3.1-5.6), adequate for basic framing but inflexible. It focuses down to 10 cm macro but lacks any optical image stabilization, which affects low-light handheld sharpness.
Sony’s A580 mounts on the Sony/Minolta Alpha mount, compatible with over 140 lenses ranging from wide-angle primes to super-telephoto zooms. Most Sony lenses benefit from enhanced optical stabilization, supplemented by in-body sensor stabilization in this camera - a boon for sharper handheld shots across focal lengths.
This comprehensive lens ecosystem means the Sony transforms with your ambitions - wildlife telephotos, portrait primes with creamy bokeh, macro lenses, and more - making it a tool to grow with.
Battery Life and Storage: Endurance and Convenience
Battery power can make or break a shoot in the field.
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Casio EX-S7 uses the NP-80 battery, packing limited shots per charge (specs are vague but generally under 200 clicks per battery a fair estimate for ultracompacts). Storage options include SD/SDHC cards with a single slot.
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Sony A580 uses the robust NP-FM500H battery rated for 1050 shots under CIPA standards - a massive difference - plus supports dual card slots (SD/SDHC/SDXC plus Memory Stick). This means extended shooting on the road without frequent swaps.
For travel or long-day portability, the Sony’s endurance is a marked advantage. The Casio is fine for casual, quick outings but not marathon shoots.
Build Quality and Weather Resistance: Road Warrior or Desk Buddy?
Neither camera sports substantial weather sealing or ruggedness. The Casio’s ultra-light plastic body feels delicate, a little too prone to damage in harsh environments.
The Sony A580, while mostly plastic, presents a more durable build with solid heft - better suited to light travel and outdoor use but still no sealing against rain or dust.
If you shoot professionally or outdoors frequently, a more rugged camera is often advisable; the Sony is a step closer, but both require care in challenging conditions.
Video Capabilities: Casual Clips vs Serious HD
Casio EX-S7 offers basic video at 720p at 30 fps, recorded in Motion JPEG - a format that eats space quickly and lacks advanced compression.
Sony A580 shoots respectable 1080p HD video at up to 60 fps in AVCHD and MPEG-4 formats, with stereo microphone input for enhanced audio capture.
If video is a high priority, Sony’s specs and options easily outclass Casio’s, delivering a more professional and usable experience.
Real-World Photography Across Genres: How Do They Stack Up?
With all this hardware and performance talk, how do these cameras fare in different photography scenarios? I tested both rigorously, with the following observations.
| Photography Type | Casio EX-S7 | Sony A580 |
|---|---|---|
| Portrait | Basic color rendering, minimal bokeh, no eye AF | Excellent skin tone; eye and face detection; creamy bokeh with the right lens |
| Landscape | Limited dynamic range, low resolution in shadows | Superb dynamic range; sharp and detailed landscapes |
| Wildlife | Slow AF, low burst rate, fixed lens limits distances | Fast, accurate AF; rapid burst; telephoto lens support |
| Sports | Not recommended: slow AF, no tracking, low frame rate | Agile AF tracking, fast frame rates, better low light |
| Street | Ultra-compact discreetness, but limited low-light | Reasonably compact, better image quality, noisier but manageable ISO |
| Macro | Close focus to 10cm, no stabilization | Lens dependent; specialized macro lenses available; sensor stabilization helps |
| Night/Astro | Limited high ISO; strong noise | Impressive high ISO capabilities; suitable for astro with manual control |
| Video | Limited resolution and compression | Full HD quality with microphone input |
| Travel | Hugely pocketable; limited quality/speed | Heavier but versatile, very capable for most needs |
| Professional | Not suitable for serious work | Full manual control; RAW; solid for entry-level pros |
The image above showcases shots taken side-by-side in identical conditions. The Sony’s images exhibit richer colors, more detail, and better subject separation with the lens chosen, while Casio’s pictures handle casual moments but lack punch.
Technical Scores and Value: Raw Numbers and Practical Worth
Putting the two through our internal comprehensive testing, here’s how they scored overall:
The Sony’s capabilities place it firmly in the respectable mid-range territory, while the Casio is not scored due to limitations but falls into the “basic compact” category.
Here’s a genre-specific performance breakdown illustrating how each system fares across typical photographic demands:
The Sony dominates areas where creative control and image quality count. Casio’s strength lies solely in its unmatched portability and pricing.
So, Who Should Choose Which?
After pouring over specs, handling, image examples, and practical experience, here’s my take for different user profiles:
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Casio EX-S7 is for you if:
- You want a lightweight, truly pocketable camera for casual snapshots.
- Budget is your primary concern; $140 is hard to beat.
- You rarely shoot fast action or need manual control.
- You want simple, straightforward point-and-shoot operation with no fuss.
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Sony A580 shines for:
- Enthusiasts eager to learn manual photography with a budget-conscious DSLR.
- Photographers needing image quality suitable for prints, editorial, or serious sharing.
- Wildlife or sports shooters who benefit from advanced autofocus and lens choice.
- Video hobbyists who want Full HD and professional audio input.
- Travelers willing to carry a bit more weight for uncompromised image flexibility.
Closing Thoughts: The Tale of Two Cameras
Casio EX-S7 and Sony A580 teach an important lesson: not all cameras serve the same photography master. My experience with the EX-S7 is that it excels at being a faithful, minimalist companion that’s always in your pocket but never nags you to “take control.” It’s a camera for moments that demand simplicity over sophistication.
Sony A580, meanwhile, embodies the DSLR promise: versatility, quality, control, and room to grow. It’s a weighty choice, literally and figuratively, but well worth it if photography is more than casual amusement.
So next time you’re deciding between the ultracompact and the entry-level DSLR, ask yourself: What stories do you want your camera to tell? For those stories that crave precision, expression, and quality, the Sony A580 remains a stalwart entry point. For those moments of spontaneity or travel light, the Casio EX-S7 still holds a charming place in the pocket - and heart.
If you want further hands-on guidance or insights tailored to your shoots, I’m here to chat cameras anytime. Until then - happy shooting!
Casio EX-S7 vs Sony A580 Specifications
| Casio Exilim EX-S7 | Sony Alpha DSLR-A580 | |
|---|---|---|
| General Information | ||
| Make | Casio | Sony |
| Model | Casio Exilim EX-S7 | Sony Alpha DSLR-A580 |
| Type | Ultracompact | Entry-Level DSLR |
| Introduced | 2010-02-21 | 2011-05-26 |
| Body design | Ultracompact | Compact SLR |
| Sensor Information | ||
| Chip | Exilim Engine 5.0 | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4912 x 3264 |
| Maximum native ISO | 1600 | 12800 |
| Maximum enhanced ISO | - | 25600 |
| Minimum native ISO | 64 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | - | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 36-107mm (3.0x) | - |
| Max aperture | f/3.1-5.6 | - |
| Macro focus range | 10cm | - |
| Amount of lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display sizing | 2.7 inches | 3 inches |
| Resolution of display | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Min shutter speed | 4 seconds | 30 seconds |
| Max shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shutter speed | - | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.20 m | 12.00 m |
| Flash options | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Max flash sync | - | 1/160 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 121 gr (0.27 lbs) | 599 gr (1.32 lbs) |
| Physical dimensions | 97 x 57 x 20mm (3.8" x 2.2" x 0.8") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO Overall score | not tested | 80 |
| DXO Color Depth score | not tested | 23.8 |
| DXO Dynamic range score | not tested | 13.3 |
| DXO Low light score | not tested | 1121 |
| Other | ||
| Battery life | - | 1050 photos |
| Form of battery | - | Battery Pack |
| Battery model | NP-80 | NP-FM500H |
| Self timer | Yes (2 or 10 sec, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | Two |
| Cost at release | $140 | $848 |