Casio EX-Z450 vs Fujifilm Z1000EXR
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95 Imaging
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Casio EX-Z450 vs Fujifilm Z1000EXR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600
- 1280 x 720 video
- 28-112mm (F2.6-5.8) lens
- 128g - 81 x 56 x 21mm
- Introduced August 2009
(Full Review)
- 16MP - 1/2" Sensor
- 3.5" Fixed Display
- ISO 100 - 3200 (Expand to 6400)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 157g - 102 x 60 x 18mm
- Introduced January 2012

Comparing the Casio EX-Z450 and Fujifilm FinePix Z1000EXR: A Compact Camera Duel Across a Decade
When evaluating cameras, especially compacts, it’s crucial to dig beyond spec sheets and understand how each camera serves the photographer in real shooting scenarios. I’ve tested thousands of cameras over the years, and while these two contenders - Casio’s EX-Z450 from 2009 and FujiFilm’s FinePix Z1000EXR from 2012 - fall into an era preceding today's mirrorless explosion, they each reflect their makers’ philosophies and technology levels during their respective launches. Let’s explore how they compare in handling, imaging, video, and versatility, and what types of users might find them suitable today.
Design and Ergonomics: Built for Pocket Convenience with Slightly Different Approaches
Both cameras are compact, appealing to consumers looking for portable “grab-and-go” solutions, but the differences are clear when you hold them. The Casio EX-Z450 presents a diminutive 81x56x21 mm frame weighing just 128 grams. Its body is tidy and straightforward, but without an articulating or touch-sensitive screen, it feels a bit dated even for its time. The fixed lens and minimal button layout underscore a 'point-and-shoot' ethos without ambition for advanced controls.
The Fujifilm Z1000EXR, on the other hand, is physically larger (102x60x18 mm) and heavier (157 grams). That added bulk translates into a more substantial grip - something that will benefit enthusiasts seeking steadier handling. The 3.5-inch TFT touchscreen with 460k dots gives an immediate interface advantage. It’s ironic that FujiFilm packed a touch LCD in a small sensor compact three years after Casio’s less equipped model, which only has a 3-inch fixed LCD at 230k dots resolution.
Top-side controls reinforce these differences. While Casio keeps it minimal, FujiFilm includes more mode options and toggles accessible from the top plate, signaling greater control without delving into DSLR territory. The lack of a viewfinder on either model confirms their intended usage as casual photography tools rather than professional instruments.
Ergonomically, if discretion with a tiny footprint is your priority - say, for street photography or travel - Casio’s lighter design has a slight edge. FujiFilm’s better screen and broader handling footprint benefit users who prefer intuitive menus and on-screen interactions or longer shooting sessions.
Sensor and Image Quality: Small Sensors, Different Eras, Subtle Gains
The heart of any camera is its sensor, and here is where the FinePix Z1000EXR starts to pull ahead. The Casio EX-Z450 is equipped with a 1/2.3" CCD sensor - fairly common for its time - with 12 megapixels. The sensor measures approximately 6.17 by 4.55 mm (sensor area 28.07 mm²), and the maximum ISO tops out at 1600 in native settings. Notably, Casio did not enable RAW shooting, so photographers must rely solely on JPEG outputs, limiting post-processing latitude.
Fujifilm’s Z1000EXR uses a slightly larger 1/2" EXR CMOS sensor, offering 16 megapixels. The front of sensor measures 6.4 x 4.8 mm (30.72 mm²), a tiny but relevant increase. Its ISO native range tops out at 3200 with an additional boost to 6400, enhancing low-light usability. Thanks to its EXR sensor technology, designed to maximize dynamic range and reduce noise, FujiFilm packed more in a virtually identical sensor size.
From a practical standpoint, this means FujiFilm’s sensor can capture a slightly wider dynamic range and better color fidelity in varied lighting conditions. But remember, these are compact cameras with small sensors, so they won’t rival APS-C or full-frame cameras for image quality. Still, FujiFilm’s sensor technology and higher resolution translate into more detailed images and better performance in challenging light.
The absence of RAW support on both models limits professional flexibility, though FujiFilm’s better JPEG engine and ISO headroom soften this limitation. Casio’s image quality is adequate for casual snapshots but shows noticeable noise and detail loss beyond ISO 400, compounded by its CCD sensor’s older architecture.
Autofocus Systems: Precision vs. Speed in Entry-Level Compacts
A camera’s autofocus (AF) experience can make or break candid and action photography. Casio’s EX-Z450 relies solely on contrast detection autofocus with no tracking or face detection. It offers a single AF mode, which means limited responsiveness to moving subjects or complex framing.
The Fujifilm Z1000EXR, introduced three years later, upgrades this area significantly. While still a compact, it supports contrast detection AF with continuous, single, and tracking modes. Moreover, it features face detection, a useful aid for portraitists or street shooters aiming for sharp focus on human subjects.
In real-world tests, FujiFilm’s autofocus system acquitted itself well for a compact - locking quickly on faces and adapting during continuous shooting bursts. Casio’s system feels sluggish by comparison and often hunts in lower light or with less well-defined subjects.
Lens, Zoom, and Macro: Versatility Within Fixed Lenses
Both cameras use fixed zoom lenses. Casio’s lens spans 28–112 mm equivalent focal length (4x zoom) with a maximum aperture range from f/2.6 at the wide end to f/5.8 telephoto. FujiFilm’s lens offers a longer reach at 28–140 mm (5x zoom) with an aperture range from f/3.9 to f/4.9.
Here we see a tradeoff. Casio’s slightly wider aperture at the wide end theoretically gathers more light - an advantage in low light or for shallow depth of field - but FujiFilm’s longer zoom range gives more framing flexibility, especially for portraits or casual wildlife snapshots.
On macro abilities, Casio's closest focusing distance is 10 cm, and FujiFilm improves slightly with 9 cm. Both perform well enough for casual close-ups, but neither is designed with dedicated macro precision or extreme magnification in mind.
Display and User Interface: Visibility and Ease of Use
This is one of the clearest differentiators. The Casio features a 3.0-inch fixed LCD with 230k dots resolution - serviceable but on the low side even for 2009 standards. It offers no touchscreen capability, requiring button-based navigation through menus.
Fujifilm's 3.5-inch TFT LCD has double the resolution at 460k dots and includes touchscreen operation. This significantly improves image review clarity and menu access. For those of us who've spent hours framing with glare on tiny, low-resolution screens, this improvement is a welcome upgrade.
Burst Shooting and Video Performance: Capturing Motion in Still and Moving Frames
Burst shooting is valuable for spontaneous moments, sports, or wildlife. Casio handles ten frames per second (fps) continuous shooting - respectable for its generation - but only in JPEG and without advanced tracking. FujiFilm edges it marginally with 11 fps bursts and adds continuous AF, improving chances of getting sharp images of moving subjects.
In video, Casio tops out at a modest 1280x720 (HD) at 24 fps using Motion JPEG, a bulky and outdated codec that results in large file sizes and lower quality. FujiFilm steps up to full HD 1920x1080 at 30 fps recorded in MPEG-4 H.264, providing better compression, smoother footage, and higher resolution - valuable for casual videographers. Unfortunately, neither camera offers microphone inputs or headphone monitoring, limiting audio control.
Battery Life and Storage: Practical Power Management
Battery life figures are missing for Casio, but it uses an NP-40 battery, typical for compact cameras but with modest endurance. Fujifilm reports about 220 shots per charge using its NP-45A battery - average for a compact of this era.
Both use SD or SDHC memory cards with a single slot. One consideration: Casio has internal memory as backup, which FujiFilm does not. For extended trips, FujiFilm’s longer battery life and reliance on widely available SD cards make it more travel-friendly.
Connectivity and Extras: Eye-Fi vs. Built-in Wireless
Casio’s inclusion of Eye-Fi compatibility in 2009 was innovative - allowing Wi-Fi uploading via Eye-Fi cards, a clever workaround before integrated Wi-Fi became standard. This feature, however, requires additional hardware.
By 2012, FujiFilm integrated wireless connectivity natively (though not Bluetooth or NFC). It also supports HDMI video output, allowing easy playback on TVs - a nod toward modern user convenience.
Durability and Build Quality: Neither Rugged, Both Standards-Compliant
Neither camera offers weather sealing or ruggedized protection. Both are consumer compacts intended for everyday use but not extreme conditions. Their plastic builds are expected to withstand normal handling but watch for long-term durability concerns.
How They Perform Across Our Favorite Photography Genres
To give context, here is a genre-specific view grounded in practical usage and our measurement criteria.
Portrait Photography
FujiFilm’s face detection and continuous AF make it the preferred choice for casual portraitists. The extra sensor resolution affords finer detail in skin textures and hair, critical for personal or family photography. Casio’s lack of AF sophistication limits sharpness, especially when subjects move. The wider aperture on Casio’s lens helps bokeh gently blur backgrounds, but its limited sensor dynamic range may lose highlight details on skin.
Landscape Photography
Landscape shooters demand high resolution and dynamic range to capture detail-rich vistas. FujiFilm’s slightly larger sensor and 16MP count produce sharper, crisper images with better tonal gradation. Casio’s 12MP output is adequate but less refined. Lack of weather sealing on both restricts outdoor harsh weather shooting.
Wildlife Photography
For casual wildlife snaps, FujiFilm again wins due to its longer 140 mm focal length and better autofocus tracking. Casio’s shorter zoom and slow AF will frustrate attempts to capture animals in motion.
Sports Photography
Neither camera is geared toward professional sports, but FujiFilm’s marginally faster burst rates and continuous AF offer slight advantages. Both lack advanced AF tracking or phase detection systems critical for sports shooters.
Street Photography
Casio’s smaller size makes it unobtrusive and pocketable - ideal for street photographers seeking quick snapshots. FujiFilm's touchscreen and larger body make it less stealthy, but autofocus and face detection help in fast-paced scenarios.
Macro Photography
Both cameras allow close focusing but lack focus stacking or manual focus ring. FujiFilm’s slightly shorter macro distance and image stabilization (sensor-shift) provide steadier shots at 9 cm. Casio’s image stabilization is absent, resulting in more motion blur risk.
Night and Astrophotography
Neither compact excels at astrophotography due to small sensors and limited manual controls. FujiFilm’s higher ISO ceiling improves low-light shooting but noise remains a limiting factor.
Video
If video is a priority, FujiFilm’s 1080p 30 fps video with advanced codecs and HDMI out is superior. Casio’s HD video at 24 fps in Motion JPEG feels dated and bulky.
Travel Photography
FujiFilm’s larger lens reach, better screen, improved battery life, and wireless connectivity suit travelers who want flexible shooting. Casio’s compact size and lightness may appeal for ultra-light carry but at cost of versatility.
Professional Use
Neither camera is fit for professional-grade work due to sensor size, lack of RAW support, and limited controls. FujiFilm’s more advanced features offer hobbyists greater creative scope.
Performance Ratings Summary
Here is an encapsulation of overall performance across key aspects:
Genre-Specific Breakdown and Recommendations
Finally, a visual scoring of the cameras' aptitude across photography types:
The Verdict: Which Compact Suits Your Needs Today?
These cameras serve different niches within the compact segment. Casio EX-Z450 is an entry-level point-and-shoot designed for simplicity and portability. FujiFilm FinePix Z1000EXR aims at the enthusiast looking for a robust compact with a better sensor, video capabilities, and user controls.
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Choose the Casio EX-Z450 if:
- You want the smallest, lightest camera for everyday carry.
- You prioritize simplicity and minimal controls.
- Your photography focus is casual snapshots in ample light.
- Battery life and modern connectivity are not critical.
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Choose the Fujifilm FinePix Z1000EXR if:
- You desire better image quality and higher resolution.
- You want improved autofocus with face detection for portraits and street photography.
- Video functionality matters with Full HD support.
- You value touchscreen interface and wireless capabilities.
- You need a longer zoom range for versatile shooting.
Closing Thoughts From Years of Testing Compact Cameras
While neither of these cameras can compete with today’s mirrorless or high-end compacts, understanding their strengths highlights how incremental design advances improve photographer experience. FujiFilm’s Z1000EXR brings meaningful upgrades that anticipate features now standard. Casio’s EX-Z450 embodies a focused simplicity.
If your budget or nostalgia guides you toward these cameras, allocate accordingly - consider FujiFilm for more flexible shooting, Casio for ultra-portability. And as always, pairing these cameras with good shooting technique, understanding light, and thoughtful composition will outshine technological limits.
This comparison sheds light on how compact cameras evolved through the early 2010s and offers insights for enthusiasts researching legacy or budget-friendly devices. I hope this detailed exploration brings clarity to your choice - happy shooting!
If you want to see detailed images and operational insights from these cameras, I encourage visiting camera galleries and hands-on videos from trusted reviewers, as those visual aids complement these technical breakdowns.
Casio EX-Z450 vs Fujifilm Z1000EXR Specifications
Casio Exilim EX-Z450 | Fujifilm FinePix Z1000EXR | |
---|---|---|
General Information | ||
Brand Name | Casio | FujiFilm |
Model type | Casio Exilim EX-Z450 | Fujifilm FinePix Z1000EXR |
Category | Small Sensor Compact | Small Sensor Compact |
Introduced | 2009-08-18 | 2012-01-05 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | EXRCMOS |
Sensor size | 1/2.3" | 1/2" |
Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
Sensor surface area | 28.1mm² | 30.7mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4608 x 3456 |
Highest native ISO | 1600 | 3200 |
Highest boosted ISO | - | 6400 |
Lowest native ISO | 64 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 28-140mm (5.0x) |
Max aperture | f/2.6-5.8 | f/3.9-4.9 |
Macro focusing distance | 10cm | 9cm |
Focal length multiplier | 5.8 | 5.6 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 3.5 inches |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 1/2 secs | 4 secs |
Maximum shutter speed | 1/1000 secs | 1/2000 secs |
Continuous shooting rate | 10.0 frames per sec | 11.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.00 m | 3.70 m (Wide: 30 cm–3.0 m / Tele: 1.0m–2.1 m) |
Flash modes | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 128g (0.28 lb) | 157g (0.35 lb) |
Physical dimensions | 81 x 56 x 21mm (3.2" x 2.2" x 0.8") | 102 x 60 x 18mm (4.0" x 2.4" x 0.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 220 shots |
Form of battery | - | Battery Pack |
Battery ID | NP-40 | NP-45A |
Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat), Couple, Portrait) |
Time lapse shooting | ||
Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Launch cost | $229 | $0 |