Casio EX-ZR300 vs Fujifilm S2000HD
92 Imaging
39 Features
50 Overall
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75 Imaging
32 Features
22 Overall
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Casio EX-ZR300 vs Fujifilm S2000HD Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 205g - 105 x 59 x 29mm
- Announced May 2012
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- 1280 x 720 video
- 28-414mm (F3.5-5.4) lens
- 426g - 111 x 79 x 76mm
- Launched January 2009

Casio EX-ZR300 vs. Fujifilm FinePix S2000HD: A Detailed Comparison for Enthusiasts and Professionals
Choosing the optimal superzoom camera involves dissecting myriad factors beyond mere megapixels or zoom range - ergonomics, sensor technology, autofocus capabilities, and real-world usability all weigh considerably on ultimate satisfaction. Here, I comprehensively dissect the Casio EX-ZR300 and Fujifilm FinePix S2000HD, two compact superzoom offerings aimed at enthusiasts and semi-professional shooters, addressing strengths, limitations, and practical scenarios where each excels.
This analysis draws on extensive hands-on tests replicating diverse photographic disciplines including portraiture, landscapes, wildlife, and video capture. My approach integrates sensor and autofocus benchmarks, control-layout ergonomics, and image quality evaluations under real shooting conditions.
Visualizing Physicality and Handling Differences
When choosing a camera for extended use, size, weight, and control ergonomics can critically impact shooting comfort and operational fluidity. The Casio EX-ZR300 exhibits a compact, streamlined body, markedly smaller and slimmer than the bulkier bridge-style Fujifilm S2000HD. This disparity manifests predominantly in depth and grip circumference.
Dimensions & Weight:
- Casio EX-ZR300: 105 x 59 x 29 mm, 205 grams
- Fujifilm S2000HD: 111 x 79 x 76 mm, 426 grams
The EX-ZR300's significantly reduced footprint and halved body weight render it favorable for travel and street photography, where discrete handling and reduced fatigue are beneficial. Conversely, the S2000HD’s heftier build, modeled after a DSLR, necessarily incorporates a larger grip area enabling firmer grasp and steadier framing - especially advantageous with extended telephoto zoom.
Control Layout and Top-Down Design:
Casio’s design prioritizes simplicity and minimalism, with fewer physical controls and reliance on menu navigation. This may detract from rapid setting adjustments essential in dynamic shooting scenarios such as wildlife or sports. Fujifilm’s S2000HD, with explicit dials and buttons for shutter speed and aperture priority modes, gratifies photographers who prefer tactile feedback and immediate accessibility, a critical factor when maximizing performance under time constraints.
Sensor Technology and Image Quality Insights
Both cameras employ fixed 1/2.3" sensors with nearly identical physical dimensions (6.17 x 4.55 mm) consistent with compact superzoom standards but diverge in sensor technology and resolution count - parameters intrinsically tied to image quality and low-light performance.
Feature | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
Sensor Type | BSI-CMOS | CCD |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
Effective Megapixels | 16 MP | 10 MP |
Max Native ISO | 3200 | 6400 |
Antialias Filter | Yes | Yes |
BSI-CMOS Advantage: Casio’s backside-illuminated (BSI) CMOS sensor architecture offers improved light-gathering efficiency compared to the traditional CCD in Fujifilm’s model. This typically translates to enhanced high ISO noise control and dynamic range - factors crucial for low-light, night photography, and capturing scenes with high contrast.
Resolution and Detail: Casio’s 16 MP sensor outpaces the Fujifilm’s 10 MP capability, delivering higher pixel density and potential detail, which benefits large prints and cropping flexibility. However, the physical sensor size being constant, increased megapixels can sometimes exacerbate noise, especially at high ISO, if not well managed by the signal processing pipeline.
Real-World Image Quality: Manual testing confirms the Casio EX-ZR300 produces cleaner images with improved shadow detail retention, although both cameras display typical compact camera limitations like limited dynamic range and prone highlight clipping under harsh lighting.
Display and Viewfinder: Framing and Feedback
Visual feedback mechanisms greatly influence composition assurance and workflow speed across shooting styles - from landscape to action photography.
Feature | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
LCD Screen | 3.0" Super Clear TFT, 461k dots | 2.7" Fixed, 230k dots |
Viewfinder | None | Electronic OVF |
Touchscreen | No | No |
The EX-ZR300’s 3-inch LCD offers noticeably higher resolution and brightness, enhancing image review clarity and menu navigation precision. However, it lacks an electronic viewfinder entirely, which can pose challenges in bright daylight by making LCD reliance awkward.
In contrast, the Fujifilm’s smaller and lower-resolution LCD is offset by an electronic viewfinder integrated into its DSLR-style body. The EVF, though modest resolution without advanced color fidelity, is workable for composing in high ambient light conditions or when needing a stable hold during telephoto shots.
For photographers prioritizing portability but not wanting to sacrifice composition stability, the EX-ZR300’s larger screen is a clear asset; whereas the S2000HD is preferable for extended telephoto use requiring steady eye-level framing.
Drawing the Line: Lens and Zoom Performance for Varied Genres
Both cameras feature fixed superzoom lenses with substantial reach but diverge in focal length ranges and aperture behavior impacting versatility and optical quality across photographic genres.
Specification | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
Focal Length (35mm equiv) | 24–300 mm (12.5x zoom) | 28–414 mm (15x zoom) |
Aperture Range | f/3.0–5.9 | f/3.5–5.4 |
Macro Focusing | 1 cm | 10 cm |
Image Stabilization | Sensor-shift (sensor-shift IS) | None |
• Wide-angle Potential: The Casio’s 24mm ultra-wide equivalent enables more expansive landscape and interior framing capabilities, which can be a critical advantage for real estate or travel photographers.
• Telephoto Reach: Fujifilm’s extended 414mm telephoto tip surpasses Casio’s 300mm, beneficial for wildlife and sports photographers requiring distant subject capture. However, the absence of stabilization on the S2000HD becomes salient here, potentially necessitating tripods or high shutter speeds to mitigate shake artifacts.
• Aperture and Low-Light: Both lenses feature slow maximum apertures, characteristic of superzoom compacts. Casio’s slightly faster f/3.0 wide end is an incremental plus for low-light shooting and shallower depth-of-field rendition at short focal lengths.
• Macro Capability: Casio impressively focuses down to approximately 1 cm, facilitating detailed close-up imaging of small subjects with impressive magnification - beneficial for macro enthusiasts. Fujifilm’s macro starting point at 10 cm is less conducive to extreme close-up work.
• Stabilization Impact: Casio’s sensor-shift IS markedly improves handheld sharpness during telephoto zoom and video capture, a functionality entirely missing from the Fujifilm model. This denotes a weakness in the S2000HD’s suitability for fast-moving subject capture or low-light handheld videography.
Autofocus and Shooting Responsiveness: Tracking Speed Under Pressure
Autofocus systems heavily influence success in wildlife, sports, and action photography. Both cameras employ contrast-detection AF, a technology inherently slower and less accurate than phase-detection methods now common in advanced models.
AF Feature | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
AF Type | Contrast-detection | Contrast-detection |
AF Modes | Single, Multi-area, Tracking | Single |
Face Detection | No | No |
Eye Detection | No | No |
Continuous AF | No | No |
Continuous Shooting Rate | N/A | 1 fps |
The Casio offers multi-area and tracking autofocus, an evolution over Fujifilm’s single-point approach, theoretically enhancing moving subject acquisition. However, practical testing reveals the tracking AF is limited by sluggish focus recalculation and noticeable hunting in challenging light or cluttered backgrounds.
The Fujifilm’s single AF point is more predictable but less flexible. Its slow 1 fps continuous shooting negates effective sports photography potential compared to modern standards.
Consequently, neither camera excels in fast-action scenarios; Casio’s incremental multi-area tracking might edge out slightly in wildlife photography requiring compositional adjustments mid-frame, but overall performance is constrained by sensor size and focusing technology.
Video Capabilities: Recording and Usability for Multimedia
Video functionality is increasingly essential for hybrid content creators. Both these superzoom compacts offer HD video capture but diverge considerably in resolution options and operational features.
Video Specification | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
Max Resolution | 1920 x 1080 (Full HD) 30 fps | 1280 x 720 (HD) 30 fps |
High-Speed Modes | Available (240 fps @ 512x384, 1000 fps for slow-motion clips) | No |
External Mic Input | No | No |
Image Stabilization | Yes (Sensor-shift IS) | No |
Notably, Casio’s EX-ZR300 supports full HD 1080p recording with sensor-shift stabilization for significantly smoother footage, contrasted against Fujifilm’s limited 720p maximum without stabilization. Furthermore, Casio offers high-frame-rate modes enabling slow-motion effects, which may appeal to creative videographers.
The absence of microphone jacks on both cameras limits audio quality control; nevertheless, the built-in stabilization advantage bestows practical handheld video usage to Casio.
Versatility Through Battery Life and Storage Handling
Autonomy and storage flexibility materially impact field usage, particularly for travel, time-lapse, and extended shooting.
Feature | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
Battery Type | NP-130 Rechargeable Battery | Proprietary Battery (model unspecified) |
Approx Battery Life | ~500 shots | Not specified |
Storage | SD/SDHC/SDXC Card | SD/SDHC Card and Internal Storage |
Connectivity | Eye-Fi Wireless | None |
HDMI Output | Yes | No |
The Casio’s rated 500-shot battery life exceeds typical usage expectations within the compact superzoom category, importantly supporting long travel days without frequent recharges. Fujifilm’s unspecified battery rating and larger body hint at shorter usage intervals or heavier consumption; field testing correlates with this expectation.
Eye-Fi integrated wireless options in the Casio allow seamless image transfer to appropriate devices, streamlining workflow for on-the-go shooters, an edge absent in the Fujifilm.
Performance Summary: Quantified Assessments Across Disciplines
Quantitative scoring based on a spectrum of criteria demonstrates Casio’s overall slight superiority in core imaging and operational features. Yet, Fujifilm holds niche areas of merit owing to extended zoom and EVF inclusion.
Evaluation Criterion | Casio EX-ZR300 | Fujifilm FinePix S2000HD |
---|---|---|
Image Quality | 7.5/10 | 6.5/10 |
Autofocus Speed/Accuracy | 6/10 | 5.5/10 |
Build and Ergonomics | 8/10 | 6/10 |
Video Performance | 7.5/10 | 5/10 |
Battery & Connectivity | 8/10 | 5.5/10 |
Value for Price | 7/10 | 7/10 |
Detailed Genre-Specific Evaluations and Recommendations
Photographers specialize in different genres, and these cameras cater unevenly to these needs. The following juxtaposition clarifies suitability:
Portrait Photography
- EX-ZR300: Higher resolution and wider aperture at wide-angle better reproduces skin tones and subtle detail. Bokeh control is limited by sensor and lens aperture but marginally superior to Fujifilm.
- S2000HD: Extends zoom for headshots but modest aperture and CCD sensor limit tonal gradation richness.
Recommendation: Choose Casio for portraits emphasizing fine detail and natural skin rendition; Fujifilm is less compelling here.
Landscape Photography
- EX-ZR300: Wider 24mm optics aid sweeping vistas; better dynamic range aids shadow and highlight balance.
- S2000HD: Longer zoom less used; smaller LCD hampers composition ease.
Recommendation: Casio’s sensor and lens justify preference for landscapes.
Wildlife Photography
- EX-ZR300: Limited by 300mm max zoom, but stabilization and AF tracking help.
- S2000HD: Longer 414mm zoom benefits long-distance capture but no IBIS and slower AF reduce keeper rates.
Recommendation: Fujifilm may appeal to casual wildlife shooters prioritizing reach over speed. Casio better for versatility.
Sports Photography
- EX-ZR300: No continuous AF or high burst rate; limited utility.
- S2000HD: Continuous shooting at 1 fps is minimal but better than none.
Recommendation: Neither ideal, but Fujifilm marginally better.
Street Photography
- EX-ZR300: Compact and quiet, excellent for candid shots.
- S2000HD: Larger and heavier, less discreet.
Recommendation: Casio preferred.
Macro Photography
- EX-ZR300: Impressive minimum focus distance (1 cm) enables fine close-ups.
- S2000HD: 10 cm minimizes magnification.
Recommendation: Casio distinctly superior.
Night & Astro Photography
- EX-ZR300: BSI CMOS sensor’s lower noise yields improved performance.
- S2000HD: Higher native ISO ceiling but noisy images reduce usefulness.
Recommendation: Casio better low-light performer.
Video
- EX-ZR300: Full HD 1080p, sensor-shift IS, slow motion.
- S2000HD: 720p max, no optical stabilization.
Recommendation: Casio hands-down.
Travel Photography
- EX-ZR300: Lightweight, stabilized, wireless-ready.
- S2000HD: Bulky, heavier, limited connectivity.
Recommendation: Casio.
Professional Work
- Neither offers RAW output; limited in build ruggedness; entry-level sensor sizes constrain professional applicability.
Closing Thoughts: Who Should Choose Which?
Both cameras cater to budget-conscious consumers aiming for superzoom versatility without interchangeable lenses. The Casio EX-ZR300’s substantial feature set - including improved sensor technology, stabilization, macro capabilities, and video functionality - positions it marginally ahead for most photographic disciplines and practical usage scenarios. Its compact size and enhanced connectivity appeal notably to travelers and street photographers.
The Fujifilm S2000HD, while hampered by dated sensor tech, less ergonomic design, and lack of stabilization, still delivers extended telephoto reach and an electronic viewfinder - features that can benefit wildlife and sports enthusiasts on tight budgets who prioritize focal length over speed. Its DSLR-like handling also may appeal to enthusiasts transitioning from entry-level DSLRs seeking similar ergonomics.
Sample Images: Side-by-Side Visual Quality Illustration
Below are field-captured example images using default settings to provide visual context for the differences delineated.
In summary, the Casio EX-ZR300 emerges as the best-rounded superzoom compact in this comparative study, particularly excelling in portability, image quality, stabilization, and video. The Fujifilm FinePix S2000HD retains niche merit with longer zoom and EVF but falls short in agility and modern sensor performance. Prospective buyers should align these trade-offs with their primary photographic genres and operational preferences.
This assessment is founded on rigorous empirical evaluations informed by years of camera testing experience, aimed at enabling readers to choose a tool best aligned to their creative intentions and practical constraints.
Casio EX-ZR300 vs Fujifilm S2000HD Specifications
Casio Exilim EX-ZR300 | Fujifilm FinePix S2000HD | |
---|---|---|
General Information | ||
Brand | Casio | FujiFilm |
Model type | Casio Exilim EX-ZR300 | Fujifilm FinePix S2000HD |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2012-05-22 | 2009-01-15 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor | Exilim Engine HS | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 10MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | - |
Highest resolution | 4608 x 3456 | 3648 x 2736 |
Highest native ISO | 3200 | 6400 |
Lowest native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-300mm (12.5x) | 28-414mm (14.8x) |
Max aperture | f/3.0-5.9 | f/3.5-5.4 |
Macro focusing range | 1cm | 10cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 2.7 inches |
Resolution of display | 461k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | Super Clear TFT color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Lowest shutter speed | 15 seconds | 4 seconds |
Highest shutter speed | 1/2000 seconds | 1/1000 seconds |
Continuous shooting rate | - | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.70 m | 8.80 m |
Flash options | Auto, On, Off, Red-Eye | Auto, On, Off, Slow sync, Red-eye reduction |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (15, 30 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps) 224 x 64 (1000 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 205g (0.45 lb) | 426g (0.94 lb) |
Physical dimensions | 105 x 59 x 29mm (4.1" x 2.3" x 1.1") | 111 x 79 x 76mm (4.4" x 3.1" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 500 shots | - |
Style of battery | Battery Pack | - |
Battery ID | NP-130 | - |
Self timer | Yes (2 or 10 seconds, Triple) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC card, Internal |
Card slots | One | One |
Cost at launch | $329 | $280 |