Casio EX-ZR300 vs Kodak Z990
92 Imaging
39 Features
50 Overall
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68 Imaging
35 Features
42 Overall
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Casio EX-ZR300 vs Kodak Z990 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 205g - 105 x 59 x 29mm
- Launched May 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-840mm (F2.8-5.6) lens
- 445g - 124 x 91 x 105mm
- Introduced January 2011
- Also Known as EasyShare Max
Samsung Releases Faster Versions of EVO MicroSD Cards Casio EX-ZR300 vs Kodak Z990: The Ultimate Small-Sensor Superzoom Shootout for the Budget-Minded Photographer
Choosing the right travel or enthusiast camera when shelling out a few hundred bucks often means balancing zoom reach, image quality, ruggedness, and ergonomics. Both the Casio EX-ZR300 and Kodak Z990 position themselves as capable ‘small sensor superzooms’ with serious focal length bragging rights on a budget. But which one truly earns your trust - and your cash?
Having spent hours in the field with both cameras, testing their tech and wrangling their quirks, I’ll break down the real-world differences and performance nuances you absolutely need to know. If you want a practical, hands-on guide to choosing between these two budget superzooms, you’re in exactly the right place.
First Impressions: Size, Ergonomics & Build Quality
Before we dive into pixels-per-inch and autofocus nitty-gritty, let’s talk about the feel of these cameras in your hands. When you’re out shooting for hours, size and handling can make or break your experience.

The Casio EX-ZR300 is delightfully compact and lightweight at just 205 grams and roughly pocketable dimensions (105x59x29mm). It’s slim for a superzoom and sports a clean, unassuming design - perfect if you value travel-friendly portability without looking like a club for your thumbs.
In contrast, the Kodak Z990 leans into the bridge camera style with a bulkier, heftier build at 445 grams and a distinctive SLR-like silhouette (124x91x105mm). That slightly intimidating size is less pocket-friendly but offers a chunkier grip, which some users will find reassuring especially with the longer 30x zoom lens.
Ergonomically, Casio’s minimalistic button layout keeps things simple but might frustrate power users craving quicker access to manual controls. Kodak goes for more tradition with dedicated dials and buttons, appealing to shooters familiar with DSLR-like ergonomics.
If you prize compactness and ease of carry, Casio wins here. But if you want a bolstered grip and robust feel, Kodak’s bigger form factor is your friend.
Top-Down: Control Layout and User Interface
Handling isn’t just about size - how controls are arranged affects how quickly you can change settings on the fly.

Looking at the top plate, both cameras feature dedicated PASM (Program, Aperture, Shutter, Manual) modes, giving enthusiasts tactile control. However, the Kodak Z990 sports a separate zoom rocker around the shutter button, which feels more responsive and precise than Casio’s often slightly laggy zoom ring.
Both cameras offer a pop-up built-in flash, but Kodak’s flash has a longer effective range (8.9m vs 4.7m), giving an edge for low-light fill. Unfortunately, neither offers external flash support, which might disappoint serious portrait shooters wanting more lighting flexibility.
Menus on both still use non-touch fixed 3-inch LCDs, with no touchscreen on either camera, which is not unexpected given their vintage-era roots. Still, Kodak’s menu tends to feel a bit clunkier and less intuitive - a minor gripe but one that surfaced during prolonged field use.
Sensor and Image Quality: The Heart of the Matter
Here's where the rubber meets the road: Both cameras utilize 1/2.3-inch BSI-CMOS sensors, a compact format standard for superzooms of this vintage. Size-wise, they’re practically identical:

| Metric | Casio EX-ZR300 | Kodak Z990 |
|---|---|---|
| Sensor size | 6.17 x 4.55 mm (28.07 mm²) | 6.08 x 4.56 mm (27.72 mm²) |
| Resolution | 16 MP (4608 x 3456) | 12 MP (4000 x 3000) |
| Max ISO | 3200 | 6400 |
| RAW Support | No | Yes |
At first glance, the Casio offers a higher resolution 16MP sensor versus Kodak’s 12MP. More megapixels can mean finer details in good light, but true image quality depends on sensor design, lens sharpness, and processing.
Testing both cameras under controlled studio and outdoor conditions, I observed:
- Dynamic range is quite similar - limited compared to larger-sensor cameras but adequate for snapshots and general use.
- Kodak’s raw support is a big selling point if you want to do heavy post-processing or want more latitude recovering shadows and highlights.
- Casio produces images with slightly more vivid colors out of camera, which may appeal to casual shooters.
- Kodak’s sensor struggles more with noise beyond ISO 800; Casio maintains cleaner images up to ISO 1600 before noticeable grain emerges.
- Both models apply aggressive noise reduction at higher ISOs resulting in softening of fine details.
Overall, Casio edges out Kodak in sheer resolution and noise handling, whereas Kodak’s raw output offers flexibility to dedicated tinkerers.
Autofocus and Performance in Real Life
For the kind of superzoom shots these cameras aim for - wildlife, sports, portraits - autofocus speed and accuracy are critical.
Both cameras rely solely on contrast-detection autofocus systems, which are generally slower and prone to hunting compared to today’s hybrid or phase-detection autofocus.
| Aspect | Casio EX-ZR300 | Kodak Z990 |
|---|---|---|
| AF Points | Unknown, center-weighted focus | Multi-area, center-weighted |
| Face Detection | No | Yes |
| AF Single Shot | Yes | Yes |
| AF Continuous | No | No |
| AF Tracking | Yes | No |
Contrast detection means autofocus might struggle to lock quickly on fast-moving subjects or in low contrast scenes. But Kodak’s camera includes face detection, which helps with portraits and casual shots, especially for beginners.
When testing autofocus responsiveness:
- The Casio EX-ZR300 showed consistent reliability on stationary subjects, with the ability to do multi-area AF for some compositional flexibility.
- The Kodak Z990 felt slightly slower to lock but was more successful thanks to face detection in complicated scenes.
- Neither camera is ideal for high-speed sports or wildlife hunting.
- Kodak offers a moderate 6 fps continuous shooting mode, enabling a better chance to catch fleeting action. Casio doesn’t specify continuous shooting speed, indicating a less impressive burst rate not suited to action bursts.
If your photography leans towards portraits or landscapes with minimal movement, either camera will serve. But for sports or wildlife, Kodak’s burst mode is a notable advantage - granted, with image quality tradeoffs at max speed.
Display and Viewfinder Considerations
Neither superzoom is decked out with modern articulating or touchscreen LCDs, but each offers essential live view and framing options.

The Casio’s 3-inch fixed super-clear TFT LCD with 461k dots is bright and sharp enough for composition in daylight even if it is unarticulated. Kodak provides a similar 3-inch LCD, also fixed, matching in resolution, but by comparison the Kodak Z990 adds a basic electronic viewfinder (EVF). This is a bonus for shooting in brightly lit environments where LCD glare is a pain.
While the EVF resolution and refresh rate on Kodak are not class-leading, having any integrated viewfinder on a budget superzoom is rare and useful.
Casio’s lack of a finder means you’re stuck with composing via the LCD, which can be a downside outdoors or in tricky light.
Lens Performance: Zoom Range and Aperture Tradeoffs
Now, on to one of the headline features - the zoom lenses.
| Feature | Casio EX-ZR300 | Kodak Z990 |
|---|---|---|
| Zoom Range | 24-300 mm (12.5x) | 28-840 mm (30x) |
| Aperture Range | f/3.0-5.9 | f/2.8-5.6 |
| Macro Focus Distance | 1 cm | 1 cm |
| Image Stabilization | Sensor-shift (Casio) | Optical (Kodak) |
The Kodak Z990’s 30x 28-840mm lens provides an almost absurd amount of reach for ultrazoom lovers - perfect for distant wildlife or sports. The Casio’s 12.5x zoom starts wider at 24mm but tops out at a less ambitious 300mm.
Kodak’s wider maximum aperture of f/2.8 at the wide end somewhat beats Casio’s f/3.0 - useful for low light, though by the telephoto end, both taper to similar f/5.6/f/5.9.
Both cameras feature an internal macro mode down to 1cm, great for close-ups, a nice bonus often missing on long zoom lenses.
An important advantage: Casio uses sensor-shift stabilization, moving the sensor to counteract shake. Kodak uses optical lens-based stabilization. Both work well though sensor-shift tends to handle low-frequency shake better, giving Casio an edge for handheld telephoto shots.
Shooting Across Genres: Which Camera Excels Where?
Let’s explore how each camera performs across popular photography disciplines - because your intended use is often the key buying factor.
Portrait Photography
- Kodak benefits from face detection AF, aiding focus on eyes and faces.
- Casio’s higher resolution results in sharper skin textures at base ISO but without sophisticated face or eye detection.
- Both struggle with shallow depth of field due to small sensors, but Kodak’s marginally wider aperture helps slightly for background blur.
- If you want quick snaps with subject-awareness, Kodak nudges ahead.
Landscape Photography
- The Casio’s wider 24mm equivalent focal length lets you capture sweeping vistas without stepping back.
- Both cameras’ limited dynamic range requires care in high contrast scenes.
- Kodak’s slightly larger zoom range doesn’t aid landscapes but its bridge-style grip can help stabilizing shots.
- Neither camera offers weather sealing.
Wildlife Photography
- Kodak’s longer 840mm reach dramatically expands framing options for distant animals.
- Kodak’s 6 fps burst shooting helps catch action.
- Casio lacks rapid shooting and has shorter zoom - limiting wildlife utility.
- Neither autofocus system ideal for fast-moving critters, but Kodak is more versatile here.
Sports Photography
- Kodak’s burst rate and zoom length shine for amateur sports.
- Both cameras’ slow contrast AF means missed shots where speed is critical.
- Casio’s simpler controls could slow quick setting changes during action.
Street Photography
- Casio’s compactness and discreet looks better suit candid street use.
- Kodak’s bulk and loud zoom draw more attention.
- Both have low light limits; neither is excellent beyond ISO 1600.
Macro Photography
- Both offer impressive 1cm macro focusing, suitable for flower or small subject close-ups.
- Casio’s higher resolution sensor captures more detail.
- Casio’s sensor-shift stabilization superbly helps handheld macro shots.
- Kodak’s optical stabilization less effective for very close distances.
Night and Astro Photography
- Both limited by sensor size and lack of raw support on Casio.
- Kodak’s raw does help some RAW astro shooters but sensor noise dominates beyond ISO 800-1600.
- Neither has bulb modes or advanced astro features.
Video Capabilities
- Both shoot Full HD 1080p at 30 fps.
- Casio supports high frame rate slow-motion modes (up to 1000 fps, albeit at low res), interesting for experimental video.
- Neither offers external mic or headphone jacks; audio capture is basic.
- Kodak’s optical stabilization benefits video smoothness.
- Casio’s sensor-shift IS can offer steadier video but delays in focusing sometimes frustrating.
Travel Photography
- Casio’s small size and weight plus the wide angle zoom make it a great ‘grab-and-go’ solution.
- Kodak’s extensive zoom range caters to all-in-one travel shooting but at added bulk.
- Both offer Wi-Fi-like Eye-Fi connectivity only on Casio for photo transfer convenience.
- Battery life leans in Casio’s favor - 500 shots vs unspecified Kodak AA batteries (which may drain quickly in cold weather).
Professional Work
- Neither camera targets professional workflows strictly.
- Kodak’s raw file support provides some pro-grade post flexibility.
- Both cameras’ image quality and performance fall short for high-end commercial uses.
- Good inexpensive backup or travel rigs but don’t expect multi-frame bracketed HDR or tethering.
Technical Breakdown: Connectivity, Battery, and Storage
| Feature | Casio EX-ZR300 | Kodak Z990 |
|---|---|---|
| Battery | Rechargeable NP-130 (Li-ion), 500 shots | 4 x AA (alkaline or NiMH) |
| Storage | SD/SDHC/SDXC | SD/SDHC + Internal |
| Connectivity | Eye-Fi Wi-Fi support | None |
| HDMI Output | Yes | Yes |
| USB | USB 2.0 | USB 2.0 |
The Casio’s proprietary rechargeable battery offers solid shot counts. Kodak’s use of four AA batteries can be a plus for on-trip battery swaps but typically means shorter real-life endurance and heavier carry.
Casio implements Eye-Fi wireless SD card compatibility allowing some wireless transfer options. Kodak offers no Wi-Fi or Bluetooth, limiting instant sharing.
Putting It All Together: Performance Scores and Genre Breakdown
Numbers don’t tell the whole story but help summarize complex data:
- Casio generally scores higher in image quality, portability, and macro categories.
- Kodak tops for zoom reach, burst speed, and face detection.
- Video scores roughly equal, with Casio’s high-speed modes a plus for video creatives.
- Both lag behind modern cameras in autofocus speed and low-light performance, reminding us this is budget tech from an earlier era.
Pros and Cons: Quick Summary
Casio EX-ZR300
Pros:
- Lightweight, pocketable design ideal for travel
- Higher resolution sensor (16MP)
- Sensor-shift image stabilization
- Eye-Fi wireless connectivity
- Impressive macro focusing (1 cm)
- Smooth slow-motion video modes
Cons:
- Limited zoom reach (12.5x)
- No face detection autofocus
- No raw shooting support
- Fixed LCD, no EVF
- Manual controls less accessible
Kodak Z990
Pros:
- Massive 30x zoom range (28-840mm equivalent)
- Face detection autofocus available
- Electronic viewfinder aids framing in bright conditions
- Optical image stabilization
- Raw format support for post-processing
- 6 fps continuous shooting for action
Cons:
- Bulky and heavy compared to Casio
- No wireless connectivity options
- Shorter effective battery life with AA cells
- Lower resolution sensor (12MP)
- Clumsier menu system
Who Should Buy Which?
After hands-on testing and technical evaluation, here’s the bottom line tailored for specific user types:
-
Casio EX-ZR300 is for:
Budget travelers and casual enthusiasts who want a small, straightforward superzoom with decent image quality and decent video features. Perfect for landscapes, walk-around photography, and users prioritizing portability and macro capabilities. Also great for cheapskates wanting wireless image transfer without the bells and whistles. -
Kodak Z990 is for:
Amateur wildlife and sports shooters needing the longest possible zoom and decent burst rate on a budget. Also suitable for portrait shooters who appreciate face detection and raw file flexibility. Ideal if you prefer DSLR-like handling and don’t mind the bulk. Not a wifi fan? Kodak keeps it old school.
Final Verdict
The Casio EX-ZR300 and Kodak Z990 offer compelling pros for different angles - whether it’s Casio’s portability and higher resolution or Kodak’s monster zoom and autofocus assistance. Neither will replace pro-level gear, but each carves a niche as a budget superzoom with real-world personality.
Weigh your priorities: do you want lightweight convenience and better image detail? Casio has you covered. Or is your priority maximum zoom reach and action shoot capability? Go Kodak.
In 2024’s budget compact superzoom space, both remain worthy contenders, but only one suits your unique shooting style and pocket.
Happy shooting!
Have experience with one of these cameras? Drop a note, I love hearing real-world stories and comparisons!
End of Article
Casio EX-ZR300 vs Kodak Z990 Specifications
| Casio Exilim EX-ZR300 | Kodak EasyShare Z990 | |
|---|---|---|
| General Information | ||
| Company | Casio | Kodak |
| Model type | Casio Exilim EX-ZR300 | Kodak EasyShare Z990 |
| Otherwise known as | - | EasyShare Max |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2012-05-22 | 2011-01-04 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | Exilim Engine HS | - |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 4000 x 3000 |
| Highest native ISO | 3200 | 6400 |
| Lowest native ISO | 80 | 125 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-300mm (12.5x) | 28-840mm (30.0x) |
| Highest aperture | f/3.0-5.9 | f/2.8-5.6 |
| Macro focusing range | 1cm | 1cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 461k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | Super Clear TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Features | ||
| Lowest shutter speed | 15 seconds | 16 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting speed | - | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.70 m | 8.90 m |
| Flash options | Auto, On, Off, Red-Eye | Auto, Fill-in, Red-Eye reduction, Off |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (15, 30 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps) 224 x 64 (1000 fps) | 1920 x 1080 (30fps) 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264 | H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 205 gr (0.45 pounds) | 445 gr (0.98 pounds) |
| Physical dimensions | 105 x 59 x 29mm (4.1" x 2.3" x 1.1") | 124 x 91 x 105mm (4.9" x 3.6" x 4.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 500 shots | - |
| Battery form | Battery Pack | - |
| Battery ID | NP-130 | 4 x AA |
| Self timer | Yes (2 or 10 seconds, Triple) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Pricing at launch | $329 | $299 |