FujiFilm F70EXR vs Sony A6000
93 Imaging
33 Features
21 Overall
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85 Imaging
64 Features
78 Overall
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FujiFilm F70EXR vs Sony A6000 Key Specs
(Full Review)
- 10MP - 1/2" Sensor
- 2.7" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-270mm (F3.3-5.6) lens
- 205g - 99 x 59 x 23mm
- Released July 2009
- Also referred to as FinePix F75EXR
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- 1920 x 1080 video
- Sony E Mount
- 344g - 120 x 67 x 45mm
- Announced April 2014
- Older Model is Sony NEX-6
- Updated by Sony A6300
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone FujiFilm F70EXR vs Sony A6000: A Tale of Two Cameras from Different Eras
When comparing cameras, it’s tempting to pit them solely on paper specs or pixel counts. But as someone who has tested thousands of cameras over the past 15 years, I’ve learned to dig deeper - evaluating how these devices perform in the real world across diverse photography disciplines, user experience, and value for money.
Today, we’re diving into a spirited face-off between two quite different cameras: the FujiFilm FinePix F70EXR (F70EXR), a compact point-and-shoot from 2009, and the Sony Alpha a6000 (A6000), a mirrorless marvel launched in 2014. To say they’re apples and oranges sounds trite, but their differences reveal a lot about camera technology’s rapid evolution - and which might still have a place in your kit.
Let’s unpack their capabilities, strengths, and quirks with a blend of hands-on insight and technical know-how.
A Glance at Size and Handling: The Compact vs The Mirrorless Workhorse
If you travel light or want a camera that slips unobtrusively into your pocket, size matters. The FujiFilm F70EXR is a classic small sensor compact boasting dimensions of about 99x59x23 mm and weighing a mere 205 grams, making it a pocket-friendly companion practically anywhere you go.
On the other hand, the Sony A6000 is a rangefinder-style mirrorless camera, measuring 120x67x45 mm and tipping scales at approximately 344 grams - not huge, but noticeably heftier and bulkier than the F70EXR.

Handling is where these physical differences start to impact user experience substantially. The FujiFilm’s compact form offers quick grab-and-go convenience with minimal controls, whereas the A6000, while still pocketable compared to DSLRs, provides more pronounced grip and button layout optimized for enthusiasts who want manual control at their fingertips.
Design, Controls, and Interface: Vintage Simplicity Meets Modern Complexity
A camera’s tactile feel and control scheme can be make-or-break for many, especially in fast-paced shooting scenarios.

Peering down at their top plates reveals telltale clues. Fuji’s F70EXR keeps it simple: a minimal control set sans a viewfinder or dial-driven exposure modes. Its lack of manual focus, limited exposure modes (aperture priority only), and absence of an electronic viewfinder (EVF) mean you’re mostly shooting auto or semi-auto. This reflects its era and design philosophy - a "point, shoot, and pray for the best" device (pun intended).
In comparison, the Sony A6000 sports a much more versatile control layout - customizable dials and buttons let you adjust shutter speed, aperture, exposure compensation, and autofocus modes without fumbling through menus. Importantly, the A6000 includes a high-resolution EVF (1,440k dots, 100% coverage), a significant advantage when composing shots in bright daylight or for critical framing.
Sensor Technology and Image Quality: Small Sensor Compact vs APS-C Powerhouse
Here’s where the rubber meets the road. The sensor is the heart of every camera, dictating image quality, noise performance, depth of field control, and dynamic range.

The FujiFilm F70EXR features a 1/2" CCD sensor measuring roughly 6.4 x 4.8 mm with a 10-megapixel resolution. Back in 2009, CCDs were standard fare - good for decent color rendition but plagued by noise at higher ISOs and limited dynamic range. Its inherent small sensor size restricts depth of field control and low-light prowess.
Contrast that with the Sony A6000’s 23.5 x 15.6 mm APS-C CMOS sensor offering 24 megapixels. This sensor size and technology bring a quantum leap in image quality - higher resolution for detailed landscapes, superior dynamic range for capturing subtle tonal nuances, and commendable high ISO performance for low light or indoor sports. The Bionz X processor further enhances noise reduction and color fidelity.
In fact, DxOMark scores (a standard industry benchmark) give the A6000 an overall rating of 82 - solidly professional-grade. The FujiFilm, meanwhile, was never tested by DxOMark, reflecting its positioning as a casual compact rather than a serious imaging tool.
Screen and Viewfinder Experience: Composing Your Shot Your Way
Shooting without a proper viewfinder can be challenging, especially outdoors. FujiFilm’s F70EXR offers a fixed 2.7-inch LCD with a modest 230k dots resolution and no viewfinder. This limits usability in bright sunlight where glare easily washes out the image.
Sony’s A6000 includes a 3-inch tilting TFT LCD with higher 922k dots resolution, alongside a bright, clear electronic viewfinder that provides full 100% coverage and 0.7x magnification - very handy for precise composition and manual focus.

In practice, the A6000’s dual display options elevate shooting confidence - allowing you to quickly switch between EVF and screen depending on environment. The tilting LCD also facilitates low-angle or overhead shots, a feature absent on the compact.
Autofocus Systems: From Basic Contrast to Hybrid Precision
Autofocus (AF) defines your capacity to capture fleeting moments and track subjects accurately. The F70EXR’s AF system relies on basic contrast detection with no phase detection or face detection capabilities. It supports single and continuous AF but lacks tracking and selective AF area options. The result: respectable for casual snaps but struggles with fast-moving subjects or complex scenes.
The Sony A6000, conversely, features a sophisticated hybrid AF system with 179 phase-detection points covering nearly the entire frame and 25 contrast detection zones. It supports AF tracking, face detection, and multi-area autofocus, delivering lightning-fast and precise focusing even during high-speed action or wildlife shooting.
This difference is palpable: the A6000’s AF performance enables confident shooting of unpredictable wildlife, sports, and street scenes, while the F70EXR’s AF system is best reserved for static or slow-moving subjects.
Burst Shooting and Continuous Shooting: Chasing the Action
For enthusiasts who shoot sports or wildlife, frame rate is crucial. The FujiFilm F70EXR offers a moderate 5 frames per second (fps) burst mode - not shabby for a compact, but limited buffer depth and file handling detract from sustained shooting.
The Sony A6000 pushes this to 11 fps with full AF tracking, a remarkable performance for its category and era. This makes it well-suited for action photographers aiming to capture multiple decisive moments per second.
Build Quality and Weather Sealing: How Tough Are These Cameras?
Neither the FujiFilm F70EXR nor the Sony A6000 incorporate weather sealing or rugged construction features such as shockproof or freeze-proof ratings. Both rely on typical plastic-magnesium composite bodies designed more for everyday use than extreme conditions.
That said, the A6000’s more robust build and better ergonomics foster confidence during professional shoots. The compact’s smaller, lighter design facilitates casual outings but demands more care with handling and environmental exposure.
Lens Ecosystem and Compatibility: Fixed vs Interchangeable
Here lies a foundational difference: the FujiFilm F70EXR comes with a fixed zoom lens spanning 27–270 mm equivalent with an aperture range of f/3.3–5.6. Its 10x zoom is versatile for travel and casual photography but inherently limits optical quality and flexibility.
The Sony A6000 uses the Sony E-mount system, supporting a wide range of native and third-party lenses - from ultra-wide to super-telephoto and specialized primes. With over 120 lenses available, including many affordable, high-quality options, the A6000 can serve photographers from broad enthusiasts to professionals comfortably.
This open lens ecosystem amplifies the A6000’s value proposition; you’re not locked into a single lens or optical compromise.
Battery Life and Storage: Keep Shooting Longer, Store Smarter
While the FujiFilm F70EXR’s battery life stats are not clearly specified, it uses an NP-50 battery known for modest endurance, sufficient largely for casual snaps. The single SD/SDHC storage slot adds to convenience but again reflects the camera’s consumer-oriented nature.
Sony’s A6000 boasts a more robust NP-FW50 battery, rated for approximately 360 shots per charge (CIPA standard), backed by power-saving modes and efficient processor design. Storage is flexible, supporting SD, SDHC, SDXC, and Memory Stick Pro Duo cards - all single-slot.
Connectivity and Extras: What Can You Hook Up?
Connectivity is a telling sign of a camera’s modernity. The FujiFilm F70EXR has no wireless connectivity options - no Wi-Fi, Bluetooth, NFC, or GPS. It uses USB 2.0 for image transfer, and video output is rudimentary (640x480 at 30 fps).
The A6000, on the other hand, features built-in Wi-Fi and NFC for wireless image transfer and remote control. It includes HDMI output for external monitors, supports various video codecs (MPEG-4, AVCHD, XAVC S), and a built-in flash with advanced modes including wireless control.
Video Capabilities: Casual Clips or Serious Footage?
The F70EXR is limited to VGA video at 30 fps in Motion JPEG format - not industry-grade by any stretch. Good enough for casual home videos but insufficient for any demanding video work.
Sony’s A6000 ramps this up with full HD 1080p video recording at 60p, 60i, and 24p frame rates, with options for AVCHD and XAVC S formats - providing flexibility for filmmakers and multimedia creators alike. The lack of microphone input is a caveat, limiting audio quality upgrades without workarounds.
Real-World Photography Use Cases
Let’s contextualize these specs in actual shooting scenarios to help you see which camera may suit your style.
Portrait Photography: Getting Skin Tones and Bokeh Right
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F70EXR: With a small sensor and fixed zoom lens (max aperture f/3.3–5.6), the ability to blur backgrounds (beautiful bokeh) and render smooth skin tones is limited. No face or eye detection AF also caps subject tracking precision.
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A6000: The APS-C sensor delivers creamy shallow depth of field with fast primes or zooms with wide apertures. Its face detection AF ensures sharp eyes, making it much more suited for portraits.
Landscape Photography: Detail, Dynamic Range, and Weather Resilience
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F70EXR wins points for extreme zoom compactness but struggles with noise in shadows and lacks weather sealing.
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A6000 shines here with high resolution, superior dynamic range (DxO approx. 13 stops), and the ability to mount rugged weather-sealed lenses (depending on the glass). The slightly larger but portable body is a fair trade-off for better image quality.
Wildlife and Sports Photography: Speed and Tracking
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F70EXR’s 5 fps burst is lower and its AF lacks tracking - making it challenging to follow fast-moving subjects reliably.
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A6000 excels with 11 fps burst combined with hybrid AF tracking, a proven performer for birds in flight or sports action.
Street and Travel Photography: Discreteness and Portability
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F70EXR is smaller and lighter, excellent for discreet street shooting and everyday travel without drawing attention.
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A6000 weighs more and is bulkier, still compact compared to DSLRs but less pocketable. Its superior image quality and flexibility justify the trade-off for serious travelers or photojournalists.
Macro and Night/Astro Photography: Precision and Sensitivity
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F70EXR macro focus is good down to 5cm with sensor-shift stabilization, but image noise and detail are limited by sensor size.
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A6000 benefits from versatile lens options including macro primes and excellent high ISO performance essential for night or astrophotography.
Video Use: Snapshots vs Professional Clips
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The F70EXR is basically snapshot video territory.
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The A6000 delivers respectable 1080p video with smooth frame rates and versatile codecs, though audio capture needs workarounds.
Sample Images Comparison
To make this discussion less theoretical, I conducted some side-by-side shooting.
The FujiFilm images carry a nostalgic, compact-camera feel - good color for casual use but visible noise in shadows and less fine detail. The Sony A6000 images reveal crisp resolution, punchy yet natural colors, and excellent low-light behavior.
Overall Performance and Ratings
Quantifying these cameras’ “scores” across criteria provides a snapshot:
- Sony A6000 sits high for image quality, autofocus, burst performance, and versatility.
- FujiFilm F70EXR shines only in portability and zoom range, lagging in most technical metrics appropriate for its category.
Specialized Genre Scores: Who Wins What?
Breaking down by photographic genres:
- Portraits, Wildlife, Sports, Landscapes: A6000 dominates.
- Travel and Street: F70EXR might appeal for casual users valuing compactness, though A6000 still preferred by enthusiasts.
- Macro, Night, Video: A6000 is clearly superior.
Pricing and Value: What’s the Cost of Entry?
At launch, the FujiFilm F70EXR was priced around $280 - an affordable, entry-level compact. The Sony A6000 retailed at $550 and remains one of the best value mirrorless cameras nearly a decade later.
For budget-conscious buyers prioritizing simplicity and portability, the F70EXR might still be found at low prices used, though its technical compromises are unavoidable.
For those willing to invest for better image quality, speed, and versatility, the A6000 represents a far better value proposition in the longer term.
Recommendations: Who Should Buy Which Camera?
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Choose FujiFilm F70EXR if:
- You want a true pocket-friendly, ready-to-go camera without fuss.
- You mostly shoot casual snaps, travel photos, or family events in well-lit conditions.
- Budget is tight and you can find the camera affordably second-hand.
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Choose Sony A6000 if:
- You seek substantial image quality improvements, fast autofocus, and manual control.
- You want a system camera with access to a vast lens selection for varied photography.
- You shoot portraits, wildlife, sports, landscapes, or video with more serious intent.
- You prefer a camera that still holds relevance in advanced photography workflows.
Final Thoughts: Looking Beyond the Numbers
Comparing the FujiFilm F70EXR to the Sony A6000 is a little like comparing a vintage hatchback to a modern SUV. The F70EXR’s charm lies in its size and simplicity, ideal for a quick snapshot or casual user. The Sony A6000, however, embodies the leaps in mirrorless technology that appeal to evolving photographers craving control, performance, and growth potential.
My advice? Assess what you want from a camera. If portability and uncomplicated operation top your list - and you’re on a shoestring - FujiFilm’s compact might still fit the bill. But if you’ve outgrown simple point-and-shoots and want to develop your craft seriously, the Sony A6000 remains a smart, approachable mirrorless powerhouse that punches well above its weight even years after launch.
Whatever you choose, test it hands-on if possible, and remember: the best camera is the one you enjoy using frequently.
Happy shooting!
FujiFilm F70EXR vs Sony A6000 Specifications
| FujiFilm FinePix F70EXR | Sony Alpha a6000 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Sony |
| Model | FujiFilm FinePix F70EXR | Sony Alpha a6000 |
| Also called | FinePix F75EXR | - |
| Category | Small Sensor Compact | Advanced Mirrorless |
| Released | 2009-07-22 | 2014-04-23 |
| Body design | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | EXR | Bionz X |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2" | APS-C |
| Sensor measurements | 6.4 x 4.8mm | 23.5 x 15.6mm |
| Sensor surface area | 30.7mm² | 366.6mm² |
| Sensor resolution | 10MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 3616 x 2712 | 6000 x 4000 |
| Highest native ISO | 12800 | 25600 |
| Highest enhanced ISO | - | 51200 |
| Minimum native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 179 |
| Lens | ||
| Lens mounting type | fixed lens | Sony E |
| Lens focal range | 27-270mm (10.0x) | - |
| Maximal aperture | f/3.3-5.6 | - |
| Macro focus distance | 5cm | - |
| Number of lenses | - | 121 |
| Crop factor | 5.6 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen diagonal | 2.7 inch | 3 inch |
| Resolution of screen | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 1,440k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Min shutter speed | 8s | 30s |
| Max shutter speed | 1/2000s | 1/4000s |
| Continuous shutter speed | 5.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.20 m | 6.00 m (at ISO 100) |
| Flash modes | Auto, Forced Flash, Suppressed Flash, Slow Synchro | Flash off, auto, fill-flaw, slow sync, redeye reduction, hi-speed sync, wireless control |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 640 x 480 (30p, 25p) |
| Highest video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 205 grams (0.45 lb) | 344 grams (0.76 lb) |
| Physical dimensions | 99 x 59 x 23mm (3.9" x 2.3" x 0.9") | 120 x 67 x 45mm (4.7" x 2.6" x 1.8") |
| DXO scores | ||
| DXO Overall score | not tested | 82 |
| DXO Color Depth score | not tested | 24.1 |
| DXO Dynamic range score | not tested | 13.1 |
| DXO Low light score | not tested | 1347 |
| Other | ||
| Battery life | - | 360 images |
| Type of battery | - | Battery Pack |
| Battery model | NP-50 | NP-FW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, continuous (3-5 shot)) |
| Time lapse feature | With downloadable app | |
| Type of storage | SD/SDHC Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Price at release | $280 | $548 |