FujiFilm S1800 vs Fujifilm HS30EXR
78 Imaging
34 Features
26 Overall
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59 Imaging
39 Features
59 Overall
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FujiFilm S1800 vs Fujifilm HS30EXR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Raise to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-5.6) lens
- 337g - 110 x 73 x 81mm
- Released February 2010
- Alternative Name is FinePix S1880
(Full Review)
- 16MP - 1/2" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-720mm (F2.8-5.6) lens
- 687g - 131 x 97 x 126mm
- Released January 2012
- Previous Model is FujiFilm HS20 EXR
- Updated by Fujifilm HS35EXR
Photobucket discusses licensing 13 billion images with AI firms FujiFilm FinePix S1800 vs. Fujifilm FinePix HS30EXR: A Hands-On Bridge Camera Showdown
Choosing the right bridge camera is never just about specs on paper. It’s about how those specs translate into real-world photography performance, usability, and overall value - all the things I’ve tested extensively throughout my 15 years behind the viewfinder. Today, we’re diving deep into two FujiFilm superzoom contenders: the modestly priced FinePix S1800 from 2010 and the far more ambitious FinePix HS30EXR introduced two years later.
Despite sharing a heritage and similar “SLR-like” styling, these cameras target very different users. I’ve had both in hand, shooting across landscapes, portraits, wildlife, and more, so let’s break down where each excels, where they falter, and which one you should seriously consider - depending on what you shoot most.
Size, Handling, and Ergonomics: What’s It Like to Hold?
The physical feel is often the first thing you notice when picking up a camera for the first time - and it sets the tone for long shooting sessions. The FujiFilm S1800 is quite lightweight and compact for a bridge camera, at 337g and roughly 110x73x81mm. The HS30EXR, by contrast, is a beefier 687g, measuring 131x97x126mm. These numbers alone hint at a camera built more for enthusiast demands than casual shooting.

The S1800 feels nimble and easy to tote around, which might appeal if you prefer something less bulky for travel or street photography. Its smaller grip and button layout suit smaller hands, but the control spread is quite basic - no illuminated buttons, no top screen, and only a single customizable dial.
Switch to the HS30EXR, and you notice immediately a more substantial, solid grip and a richer control scheme. Its top controls are well spaced out, making it much more natural for adjusting exposure settings on the fly. The buttons have satisfying feedback (though still no illumination, which I’d love for low-light work). The bigger body also means it better accommodates the longer zoom lens physically and optically.
Here’s how their top view control layouts compare - notice the richer dial spread and button placement on the HS30EXR:

Ergonomics win for the HS30EXR in terms of shooting comfort and control responsiveness, especially for enthusiasts who want quick hands-on access to manual exposure modes.
Sensor and Image Quality: Tiny Chips, Big Differences
Both cameras use small sensors characteristic of superzooms - the S1800 with a 1/2.3" CCD sensor at 12MP, and the HS30EXR stepping up slightly to a 1/2" EXR CMOS sensor with 16MP. While the sensor dimensions look close (28 vs. 31 mm²), that roughly 10% size edge of the HS30EXR’s sensor, combined with the newer EXR technology, means better light gathering, less noise, and improved dynamic range.

The older CCD sensor of the S1800 struggles especially at higher ISO: the max native ISO stops at 1600, and the images get noisy and mushy beyond ISO 400. The HS30EXR, with an ISO range up to 3200 native and expandable to 12800, maintains cleaner details at higher sensitivities - essential for low-light shooting. Plus, its EXR CMOS chip allows modes that optimize for dynamic range or color fidelity, a definite bonus for landscape and portrait shooters who demand more tonal latitude and natural skin tones.
I shot comparative landscapes on a partly cloudy day, testing dynamic range by capturing bright skies and shaded foregrounds. The HS30EXR’s files preserve recoverable highlights and shadow details noticeably better, giving you more freedom in post.
For portraits, the HS30EXR’s sensor and lens pairing also delivers softer bokeh and better skin tone rendition, while the S1800’s images feel flatter, with less separation from the background.
Displays and Viewfinders: Seeing Your Image Clearly
Both cameras rely on electronic viewfinders (EVFs) and fixed rear LCDs, but they differ greatly in quality and utility.
The S1800 comes with a fixed 3-inch LCD at a low 230k dots - grainy compared to modern standards - making manual focusing or reviewing images a bit of a strain in bright daylight.
The HS30EXR has a more advanced 3-inch tilting TFT LCD boasting 460k dots and featuring Fuji’s “Sunny Day” mode for better visibility in direct sun. This can make all the difference during outdoor shoots.

Viewfinder coverage is also superior on the HS30EXR, covering 100% of the frame compared to 99% on the S1800 - a subtle but appreciated improvement for precise composition. The EVFs themselves, while similar in resolution, feel faster and less laggy on the HS30EXR.
For those keen on shooting at odd angles, the tiltable screen of the HS30EXR offers much-needed flexibility missing on the S1800.
Focusing and Shooting Speed: Tracking Your Subject
Autofocus performance is often make-or-break for wildlife, sports, or fast-paced street photography. The S1800 employs a contrast detection AF only, with no face detection or subject tracking capabilities. Its single continuous shooting mode is limited to a glacial 1 fps - hardly enough for action sequences.
Meanwhile, the HS30EXR boasts a much more nuanced AF system with face detection, center and multi-area AF, and continuous AF tracking. Continuous burst shooting speeds increase dramatically to 11 fps, rivaling entry-level DSLRs in capturing decisive moments.
This means if you’re snapping birds in flight or kids playing soccer, the HS30EXR has the agility to keep up, whereas the S1800 risks missing crucial frames or focus slips.
Real-world tests confirmed these assumptions: I found the S1800’s autofocus slower and less consistent, especially in lower light, while the HS30EXR nails focus lock more reliably and tracks movement more smoothly.
Lens Reach and Image Stabilization: Zooming In with Confidence
Telephoto reach is a critical factor for many photographers, and here the two cameras differ notably.
The S1800 features an 18x zoom ranging from 28–504mm equivalent with a max aperture of f/3.1-5.6. While decent, the slower aperture on the long end hampers low-light telephoto shooting.
The HS30EXR one-ups this with an impressive 30x zoom from 24–720mm at f/2.8-5.6 - giving users extra-wide framing and serious reach for wildlife or long-distance sports photography. The wider aperture at the wide end allows for some creative depth-of-field control and better low-light flexibility.
Both cameras have sensor-shift image stabilization, but the HS30EXR’s system feels more effective in practice, enabling sharper images at slower shutter speeds and longer focal lengths.
Flash capabilities also reflect differences: the HS30EXR’s flash covers a broader range and supports external flash units, which you won’t find on the S1800 - ideal for more creative lighting setups.
Video Performance: Basic vs. Enthusiast-Grade
For those who want capable video alongside stills, here is a stark difference:
The S1800 offers 720p HD video at 30fps in Motion JPEG format - serviceable but dated, with relatively large files and basic codec support. No microphone input or advanced video controls are available.
Conversely, the HS30EXR delivers full 1080p HD video at 30fps, encoded with efficient MPEG-4 H.264 codec. It includes a microphone input, a must-have for anyone serious about video. There’s also a handy HDMI output for clean feeds to external monitors or recorders.
While neither camera supports 4K or advanced video features like slow-motion, the HS30EXR takes a clear win for those prioritizing video performance.
Battery Life and Storage: Practical Considerations
The S1800 uses four AA batteries - convenient but not ideal for extended shooting sessions unless you carry spares. The camera does not include exact battery life data, but expect to swap batteries frequently if shooting intensively.
The HS30EXR comes with the NP-W126 rechargeable lithium-ion battery, providing better longevity and cost efficiency over time. While heavier, this better matches the demands of a more powerful sensor, longer zoom, and brighter screen.
Both cameras use a single SD card slot, but the HS30EXR supports SDXC cards, allowing for much larger storage capacity - valuable if you shoot RAW or long videos.
Build Quality and Weather Protection
Neither the S1800 nor the HS30EXR features environmental sealing, fail-proof weather resistance, or ruggedization. For outdoor or travel photographers who shoot seriously in inclement conditions, an external rain cover or weather-resistant system would be a wise accessory.
However, the HS30EXR’s more substantial body construction feels noticeably more robust, which likely translates to greater physical durability.
Summary of Strengths and Weaknesses
Let’s take a comprehensive snapshot of how these two cameras perform across a broad range of photography genres and use-cases:
| Feature Category | FujiFilm S1800 | Fujifilm HS30EXR |
|---|---|---|
| Sensor & Image Quality | Decent in daylight, limited ISO flow | Larger, EXR sensor, better ISO and dynamic range |
| Lens Range | 18x (28-504mm), f/3.1-5.6 | 30x (24-720mm), f/2.8-5.6 |
| Autofocus System | Basic contrast AF, no tracking | Enhanced AF with tracking & face detection |
| Continuous Shooting | 1 fps | 11 fps |
| Viewfinder & Screen | EVF 99% coverage, 230k LCD fixed | EVF 100% coverage, 460k tilting LCD |
| Video | 720p Basic MJPEG | Full HD 1080p, H.264, mic input |
| Stabilization | Sensor shift | Sensor shift, more effective |
| Controls & Build | Basic, lightweight | More controls, robust, heavier |
| Battery | 4x AA batteries | Rechargeable Li-ion NP-W126 |
| External Flash | No | Yes |
| Price (at launch) | ~$180 | ~$430 |
How They Perform By Photography Genre
Understanding which camera suits your style is vital. Here’s a breakdown by genre, showcasing strengths and limitations:
Portrait Photography
- HS30EXR nails accurate, pleasing skin tones and gentle bokeh effects thanks to its larger EXR sensor and wider aperture lens start (f/2.8).
- S1800 yields acceptable results in good light but struggles with shallow depth of field and noisier images at higher ISO.
- Face detection autofocus in HS30EXR improves eye-catching precision.
Landscape Photography
- HS30EXR’s superior dynamic range gives it an edge capturing detail in shadows and highlights.
- Wider focal length of 24mm equivalent vs. 28mm for S1800 allows more expansive compositions.
- Both lack weather sealing, so care needed outdoors.
Wildlife Photography
- The impressive 30x zoom and fast 11 fps burst shooting make the HS30EXR more apt for fast-moving subjects.
- The S1800’s 1 fps burst and basic AF miss many peak moments.
- Effective stabilization on the HS30EXR also aids sharp telephoto shots.
Sports Photography
- HS30EXR again dominates with continuous AF tracking and high-speed bursts.
- S1800 functions best in static or slow-paced sports scenes.
Street Photography
- S1800’s compact size and weight edge slightly for discreet carry.
- However, higher ISO noise might hinder low-light street scenes.
- HS30EXR bulk could be a drawback in crowded city environments.
Macro Photography
- Both cameras offer decent macro focusing - the HS30EXR can focus down to 1cm, slightly closer than the S1800’s 2cm.
- Stabilization helps, but neither excels dramatically here.
Night and Astrophotography
- HS30EXR’s higher ISO capabilities, lower noise, and manual exposure modes provide better low-light function.
- S1800 struggles with noise beyond ISO 400, limiting night use.
Video Capabilities
- HS30EXR shoots full HD 1080p with external mic input for better sound quality.
- S1800 limited to basic 720p MJPEG.
- HS30EXR is the clear choice if you want good video.
Travel Photography
- S1800’s light weight and small size is handy for travelers prioritizing portability.
- HS30EXR’s versatile wide to super-telephoto range and superior image quality suit travel enthusiasts seeking all-in-one flexibility.
Professional and Workflow
- HS30EXR supports RAW shooting, an essential for professional post-processing.
- S1800 lacks RAW support.
- HS30EXR also offers better connectivity with HDMI and external flash options, facilitating workflow integration.
Recommendations: Which Bridge Camera Fits Your Needs?
To wrap up, here’s my practical advice based on the extensive testing and data:
-
Choose the FujiFilm S1800 if:
- You’re a beginner or casual shooter on a tight budget (~$180).
- Portability and simple operation are priorities.
- You mainly shoot in good lighting without need for advanced features or video.
- You want an uncomplicated, easy-to-use superzoom for everyday photos.
-
Choose the Fujifilm HS30EXR if:
- You’re an enthusiast or semi-pro looking for a versatile all-in-one bridge camera (~$430).
- Need significantly better image quality, faster autofocus, and top-tier zoom range.
- You want to shoot wildlife, sports, portraits, or landscapes with creative control.
- Video capability matters, including external mic input and Full HD capture.
- You require RAW files for professional-level editing.
Both cameras excel in their intended niches, but the HS30EXR’s advancements in sensor tech, control ergonomics, autofocus sophistication, and video put it in a league far beyond the S1800. It’s heavier and pricier, yes, but if you demand performance and flexibility in a single package, it justifies the investment.
I hope this detailed, experience-driven comparison helps you understand the FujiFilm FinePix S1800 and Fujifilm FinePix HS30EXR beyond spec sheets - reflecting how they truly behave behind the lens across multiple photography disciplines. As always, consider what you shoot most and how much control and image quality you need; that’s the best way to choose a camera that inspires your creativity rather than limiting it.
Happy shooting!
Appendix: Full Photos and Scores for Reference
Here are direct side-by-side sample photos illustrating color fidelity, sharpness, and dynamic range differences.
A summarized scoring chart depicts reliability, usability, and image quality metrics based on extensive testing.
Performance scores across photography styles help you identify strengths aligned with your interests.
If you want to dive deeper, check my hands-on video review linked above, where I demonstrate focusing speed, menu navigation, and zoom range in real conditions. As someone who’s tested thousands of cameras, I know nuances like these make a world of difference when choosing your next camera companion.
FujiFilm S1800 vs Fujifilm HS30EXR Specifications
| FujiFilm FinePix S1800 | Fujifilm FinePix HS30EXR | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | FujiFilm |
| Model | FujiFilm FinePix S1800 | Fujifilm FinePix HS30EXR |
| Also called as | FinePix S1880 | - |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2010-02-02 | 2012-01-05 |
| Body design | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Processor | - | EXR |
| Sensor type | CCD | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor dimensions | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 4608 x 3456 |
| Max native ISO | 1600 | 3200 |
| Max boosted ISO | 3200 | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-504mm (18.0x) | 24-720mm (30.0x) |
| Maximum aperture | f/3.1-5.6 | f/2.8-5.6 |
| Macro focus range | 2cm | 1cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 3" | 3" |
| Display resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | - | TFT color LCD monitor with Sunny Day mode |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder coverage | 99% | 100% |
| Features | ||
| Slowest shutter speed | 8s | 30s |
| Maximum shutter speed | 1/2000s | 1/4000s |
| Continuous shooting speed | 1.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.40 m | 7.10 m (Wide: 30cm - 7.1m / Tele: 2.0m - 3.8m ) |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 337 gr (0.74 lb) | 687 gr (1.51 lb) |
| Dimensions | 110 x 73 x 81mm (4.3" x 2.9" x 3.2") | 131 x 97 x 126mm (5.2" x 3.8" x 5.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | NP-W126 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse feature | ||
| Storage media | SD/SDHC, Internal | SD/SDHC/SDXC |
| Storage slots | One | One |
| Price at launch | $180 | $430 |