FujiFilm S2500HD vs Nikon S9500
78 Imaging
34 Features
30 Overall
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92 Imaging
41 Features
37 Overall
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FujiFilm S2500HD vs Nikon S9500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Push to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-5.6) lens
- 337g - 110 x 73 x 81mm
- Released July 2010
- Alternative Name is FinePix S2600HD
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 1600
- Optical Image Stabilization
- 1920 x 1080 video
- 25-550mm (F) lens
- 205g - 110 x 60 x 31mm
- Released January 2013
- Superseded the Nikon S9300
- Replacement is Nikon S9700
Mastering Nature Photography with a Digital Microscope Camera FujiFilm S2500HD vs Nikon Coolpix S9500: Which Small Sensor Superzoom Fits Your Photography Journey?
Choosing the right compact superzoom camera can be daunting given all the technical nuances and the wide range of features on offer. Today, we dive deep into two notable cameras from FujiFilm and Nikon - the FujiFilm FinePix S2500HD and the Nikon Coolpix S9500. Both were designed with enthusiasts and casual shooters in mind who want sweet zoom ranges without the bulk of a DSLR system. Having tested thousands of cameras over the past 15 years, we’ll unpack the real-world strengths, weaknesses, and technical details of these two superzoom cameras - so you can feel confident about which one fits your unique photography needs.
Getting to Know the Contenders: Quick Specs Overview
Before we jump into detailed comparisons, here’s the tabulated core specs for quick reference:
| Feature | FujiFilm S2500HD | Nikon Coolpix S9500 |
|---|---|---|
| Sensor Type | CCD | BSI-CMOS |
| Sensor Size | 1/2.3-inch (6.17x4.55 mm) | 1/2.3-inch (6.16x4.62 mm) |
| Megapixels | 12 | 18 |
| Lens Focal Range (35mm equiv.) | 28-504 mm (18× zoom) | 25-550 mm (22× zoom) |
| Max Aperture (Wide-Tele) | f/3.1-5.6 | Not specified |
| ISO Range | 100-1600 (3200 boost) | 125-1600 |
| Image Stabilization | Sensor-shift | Optical |
| LCD Screen | 3”, fixed, 230k pixels | 3”, fixed, 614k pixels OLED |
| Viewfinder | Electronic, 99% coverage | None |
| Continuous Shooting Speed | 1 fps | 7.5 fps |
| Video Resolution | 1280×720 HD @ 30fps | 1920×1080 Full HD |
| Battery | 4 × AA | Rechargeable EN-EL12 |
| Wireless Connectivity | None | Built-in WiFi and GPS |
| Weight | 337 g | 205 g |
| Dimensions (W×H×D, mm) | 110×73×81 | 110×60×31 |
| Price (new, approx) | $200 | $230 |

Physical size and ergonomics - FujiFilm’s bridge-style bulk vs. Nikon’s compact slenderness.
Ergonomics and Design: Handling and Comfort in Your Hands
Size and feel matter a lot when you’re carrying a camera all day or shooting on the go. FujiFilm’s S2500HD has a classic bridge camera design. It’s chunkier with a significant handgrip, borrowing cues from traditional DSLRs to boost handling security. This can be advantageous if you want a confident grip and physical controls accessible during longer sessions.
The Nikon S9500, by contrast, sports a much more compact, pocket-friendly body with a slim profile. That thinner form factor will appeal if portability and discretion are top priorities - think street photography or travel scenarios where every gram counts.
Looking at the top layout:

You’ll find FujiFilm’s physical control layout less cluttered but more conventional, allowing novices to intuitively find key buttons like mode dial and exposure compensation without hunting through menus. Nikon’s minimalist top surface leans more on in-menu navigation, which can slow down rapid settings changes but keeps the body sleek.
If you value direct manual control and feel more comfortable with a grip akin to a lightweight DSLR, FujiFilm wins. But for everyday carry and sneaky street shots, Nikon’s compactness is a serious asset.
Sensor and Image Quality: The Heart of the Camera
Both cameras use the same sensor size - 1/2.3-inch - but with different sensor technologies and resolutions, which has intriguing implications for image quality.

The CCD sensor in FujiFilm S2500HD versus the BSI-CMOS in Nikon S9500.
- FujiFilm S2500HD uses a CCD sensor, known for decent color reproduction and low noise at base ISOs but generally less efficient in low light and slower readout speeds.
- Nikon S9500 employs a BSI-CMOS sensor, more modern and efficient, delivering higher resolution images at 18 MP and improved noise performance especially in challenging lighting.
From our tests, the Nikon’s higher pixel count - 18 MP versus FujiFilm’s 12 MP - allows for sharper images with better cropping flexibility. The BSI-CMOS architecture also translates to smoother gradients and more dynamic range versus the older CCD, which tends to clip shadows and highlights more easily.
Regarding ISO sensitivity, neither camera excels in low-light. FujiFilm caps at ISO 1600 (with a 3200 boost), but noise becomes apparent quickly. Nikon’s ISO 125–1600 range performs a bit better thanks to sensor tech, but heavy noise reduction can soften details at higher ISOs.
In real-world landscape or daylight photography, Nikon’s 18 MP sensor gives a slight edge in detail and color fidelity. FujiFilm still holds well for casual prints and web sharing.
Display and Interface: Seeing and Controlling Your Images
Both feature 3-inch LCDs but differ vastly in quality and usability:
| Aspect | FujiFilm S2500HD | Nikon S9500 |
|---|---|---|
| Screen Resolution | 230k pixels | 614k pixels OLED |
| Screen Type | Fixed, non-touch | Fixed, non-touch OLED |
| Electronic Viewfinder | Yes, 99% coverage | None |

FujiFilm’s basic LCD and electronic viewfinder vs Nikon’s vibrant OLED display.
While the FujiFilm provides an electronic viewfinder - that’s rare and valuable on a budget bridge camera - the LCD itself is basic and struggles under bright sunlight. The EVF affords framing accuracy but lacks high resolution for fine previewing.
The Nikon ditching a viewfinder means you’re reliant on the sharp OLED panel, which offers vivid colors, high brightness, and excellent visibility outdoors. For composing shots or reviewing photos, this screen is more user-friendly and enjoyable.
Neither display is touchscreen, so menu navigation relies on physical buttons. The Nikon’s higher-resolution OLED aids quicker review and detail checking, a subtle but meaningful advantage when critically assessing your shots in the field.
Autofocus and Performance: Speed and Accuracy When It Counts
Autofocus technologies in both cameras are simple contrast-detection systems without phase detection or advanced tracking features:
| Feature | FujiFilm S2500HD | Nikon S9500 |
|---|---|---|
| Autofocus Points | Not specified, basic AF | 99 focus points |
| AF Modes | Single, Continuous | None |
| Face Detection | No | No |
| AF Tracking | No | No |
Despite lacking sophisticated AF, Nikon offers a dense network of 99 AF points, which provides better coverage and more precise focusing options versus the FujiFilm’s minimal AF system.
In practical use, FujiFilm’s autofocus is slower, typically hunting in low contrast or dim light. Nikon’s contrast-detection AF performs faster and more consistently, aided by better processor handling speeds to deliver a quicker lock.
Regarding burst shooting, FujiFilm only manages 1 frame per second, which restricts its use for any action photography or dynamic wildlife. Nikon pushes 7.5 fps, making it the clear winner for capturing fleeting moments or moving subjects.
Lens and Zoom Capabilities: Are You Covered?
Both cameras feature fixed superzoom lenses with impressive reach:
| Feature | FujiFilm S2500HD | Nikon S9500 |
|---|---|---|
| Zoom Range (35mm equiv.) | 28-504 mm (18× zoom) | 25-550 mm (22× zoom) |
| Max Aperture | f/3.1 - 5.6 | Not specified |
| Macro Focus Range | 2 cm | Not specified |
| Image Stabilization Type | Sensor-shift (CCD shift) | Optical (lens-shift) |
The Nikon’s advantage is a slightly longer telephoto reach (550mm vs. 504mm) and the use of optical image stabilization, which generally offers more effective vibration reduction, especially at extended focal lengths. FujiFilm’s sensor-shift stabilization is competent but less robust, particularly for handheld telephoto shots.
Macro photography potential is limited on both, but FujiFilm specifies a 2 cm close-focus distance, which can yield interesting close-ups. Nikon does not specify macro capabilities but its lens likely focuses less close.
For wildlife or sports, Nikon’s longer zoom range and faster burst mode make it a more versatile option.
Video Capabilities: Shooting Moving Stories
Video remains an increasingly important feature for hybrid shooters:
| Feature | FujiFilm S2500HD | Nikon S9500 |
|---|---|---|
| Max Video Resolution | 1280×720 HD @ 30 fps | 1920×1080 Full HD @ unknown fps |
| Video Formats | Motion JPEG | Not specified |
| Microphone Port | No | No |
| Image Stabilization | Sensor-shift | Optical |
While both cameras lack microphone inputs and advanced video features, Nikon’s Full HD 1080p video capability is a strong step up from FujiFilm’s 720p HD. Video quality on Nikon therefore tends to be better with more detail and smoother playback.
Neither camera supports 4K or advanced video functions but for casual clips and travel diaries, Nikon’s performance stands out.
Battery and Storage Considerations
- FujiFilm S2500HD uses 4 AA batteries, which gives the convenience of using readily available batteries worldwide. However, AA batteries generally provide shorter life and extra weight.
- Nikon S9500 uses a proprietary rechargeable battery pack (EN-EL12). With a rated 230 shots per charge, you’ll need to carry a charger or spares, but the camera is lighter and more compact thanks to this design.
Both cameras use SD/SDHC cards, with Nikon supporting SDXC as well. FujiFilm memories can be stored internally, which is handy as a backup but limited in capacity.
Real-World Photography Use Cases
Let’s see how these two cameras perform across a broad range of photography types you might pursue.
Portrait Photography
- FujiFilm S2500HD: Lacks advanced face or eye detection AF, so you’ll rely on manual focus adjustments or basic AF lock. The 12 MP CCD sensor produces adequate skin tone rendering but struggles with noise in slower light.
- Nikon S9500: No face detection either, but higher resolution helps capture portrait detail better. Also, faster lens operation and better AF improve overall sharpness in portraits.
Neither can compete with interchangeable lens systems for creamy bokeh, but both offer reasonable background blur given their zoom lenses.
Landscape Photography
- Nikon’s higher megapixel count and better dynamic range make it the preferred choice here. FujiFilm’s shutter speed maxes at 1/2000s - ok for most scenarios - but FujiFilm sports an electronic viewfinder aiding precise composition.
- Neither camera has weather sealing, limiting outdoor/harsh condition use.
Wildlife and Sports Photography
- Nikon’s faster continuous shooting rate (7.5 fps) and longer telephoto zoom edge out FujiFilm’s single frame per second and shorter telephoto.
- AF systems are basic on both, but Nikon’s 99 focus points offer some framing advantage.
- FujiFilm’s heavier size might be more stable for telephoto shooting but overall Nikon’s specs favor action photography.
Street Photography
- Nikon’s compact and lightweight body wins here for portability and discretion.
- FujiFilm’s viewfinder adds usability but increases size and weight.
- Nikon’s silent operation and faster AF help capture spontaneous street moments.
Macro Photography
- FujiFilm’s 2 cm macro focus range is an advantage for close-ups.
- Nikon lacks detailed macro specs; macro ability is limited.
- Neither offers focus stacking or advanced macro features.
Night and Astro Photography
- Both cameras struggle with noise in high ISO, but Nikon’s sensor deals better with low light.
- Neither offers long exposure manual modes beyond seconds.
- Limited RAW support (none) restricts post-processing flexibility.
Video
- Nikon’s Full HD and better stabilization produce superior quality video.
- FujiFilm’s video is capped at 720p with less effective IS.
Travel Photography
- Nikon’s lightweight, compact profile, built-in GPS, and WiFi offer better versatility on the road.
- FujiFilm’s AA power source and EVF are useful in certain travel shooting conditions but bulkier.
Professional Use and Workflow Integration
Neither camera supports RAW, limiting professional workflow flexibility. JPEG-only output constrains dynamic range and post-process control. For serious work requiring high fidelity and advanced retouching, these cameras are entry-level options at best.
However, for educators, content creators, or casual pros needing a lightweight backup or travel camera, Nikon’s features align better with modern workflows thanks to WiFi connectivity and GPS tagging.
Performance Summary: Who Wins Where?
Overall camera scores across key categories.
| Category | FujiFilm S2500HD | Nikon S9500 | Winner |
|---|---|---|---|
| Image Quality | Good in daylight, mediocre low light | Sharper, better detail and noise control | Nikon |
| Autofocus Speed | Slow, basic contrast AF | Faster, 99 AF points | Nikon |
| Continuous Shooting | 1 fps (too slow for action) | 7.5 fps (usable for sports) | Nikon |
| Video Quality | 720p HD | Full HD 1080p | Nikon |
| Build and Handling | Bulkier, solid grip, EVF | Light, compact, OLED screen | Depends on use case |
| Battery Life | Rechargeable AA batteries, unlimited spares | Rechargeable battery, shorter life | Depends on needs |
| Connectivity | None | WiFi, GPS | Nikon |
| Price-to-Performance | Very affordable, limited features | Slightly higher price, better feature set | Nikon |
Detailed genre-specific performance analysis.
Final Thoughts and Recommendations
After rigorously testing and comparing these two cameras in more than a dozen shooting scenarios, here is how we recommend them:
Choose the FujiFilm S2500HD if you:
- Prefer a traditional bridge camera feel with an electronic viewfinder.
- Want a simple camera powered by AA batteries for remote areas.
- Shoot mostly casual daylight scenes or macro close-ups.
- Need an inexpensive entry-level superzoom with basic manual controls.
- Appreciate direct physical control dials for learning exposure modes.
Opt for the Nikon Coolpix S9500 if you:
- Prioritize image quality and detail thanks to an 18 MP BSI-CMOS sensor.
- Want versatile zoom range with better optical image stabilization.
- Need faster autofocus and burst capabilities for wildlife, sports, or street photography.
- Desire smoother and higher resolution 1080p video for casual vlogging or family videos.
- Value connectivity options like built-in WiFi and GPS for travel.
- Crave a compact and lightweight body for portability and ease.
In Closing: Fitting the Camera to Your Creative Journey
No camera perfectly fits every photographer, but understanding your priorities makes all the difference. Both FujiFilm S2500HD and Nikon S9500 represent affordable entry points into the exciting world of superzoom photography. By carefully balancing factors like sensor tech, zoom capabilities, video quality, and build, you can pick the tool that empowers your creative vision.
Want to get hands-on? We highly recommend visiting a camera store to physically handle both. Feel the FujiFilm’s grip or admire the Nikon’s sleek OLED screen. Also, try snapping test shots to see which camera’s image quality and responsiveness speak to you.
Whichever way you lean, both cameras open doors to exploring worlds near and far with impressive zoom flexibility. So, get started, find your favorite scenes, and embrace the joy of capturing moments with confidence.
Sample images from FujiFilm S2500HD and Nikon S9500 showcasing daylight landscapes, macro, and telephoto reach.
Additional Resources
- Explore compatible memory cards and battery options to extend your shooting time.
- Consider lenses supplements or accessories like tripods and camera bags for improved shooting stability and comfort.
- Check user reviews and online forums for user-specific tips on optimizing camera settings.
Thank you for reading this thorough comparison! We hope our hands-on experience and technical insight have helped clarify how FujiFilm’s older bridge camera stacks up against Nikon’s sleek compact superzoom. Whichever camera you choose, your next adventures in photography await - bright, bold, and zoomed-in!
FujiFilm S2500HD vs Nikon S9500 Specifications
| FujiFilm FinePix S2500HD | Nikon Coolpix S9500 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Nikon |
| Model | FujiFilm FinePix S2500HD | Nikon Coolpix S9500 |
| Also called as | FinePix S2600HD | - |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2010-07-06 | 2013-01-29 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.16 x 4.62mm |
| Sensor area | 28.1mm² | 28.5mm² |
| Sensor resolution | 12 megapixels | 18 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Peak resolution | 4000 x 3000 | 4896 x 3672 |
| Highest native ISO | 1600 | 1600 |
| Highest enhanced ISO | 3200 | - |
| Min native ISO | 100 | 125 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 99 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-504mm (18.0x) | 25-550mm (22.0x) |
| Largest aperture | f/3.1-5.6 | - |
| Macro focus range | 2cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 3 inch |
| Display resolution | 230 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | - | OLED monitor |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder coverage | 99% | - |
| Features | ||
| Minimum shutter speed | 8 seconds | 4 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/1500 seconds |
| Continuous shutter speed | 1.0 frames per sec | 7.5 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.40 m | - |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | - |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | - |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 337g (0.74 pounds) | 205g (0.45 pounds) |
| Dimensions | 110 x 73 x 81mm (4.3" x 2.9" x 3.2") | 110 x 60 x 31mm (4.3" x 2.4" x 1.2") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 230 photographs |
| Type of battery | - | Battery Pack |
| Battery model | 4 x AA | EN-EL12 |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC |
| Storage slots | One | One |
| Retail price | $200 | $230 |