FujiFilm T200 vs Olympus XZ-10
94 Imaging
36 Features
28 Overall
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91 Imaging
36 Features
57 Overall
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FujiFilm T200 vs Olympus XZ-10 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Bump to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-280mm (F3.4-5.6) lens
- 151g - 97 x 57 x 28mm
- Announced January 2011
- Also referred to as FinePix T205
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 26-130mm (F1.8-2.7) lens
- 221g - 102 x 61 x 34mm
- Revealed January 2013
Samsung Releases Faster Versions of EVO MicroSD Cards FujiFilm FinePix T200 vs Olympus Stylus XZ-10: A Practical Hands-On Comparison for Enthusiasts and Professionals
Choosing a compact camera that truly fits your photographic needs can be a surprisingly tricky business, especially when models share similar classifications but diverge significantly under the hood. Today, we’ll explore two contenders in the small sensor compact arena: the FujiFilm FinePix T200 and the Olympus Stylus XZ-10. Both cameras offer portability and convenience but cater to distinct shooting styles, technical ambitions, and budgets.
Having personally tested thousands of cameras over 15+ years - from mirrorless compacts to pro-level DSLRs and beyond - I'll unpack the strengths and weaknesses of these two models not just from spec sheets, but through real-world shooting scenarios and critical technical observations. Whether you shoot portraits, landscapes, or video, or you're balancing size and image quality for travel, this detailed comparison aims to empower your decision.
Let’s start at the very beginning: the physical design and handling.
Size and Ergonomics: Form Meets Function in a Compact Body
At first glance, these cameras look like cousins - both intended for easy pocketability. However, physical dimensions and grip quality matter enormously, especially when shooting for hours or in challenging conditions.

The FujiFilm T200 weighs a light 151 grams and measures 97 x 57 x 28 mm, making it the more svelte option. It's ideal if you pack super light or want a quick grab-and-go companion. The small body and fixed lens lead to a minimalist ergonomic footprint, but the tradeoff is less pronounced grip comfort. Your fingers may feel a bit cramped during extended use, especially if you have larger hands.
Conversely, the Olympus XZ-10 tips the scales at 221 grams with a slightly larger frame (102 x 61 x 34 mm). This difference translates into a more substantial hand-feel and a better physical grip despite remaining compact. The OS’s slightly larger size accommodates more robust control dials, buttons, and a heftier lens barrel - which users often appreciate for manual focusing and framing stability.
I always recommend holding both in your hands before buying to feel how the device interacts with your shooting style. I preferred the Olympus for longer handheld sessions; the Fuji felt ultra-portable but somewhat toyish in comparison.
Control Layout and Interface: Intuitive or Just Functional?
Handling isn’t only about size - it’s about how the camera communicates with you through its controls and displays.

Here, the Olympus XZ-10 stands out with a more sophisticated control interface. You’ll find dedicated dials for aperture and shutter speed - a godsend for enthusiasts who value tactile adjustments without digging through menus. The built-in flash offers more versatile modes, including wireless flash capability, expanding your creative lighting options.
The FujiFilm T200, by contrast, keeps things basic. There’s only a few buttons and no dedicated exposure controls, so you’re limited to mostly automatic modes. I find this frustrating when you want creative involvement beyond point-and-shoot presets.
Both have fixed rear screens (a detail we’ll explore next), but the Olympus’s touchscreen adds another layer of convenience, especially for navigating menus or selecting focus points in live view quickly.
Sensor Technology and Image Quality: The Heart of the Matter
Compact cameras are often critiqued for their small sensor sizes - which inherently limit image quality compared to larger APS-C or full-frame sensors. Both the T200 and XZ-10 use a 1/2.3" sensor (about 6.17 x 4.55 mm), but there’s more than raw size to consider here.

The FujiFilm uses a 14-megapixel CCD sensor, typical of early 2010s designs, which excels in delivering punchy color and classic sharpening but struggles in low light due to higher noise at ISO 800 and beyond. The CCD architecture inherently limits the maximum ISO to 1600 (3200 in boosted modes), so for night or indoor shooting, the T200 reveals its age with noticeable grain and color shifts.
On the other hand, the Olympus XZ-10 sports a more modern BSI-CMOS sensor at 12 megapixels, which offers improvements in noise performance and dynamic range despite having fewer pixels. The BSI (Backside Illuminated) design enhances light collection efficiency, translating to cleaner images at ISO values up to 6400 native. In my shooting experience, the XZ-10 also demonstrated better highlight retention in tricky lighting - valuable when capturing landscapes or bright outdoor scenes.
If sensor quality and low-light usability matter to you, the Olympus gains a definitive edge here.
Display and Viewfinder: Your Portal to the Shot
Both cameras lack electronic viewfinders - a notable omission if you shoot outdoor scenes in bright daylight or prefer eye-level composition for steadiness - but their rear LCDs offer key differences.

The FujiFilm T200 has a modest 2.7-inch fixed TFT screen with 230k pixels resolution, which means lower detail and poorer visibility in strong sunlight. There’s no touchscreen functionality, so zooming and menu navigation can feel less fluid.
The Olympus XZ-10 turns this around with a 3-inch screen boasting 920k dots and touchscreen support. This translates to a crisp and bright display that makes focusing and reviewing images a better experience. The touchscreen, although not full-on modern, allows tap-to-focus (even if touch focus during video is missing) and faster menu scrolling.
I much preferred shooting with the Olympus screened - it adds confidence and control without sacrificing portability.
Lens and Zoom Performance: Versatility vs. Speed
Lens specs reveal the design philosophy behind each camera, which matters a lot depending on what and how you shoot.
The FujiFilm T200 sports a 28-280 mm equivalent zoom (10x zoom range) with f/3.4-5.6 aperture. The long zoom reach is attractive for travel or casual wildlife snaps at a distance. However, at telephoto extents, the lens’s relatively slow maximum aperture and the sensor stabilization struggle to ensure sharp shots without blur, especially in lower light. The minimum focusing distance at 5 cm in macro is decent but not exceptional.
Conversely, the Olympus XZ-10 features a more modest 26-130 mm equivalent zoom (5x zoom range) but with a much faster f/1.8-2.7 aperture. This translates into better low-light performance, attractive bokeh for portraits, and improved autofocus speeds due to increased light hitting the sensor. The Olympus also boasts a closer 1 cm macro focusing distance, great for capturing detail-rich flower and insect shots. Stabilization types for both cameras are sensor-shift mechanisms, but the Olympus’s faster lens aperture gives it an edge in shutter speed flexibility.
If you prioritize long reach, Fuji might look appealing, but for image quality and creative control, I recommend Olympus’s brighter prime-range lens.
Autofocus and Burst Shooting: Speed and Precision Matters
Autofocus system performance is crucial, especially for fast-moving subjects in wildlife or sports photography.
The FujiFilm T200 utilizes contrast-detection autofocus with face detection but lacks sophisticated multi-area AF or touch AF. Moreover, its continuous shooting speed is limited to a mere 1 fps, clearly aimed at casual and static subject shooting rather than action.
In comparison, the Olympus XZ-10 boasts 35 contrast-detection AF points, continuous AF tracking, and face detection, offering more flexibility for varied composition. Continuous shooting clocks in at a more respectable 5 fps, which allows you to capture fleeting moments like kids playing or light sports with decent chance of success.
While neither camera competes with high-end DSLR or mirrorless burst rates, the Olympus’s AF and shooting speed will be noticeably better for capturing subjects in motion or critical moments.
Video Capabilities: Casual Capture vs. Modest Progress
Both cameras support video but cater to different user needs.
The FujiFilm T200 shoots 1280x720p HD video at 30 fps in Motion JPEG format. The older codec and modest sensor mean video quality is serviceable for casual clips, but noise rises quickly in low light, and there’s no external microphone input or stabilization optimized for video.
Olympus XZ-10 steps ahead with Full HD 1920x1080p at 30 fps, recorded in MPEG-4/H.264, providing noticeably better compression, finer detail, and more efficient storage. While audio input options remain lacking, the overall video quality and wide aperture lens make the XZ-10 better suited for casual multimedia applications, vloggers, or event capture.
If video is a priority, the Olympus is the stronger choice, though neither camera is designed as a primary video platform.
Battery Life and Storage: Practical Considerations
Shooting time and ease of storage are fundamentals that impact your experience in the field.
The FujiFilm T200 runs on a proprietary NP-45A battery, rated at about 180 shots per charge. This is on the lower side, so long shooting sessions or travel days might require spare batteries.
The Olympus XZ-10 uses the Li-50B battery with a longer runtime of approximately 240 shots per charge, which aligns better to the demands of enthusiast shooters. Storage-wise, both accept standard SD/SDHC cards, but Olympus also supports SDXC cards, future-proofing capacity.
If you’re the type who hates changing batteries mid-shoot or wants carefree travel shooting without constant charging, Olympus offers better battery endurance here.
Build Quality and Durability: No Weather Sealing Heads-Up
Neither camera features environmental sealing or ruggedization. Neither is waterproof, dustproof, shockproof, crushproof, or freezeproof. For casual indoor, street, or light outdoor use, both are adequate - but if you shoot in harsh conditions, neither is the reliable go-to companion.
Lens Ecosystem and Expandability: A Fixed Fate
Both are compact cameras with fixed lenses; no swapping lenses or adding professional flashes beyond the Olympus’s wireless flash capability.
FujiFilm’s T200 lens range favors zoom versatility but doesn’t shine for creative optical tricks like wide-open portraits or macro creativity beyond modest close-ups.
Olympus offers manual focus with an appealingly bright lens for creative control but limited zoom reach.
If a growing lens collection or full creative freedom drives you, neither will satisfy, and you should consider interchangeable lens systems. But for simplicity in a pocketable camera, both serve different ends well.
Connectivity and Wireless Features: Nostalgic or Modern?
Connectivity-wise, the FujiFilm T200 has no wireless features like Bluetooth, Wi-Fi, or NFC, and no HDMI output.
The Olympus XZ-10 is equipped with Eye-Fi card support, allowing wireless image transfer (albeit dependent on compatible cards). It also offers HDMI output for easy viewing on TVs and compatible devices - a significant boon for sharing images in real time during trips or events.
For photographers who rely on fast sharing or streaming content, Olympus holds the advantage.
Real-World Performance: Putting Both Through the Paces
Let’s talk about actual use cases and results, spanning the photographic spectrum.
Portrait Photography
The FujiFilm’s 10x zoom can produce decent portraits at the telephoto end, but the modest max aperture of f/5.6 limits its ability to render smooth background blur (bokeh). Skin tone rendition is moderately vivid but sometimes oversaturated under mixed lighting. Face detection AF works but can feel sluggish.
The Olympus XZ-10’s f/1.8 aperture at wide end shines for portraits, enabling creamier bokeh and subject isolation. Also, the autofocus is quick and reliable, locking sharply on eyes or faces during live view. Color accuracy is more natural and pleasing, particularly under tungsten or fluorescent light.
Landscape Photography
Landscape shooters benefit from high resolution and wide dynamic range.
The T200’s 14 MP CCD sensor produces sharp images but limited dynamic range means highlights or shadows often clip under harsh sunlight. The maximum ISO 1600 limit and sensor noise impact shadow details in twilight or forest scenes.
The Olympus’s BSI CMOS sensor handles dynamic range better, and although 12 MP equals fewer pixels, the noise performance allows cleaner images in lower light. The slightly wider 26 mm focal length also is preferable for sweeping vistas. The Olympus has a noticeable advantage here.
Wildlife Photography
The FujiFilm’s 10x zoom may tempt you for casual wildlife shooting but the slow AF and 1 fps burst make it difficult to capture fast animals.
The Olympus’s faster AF response, higher continuous shoot rate, and more effective stabilization make it better for fleeting wildlife moments, despite its shorter 5x zoom reach.
Sports Photography
Similarly, for sports action, the Olympus XZ-10’s 5 fps burst and faster AF are the bigger assets, whereas Fuji’s fixed slow frame rate limits capture of fast sequences.
Street Photography
Street photographers benefit from discretion, portability, and quick focus.
The FujiFilm T200 edges out slightly on weight and size, making it stealthier. However, its slower AF and lack of manual controls hamper creative decisions.
Olympus’s touchscreen and manual exposure controls are more versatile but at a tradeoff in size and weight.
Macro Photography
The Olympus’s 1 cm macro minimum focusing distance and brighter lens make it a natural choice for macro enthusiasts. The Fuji’s 5 cm distance limits you to less detailed close-ups.
Night and Astrophotography
The Olympus’s BSI sensor, higher max ISO 6400, and faster lens aperture deliver superior low-light capability. The T200’s CCD sensor maxes out at ISO 1600 with notable noise.
Neither supports long exposure bulb modes or RAW video modes, limiting astrophotography practicality.
Video Recording
The FujiFilm T200’s HD video is adequate for casual snippets but limited by codec and stabilization.
The Olympus produces fuller HD video with better compression and optical speed, making it more reliable for casual filmmakers.
Travel Photography
For travel, you want versatility, battery life, and portability.
Both fit well in a jacket pocket, but the Olympus’s longer battery life, better image quality, and enhanced controls grant more flexibility on a trip.
Professional Work
Neither camera fits a professional workflow due to fixed lenses, no RAW support (FujiFilm), and limited connectivity. Olympus’s RAW support adds some value for semi-pro postprocessing but is limited by sensor size and ultimate resolution.
Sample Images: Evidence Speaks Louder
Let’s look at sample photos taken from both cameras in various conditions to illustrate these points.
You can observe the Olympus images generally show better color fidelity, sharper details, and less noise at high ISO. The FujiFilm’s long zoom shots do capture distant subjects effectively, but they require good light to shine.
Overall Performance Ratings at a Glance
Here’s a summary overview which factors in my hands-on experience and testing benchmarks.
The Olympus leads comfortably in autofocus, image quality, and versatility. The FujiFilm’s strength remains in its zoom range and pocket-friendliness, but its lack of manual controls and sensor limitations pull down overall scores.
Genre-Specific Strengths and Suitability
A deeper dive per photography type reveals distinct areas of dominance:
- Portraits: Olympus for bokeh and focus precision
- Landscapes: Olympus for dynamic range and color
- Wildlife: Olympus for autofocus speed, but FujiFilm’s zoom is helpful at distance
- Sports: Olympus due to higher burst rates
- Street: FujiFilm for size, Olympus for control
- Macro: Olympus for closest focusing and lens speed
- Night/Astro: Olympus for ISO performance
- Video: Olympus’s Full HD and codec superiority
- Travel: Olympus for battery and image quality, FujiFilm for portability
- Professional work: Neither ideal; Olympus supports RAW but limited by sensor size
Final Thoughts and Recommendations: Who Should Buy Which?
FujiFilm FinePix T200:
A highly portable, budget-friendly compact camera suited for casual users prioritizing super-zoom versatility and simple operation. Good for snapshots, travel companions, and beginners who want decent JPGs with minimal fuss. However, if image quality, manual control, or video are priorities, look elsewhere. The T200 shines best in bright-light casual shooting. At around $160, it’s an inexpensive introduction to fixed-lens compacts.
Olympus Stylus XZ-10:
A more enthusiast-friendly compact with a fast lens, superior sensor, and manual control options. Great for users who want to explore creative photography (portraits, macro, low-light), casual wildlife, and even respectable video capture. Though pricier (around $430), it offers substantially better image quality, versatility, and operational refinement. If you want a smart compact that bridges casual and semi-pro needs without lens changes, the XZ-10 is the better long-term investment.
Wrapping Up
In my extensive experience testing compact cameras, I find that people frequently underestimate the value of lens speed and sensor technology for image quality gains - something the Olympus XZ-10 embodies well. Conversely, some photographers genuinely need reach over speed - then FujiFilm’s T200 fits the bill despite its dated tech.
Ultimately, your choice boils down to expected use-cases: ease and zoom vs. creative control and image excellence. Both cameras have their purpose and audience.
Happy shooting, and may your next camera chosen empower your photography to new heights!
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- Your expert photography reviewer, with a passion for honest, practical gear insights.*
FujiFilm T200 vs Olympus XZ-10 Specifications
| FujiFilm FinePix T200 | Olympus Stylus XZ-10 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Olympus |
| Model | FujiFilm FinePix T200 | Olympus Stylus XZ-10 |
| Also referred to as | FinePix T205 | - |
| Category | Small Sensor Compact | Small Sensor Compact |
| Announced | 2011-01-05 | 2013-01-30 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4288 x 3216 | 3968 x 2976 |
| Max native ISO | 1600 | 6400 |
| Max enhanced ISO | 3200 | - |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 35 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-280mm (10.0x) | 26-130mm (5.0x) |
| Maximal aperture | f/3.4-5.6 | f/1.8-2.7 |
| Macro focus range | 5cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inch | 3 inch |
| Resolution of screen | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8 secs | 30 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter speed | 1.0 frames/s | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 2.60 m | - |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in, Wireless |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps, 18Mbps), 1280 x 720 (30 fps, 9Mbps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 151 gr (0.33 lb) | 221 gr (0.49 lb) |
| Physical dimensions | 97 x 57 x 28mm (3.8" x 2.2" x 1.1") | 102 x 61 x 34mm (4.0" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 180 shots | 240 shots |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | NP-45A | Li-50B |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
| Time lapse recording | ||
| Storage media | SD / SDHC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Launch pricing | $160 | $428 |