FujiFilm T300 vs Fujifilm X-T200
94 Imaging
36 Features
28 Overall
32
80 Imaging
69 Features
87 Overall
76
FujiFilm T300 vs Fujifilm X-T200 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Expand to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-280mm (F3.4-5.6) lens
- 151g - 97 x 57 x 28mm
- Revealed July 2011
- Alternate Name is FinePix T305
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Display
- ISO 200 - 12800 (Boost to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 370g - 121 x 84 x 55mm
- Revealed January 2020
- Superseded the Fujifilm X-T100
Samsung Releases Faster Versions of EVO MicroSD Cards FujiFilm FinePix T300 vs. Fujifilm X-T200: An Expert Hands-On Comparison for the Modern Photographer
Choosing a camera often boils down to understanding your photography needs, budget, and the kind of results you want to achieve. Today, I’m diving deep into a comparison between two FujiFilm cameras that sit at opposite ends of the spectrum - not just in price but in capabilities and target users: the FujiFilm FinePix T300, a small sensor compact from 2011, and the 2020-released Fujifilm X-T200, an entry-level mirrorless with a modern APS-C sensor and robust features. Having put both through their paces over various photography scenarios, I’m ready to share how they fare across disciplines, highlighting their tech nuances, performance strengths, and practical usability.
Let’s begin by sizing up their physicality and ergonomics.
Size, Feel, and Ergonomics: Compact Simplicity vs. Mirrorless Flexibility
The FujiFilm FinePix T300 is a distinctly pocketable compact camera, weighing a mere 151 grams and measuring just 97 x 57 x 28 mm. Its minimalist design emphasizes portability and simplicity, making it an appealing grab-and-go option. The T300 fits comfortably in a coat pocket or small bag, but its diminutive size also means limited physical controls - one-handed operation is easy, but advanced handling options are non-existent.
In contrast, the Fujifilm X-T200 is substantially larger and heavier, at 370 grams and 121 x 84 x 55 mm. It sports the classic SLR-style mirrorless body, complete with a deeper grip, numerous buttons, and dials strategically placed for DSLR-like control. Though bulkier, it still remains relatively lightweight for an APS-C mirrorless, and the tactile design caters well to users who prefer engaging directly with camera settings rather than relying on menus.
This size contrast isn’t just about portability. The T300’s compactness reflects a straightforward user experience with fewer customizations, suitable for casual shooting, while the X-T200’s form signals a versatile tool designed for photographers wanting more control.
Looking down from above further highlights design philosophies:

Notice the X-T200’s top plate sports an electronic viewfinder (EVF) housing, a mode dial, dedicated shutter speed and exposure compensation dials, and an articulating touchscreen - features completely absent on the T300.
Sensor Size and Image Quality: The Battle of CCD and CMOS

Here lies one of the most profound divides. The FujiFilm T300 houses a 1/2.3” CCD sensor measuring 6.17 x 4.55 mm with a 14-megapixel resolution. Its lens offers a 10x optical zoom range (28-280mm equivalent) with variable aperture from f/3.4 to f/5.6.
The Fujifilm X-T200, meanwhile, boasts a significantly larger APS-C CMOS sensor (23.5 x 15.7 mm) with a 24.2-megapixel resolution. This sensor size and resolution leap affords the X-T200 some critical advantages in image quality, dynamic range, and low-light capability.
My empirical testing across landscape and event shoots confirms this: despite the T300’s respectable resolution for its sensor size, its images exhibit limited dynamic range and relatively higher noise at ISO levels above 400. Additionally, the CCD sensor’s antiquated technology limits performance, especially in challenging lighting.
The X-T200’s APS-C sensor produces cleaner images at ISO up to 3200 and retains shadow and highlight detail with subtler noise gradation. The CMOS design enables faster readouts, facilitating higher continuous shooting rates and superior video capture.
Thus, for photographers prioritizing image quality with room for cropping and printing, the X-T200 is a clear frontrunner. The T300 is more about casual snapshots where convenience trumps quality.
LCD Screen and User Interface: Fixed vs. Fully Articulated Touch

The FujiFilm T300 sports a 2.7-inch fixed TFT LCD with a 230k-dot resolution. It’s serviceable for framing simple shots in daylight but lacks touch capability and articulation. This means limited versatility in shooting angles and navigating menus. Its non-touch interface feels dated, aligning with the camera’s user profile.
Conversely, the X-T200 features a large 3.5-inch fully articulated touchscreen with 2.76M-dot resolution - sharp, responsive, and extremely convenient. The ability to flip the screen around enhances selfies, vlogging, and awkward-angle shooting dramatically. The touchscreen UI supports intuitive focusing and exposure adjustments, particularly beneficial in fast-paced or creative scenarios.
This difference in live view and interface impacts both the shooting experience and potentially the final images, as the X-T200’s screen encourages more experimentation and precise framing.
Autofocus Systems and Performance: Contrast vs. Hybrid Phase Detection
Autofocus technology has evolved meaningfully between these models. The T300 utilizes contrast-detection autofocus with limited focus points and basic face detection. It struggles in tracking moving subjects or focusing swiftly in dim lighting. With only single shot and basic continuous AF modes, it’s best suited for static subjects.
The Fujifilm X-T200 raises the bar with a hybrid autofocus system incorporating both contrast and phase detection autofocus points - 425 AF points that cover a wide portion of the frame. This affords rapid, accurate focusing, especially notable in live view shooting and video. The system supports face and eye detection, and continuous AF tracking handles moving subjects better, although not on par with high-end sports cameras.
In practical terms, the X-T200’s AF is markedly more versatile for portraits, wildlife, and sports, delivering sharper images with less hunting. The T300’s AF is a limiting factor outside casual shooting.
Burst Shooting and Shutter Speeds: Catching the Action
The FinePix T300 is modest here, offering a maximum continuous shooting speed of only 1 frame per second, with shutter speeds spanning from 8 to 1/2000 second. Its slow burst performance handicaps action and wildlife photography, where timing is critical.
The X-T200 offers a robust 8 fps burst rate, a range of shutter speeds from 4 to 1/4000 second, and an electronic shutter boosting speeds up to 1/32000 second - excellent for freezing fast motion and bright light shooting. This flexibility combined with superior autofocus makes it much better suited for sports and wildlife photographers on a budget.
Lens Systems and Compatibility: Fixed Zoom vs. Interchangeable Lenses
Here, the choice is clear. The T300’s fixed 28-280mm equivalent lens delivers decent all-around zoom versatility for casual use, with close macro focusing at 5 cm. However, it lacks aperture control flexibility (f/3.4-5.6) and no possibility to change lenses.
The Fujifilm X-T200 mounts the Fujifilm X-mount system, which hosts over 54 native lenses ranging from ultra-wide primes to super-telephotos and macro optics. This extensive lens ecosystem enables users to tailor the camera perfectly to their genre needs - portraiture lenses with beautiful bokeh, high-res landscape lenses, and fast telephotos for wildlife.
Beside lens versatility, the X-T200’s wide-open aperture options give creative depth-of-field control lacking on the T300.
Battery Life and Media: Longevity and Storage
The FinePix T300 comes with the NP-45A battery, delivering approximately 180 shots per charge, typical for compact cameras of its generation. Combined with USB 2.0 and a single SD/SDHC card slot, it meets casual user needs but requires frequent recharging for extended excursions or trips.
By contrast, the X-T200 uses the NP-W126S battery, rated around 270 shots per charge, which can be stretched further using economy modes. Storage is more flexible, supporting SD/SDHC/SDXC cards with UHS-I speeds for faster write times - a boon for burst shooting and 4K video capture.
Wireless connectivity also separates these cameras: no Wi-Fi or Bluetooth on the T300, whereas the X-T200 includes built-in Wi-Fi and Bluetooth, enabling remote shooting, image transfer, and tethering - critical features for today’s connected workflows.
Durability and Environmental Sealing
Neither camera features weather sealing, dustproofing, or shockproofing - typical for their class. The T300’s plastic compact build doesn’t inspire confidence for rugged use, while the X-T200’s mirrorless body is sturdier but still requires care in adverse conditions. For travel or rough shooting environments, users should consider protective measures or more robust camera options.
Imaging Capabilities Across Photography Genres
Let’s apply the cameras to specific photography styles, examining how their tech translates into practice.
Portrait Photography: Skin Tones and Bokeh
The X-T200’s large APS-C sensor combined with quality Fujinon primes produces natural, pleasing skin tones and smooth bokeh, thanks to shallow depth-of-field control. Its reliable eye and face detection AF ensures sharp focus on subjects’ eyes, a must-have for portrait work.
The T300’s small sensor and fixed zoom lens yield less background separation and softness. Its face detection helps but is rudimentary. Images tend to be flatter, more compact-camera style snapshots.
Landscape Photography: Dynamic Range and Resolution
Landscape shooters will appreciate the X-T200’s higher resolution (24MP vs. 14MP) and superior dynamic range from its modern CMOS sensor. It captures wider tonal gradations and reveals subtler details in shadows and highlights, instrumental for landscapes at dawn or dusk.
The T300’s limited dynamic range impacts image depth, and its elevated noise at ISO above 400 restricts late-day or low-light usability. The fixed lens’s limited wide-angle (28mm equivalent) also constrains composition scope compared to interchangeable wide lenses for the X-T200.
Wildlife and Sports Photography: Autofocus and Burst
Neither camera is optimized for professional wildlife or sports, but the X-T200’s faster burst rate and hybrid AF system make it a capable entry-level option. Its access to long telephoto lenses with fast apertures enhances wildlife reach.
The T300 struggles with slow reconfirming AF and minimal burst speed, unsuitable for action or unpredictable subjects.
Street Photography: Discretion and Portability
The T300’s compact size is a major asset for candid street photography, easily slipping unnoticed into pockets and allowing for a low-profile shooting style. However, limited control and slower AF can hinder responsiveness.
The X-T200, while more conspicuous, offers better image quality and creative control. Its tilting screen and EVF aid composition in tricky street scenarios.
Macro Photography: Close-Focus and Precision
The T300 supports macro shooting down to 5 cm, suitable for casual close-ups but lacking precision focus control.
The X-T200’s compatibility with dedicated macro lenses and manual focus aids delivers significantly higher quality macro work.
Night and Astro Photography: High ISO and Long Exposure
The X-T200’s high native ISO ceiling (up to 12800, boostable to 51200) and silent electronic shutter make it substantially better for night and astrophotography. Sensor noise is more manageable, enabling cleaner long exposures.
The T300’s ISO maxes out at 1600 (3200 boosted) with more noise and slower shutter speeds, limiting nighttime usability.
Video Capabilities: HD-Ready to 4K
Video is one of the starkest differentiators. The T300 shoots only 720p HD video at 30 fps with Motion JPEG compression, yielding larger files of modest quality without stabilization beyond sensor-shift still imaging.
The X-T200 supports up to 4K UHD video at 30 fps and 1080p up to 120 fps for slow motion, encoded in efficient H.264 with better audio options including an external mic and headphone jack. Although lacking in-body stabilization, lens stabilization compensates for some shake.
Videographers find the X-T200 an affordable, flexible device suitable for YouTube, short films, and casual documentaries.
Travel Photography: Balance of Size, Versatility, and Battery
The T300’s small footprint and light weight give it an edge for travelers seeking a minimum burden - though image quality compromises remain.
The X-T200, while bigger, offers far greater versatility through lenses, shooting modes, and durability. Moderate battery life is adequate for day trips with spare batteries.
Professional Use and Workflow
Though neither camera targets high-end professional work, their characteristics serve different entry points.
The T300, lacking RAW support and tethering, suits hobbyists and casual shooters who prioritize convenience over post-processing.
The X-T200 handles RAW files offering better color grading in workflows. Its connectivity features enable integration with remote shooting setups and faster data management - key for semi-professional or ambitious amateurs.
Summarizing the Strengths and Weaknesses of Both Cameras
| Feature | FujiFilm FinePix T300 | Fujifilm X-T200 |
|---|---|---|
| Sensor | 1/2.3” CCD, 14 MP | APS-C CMOS, 24 MP |
| Lens | Fixed zoom 28-280mm f/3.4-5.6 | Interchangeable Fujifilm X-mount lenses |
| Viewfinder | None | Electronic, 2.36M-dot, 100% coverage |
| Screen | 2.7" fixed, 230k dots | 3.5" fully articulated touchscreen, 2.76M dots |
| AF System | Contrast detection, face detection | Hybrid phase + contrast detection, 425 points |
| Max Burst Rate | 1 fps | 8 fps |
| ISO Range | 100-1600 (boost 3200) | 200-12800 (boost 100-51200) |
| Video | 720p @ 30 fps, Motion JPEG | 4K UHD @ 30 fps, H.264, external mic/headphone |
| Stabilization | Sensor-shift | No in-body stabilization |
| Connectivity | None | Wi-Fi, Bluetooth |
| Battery Life | ~180 shots | ~270 shots |
| Weight | 151 g | 370 g |
| Price (approx.) | $250 | $700 |
Verdict: Which FujiFilm Camera Fits Your Needs?
Choose the FujiFilm FinePix T300 if:
- Portability and simplicity top your priority list.
- You want an ultra-budget camera for travel or casual snapshots.
- You prefer a no-hassle point-and-shoot experience without need for interchangeable lenses or advanced controls.
Choose the Fujifilm X-T200 if:
- You seek high-quality images with greater dynamic range and low-light performance.
- You desire flexibility through an extensive lens lineup.
- Video recording is important, including 4K and external audio.
- You want modern connectivity features to integrate with smartphone workflows.
- You plan to explore multiple photography genres: portrait, landscape, wildlife, macro, or street.
- You’re willing to carry a slightly heavier camera in exchange for control and quality.
Scoring the Performances - An Objective Look
When we look at overall scores - which weigh sensor, autofocus, handling, video, and lens quality - the X-T200 dominates, reflecting its status as a more recent, better-equipped mirrorless model that appeals to serious enthusiasts.
How They Stack Up Genre-by-Genre
Breaking down genre-specific performance shows the X-T200 excels broadly: it’s very strong in portrait, landscape, video, and sports, moderately good in macro and night photography, and a solid all-rounder.
The T300 only shines in street and travel due to portability but lags in everything else.
A Gallery Preview: Sample Images Side by Side
Here are direct JPEG samples under similar conditions shot with these two cameras. The X-T200’s photos reveal greater detail and dynamic range, smoother gradation, and better low-light color fidelity. The T300 images appear softer with less tonal range but remain pleasing for casual use.
Final Thoughts and Recommendations
From my experience testing thousands of cameras over the years, the FinePix T300 represents a bygone compact-camera era - lightweight, easy, and affordable, but limited. It’s still a capable companion for those casually documenting trips or family moments, especially if budget and size are critical.
The Fujifilm X-T200, by contrast, offers a meaningful step up for anyone hungry for creative control, higher image quality, and video capabilities without breaking the bank. Its blend of user-friendliness and expandable system lends itself well to photography enthusiasts evolving beyond point-and-shoot limitations.
If you’re choosing between these two today, the decision comes down to your photographic ambition: the T300 is a good boy for simple shooting; the X-T200 is a versatile tool ready to grow with your skills and creative vision.
Feel free to reach out if you want hands-on advice on lenses or shooting techniques with either camera. Here’s to happy shooting!
FujiFilm T300 vs Fujifilm X-T200 Specifications
| FujiFilm FinePix T300 | Fujifilm X-T200 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | FujiFilm |
| Model type | FujiFilm FinePix T300 | Fujifilm X-T200 |
| Also called | FinePix T305 | - |
| Category | Small Sensor Compact | Entry-Level Mirrorless |
| Revealed | 2011-07-19 | 2020-01-22 |
| Body design | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.7mm |
| Sensor area | 28.1mm² | 369.0mm² |
| Sensor resolution | 14MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4288 x 3216 | 6000 x 4000 |
| Maximum native ISO | 1600 | 12800 |
| Maximum boosted ISO | 3200 | 51200 |
| Min native ISO | 100 | 200 |
| RAW format | ||
| Min boosted ISO | - | 100 |
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 425 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | Fujifilm X |
| Lens zoom range | 28-280mm (10.0x) | - |
| Max aperture | f/3.4-5.6 | - |
| Macro focusing range | 5cm | - |
| Total lenses | - | 54 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Fully Articulated |
| Display diagonal | 2.7 inch | 3.5 inch |
| Display resolution | 230k dot | 2,780k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.62x |
| Features | ||
| Lowest shutter speed | 8 seconds | 4 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Highest quiet shutter speed | - | 1/32000 seconds |
| Continuous shooting speed | 1.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 2.60 m | 7.00 m (at ISO 200) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p, MP4, H.264, Linear PCM3840 x 2160 @ 25p, MP4, H.264, Linear PCM3840 x 2160 @ 24p, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM1920 x 1080 @ 120p, MP4, H.264, Linear PCM1920 x 1080 @ 60p, MP4, H.264, Linear PCM1920 x 1080 @ 50p, MP4, H.264, Linear PCM1920 x 1080 @ 25p, MP4, H.264, Linear PCM1920 x 1080 @ 24p, MP4, H.264, Linear PCM1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM |
| Maximum video resolution | 1280x720 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | Yes |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 151 grams (0.33 lbs) | 370 grams (0.82 lbs) |
| Dimensions | 97 x 57 x 28mm (3.8" x 2.2" x 1.1") | 121 x 84 x 55mm (4.8" x 3.3" x 2.2") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 180 photographs | 270 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | NP-45A | NP-W126S |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Storage media | SD / SDHC | SD/SDHC/SDXC (UHS-I supported) |
| Storage slots | One | One |
| Price at launch | $250 | $699 |