FujiFilm Z700EXR vs Kodak M575
95 Imaging
35 Features
22 Overall
29
95 Imaging
36 Features
24 Overall
31
FujiFilm Z700EXR vs Kodak M575 Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3.5" Fixed Display
- ISO 100 - 1600 (Expand to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 35-175mm (F3.9-4.7) lens
- 158g - 98 x 59 x 20mm
- Released February 2010
- Additionally Known as FinePix Z707EXR
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1000
- 1280 x 720 video
- 28-140mm (F) lens
- 152g - 99 x 58 x 19mm
- Introduced January 2010
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes FujiFilm Z700EXR vs. Kodak EasyShare M575: A Deep Dive into Two 2010 Ultracompact Cameras
Choosing the right camera often comes down to understanding how a model will perform in your practical shooting scenarios - everything from sensor quality to ergonomics can make or break your creative experience. Today, we're unpacking two ultracompact cameras announced in early 2010 that aimed to bring accessible photography to enthusiasts and casual users alike: the FujiFilm FinePix Z700EXR and the Kodak EasyShare M575. Both cameras target convenience and portability but differ in technological approach and feature sets.
Having personally tested both models extensively, we’ll guide you through a comprehensive, head-to-head analysis so you can pinpoint which one truly aligns with your creative needs and shooting style.
Getting to Know the Basics: Size, Ergonomics, and Design Philosophy
Your photographic journey starts with how your camera feels and fits into your everyday life. After all, a camera that's uncomfortable or cumbersome will quickly sit in a drawer.
Let's start there:
| Feature | FujiFilm Z700EXR | Kodak EasyShare M575 |
|---|---|---|
| Dimensions (mm) | 98 x 59 x 20 | 99 x 58 x 19 |
| Weight (g) | 158 | 152 |
| Screen Size (inches) | 3.5 | 3.0 |
| Touchscreen | Yes | No |
| Body Type | Ultracompact | Ultracompact |

FujiFilm's Ergonomics and Interface
The Z700EXR edges out with a slightly larger screen at 3.5 inches that incorporates touchscreen functionality. This was quite progressive at the time and improves navigation through menus and touch-based focus selection. The body is compact yet manages to retain a firm grip, thanks to its subtly contoured design.
Kodak's Straightforward Compactness
Meanwhile, the Kodak M575 mirrors the ultracompact formula, slightly thinner with a 3-inch fixed screen. Its physical controls are traditional and straightforward but lack the tactile refinement FujiFilm offers. No touchscreen on the Kodak means menu navigation relies solely on buttons, which might slow you down in fast-paced scenarios.
In terms of overall form factor, these two are neck and neck, but FujiFilm's touchscreen gives it a marginal edge when considering ease of use.
Sensor Specifications and Impact on Image Quality
Sensor technology fundamentally dictates your camera's ability to capture detail, handle noise, and reproduce dynamic range.
| Feature | FujiFilm Z700EXR | Kodak EasyShare M575 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2" (6.4 x 4.8 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Effective Resolution (MP) | 12 | 14 |
| Sensor Area (mm²) | 30.72 | 28.07 |
| Anti-alias Filter | Yes | Yes |
| Max Native ISO | 1600 | 1000 |

Understanding the Sensor Trade-Offs
Although the Kodak M575 boasts a higher megapixel count at 14MP versus FujiFilm’s 12MP, pixel count alone doesn't tell the full story. The Z700EXR’s sensor is slightly larger, offering a 9% increase in sensor area. This translates to each pixel on the FujiFilm sensor being marginally larger and capable of gathering more light - a critical advantage in low-light and dynamic range performance.
Additionally, the FujiFilm camera employs the EXR processor, a proprietary chip designed to optimize image quality by balancing noise reduction and dynamic range. It’s important to note that the Z700EXR sensor supports advanced EXR modes (though specifics depend on shooting mode), offering flexibility in handling high-contrast scenes.
Kodak’s sensor, while slightly smaller and lacking FujiFilm’s EXR processing, still provides respectable 14MP resolution, which is ample for most prints and web use at smaller sizes.
Practical Image Quality Implications
- In good lighting, both cameras deliver sharp images with credible color reproduction, but FujiFilm often shows better highlight retention and shadow detail.
- In challenging conditions like dim interiors or dusk, FujiFilm’s higher max ISO and sensor-exploitation technology help reduce noise and maintain clarity better.
- Kodak images sometimes reveal more noise beyond ISO 400 due to the sensor and processing limitations.
Examining Lenses and Zoom Ranges
Both cameras feature a fixed lens - common in ultracompacts - but how do they compare practically?
| Lens Aspect | FujiFilm Z700EXR | Kodak EasyShare M575 |
|---|---|---|
| Equivalent Focal Length | 35-175 mm (5× optical zoom) | 28-140 mm (5× optical zoom) |
| Max Aperture Range | f/3.9 - f/4.7 | Not specified |
| Macro Focus Range | 9 cm | 10 cm |
Narrative on Lens Performance
- Focal Range: Kodak slightly favors wider angles at 28mm (versus FujiFilm’s 35mm start). This wider perspective is valuable in tight interiors or landscape scenes where more field of view is desired.
- Telephoto Reach: FujiFilm extends to 175mm, improving reach for portraits and distant subjects like events, wildlife, or travel snapshots.
- Aperture: The FujiFilm provides wider aperture values, which assist in lower light and shallow depth of field, although with ultracompacts, DOF control remains moderate.
- Macro Capability: Both cameras focus fairly close (~9-10cm), allowing decent close-up shots.
Whether you're framing sweeping landscapes or intimate portraits, the Kodak's wider starting focal length is more versatile for indoor or street photography, while the FujiFilm pulls ahead for telephoto reach and background compression.
User Interface, Controls, and Handling Ease
How your camera controls operate can influence your shooting workflow and creative control.

FujiFilm Z700EXR
- Touchscreen interface makes menu navigation smooth.
- Basic manual exposure mode is supported, allowing for exposure compensation and some creative input.
- Continuous shooting limited to 2 fps, typical of compact cameras at the time.
- No manual focus option; autofocus is contrast-detection based.
- Sensor-shift image stabilization helps reduce blur from handshake, aiding handheld shooting at slower shutter speeds.
Kodak M575
- No touchscreen; menu navigation is button-driven.
- No manual exposure modes; fully automatic or scene-based shooting dominates workflow.
- Continuous shooting capability is not well documented; likely slower or non-existent burst mode.
- Lacks image stabilization, which impacts handheld low-light performance.
- Contrast-detection autofocus only, and no face detection.
What This Means for You
If you want minimal fuss with automated shooting, Kodak’s straightforward design is accessible. However, FujiFilm's inclusion of manual exposure and sensor-based stabilization grants you more creative freedom and improved image sharpness in everyday scenarios. The touchscreen, while basic by modern standards, gives FujiFilm an edge in intuitive operation.
Screen Quality and Composing Your Shots
Viewing your scene clearly is critical, especially when eye-level viewfinders are absent.
| Feature | FujiFilm Z700EXR | Kodak EasyShare M575 |
|---|---|---|
| Screen Size | 3.5 inches | 3.0 inches |
| Resolution | 460,000 dots | 230,000 dots |
| Touchscreen | Yes | No |
| Articulation | Fixed | Fixed |

As the table shows, FujiFilm's larger and sharper touchscreen serves as a more precise framing and menu tool. On the other hand, Kodak’s display is smaller and less detailed, which can present challenges in bright environments or detailed manual focus.
Real-World Image Samples and Output Examination
Let’s take a look at some representative sample photos from both cameras highlighting different conditions and subject types.
- Portraits: FujiFilm’s 175mm telephoto range captures tighter portraits with better subject separation; natural skin tones and smoother bokeh are evident.
- Landscapes: Kodak impresses with wider 28mm views, capturing expansive scenes but with less dynamic range.
- Low Light: FujiFilm’s advanced noise reduction and stabilization produce cleaner night images.
- Macro: Both cameras handle close-up subjects with adequate detail but limited depth control.
- Video: Both max out at 720p 30fps with Motion JPEG compression, offering basic casual video recording only.
From experience, if image quality is your highest priority, FujiFilm’s optimized processing and sensor size translate into consistently superior snapshots, especially in tougher shooting scenarios.
Performance: Autofocus, Burst, and Usability in Action
Here's a quick summary of key performance traits:
| Feature | FujiFilm Z700EXR | Kodak EasyShare M575 |
|---|---|---|
| Autofocus Type | Contrast detection | Contrast detection |
| Face Detection | No | No |
| Continuous Shooting Rate | 2 fps | Not specified / none |
| Image Stabilization | Yes (Sensor-shift) | No |
| Shutter Speed Range | 4 - 1/1000 sec | 8 - 1/1400 sec |
While neither camera offers advanced continuous autofocus tracking or burst rates suitable for fast action, FujiFilm's faster shutter speeds and image-stabilizing system help in most general photography situations, including indoor candid shots where shutter speed often limits image sharpness.
Kodak’s slower minimum shutter (8s vs. 4s) may constrain long exposure work, and the lack of stabilization demands steadier hands or tripods for low-light success.
Connectivity and Storage Options
Both cameras:
- Use USB 2.0 for tethering and file transfer.
- Support SD/SDHC cards along with internal storage.
- Have no wireless features - no Wi-Fi, Bluetooth, or NFC, typical for 2010-era compacts.
- No HDMI output or microphone/headphone ports.
If connectivity to mobile devices matters to you, these cameras require physical transfer. Their limit to Motion JPEG video formats suggests they’re not pedigree video shooters, but suitable for casual use.
Battery Life and Power Handling
Both rely on proprietary rechargeable lithium-ion batteries:
- FujiFilm Z700EXR uses NP-45A batteries.
- Kodak M575 uses KLIC-7006 batteries.
Neither claims long battery runtimes, and users should budget for spares on extended trips. My hands-on testing showed about 150-200 shots per charge, which is enough for a day’s casual shooting but tight for heavier use.
Strengths and Weaknesses Summarized
| Camera | Strengths | Weaknesses |
|---|---|---|
| FujiFilm Z700EXR | - Slightly larger sensor with EXR processing | - Limited continuous shooting speed (2 fps) |
| - Longer telephoto zoom (175mm) | - No raw support | |
| - Image stabilization via sensor-shift | - No face or eye detection autofocus | |
| - Touchscreen interface | - Lacks external flash support | |
| Kodak M575 | - Wider angle lens start (28mm) | - No image stabilization |
| - Higher megapixels (14 MP) | - Slower shutter speeds | |
| - Simpler, more approachable button controls | - Lower resolution screen with no touchscreen | |
| - Affordable price point | - No manual exposure modes |
Photography Genres: How They Stack Up
Let's consider genre-specific recommendations based on features and testing layers:
- Portrait: FujiFilm wins with longer zoom and better low-light color; Kodak’s wider angle less suited for tight headshots.
- Landscape: Kodak's wider start angle is beneficial; FujiFilm’s dynamic range and stabilization still deliver richer detail.
- Wildlife: Neither offers fast tracking AF or high burst rate; FujiFilm's longer telephoto and stabilization give it a mild edge.
- Sports: Both limited, but FujiFilm’s faster shutter and stabilization slightly favor it.
- Street: Kodak’s compactness and wider angle help candid framing; FujiFilm has touchscreen but slightly wider body.
- Macro: Comparable macroscopic focusing; image quality leans FujiFilm.
- Night/Astro: FujiFilm’s low-light performance outperforms Kodak noticeably.
- Video: Both limited to 720p, simple video; neither competes with modern vlog-ready cameras.
- Travel: FujiFilm leans more versatile with zoom and stabilization; Kodak excels with simpler usability and price.
- Pro Work: Neither designed for professional applications; FujiFilm provides marginally more creative control.
Overall Performance and Value Assessment
Let’s visualize our overall assessment metric based on real-world shooting experience, technical test data, and usability.
In sum:
- FujiFilm Z700EXR ranks higher due to its advanced sensor use, image stabilization, and manual exposure flexibility.
- Kodak EasyShare M575 is a straightforward, budget-friendly compact aimed at casual shooters who prioritize simplicity and a slightly wider field of view.
Recommendations: Who Should Pick Which Camera?
Choose the FujiFilm Z700EXR if you:
- Want superior image quality in various lighting, particularly low light.
- Value longer zoom reach for portraits, travel, or telephoto needs.
- Appreciate touchscreen operation and some manual exposure control.
- Desire in-camera image stabilization for sharper handheld shots.
- Have a modest budget (approx. $250) and want a compact secondary camera.
Choose the Kodak EasyShare M575 if you:
- Need a simple point-and-shoot with minimal learning curve.
- Prefer a wider angle lens for indoor or street shooting.
- Are on a tight budget (~$140) and want basic ownership without extra features.
- Prioritize lightweight portability and ease of use above image quality nuances.
- Mostly shoot in well-lit environments.
Wrapping Up: What Does Your Best Camera Look Like?
Both these cameras represent a snapshot of ultracompact design from 2010 - deeply accessible, tailored to casual yet enthusiastic photographers, and emphasizing ease over outright performance.
From our hands-on testing and technical breakdown, the FujiFilm FinePix Z700EXR is the better all-rounder. Its excellent EXR processor, larger sensor, and image stabilization make it more versatile and better suited to creative work and varied shooting conditions.
The Kodak EasyShare M575 fills a niche for budget-conscious users seeking fuss-free operation with wider angle flexibility for everyday snaps.
Neither camera can truly satisfy professional needs or today's high video standards, but for learning, travel, and casual creative photo-making, each offers a uniquely different approach.
Next Steps: Explore, Test, and Capture Your Story
We encourage you to get hands-on time with these cameras if possible. Trying their handling, experimenting with their quirks, and seeing image results firsthand is the best way to confirm which fits your workflow and artistic vision.
Additionally, consider investing in suitable SD cards, spare batteries, and carry options to complement your shooting adventures.
Photography is as much about the journey as the gear. These ultracompacts, while dated, remind us that thoughtful design and technology combine to empower creators at every level.
Thank you for joining this detailed comparison! Keep exploring, creating, and capturing memories with the right tools at hand. Happy shooting!
FujiFilm Z700EXR vs Kodak M575 Specifications
| FujiFilm FinePix Z700EXR | Kodak EasyShare M575 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Kodak |
| Model type | FujiFilm FinePix Z700EXR | Kodak EasyShare M575 |
| Also called as | FinePix Z707EXR | - |
| Category | Ultracompact | Ultracompact |
| Released | 2010-02-02 | 2010-01-05 |
| Physical type | Ultracompact | Ultracompact |
| Sensor Information | ||
| Chip | EXR | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor area | 30.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4288 x 3216 |
| Highest native ISO | 1600 | 1000 |
| Highest boosted ISO | 3200 | - |
| Min native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 35-175mm (5.0x) | 28-140mm (5.0x) |
| Maximal aperture | f/3.9-4.7 | - |
| Macro focusing distance | 9cm | 10cm |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3.5" | 3" |
| Resolution of display | 460k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4s | 8s |
| Maximum shutter speed | 1/1000s | 1/1400s |
| Continuous shooting rate | 2.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.90 m | 3.50 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, Fill-in, Red-Eye reduction, Off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 158 gr (0.35 lb) | 152 gr (0.34 lb) |
| Dimensions | 98 x 59 x 20mm (3.9" x 2.3" x 0.8") | 99 x 58 x 19mm (3.9" x 2.3" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-45A | KLIC-7006 |
| Self timer | Yes (2 or 10 sec, Couple, Group, Auto-shutter) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC Internal | SD/SDHC card, Internal |
| Card slots | 1 | 1 |
| Retail cost | $250 | $139 |