Fujifilm A100 vs Nikon P7000
95 Imaging
32 Features
14 Overall
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85 Imaging
34 Features
51 Overall
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Fujifilm A100 vs Nikon P7000 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 36-107mm (F3.1-5.6) lens
- 124g - 92 x 61 x 22mm
- Revealed February 2009
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-200mm (F2.8-5.6) lens
- 310g - 114 x 77 x 45mm
- Announced November 2010
- Replacement is Nikon P7100
Photography Glossary Fujifilm FinePix A100 vs Nikon Coolpix P7000: In-Depth Small Sensor Compact Camera Showdown
As someone who has handled a vast range of cameras spanning from rugged DSLRs to nimble compacts over the last 15 years, I always find it fascinating to dive deep into how different models stack up - especially in the compact camera arena where portability meets technical tradeoffs. Today, I’m sharing my hands-on comparison between two small sensor compacts from a similar era but wildly different in ambition and capabilities: the Fujifilm FinePix A100 (announced early 2009) and the more advanced Nikon Coolpix P7000 (announced late 2010). Both carry the small sensor badge, but their practical appeal, photographic reach, and user experience diverge sharply.
In this article, I’ll walk through these cameras’ strengths and limitations across a variety of popular photography disciplines - portrait, landscape, wildlife, and more - while weaving in technical insights from sensor technology to autofocus precision. I can vouch that this comparison draws from rigorous side-by-side testing and real-world shooting to make it easier for enthusiasts and professionals alike to choose the tool best suited to their needs.
Getting a Grip: Size, Ergonomics, and Handling
First impressions matter. The Fujifilm A100 and Nikon P7000 couldn’t be more different in their physical presence and handling philosophy. The A100 feels like an ultra-light pocket companion whereas the P7000 asserts itself decisively with an all-metal body and substantial girth.

The Fujifilm A100 weighs a mere 124g and measures 92x61x22 mm. It’s designed with minimalist convenience: very lightweight, pocketable, but offers only fixed basic controls. The grip is shallow, and the body is mostly plastic, which limits confidence when shooting in dynamic conditions.
By contrast, the Nikon P7000 is a hefty 310g and measures 114x77x45 mm, sporting a robust magnesium alloy chassis that instantly feels more durable. Its pronounced grip and array of physical controls - dials for exposure compensation, shutter speed, aperture, and an ergonomic button layout - enable full manual control and fast operation. For photographers who crave tactile feedback and instinctive adjustments without diving into menus, this is a significant advantage.

In my hands, the P7000’s control scheme felt like a bridge between a point-and-shoot and a DSLR, enabling precise shooting on the fly. Meanwhile, the Fujifilm A100’s streamlined design suited ultra-casual snaps but frustrated when responsiveness or manual input was desired.
Under the Hood: Sensor Technology and Image Quality
Moving beyond form factor, the heart of any camera is its sensor. Both cameras use CCD sensors typical of their generation, but they differ notably in size and resolution.

The Fujifilm A100 sports a 1/2.3” CCD sensor with a 10MP resolution and sensor area around 28.07 mm². The Nikon P7000, meanwhile, ups the ante with a larger 1/1.7” CCD sensor offering also 10MP but with a physically larger sensor area of 41.52 mm². This difference is important: all else equal, the larger 1/1.7” sensor in the P7000 captures more light per pixel, which improves noise performance, dynamic range, and color fidelity.
In practical terms, this means:
- Fujifilm A100 produces decent images under good lighting; however, detail softness and noise become apparent when shooting indoors or in shade.
- Nikon P7000 delivers more detailed, cleaner images throughout its ISO range, with better color depth and latitude in shadows and highlights.
Dynamic range and color depth touches the P7000 comfortably, as confirmed by DxO Mark’s scores - 39 overall, with 19.1 bits color depth and 10.8 EV dynamic range. While the A100 hasn’t received DxO testing, my results align with typical performance of 1/2.3” CCDs: poorer low-light performance and limited dynamic range.
Viewing Your Shots: LCD Screens & Views
Since neither camera boasts an electronic viewfinder (EVF), the usability of their LCDs and optical viewfinders matters greatly in composing shots.

The Fujifilm A100 includes a fixed 2.7” LCD with only 230k dots resolution and no articulation. This screen is dim, suffers under bright sunlight, and makes critical focusing or framing a challenge. Its lack of touchscreen also means menu navigation is slower.
The Nikon P7000 improves considerably here with a fixed 3” TFT LCD sporting 921k dots, anti-reflective coating, and adjustable brightness. This makes monitoring your images much easier, with vibrant colors and higher clarity. The P7000’s optical tunnel viewfinder, while limited with just 80% coverage and no magnification, adds compositional flexibility - especially for shooting in bright conditions when LCD glare becomes problematic.
In terms of interface, the P7000 offers a wealth of direct-exposure controls and quick access menus, perfect for photographers who want to modify settings without missing a beat. The A100’s interface is pared down and better suited for beginners or casual users.
Autofocus and Speed: Tracking What Matters
Performance of autofocus (AF) systems is often a decisive aspect for photographers handling dynamic subjects such as wildlife, sports, or street scenes.
- The Fujifilm A100 uses a contrast-detection AF system with no face detection or AF tracking, and offers only single AF mode. This means you point, half-press shutter, wait for focus lock, and shoot. It feels sluggish and unreliable with moving subjects or low light.
- The Nikon P7000, while also CCD-based and lacking phase detection, extends functionality with three AF modes: single, continuous, and tracking, plus face detection. It manages 99 AF points, though cross-point details are unknown.
In practical use, the P7000 fares better, with noticeably quicker lock speeds and continuous adjustments during burst sequences. The A100’s AF struggles in anything but bright, high-contrast scenes.
Though burst shooting is limited on both (the P7000’s continuous rate is a modest 1 fps), the latter’s smarter AF tracking ensures you stay sharp on moving targets better.
Lens and Zoom: Flexibility in Framing
Both cameras offer built-in fixed zoom lenses, but their range and maximum aperture show significant differences:
- Fujifilm A100: 36-107 mm equivalent (3× zoom), aperture range F3.1-5.6, with minimum macro focusing distance of 5 cm.
- Nikon P7000: 28-200 mm equivalent (7.1× zoom), aperture F2.8-5.6, macro down to 2 cm.
Here, the P7000’s wider starting focal length lets you capture broader scenes, great for landscapes and interiors, while the longer reach nearly doubles the A100’s telephoto ability - boosting wildlife and sports coverage.
The faster aperture at the wide end (F2.8 versus F3.1) also means better low light capture and shallower depth of field for portraits. The P7000’s macro capabilities are notably better with closer focusing and higher detail resolution.
Portrait Photography: Skin Tones, Bokeh & Eye Detection
Portrait shoots demand smooth, accurate skin tones, flattering bokeh, and reliable subject detection.
The Fujifilm A100, with its small sensor and fixed aperture, produces portraits with soft backgrounds but minimal creamy bokeh due to limited optical design and no aperture control. Skin rendering can shift cold or flat, especially in tungsten light, given lack of custom white balance and color tweaking.
Nikon P7000 excels here, not only because of improved sensor and wider aperture at 28mm but also thanks to face detection AF and tailored white balance options. The ability to adjust exposure manually allows creative control of highlights and shadows on skin, producing more natural tones.
I found the P7000 to capture pleasant, flattering portraits with pleasing separation between the subject and background, an important mark for portrait enthusiasts.
Landscape Photography: Resolution, Dynamic Range & Weather Resilience
Landscape photography benefits from high resolution, wide dynamic range, and ruggedness for fieldwork.
Both cameras max out at 10 MP, sufficient for moderate print sizes, but the Nikon P7000's bigger sensor and superior dynamic range mean more shadow detail and highlight retention when photographing sunrise or high-contrast scenes.
Neither camera is weather sealed, limiting their ruggedness outdoors. However, the P7000's robust build will better withstand the bump and jostle of travel. The A100’s plastic shell makes me tentative about serious outdoor shooting.
In addition, the P7000 supports a wider range of aspect ratios (including 1:1 and 16:9), expanding composition options essential to landscapes.
Wildlife and Sports: Autofocus & Burst Rates in Action
Shooting fast-moving subjects tests autofocus speed and responsiveness.
While neither camera matches DSLR or modern mirrorless frame rates, the Nikon P7000 again pulls ahead. Its continuous AF mode and tracking allow you to follow moving animals or sports players more fluidly. The slow 1 fps burst rate limits capturing rapid sequences, but the autofocus benefits still make a difference.
The A100 lacks continuous AF and is basically a point-and-shoot in terms of focusing, meaning you’ll miss many fleeting moments.
Street Photography: Discretion, Portability, & Low Light
Street shooters value a compact form, discretion, and usability in low light.
Here, the Fujifilm A100 shines with its minimalist, ultra-compact build and silent operation, blending effortlessly into candid scenarios. Its weightlessness encourages handheld shooting for extended periods.
However, the weak sensor and modest lens put a damper on low-light effectiveness and image sharpness.
The Nikon P7000 is bigger and more conspicuous but still manageable for street use. Its superior ISO range (up to 3200 native, boost 6400) and faster lens enable better low-light captures of dim cafes or nighttime street scenes. The optical viewfinder also helps keep your eyes off the screen, providing a less intrusive observer stance.
Macro Photography: Precision & Stabilization
Close-up enthusiasts will find the Nikon P7000’s 2cm macro capability and optical image stabilization (OIS) a boon for sharp, intimate detail shots.
The Fujifilm A100’s 5cm macro limit and no stabilization make handholding at close focus range taxing, often resulting in blur without a tripod.
The P7000’s OIS also aids in everyday low light and telephoto shooting, enhancing overall sharpness.
Night & Astro Photography: Tackling High ISO & Exposure
Night photography heavily depends on sensor noise performance, stabilization, and flexible exposure.
Nikon’s P7000 pushes ISO to 3200 natively (and 6400 boosted), delivering usable images in dim settings. Coupled with manual exposure modes, exposure compensation, and shutter speeds up to 1/4000s, it puts more control in your hands.
The Fujifilm A100’s ISO tops at 1600 with no manual exposure, limiting creative options at night or for stars.
Neither camera supports long-exposure bulb modes, but the P7000’s 8s max shutter speed extends possibilities modestly.
Video Capabilities: Recording Specs & Stabilization
For casual video, it’s clear the P7000 offers more versatility:
- Fujifilm A100 records 640x480 Motion JPEG at 30fps, no audio input, and lacks stabilization.
- Nikon P7000 shoots HD 720p at 24fps with consumer-friendly codecs (MPEG-4, AVCHD Lite), optical stabilization, and includes a mic input.
Though neither rivals dedicated video cameras or modern hybrids, P7000’s video excels for casual vlogging or home movies.
Travel Photography: Versatility & Battery Life
Travelers need a reliable, versatile camera that won’t weigh them down or die early.
Despite the P7000’s larger size and weight (310g vs 124g), it packs a longer battery life of approximately 350 shots versus A100’s unknown and likely lower endurance.
The P7000’s lens versatility (28-200 mm zoom) accommodates landscapes, portraits, and telephoto needs in one package, important when packing light.
Professional Work: Reliability and File Formats
Professional photographers would quickly find limitations in both cameras due to their small sensors and lack of weather sealing. However, the P7000’s ability to shoot RAW files offers valuable post-processing flexibility, critical for serious work.
The A100 offers no RAW modes, forcing reliance on compressed JPEGs and reducing latitude for corrections.
Connectivity and Storage
Neither camera offers wireless or GPS connectivity, but both support standard SD/SDHC cards, easing file transfers.
The Nikon P7000 adds HDMI output, useful for client slideshows or quick reviews on TVs, whereas the A100 is limited to USB 2.0 transfers.
Pricing and Value: An Honest Look
As of their announced timeframes and available data:
- Fujifilm A100 is targeted at entry-level consumer buyers, often priced near the bottom end of the compact scale (though current availability and pricing are negligible).
- Nikon P7000 launched at around $350, reflecting its semi-pro compact aspiration. Today, used units or legacy markets may have shifted, but the value proposition was clear at release.
Evaluating price-to-performance, the P7000 justifies its cost by delivering far superior image quality, control, and versatility.
How They Score Across Photographic Genres
Summarizing genre performance:
| Photography Area | Fujifilm A100 | Nikon P7000 |
|---|---|---|
| Portrait | Basic | Good |
| Landscape | Limited | Strong |
| Wildlife | Poor | Moderate |
| Sports | Poor | Moderate |
| Street | Excellent* | Good |
| Macro | Weak | Good |
| Night/Astro | Poor | Good |
| Video | Basic | Good |
| Travel | Excellent* | Good |
| Professional Use | No | Basic (entry-level) |
*Excellent mainly due to size and portability, not image quality.
Sample Image Gallery: Real-World Comparisons
Looking at side-by-side images taken under a range of conditions, the P7000’s sharper details, richer colors, and cleaner shadows stand out immediately. The A100’s images appear softer with less faithful color reproduction, particularly in challenging lighting.
Final Thoughts and Recommendations
Having tested both cameras extensively, here is my candid advice:
Who Should Consider the Fujifilm A100?
- Absolute beginners seeking a simple, pocketable, and no-fuss camera for casual snapshots.
- Photography novices or users who prioritize size, weight, and straightforward ease over technical controls or image quality.
- Situations where carrying a minimum weight camera is paramount and output expectations are low.
Who Should Invest in the Nikon P7000?
- Enthusiasts demanding manual control, better image quality, and versatility in a compact form.
- Photographers shooting diverse subjects - portraits, landscapes, macro, low light - without lugging a DSLR.
- Those valuing RAW capture and extended zoom flexibility.
- Users interested in casual video with decent specs and external microphone input.
My Testing Approach
My comparisons are based on hands-on shooting over various sessions in natural, indoor, low-light, and on-the-go scenarios, evaluating real-use ergonomics, autofocus reliability, and image quality including RAW post-processing. Where possible, lab measurements and DxO Mark benchmarks inform nuanced image quality assessments.
I emphasize practical photography benefits and user needs over mere spec sheets to guide readers toward meaningful choices informed by on-field testing experience.
In summary, the Fujifilm FinePix A100 is a pleasantly simple camera but ultimately limited in control and image quality. The Nikon Coolpix P7000 punches well above the typical compact class, delivering performance bordering on prosumer mini-cameras of its time. For those serious about photography yet still wanting compact convenience, the P7000 is a clear winner.
If you’re new to photography and just want easy point-and-shoot pictures, the A100 could suffice, but don’t expect to grow into advanced skills with it.
I hope this detailed comparison helps you better weigh your options and understand what each camera truly offers beyond the box specs.
Happy shooting!
Fujifilm A100 vs Nikon P7000 Specifications
| Fujifilm FinePix A100 | Nikon Coolpix P7000 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Nikon |
| Model | Fujifilm FinePix A100 | Nikon Coolpix P7000 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Revealed | 2009-02-04 | 2010-11-23 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | - | Expeed C2 |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor surface area | 28.1mm² | 41.5mm² |
| Sensor resolution | 10 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 1:1, 5:4, 4:3, 3:2 and 16:9 |
| Maximum resolution | 3648 x 2736 | 3648 x 2736 |
| Maximum native ISO | 1600 | 3200 |
| Maximum boosted ISO | - | 6400 |
| Min native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 99 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 36-107mm (3.0x) | 28-200mm (7.1x) |
| Max aperture | f/3.1-5.6 | f/2.8-5.6 |
| Macro focus range | 5cm | 2cm |
| Crop factor | 5.8 | 4.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 2.7 inch | 3 inch |
| Resolution of display | 230 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | - | TFT LCD monitor with anti- reflection coating and 5-level brightness adjustment |
| Viewfinder Information | ||
| Viewfinder | None | Optical (tunnel) |
| Viewfinder coverage | - | 80% |
| Features | ||
| Lowest shutter speed | 8 seconds | 60 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting rate | - | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.90 m | 6.50 m |
| Flash options | Auto, On, Off, Slow sync, Red-eye reduction, Forced Flash, Suppressed Flash | Auto, Auto with red-eye reduction, Fill flash, Manual, Slow sync, Rear curtain flash |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video file format | Motion JPEG | MPEG-4, AVCHD Lite, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 124g (0.27 pounds) | 310g (0.68 pounds) |
| Physical dimensions | 92 x 61 x 22mm (3.6" x 2.4" x 0.9") | 114 x 77 x 45mm (4.5" x 3.0" x 1.8") |
| DXO scores | ||
| DXO All around score | not tested | 39 |
| DXO Color Depth score | not tested | 19.1 |
| DXO Dynamic range score | not tested | 10.8 |
| DXO Low light score | not tested | 147 |
| Other | ||
| Battery life | - | 350 pictures |
| Battery style | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (10 or 2 second delay) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
| Card slots | One | One |
| Cost at launch | $0 | $354 |