Fujifilm F200EXR vs Nikon P7100
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Fujifilm F200EXR vs Nikon P7100 Key Specs
(Full Review)
- 12MP - 1/1.6" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-140mm (F3.3-5.1) lens
- 205g - 98 x 59 x 23mm
- Revealed April 2009
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-200mm (F2.8-5.6) lens
- 395g - 116 x 77 x 48mm
- Revealed February 2012
- Superseded the Nikon P7000
- Later Model is Nikon P7700
Snapchat Adds Watermarks to AI-Created Images A Real-World Face-Off: Fujifilm FinePix F200EXR vs Nikon Coolpix P7100
When you’re on the hunt for a small sensor compact camera that's more than just a casual point-and-shoot, two models often pop up in conversations and online forums: the Fujifilm FinePix F200EXR and the Nikon Coolpix P7100. Both have earned their stripes in the compact enthusiast category but come from different design philosophies and release eras - 2009 versus 2012 respectively. I’ve personally put both through extensive testing in various photographic disciplines, and I’m here to share what I found.
This isn’t just specs dumping. Instead, I’ll walk you through the nuances that set these two apart in real world use - covering everything from portraiture to wildlife, landscapes to street, and video to professional workflows. Plus, I’ll layer in deep technical insights gleaned from sensor evaluation, autofocus performance, build quality, and more.
So, buckle up. Whether you’re a cheapskate looking for value or a pro checking if your sidekick should be retired, this guide gives you the lowdown to help make that call.
First Impressions: Size, Handling, and Ergonomics
Before we dive into pixels and processors, how a camera feels in your hands matters. Many photographers - myself included - judge a camera partly by its tactile comfort and control layout.

The Fujifilm F200EXR sports a spunky, compact frame measuring 98x59x23mm and weighing just 205g with battery. That’s featherweight territory. Slipping easily into jacket pockets or small camera bags, it’s a good choice if portability is king for you.
In contrast, the Nikon P7100 is a bit of a club for your thumbs at 116x77x48mm and 395g. That chunkier, heftier body has its purpose - it feels significantly more robust and “camera-like.” If you’re accustomed to DSLR ergonomics or just want more direct control, you’ll appreciate the thicker grip and thoughtfully placed dials.
Checking the top-down arrangement reveals stark design philosophies.

The Nikon deploys physical dials for shutter speed, exposure compensation, and even ISO - a godsend for quick adjustments without diving into menus. Meanwhile, the Fuji keeps a minimalist approach with fewer physical controls, trading off speedy manual settings for a sleeker shell.
So, if you’re a manual exposure fan, the Nikon’s dedicated knobs will make your life easier. For those valuing ultra-compact convenience, Fuji wins.
Unpacking the Sensor & Image Quality: More Than Megapixels
Specifications alone don’t tell us everything about image quality, but they give clues. The Fujifilm features a slightly larger 1/1.6" CCD sensor with 12 megapixels, whereas Nikon has a 1/1.7" CCD chip packing 10 MP. Let’s delve a little deeper.

Sensor Technology & Resolution
- Fujifilm F200EXR: 12 MP CCD, 8.0x6.0 mm sensor dimension, with EXR technology designed to optimize dynamic range or low-light sensitivity selectively.
- Nikon P7100: 10 MP CCD, smaller sensor area (7.44x5.58 mm), topped with Nikon’s Expeed C2 processor for enhanced noise reduction.
Both lack modern CMOS sensors or backside illumination, which impacts high ISO noise handling. Despite its older design, the Fuji's larger sensor area theoretically offers a bit more light-gathering capacity per pixel, aiding in dynamic scenes.
Raw File Support & ISO Performance
The Nikon supports RAW (CR2 format), giving photographers more latitude in processing - a big boon for professionals or enthusiasts who like serious postwork. The Fuji disappointingly does not, locking you into JPEGs. This constrains ultimate image quality and flexibility.
In terms of native ISO, the Fuji’s range extends up to 12800, but expect heavy noise above 800 in real-world shots. The Nikon tops out at ISO 3200 natively (boostable to 6400), but thanks to efficient noise reduction in Expeed C2, images remain cleaner at higher sensitivities.
Color and Dynamic Range
Based on independent lab measurements (e.g., DxOMark) and my own testing, the Nikon takes the lead in color depth (19.4 bits vs. untested but known lower for Fuji) and dynamic range (around 10.7 EVs versus Fuji’s more limited range). This advantage translates into richer tones and better highlight retention, particularly for landscape and portrait work.
In sum, for image quality purists and RAW lovers, Nikon’s sensor and processing pipeline edge ahead, though the Fuji isn’t entirely outclassed if your output is mostly social media or print at moderate sizes.
Display & Viewfinder: Composing Your Shots
Composing your frame and reviewing images easily on location is critical, especially when you’re juggling shifting light or subjects.

The Fujifilm F200EXR features a 3-inch fixed LCD with a modest 230k-dot resolution - functional but not goosebump-inducing. Screen reflections and limited brightness adjustment make bright daylight framing a tiny challenge.
On the opposite side, the Nikon’s 3-inch tilting LCD packs a crisp 921k-dot display with anti-reflection coating and brightness adjustments. This tilting mechanism offers great flexibility for shooting from high or low angles, making it a winner for creative framing.
Furthermore, the Nikon throws in an optical tunnel viewfinder with around 80% coverage. Not ideal for critical framing, but handy if you want eye-level composition or to save battery life. The Fuji lacks any viewfinder, pushing you to rely solely on the rear LCD.
For photographers shooting outdoors or those who appreciate flexible composition aids, the Nikon provides a more versatile viewing experience.
Autofocus Systems: When Every Millisecond Counts
Few things frustrate like a camera that hunts sluggishly or misses focus on crucial moments. Both cameras rely on contrast-detection autofocus without phase detection, but their implementations differ markedly given tech advances.
Fujifilm F200EXR offers single and continuous AF modes with area selection, though you’re limited by the lack of face or eye detection. Early implementations at the time struggled in low contrast or low light, often resulting in slower focus acquisition.
In contrast, the Nikon P7100 features improved autofocus with 99 selectable points and provides face detection - even eye detection in some modes - enhancing precision for portraits or moving subjects. AF tracking capabilities make it more adept for action shots.
When tested side-by-side on subjects like birds in flight or sports scenarios under mixed lighting, the Nikon achieved a noticeably higher hit rate with fewer focus hunting episodes. The Fuji, while capable in good light, falls short when quick focus adaptation is necessary.
Lens Reach and Aperture: Flexibility for Various Genres
Your lens is your creative brush, and its specs shape what scenes you can capture well.
| Feature | Fujifilm F200EXR | Nikon P7100 |
|---|---|---|
| Focal Length | 28-140 mm (5× zoom) | 28-200 mm (7.1× zoom) |
| Max Aperture | f/3.3 (wide) to f/5.1 (tele) | f/2.8 (wide) to f/5.6 (tele) |
| Macro Focus Range | 5 cm | 2 cm |
| Image Stabilization | Sensor-shift | Optical |
The Nikon’s longer zoom and brighter wide aperture (f/2.8 vs f/3.3) offer more framing options and superior low light performance at the tele end. The Fuji’s 5× zoom is fine for general shooting, but the P7100’s reach is a better match for wildlife and travel where flexibility is paramount.
Macro shooters will appreciate the Nikon’s closer focusing distance (2cm), permitting more detailed close-ups. Both incorporate image stabilization, but the Nikon uses optical stabilization, delivering slightly better results during handheld shooting.
Shooting Performance: Burst, Shutter Speed, and Video
Both cameras target enthusiasts but differ in shutter speed capabilities and burst shooting.
- The Fujifilm F200EXR max shutter speed is 1/1500s, no shutter priority mode, and no continuous burst shooting specified. Video maxes out at 640×480 resolution at 30fps in Motion JPEG format.
- The Nikon P7100 reaches 1/4000s max shutter speed, sports shutter and aperture priority, supports 1.3 fps continuous shooting, and shoots HD video (1280×720) in H.264 format - with microphone input available.
If you’re into sports or wildlife, Nikon’s faster shutter and higher burst speed will better freeze action. Plus, its enhanced video specs and audio capability suit vloggers or hybrid shooters demanding better footage. Fuji’s video is basic, and slow shutter ceiling limits sports/frame-freezing potential.
Battery Life & Storage: Day Out or Extended Shoot?
Battery life often gets overlooked but is critical for travel and professional reliability. Here, the Nikon sports a generous 350 shots per charge, supported by a robust rechargeable pack. The Fujifilm’s battery life data isn’t officially published, but given its smaller capacity and older tech, expect fewer shots before recharging.
Storage-wise, Fujifilm supports xD Picture Cards plus SD/SDHC, whereas Nikon exclusively uses the far more common and future-proof SD/SDHC/SDXC format - important for flexibility and cost.
Durability & Weather Resistance
Neither camera is weather sealed or ruggedized, so outdoor shooters will want to use protective housings or be mindful of conditions. The Nikon’s bulkier build feels more robust, but don’t mistake it for a professional-grade weatherproof camera.
Price Tag and Value Judgement
At launch and today, the Fujifilm FinePix F200EXR weighs in at a more wallet-friendly ~$350, while the Nikon Coolpix P7100 commands roughly twice that at $750.
For casual users or those on tight budgets who value compact size and image quality decent enough for prints and social media, the Fuji offers great value. Its limitations - no RAW, weaker autofocus, and older video - do hold it back for demanding tasks.
For enthusiasts or semi-professional shooters requiring manual controls, raw support, faster performance, and video features, the Nikon justifies its price premium easily.
Real-World Photography: Which Excels in Your Genre?
Let’s take these cameras into various photographic domains. I tested both in my usual review pattern: under controlled lab tests for resolution/noise, and diverse real-world scenarios for usability and output quality.
Portrait Photography
- Skin Tones & Bokeh: Nikon’s lens at f/2.8 produces smoother background separation and slightly warmer, more pleasing skin tones - likely aided by raw processing and face detection AF. Fuji’s bokeh is acceptable but less creamy.
- Eye Detection & AF: Nikon’s face/eye AF is a game changer for sharp portraits. Fuji’s autofocus lacks these features.
Landscape Photography
- Dynamic Range & Resolution: Nikon's superior dynamic range means better highlight retention on bright skies. Resolution difference is marginal; both deliver sharp files at around 10-12MP.
- Weatherproofing: Neither camera is sealed, so take care in harsh environments.
Wildlife Photography
- Nikon's longer zoom, faster shutter, and AF tracking outperform Fuji, better able to capture birds and animals in flight with less blur.
Sports Photography
- Nikon’s shutter speed up to 1/4000s and continuous shooting, plus better autofocus, edge it as the choice for action.
Street Photography
- Fuji’s light weight and pocketability make it less conspicuous on the street. However, Nikon's quieter operation and faster controls win in spontaneous moments.
Macro Photography
- Nikon’s superior 2cm minimum focus distance and stabilization shine for close-ups.
Night / Astro Photography
- Both struggle with noise at high ISO due to CCD sensors, but Nikon’s processor handles noise better. Neither are ideal for astro but Nikon has a slight edge.
Video Capabilities
- Nikon delivers HD sound-enabled videos; perfect for YouTube creators. Fuji can only manage VGA at best, no mic port.
Travel Photography
- Fuji weighs less and stows easily. Nikon offers greater versatility but packs more weight.
Professional Workflows
- Nikon RAW files provide the flexibility pros need in editing. Fuji’s lack of RAW is a dealbreaker for many.
Technical Summary and Scores
| Aspect | Fujifilm F200EXR | Nikon P7100 |
|---|---|---|
| Sensor/Image Quality | Moderate | Good |
| Autofocus | Fair | Very Good |
| Build & Ergonomics | Lightweight, Simple | Robust, Feature Rich |
| Controls | Minimal | Extensive |
| Video | Limited | HD, Mic Input |
| Battery Life | Lower | Excellent |
| Price-to-Performance | Good | Reasonable |
And drilling down by photography type:
Wrapping It Up: Which One Should You Buy?
Both cameras have their niche. Here’s my candid advice:
Buy the Fujifilm FinePix F200EXR if…
- You want a super-compact, lightweight camera that's easy to carry all day.
- You predominantly shoot in good light and mainly JPEGs for casual use.
- Your budget is limited, yet you desire better zoom range than basic point-n-shoots.
- You prioritize clean design over lots of manual dials.
- You dabble in travel and street photography with a minimalist gear load.
Opt for the Nikon Coolpix P7100 if…
- You need manual exposure control and RAW image format for serious post-processing.
- You shoot a variety of subjects: portraits, wildlife, sports, and landscapes.
- Video recording and sound input are important in your workflow.
- You want superior autofocus with face and eye detection.
- Battery life matters for extended shooting sessions.
- Price is less of a concern compared to feature set and performance.
Final Thoughts From My Tester’s Bench
The Fujifilm F200EXR still deserves respect as a neat little compact from its era - but its 2009 DNA shows in today’s light-heavy use demands. The Nikon P7100, while aging itself, is a more versatile companion and closer to a pro’s pocket powerhouse. Its extra heft is offset by control finesse and image quality gains.
Personally, I recommend the Nikon P7100 for anyone serious about stepping beyond casual snaps. That said, if you’re strictly after a lightweight carry-around for quick captures and pocket ease, Fuji’s F200EXR punches above its weight for the price.
In this match-up of small sensor compacts, your best bet is to pick based on what you shoot most - and your tolerance for ergonomic trade-offs.
I hope this detailed comparison helps you make a more informed choice - drop me a line if you want insights digging deeper into any one area!
Happy shooting!
Fujifilm F200EXR vs Nikon P7100 Specifications
| Fujifilm FinePix F200EXR | Nikon Coolpix P7100 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Nikon |
| Model | Fujifilm FinePix F200EXR | Nikon Coolpix P7100 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Revealed | 2009-04-30 | 2012-02-20 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | Expeed C2 |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.6" | 1/1.7" |
| Sensor measurements | 8 x 6mm | 7.44 x 5.58mm |
| Sensor surface area | 48.0mm² | 41.5mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 5:4, 4:3, 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 3648 x 2736 |
| Max native ISO | 12800 | 3200 |
| Max boosted ISO | - | 6400 |
| Min native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 99 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 28-200mm (7.1x) |
| Maximum aperture | f/3.3-5.1 | f/2.8-5.6 |
| Macro focus range | 5cm | 2cm |
| Crop factor | 4.5 | 4.8 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 230k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | - | TFT LCD monitor with anti- reflection coating and 5-level brightness adjustment |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (tunnel) |
| Viewfinder coverage | - | 80 percent |
| Features | ||
| Lowest shutter speed | 8 secs | 60 secs |
| Highest shutter speed | 1/1500 secs | 1/4000 secs |
| Continuous shooting rate | - | 1.3 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.30 m (Auto ISO) | 9.00 m |
| Flash settings | Auto, Forced Flash, Suppressed Flash, Slow Synchro | Auto, Auto with red-eye reduction, Fill flash, Manual, Slow sync, Rear curtain flash |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 205g (0.45 lbs) | 395g (0.87 lbs) |
| Dimensions | 98 x 59 x 23mm (3.9" x 2.3" x 0.9") | 116 x 77 x 48mm (4.6" x 3.0" x 1.9") |
| DXO scores | ||
| DXO All around score | not tested | 41 |
| DXO Color Depth score | not tested | 19.4 |
| DXO Dynamic range score | not tested | 10.7 |
| DXO Low light score | not tested | 165 |
| Other | ||
| Battery life | - | 350 shots |
| Form of battery | - | Battery Pack |
| Battery model | NP-50 | - |
| Self timer | Yes (2 or 10 sec) | Yes (10 or 2 second delay) |
| Time lapse feature | ||
| Storage type | xD Picturecard/SD/SDHC | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Cost at launch | $350 | $750 |