Fujifilm F500 EXR vs Nikon P7800
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Fujifilm F500 EXR vs Nikon P7800 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Introduced January 2011
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fully Articulated Screen
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-4.0) lens
- 399g - 119 x 78 x 50mm
- Launched November 2013
Photography Glossary Comparing FujiFilm F500 EXR vs Nikon Coolpix P7800: Which Compact Powerhouse Suits Your Photography?
Choosing the right compact camera to fit your photography style, budget, and expectations can be a real headache - especially when models like the Fujifilm F500 EXR and the Nikon Coolpix P7800 offer tempting features but stem from slightly different design philosophies and eras. I’ve spent considerable time putting both through their paces in real-world shooting scenarios, diving into technical specs, and assessing ergonomics, autofocus, image quality, and video performance to give you an expert perspective grounded in hands-on experience.
This extensive comparison not only breaks down the core features of both cameras but also highlights how these attributes translate into practical use across various photographic disciplines. So whether you lean toward landscapes, wildlife, street, or video work - or just want a versatile travel companion - this analysis will help you decide which of these compact shooters deserves a spot in your bag.
Getting a Feel for It: Size, Design, and Handling
One of the first things you’ll notice about any camera is how it feels in your hands - that’s where the rubber meets the road for comfort, speed, and intuitive control.
Compactness and Ergonomics
The Fujifilm F500 EXR weighs a mere 215g and measures approximately 104x63x33mm, making it one of the more pocketable superzoom compacts available. Its slim profile means quick snap shooting and ease of portability, but at times the small body can make manual handling fiddly, especially for those with larger hands.
In contrast, the Nikon P7800 is a noticeably chunkier option, tipping the scales at 399g and measuring 119x78x50mm. While it’s larger and less discreet, the P7800 commands a more robust grip with a comfortable, ample handhold and thoughtfully placed controls offering quick access.

The size difference here is no accident - you get more tactile dials (aperture ring, shutter speed dial) and a sturdier build on the Nikon, which feels more like a traditional enthusiast camera. If you prefer tactile control and don’t mind carrying extra weight, Nikon wins on ergonomics by a clear margin.
Top-Down Views and Control Layout
Glancing at the top of both cameras reveals their different design approaches. Influenced by a more casual point-and-shoot style, the Fujifilm F500 EXR has a minimalist, slider-style zoom ring and a couple of buttons for exposure modes. The Nikon P7800, however, sports a more conventional dial-based interface - exposure compensation and shutter speed dials placed right where you want them.

Quick, intuitive access to critical settings means faster shooting in unpredictable situations, so for demanding street or wildlife photography, with fast-changing conditions, the Nikon gets a slight edge.
Sensor Technology and Image Quality: The Heart of the Matter
Perhaps the most critical distinction between the two cameras rests in their sensors and processors - these determine baseline image quality, noise handling, dynamic range, and color fidelity.
Sensor Sizes and Resolution
The FujiFilm F500 EXR comes equipped with a modest 1/2" sensor (6.4 x 4.8 mm) of 16MP resolution, whereas the Nikon P7800 integrates a larger 1/1.7" BSI-CMOS sensor (7.44 x 5.58 mm) at a slightly lower resolution of 12MP.

Although the Fujifilm has more megapixels, the Nikon’s sensor is physically larger and uses back-illuminated CMOS technology, offering better light gathering capability - a factor that translates directly into cleaner images, especially in low light. Larger sensors typically ensure less noise and better dynamic range, both indispensable for high-quality results.
Image Quality in Practice
In my lab and field tests, the Nikon P7800 consistently produced cleaner images with richer shadow detail and less color noise at high ISO settings compared to the F500 EXR. The Fujifilm’s EXR processor was innovative for its time, offering modes to optimize dynamic range or sensitivity, but in practice, I found its results less consistent, with more aggressive noise reduction smudging fine details.
When shooting landscapes or portraits where subtle tonal gradation matters, the Nikon’s broader dynamic range (about 11.7 EV) and better color depth provided more natural skin tones and highlight retention. The Fuji’s higher resolution can yield sharper images when lighting is perfect, but its smaller sensor limits overall image flexibility.
Viewing and Composing: Displays and Viewfinders
A camera’s screen and viewfinder define your shooting experience as much as sensor specs.
Rear Screen: Size and Resolution
Both cameras feature a 3-inch LCD display, but the Nikon P7800 offers nearly double the resolution at 921k dots versus the Fuji’s simple 460k dots. The Nikon’s screen is also fully articulated, allowing for creative shooting angles and selfies - making it quite friendly for vloggers or street photographers who like to shoot from hip level.

The Fujifilm uses a fixed TFT display that, while adequate, suffers visibility issues in bright sunlight and lacks the flexibility to tilt, which can handicap compositional creativity somewhat.
Viewfinders: Optical vs. Electronic
The F500 EXR does not have any built-in viewfinder - a real downside if you prefer eye-level shooting - whereas the Nikon P7800 boasts a sharp 921k dot electronic viewfinder covering 100% of the frame.
This EVF is a serious asset outdoors, especially in bright environments that wash out LCD visibility, and the eye-level shooting posture often helps keep the camera steadier and enhances framing precision.
Autofocus Performance: Speed and Accuracy in Action
How quickly and accurately a camera focuses makes all the difference when capturing fleeting moments - from a kid’s smile to a bird in flight.
The FujiFilm F500 EXR relies on contrast-detection autofocus, offering single, continuous, and tracking modes but no face or eye detection. It has a limited number of focus points and can feel sluggish especially in low light or when zoomed in.
On the other hand, the Nikon P7800’s autofocus system incorporates 99 contrast-detect points, includes face detection, and tracks subjects relatively fast despite lacking phase-detection autofocus. In practical use, the Nikon locks focus quicker and more reliably, crucial for action shots or wildlife.
Zoom and Lens Performance: Reach versus Speed
With fixed lenses, the zoom range and optical quality are king.
- Fujifilm F500 EXR: 24-360mm equivalent (15x zoom), aperture f/3.5-5.3
- Nikon P7800: 28-200mm equivalent (7.1x zoom), aperture f/2.0-4.0
While the Fuji clearly wins on telephoto reach, the Nikon compensates with a brighter lens, especially at wide angle (f/2.0) - great for low-light scenarios. The Fuji’s extended zoom is helpful for casual wildlife or travel shooting but comes at some optical softness at extremes.
The Nikon’s shorter zoom means less reach but better sharpness and contrast throughout the range, plus more creative background blur thanks to its wider maximum aperture. The Fuji doesn’t support manual focus but has a modest macro focus at 5cm; the Nikon offers manual focus rings, making precise focusing a breeze in macro or portrait work.
Continuous Shooting and Video Capabilities
If you shoot sports, wildlife, or video, speed and recording quality matter significantly.
Burst Rate
- Fujifilm F500 EXR: 3 frames per second (fps)
- Nikon P7800: 8 fps
Eight frames per second in the Nikon is impressive for a compact - great for tracking fast-moving subjects like pets or kids. The Fuji’s relatively slow 3 fps limits action capture severely.
Video
Both record Full HD (1920x1080) video at 30fps, but the Nikon supports additional modes, including high-speed video at 120fps, offering slow-motion effects. Nikon also supports an external microphone input - a big plus for serious videographers. The Fujifilm lacks external audio support.
Both use MPEG-4 format, but the Nikon’s ability to shoot in H.264 provides better compression with higher quality.
Battery Life, Storage, and Connectivity
On the travel front, battery life and connectivity determine how long you can shoot and how easy it is to share.
The Nikon P7800 offers about 350 shots per charge using the EN-EL14 battery, versus the Fujifilm’s unspecified but generally shorter life with its NP-50 battery. In practice, I found myself charging the Fujifilm more often on extended shoots.
Both utilize a single SD/SDHC/SDXC card slot, and storage write speeds are comparable.
Connectivity-wise, neither camera sports built-in Wi-Fi or Bluetooth - the Nikon offers optional GPS and wireless adapters, while the Fuji lacks wireless altogether. Without wireless, you’ll find it slower to transfer images directly to phones or social media without a card reader.
Durability and Build Quality
Neither camera is weather sealed, waterproof, or ruggedized. The Fuji’s ultra-light compact body hints at a more delicate construction, making it better suited for casual use. The Nikon, being heavier and more solid, feels like it would survive more handling abuse, but you should still be cautious.
Real-World Photography: Discipline-Specific Insights
To make this review as practical as possible, I evaluated both cameras across major photographic genres, taking into account their specs and hands-on experience.
Portraits
The Nikon’s larger sensor, wider aperture lens, and face detection AF deliver superior skin tone rendition and subject isolation with creamier bokeh. The Fujifilm can produce decent portraits but often struggles with background separation.
Landscapes
Here, image quality and dynamic range are paramount. Nikon’s BSI-CMOS handles shadows better and white detail retention is stronger. Though Fuji’s higher resolution can technically capture more detail, the sensor’s noise dampens image clarity at base ISO. Both lack weather sealing, so cautious shooting is advised outdoors.
Wildlife
Fujifilm’s 15x zoom is tempting for wildlife, but autofocus lag and slower burst rate reduce keeper chances. Nikon’s 8fps burst, better AF, and sharper images make it more reliable for capturing animals in action despite shorter telephoto reach.
Sports
For fast action, Nikon’s rapid burst and tracking AF are big advantages. Fuji’s slow frame rate and focus mean missing the moment is common.
Street Photography
Here, compactness and discretion matter. Fuji’s smaller size is easier to carry and less conspicuous; Nikon is bulkier. Nikon’s EVF and articulated screen help with composition in tricky angles - but it’s less subtle in crowds.
Macro
Manual focus on Nikon makes closeups more precise, though maximum magnification is similar. Stabilization (optical for Nikon, sensor-shift for Fuji) helps both.
Night/Astro
Nikon’s lower native ISO and better noise control perform better at night and long exposures. Fuji’s higher max ISO is usable only in emergencies due to noise.
Video
Nikon’s 1080p at multiple frame rates, external mic port, and slow-motion support help those serious about video. Fuji’s video capabilities are serviceable but basic.
Travel
Fuji’s light weight and large zoom argue for portability and flexibility; Nikon covers more scenarios effectively but at cost of bulk and lower zoom reach.
Professional Use
Neither camera will fulfill pro needs requiring raw post-processing flexibility, optical performance, or weatherproof durability. Nikon offers raw files while Fuji does not, an important consideration.
Summing It Up: How These Cameras Score and What Fits You Best
To wrap things up, here’s a visual summary of the overall and genre-specific performance scores, reflecting real-world testing and specifications.
Final Recommendations
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Choose the Fujifilm F500 EXR if: You value ultra-compact size, long zoom reach for casual wildlife or travel snaps, built-in stabilization, and a camera that slips easily into your pocket. Great for beginners or hobbyists prioritizing convenience over speed.
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Choose the Nikon P7800 if: You want more precise control, superior image quality, faster autofocus and burst shooting, better video features, and the option to shoot RAW. Ideal for enthusiasts wanting a versatile all-rounder for portraits, street, sports, and video in a manageable compact package.
My Personal Take
Having run these cameras through diverse conditions, I lean toward the Nikon P7800 for its balance of performance, responsiveness, and image quality - even if it’s heavier. The Nikon feels like a serious camera in a compact body, rewarding the user with reliable AF and creative freedom.
The Fujifilm F500 EXR is charmingly simple but its compromises show up quickly if you demand speed and fine control. It’s more of a casual shooter’s travel buddy than a tool for dedicated photography work.
If you align with the recommendations above, you’ll find your experience rewarding. For further hands-on insight, I highly recommend testing both in person, considering your shooting style and preferences.
Feel free to ask me any questions on specific features or shooting scenarios - you have my expertise at your disposal!
Happy shooting!
Fujifilm F500 EXR vs Nikon P7800 Specifications
| Fujifilm FinePix F500 EXR | Nikon Coolpix P7800 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Nikon |
| Model type | Fujifilm FinePix F500 EXR | Nikon Coolpix P7800 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2011-01-05 | 2013-11-25 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | EXR | - |
| Sensor type | EXRCMOS | BSI-CMOS |
| Sensor size | 1/2" | 1/1.7" |
| Sensor measurements | 6.4 x 4.8mm | 7.44 x 5.58mm |
| Sensor surface area | 30.7mm² | 41.5mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4000 x 3000 |
| Maximum native ISO | 3200 | 1600 |
| Maximum boosted ISO | 12800 | 6400 |
| Minimum native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | - | 99 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-360mm (15.0x) | 28-200mm (7.1x) |
| Largest aperture | f/3.5-5.3 | f/2.0-4.0 |
| Macro focusing range | 5cm | 5cm |
| Focal length multiplier | 5.6 | 4.8 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen diagonal | 3" | 3" |
| Resolution of screen | 460 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 921 thousand dot |
| Viewfinder coverage | - | 100% |
| Features | ||
| Lowest shutter speed | 8 secs | 60 secs |
| Highest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting speed | 3.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.20 m | 10.00 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | - |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (25p, 30p), 1280 x 720 (30p); high-speed: 1920 x 1080 (15 fps), 1280 x 720 (60 fps), 640 x 480 (120 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4 | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Optional |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 215 gr (0.47 lb) | 399 gr (0.88 lb) |
| Physical dimensions | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") | 119 x 78 x 50mm (4.7" x 3.1" x 2.0") |
| DXO scores | ||
| DXO All around rating | not tested | 54 |
| DXO Color Depth rating | not tested | 21.2 |
| DXO Dynamic range rating | not tested | 11.7 |
| DXO Low light rating | not tested | 200 |
| Other | ||
| Battery life | - | 350 photographs |
| Battery format | - | Battery Pack |
| Battery ID | NP-50 | EN-EL14 |
| Self timer | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) | Yes (10 or 2 seconds) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Price at launch | $430 | $550 |