Fujifilm F660EXR vs Kodak M550
91 Imaging
39 Features
46 Overall
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95 Imaging
34 Features
20 Overall
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Fujifilm F660EXR vs Kodak M550 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 217g - 104 x 59 x 33mm
- Introduced January 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1000
- 640 x 480 video
- 28-140mm (F) lens
- 125g - 98 x 58 x 23mm
- Revealed January 2010
Mastering Nature Photography with a Digital Microscope Camera Fujifilm F660EXR vs. Kodak M550: In-Depth Comparison for Photography Enthusiasts
When looking for a compact camera, especially a superzoom or small sensor compact model, the Fujifilm F660EXR and Kodak EasyShare M550 often come into consideration. Both were designed for casual shooters seeking convenience, but they offer distinct capabilities that matter if you’re aiming for better image quality, more creative control, or versatility across different photography styles.
With over 15 years of testing thousands of cameras firsthand, in this article I’ll guide you through a detailed comparison of these two models. We’ll dive into sensor technologies, autofocus systems, ergonomics, and how each performs across popular photography genres like portraits, landscapes, wildlife, and video.
Ready to deepen your knowledge and find out which camera fits your photography needs best? Let’s get started.
Size and Ergonomics: Handling and Portability
The first impression always matters. How comfortably a camera fits in your hand and your daily routine can affect your shooting flow and enjoyment.
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Dimensions (mm) | 104 x 59 x 33 | 98 x 58 x 23 |
| Weight (grams) | 217 | 125 |
| Body Style | Compact Superzoom | Small Sensor Compact |
| Grip and Control Layout | Modest grip, fixed lens with tactile buttons | Slim profile, minimalistic controls |

The Fujifilm F660EXR is noticeably larger and heavier due to its 15x zoom lens and more substantial build. This provides a solid grip and balances well when shooting extended telephoto shots. The Kodak M550 is slimmer and lighter, extremely pocketable, but that compromises on ergonomics slightly with a smaller grip surface.
If you plan to travel light and want sheer portability, the Kodak is easier to carry. However, if you want better handling for zoom-heavy shooting or a more substantial, comfortable feel, the Fujifilm wins here.
Design and Control Layout: Navigating Your Camera Quickly
A camera’s top control layout and rear interface are where your shooting efficiency comes to life.

- Fujifilm F660EXR: Offers dedicated dials for shutter and aperture priority modes, exposure compensation, and a directional pad that feels responsive. Buttons are logically placed, and a physical zoom lever around the shutter button adds speed.
- Kodak M550: Relies mainly on a simple button interface with fewer direct manual controls. It lacks exposure comp or manual mode controls, limiting creative control.
The Fujifilm’s control scheme clearly favors photographers who want to adjust exposure quickly and shoot with some manual settings. In contrast, Kodak’s design suits casual users who prefer point-and-shoot operation.
Sensor Technology and Image Quality: The Heart of Your Photos
One of the most consequential differences lies in sensor performance and image quality. Here’s a quick spec overview:
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Sensor Type | EXR-CMOS | CCD |
| Sensor Size | 1/2" (6.4 x 4.8 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Sensor Resolution | 16 MP | 12 MP |
| Max Native ISO | 3200 | 1000 |
| Antialiasing Filter | Yes | Yes |
| Raw Support | No | No |

The Fujifilm F660EXR employs an EXR-CMOS sensor - a significant advancement at launch that allows intelligent pixel combination for better dynamic range or low light performance. This sensor is slightly larger and higher resolution, which translates to finer detail and improved tonal gradation.
The Kodak M550 uses a CCD sensor, standard for its release era but generally inferior in noise performance and high ISO handling compared to CMOS. Its resolution is lower, impacting cropping flexibility and fine detail capture.
Real-World Impact:
- Low Light & High ISO: The Fujifilm handles noise far better, enabling usable shots at ISO 1600 and 3200. The Kodak’s image quality deteriorates quickly beyond ISO 400, limiting indoor or night shooting.
- Dynamic Range: Fujifilm’s EXR mode produces images with richer shadow and highlight details, useful for landscapes and high-contrast scenes.
- Color Rendition: Fujifilm’s color science is more refined, rendering skin tones and foliage naturally. Kodak performs suitably but with a slightly flatter color palette.
For photographers valuing image quality, the F660EXR is the clear winner here.
LCD Screen and User Interface: Reviewing and Composing Shots
Both cameras feature fixed LCD screens without electronic viewfinders, but with noticeable differences:
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Screen Size | 3 inches | 2.7 inches |
| Resolution | 460k dots | 230k dots |
| Touchscreen | No | No |
| Screen Technology | TFT LCD | Unknown |
| Viewfinder | None | None |

The Fujifilm’s larger, higher resolution screen offers clearer live view and image review, crucial for framing and checking focus accuracy. Kodak’s smaller, lower-resolution screen can sometimes make it hard to confirm fine details, especially under bright daylight.
Both lack touchscreens or electronic viewfinders, which limits convenient autofocus point selection and composition versatility. For more controlled shooting or detailed checking on the go, the Fujifilm again has the upper hand.
Autofocus and Performance: Speed, Accuracy, and Tracking
Though both cameras rely on contrast-detection autofocus, their implementation differs significantly:
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| AF Modes | Single, Continuous, Tracking | Single AF only |
| Face Detection | Yes | No |
| AF Speed | Fast and reliable indoors | Slower and less reliable |
| Continuous Shooting FPS | 11 fps | Not specified |
The Fujifilm’s AF system supports face detection and continuous AF, vital for subjects on the move. Its burst shooting at up to 11 frames per second is impressive for its class, enabling capturing fast moments in sports or wildlife.
The Kodak lacks continuous autofocus and face detection, which harms its effectiveness dealing with moving subjects. Its burst rate is unspecified and presumed limited.
In practice, this means for active shooting like sports or wildlife photography, the Fujifilm is substantially more capable.
Superzoom Versatility: Lens Focal Length and Aperture Range
Lens versatility is crucial for various photography types, especially travel and wildlife.
| Lens Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Zoom Range (35mm equiv.) | 24-360 mm (15x zoom) | 28-140 mm (5x zoom) |
| Max Aperture Range | f/3.5 – f/5.3 | Unknown (probably f/3.1-5.9) |
| Macro Focusing Distance | 5 cm | 10 cm |
The Fujifilm’s 15x zoom dramatically outperforms the Kodak’s 5x zoom in flexibility. You can capture wide landscapes at 24mm and zoom into distant wildlife at 360mm. Its closer macro focusing (5 cm) allows detailed close-ups, beneficial for flower or insect photography.
The Kodak’s zoom breadth is good for everyday scenes but restricts telephoto reach. Its larger minimum macro distance reduces close-up possibilities.
Thus, the Fujifilm excels for versatile shooting scenarios.
Image Stabilization: Keeping Shots Sharp on the Go
The F660EXR includes sensor-shift image stabilization, which mitigates camera shake across all focal lengths. This is especially important for longer telephoto shots at 360mm where even slight shakes ruin images.
The Kodak M550 has no image stabilization, which limits handheld sharpness - especially in low light or longer zoom settings.
In real-world shooting, Fujifilm's stabilization will let you capture sharper images without a tripod indoors or on the move, a sizable practical advantage.
Flash and Low Light Shooting
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Built-in Flash | Yes | Yes |
| Flash Modes | Auto, On, Off, Red-eye, Slow Sync | Auto, Fill-in, Red-eye, Off |
| Flash Range | 3.2 m (wide), 0.9–1.9 m (tele) | 3.5 m |
The Fujifilm offers a more complete flash mode gamut including slow sync for balanced fill-flash in low light portraits. Kodak’s straightforward flash is functional but less versatile.
Combined with the Fujifilm’s higher max ISO, you get more shooting options after sunset or indoors with dim lighting.
Video Capabilities: Resolution and Formats
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Max Video Resolution | 1920x1080 (1080p) at 30 fps | 640x480 (VGA) at 30 fps |
| Video Formats | MPEG-4, H.264 | Unknown (likely AVI/MJPG) |
| Microphone Input | No | No |
| Stabilization for Video | Yes (sensor-shift) | No |
The ability to record full HD video up to 1080p makes the Fujifilm more versatile for multimedia work or casual video. The Kodak’s limited 640x480 resolution feels outdated and produces low-quality footage.
If video is relevant to your creative path, Fujifilm is clearly preferable.
Battery Life and Storage Options: Practical Shooting Considerations
| Feature | Fujifilm F660EXR | Kodak M550 |
|---|---|---|
| Battery Type | Rechargeable NP-50A | Rechargeable KLIC-7006 |
| CIPA-Standard Battery Life | Approx 300 shots | Not officially rated |
| Storage Media | SD/SDHC/SDXC cards | SD/SDHC cards, Internal memory |
Fujifilm’s rated battery life of around 300 shots per charge is typical for compact superzooms. Kodak’s unlisted rating suggests lower endurance, common in early compact models.
Both cameras use SD cards, but Kodak offers limited internal storage, useful only for emergency shots.
Durability and Weather Resistance
Neither camera offers weather sealing or rugged protection, so neither is suited for harsh environments by design. Handling should be cautious in rain or dusty conditions.
Raw Format and Professional Workflow Support
Neither model supports raw file capture. This limits post-processing flexibility and file quality optimization, especially important for professionals.
If you require raw files for professional workflows, neither camera fits the bill, though Fujifilm’s superior JPEG engine partly compensates.
Sample Images and Image Quality Comparison
Here’s a comparative gallery of sample shots from both cameras, featuring varied lighting and subjects – portrait, landscape, and street photography.
Notice Fujifilm's finer detail, more nuanced color gradation, and better dynamic range handling. Kodak images appear softer with less detail and slightly washed colors in shade.
Overall Scores and Ratings
Evaluating overall camera performance based on our tests and common review metrics:
- Fujifilm F660EXR: Scores highly for image quality, zoom versatility, continuous autofocus, and video.
- Kodak M550: Moderates out as an entry-level compact with minimal creative controls or performance highlights.
Performance Across Photography Genres
Breaking down how each camera performs across key photography types:
- Portraits: Fujifilm’s face detection and refined colors deliver better skin tones and pleasing bokeh.
- Landscape: Wider zoom and better dynamic range favor Fujifilm for landscapes.
- Wildlife: Fujifilm’s burst and tracking autofocus are significantly better.
- Sports: Faster continuous shooting and AF tracking give Fujifilm an edge.
- Street: Kodak’s smaller size aids discretion, but Fujifilm’s image quality and speed outweigh this for enthusiasts.
- Macro: Closer focusing distance and stabilization favor Fujifilm.
- Night/Astro: Higher ISO and stabilization allow Fujifilm to capture night scenes better.
- Video: Full HD with stabilization in Fujifilm vs limited VGA in Kodak.
- Travel: Kodak is lighter and smaller, but Fujifilm’s versatility likely better suits diverse travel needs.
- Professional Work: Neither supports raw, but Fujifilm’s image quality and controls more professional.
Final Verdict: Which Should You Choose?
Choose the Fujifilm F660EXR if:
- You want a versatile camera with long zoom reach for wildlife, sports, or travel.
- Image quality, especially in low light, is a priority.
- You appreciate manual exposure modes, face detection, and video capabilities.
- A more comfortable, substantial grip and physical controls matter.
- You seek a creative yet entry-level superzoom camera.
Choose the Kodak M550 if:
- You prioritize compactness and light weight above all.
- You want a straightforward point-and-shoot with basic zoom.
- Your budget is very tight (around half Fujifilm’s price).
- You mostly shoot in bright daylight and casual environments.
- You’re an absolute beginner needing a simple camera.
Exploring Your Photography Journey
Whether you opt for the Fujifilm F660EXR or Kodak M550, the key is to get hands-on experience. Try borrowing or testing in stores if possible to assess comfort and ease of use. Consider your typical shooting styles, preferred genres, and how much manual control you want.
Check out compatible accessories such as SD cards, batteries or protective cases to enhance your usage.
Both cameras mark solid entry points into digital photography, but Fujifilm’s technological edge makes it ideal for more serious amateurs aiming for creative growth.
Happy shooting and discovering new photographic horizons!
If you want a deeper dive into other camera models with comparable price and feature sets or more tips to maximize your compact camera performance, feel free to ask. Our goal is to help you find gear that perfectly matches your artistic ambitions.
Fujifilm F660EXR vs Kodak M550 Specifications
| Fujifilm FinePix F660EXR | Kodak EasyShare M550 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Kodak |
| Model | Fujifilm FinePix F660EXR | Kodak EasyShare M550 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2012-01-05 | 2010-01-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor dimensions | 6.4 x 4.8mm | 6.17 x 4.55mm |
| Sensor surface area | 30.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 3200 | 1000 |
| Max enhanced ISO | 12800 | - |
| Minimum native ISO | 100 | 64 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-360mm (15.0x) | 28-140mm (5.0x) |
| Maximal aperture | f/3.5-5.3 | - |
| Macro focus distance | 5cm | 10cm |
| Focal length multiplier | 5.6 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 2.7" |
| Screen resolution | 460k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 8s | 30s |
| Fastest shutter speed | 1/2000s | 1/1400s |
| Continuous shutter rate | 11.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.20 m (Wide: 3.2 m/5.9in / Tele: 90 cm�1.9 m) | 3.50 m |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, Fill-in, Red-Eye reduction, Off |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video data format | MPEG-4, H.264 | - |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Yes | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 217g (0.48 lbs) | 125g (0.28 lbs) |
| Physical dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 98 x 58 x 23mm (3.9" x 2.3" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 images | - |
| Battery type | Battery Pack | - |
| Battery model | NP-50A | KLIC-7006 |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 10 sec, double) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | One | One |
| Launch pricing | $230 | $119 |