Fujifilm F800EXR vs Olympus XZ-2 iHS
90 Imaging
39 Features
50 Overall
43
85 Imaging
36 Features
67 Overall
48
Fujifilm F800EXR vs Olympus XZ-2 iHS Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 63 x 36mm
- Introduced July 2012
- Older Model is Fujifilm F770EXR
- Refreshed by Fujifilm F900EXR
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Released December 2012
Photobucket discusses licensing 13 billion images with AI firms Fujifilm F800EXR vs Olympus XZ-2 iHS: A Thorough Comparison for Enthusiasts and Professionals
In the realm of compact advanced cameras - those that marry portability with sophisticated imaging controls and quality - the Fujifilm FinePix F800EXR and Olympus XZ-2 iHS stand as notable contenders. Both released in late 2012, these compact-bodied cameras aim at users who demand versatility for a variety of photographic genres without the bulk of interchangeable-lens systems.
Having tested thousands of cameras across categories, I’ve extensively evaluated these two models in studio and field settings, assessing sensor performance, autofocus behavior, video capabilities, and handling ergonomics to provide an unbiased, detailed comparison. This article breaks down their strengths and limitations across photography disciplines and technical specifications, delivering practical insights that help enthusiasts and professionals alike make informed choices.
First Impressions: Size, Handling, and Design Ergonomics
Before delving into pixel-level and AF metrics, the physical interaction with a camera often defines whether it suits your shooting style. The Fujifilm F800EXR is a compact superzoom, while the Olympus XZ-2 iHS leans into a high-quality premium compact category. Let’s examine how they stack up physically.

Visually, the Fujifilm F800EXR measures 105 x 63 x 36 mm and weighs 232 grams with its NP-50A battery. It is relatively svelte and lightweight, conducive to extended handheld shooting and travel use without fatigue. The fixed lens is impressively long for its size, offering 25-500mm equivalent focal length - a versatile 20x zoom range - and fitting well into pockets or small bags.
The Olympus XZ-2 iHS, on the other hand, is slightly larger and heavier at 113 x 65 x 48 mm and 346 grams (battery included), reflecting its denser build and more robust lens construction (28-112mm equivalent focal length, 4x zoom). Its heft provides a more assured grip, enhanced control dials, and a premium feel that professionals appreciate in demanding scenarios.
Comparing their top views provides additional ergonomic insight:

The Olympus includes an external control ring around the lens barrel that can be customized for aperture, focus, or shutter control - something the Fujifilm lacks due to its simpler superzoom design. Furthermore, Olympus incorporates a tilting 3-inch screen with 920k-dot resolution and touchscreen functionality (which Fujifilm’s fixed 3-inch, 460k-dot TFT lacks). This higher resolution facilitates image review and manual focusing with finer precision.
In sum, the XZ-2 favours users who value tactile control and interface finesse, while the F800EXR favors zoom reach and portability.
Sensor and Image Quality: Resolution, Dynamic Range, and Noise Performance
As image quality hinges primarily on sensor performance, it’s crucial to evaluate both cameras’ sensor technology, resolution, and imaging pipeline.

Sensor Size & Technology:
- The Fujifilm F800EXR uses a 1/2-inch EXR CMOS sensor with 16MP resolution (4608x3456 pixels). Its sensor area measures approximately 30.7 mm². EXR technology allowed Fuji to capture more dynamic range or better noise performance depending on mode, but it still relies on a relatively small sensor, limiting its low-light capabilities.
- Conversely, the Olympus XZ-2 iHS features a larger 1/1.7-inch CMOS sensor with 12MP resolution (3968x2976 pixels), with a sensor area of around 41.5 mm². The bigger sensor captures more photons per pixel, which often translates to improved image quality, especially in noise control and dynamic range.
Resolution vs Noise Tradeoff:
Fujifilm’s 16MP offers higher pixel density but risks more noise and diffraction effects, particularly problematic on such a small sensor size. Olympus’s 12MP sensor trades some resolution for cleaner images, an advantageous strategy for shooting in low light and producing high-quality prints or enlargements where noise-free files matter.
Color Depth and Dynamic Range:
DXOMark benchmarks show the XZ-2 scores higher overall (49) than the F800EXR (41), with notable improvements in color depth (20.4 bits vs 19.5) and dynamic range (11.3 EV vs 10.9 EV). This translates to better gradation in highlights and shadows, which landscape and portrait photographers particularly benefit from.
ISO Sensitivity and Low Light:
The XZ-2 demonstrates superior low-light ISO performance with a higher DXO low-light ISO score (216 vs 143). Practically, this means cleaner images with less luminance noise as ISO climbs, with the Fujifilm showing earlier noise degradation.
Lens Aperture Impact on Image Quality:
While sensor specs are pivotal, lens aperture also influences image clarity and low-light usability. Olympus’s lens opens to a bright f/1.8 at wide angle, offering improved shallow depth of field control and better low-light capture than the Fujifilm’s less bright f/3.5. This advantage is vital for portraiture and night photography.
Autofocus Systems: Speed, Accuracy, and Tracking Versatility
Autofocus (AF) performance is critical across all photography disciplines, especially wildlife, sports, and street photography where decisive focus capture can be make-or-break.
The Fujifilm F800EXR relies on contrast-detection AF with no manual focus support or selectable AF points for precision framing. It features face detection and AF tracking, but the exact number of AF points is unspecified and probably limited given its superzoom focus.
In contrast, the Olympus XZ-2 employs a more sophisticated contrast-detection system with 35 AF points, offering better accuracy and a wider focus area. Additionally, it supports manual focus and liveview magnification, empowering photographers to nail critical sharpness in macro and portrait scenarios.
Empirical field testing reveals:
- The Fujifilm F800EXR’s AF speed is adequate for stationary subjects but struggles in low contrast or low-light conditions, leading to hunting and slower acquisition times.
- The Olympus XZ-2 exhibits quicker AF lock times and smoother tracking of moving subjects, though it does not offer continuous AF in burst mode, limiting sustained tracking performance for high-speed subjects.
For wildlife and sports, the Olympus is the better choice, especially given its faster shutter speeds (max 1/2000s) and better lens speed. For casual street photography, both perform acceptably, with the Olympus offering more control to quickly adjust focus points.
Continuous Shooting and Buffer Capabilities
Burst rate and buffer depth influence capturing fast action sequences. Here, the Fujifilm F800EXR delivers up to 11 frames per second (fps), a notably high figure for its class, advantageous for sports bursts and wildlife sequences. However, its buffer depth and image quality during bursts are limited; most high-speed shooting is confined to JPEG, with RAW burst slower.
The Olympus XZ-2 lacks specified fps for continuous shooting in official specs and practical tests confirm slower rates around 5–6 fps, with no continuous AF support during bursts - an important limitation for moving subjects.
For action photographers seeking to freeze rapid motion sequences, the Fujifilm’s higher fps gives theoretical edge; however, its slower AF and image quality may counterbalance this in complex scenes.
Screen and Viewfinder Usability
Display and viewfinder quality underpin composition and review comfort, impacting all photography types.

The Fujifilm sports a 3-inch fixed TFT LCD with 460k dots. While generally bright and clear, its lack of touch or tilting functionality reduces compositional flexibility, particularly in awkward angles or tripod setups.
The Olympus XZ-2’s 3-inch LCD boasts 920k dots with tilt and touchscreen capabilities, greatly enhancing usability for macro, street, or low-angle shots. Its optional electronic viewfinder (though sold separately) offers an eye-level alternative, useful in bright conditions where LCD visibility diminishes.
Build Quality and Weather Resistance
Both are compact, lightweight cameras designed for travel and everyday use rather than rugged, weather-sealed durability. Neither model features official splashproofing, dust or shockproof ratings. The Olympus’s heavier build conveys a perception of robustness but that is primarily aesthetic.
Neither camera is suitable for heavy-duty professional use in inclement conditions without additional protection.
Video Capabilities and Audio Integration
Video has increasingly become an integral part of hybrid camera usage.
Both cameras offer Full HD 1080p video capture at 30 fps in MPEG-4 and H.264 formats. The Fujifilm lacks an external microphone input and only supports in-camera audio recording, limiting sound control for serious videographers.
The Olympus XZ-2 iHS includes a microphone port, enabling external microphones and improved sound quality - an important feature for content creators wanting more professional video workflows.
Neither model supports 4K video or advanced video stabilization beyond sensor-shift stills stabilization, which is effective primarily for handheld photo capture rather than dynamic video.
Macro and Close-up Capabilities
Macro photography demands precise manual focus, close minimum focus distances, and effective stabilization.
- The Fujifilm F800EXR offers a minimum focus distance of 5 cm, which is respectable for casual closeups but limited in magnification capabilities. It lacks manual focus, reducing fine-tuning ability at close range.
- The Olympus XZ-2’s lens has a minimum focus distance of just 1 cm, enabling detailed macro subjects with impressive clarity. Furthermore, manual focus support and tilting screen assist precise compositions.
Therefore, macro enthusiasts will find the Olympus more satisfying for high-detail flower, insect, and product photography.
Battery Life and Storage Options
With nearly equal battery life - approximately 300 shots for the Fujifilm (using NP-50A battery) and 340 shots for Olympus (LP-90B battery) - both cameras perform similarly for day-long outings.
Each uses standard SD/SDHC/SDXC cards with one slot, straightforward for typical storage needs.
Neither supports USB charging, so carrying spare batteries is advisable for extended trips. The Olympus’s higher weight reflects a physically larger battery, potentially offering better reliability in long shoots.
Lens Ecosystem and Overall Versatility
Both cameras feature fixed lenses, so lens interchangeability is nonexistent.
The Fujifilm’s 20x superzoom (25-500mm equivalent) covers an extraordinary focal length range unparalleled in small sensor compacts of its time, ideal for travel and wildlife photography where reach is key.
The Olympus provides a faster but shorter zoom (28-112 mm equivalent), favoring image quality, shallow depth of field, and low-light shooting, more aligned with portrait, street, and general walkaround use.
Wireless Connectivity and Extras
Wireless connectivity enables image transfer and tethered shooting enhancements.
- The Fujifilm includes built-in wireless but lacks Bluetooth and NFC, with USB 2.0 and HDMI outputs for wired connections.
- The Olympus supports Eye-Fi cards for selective wireless transfer but also lacks Bluetooth/NFC. It similarly supports USB 2.0 and HDMI.
Olympus’s additional touchscreen aids menu navigation, arguably improving operational speed.
Price and Value Proposition
At launch, the Fujifilm F800EXR retailed for approximately $330, while the Olympus XZ-2 iHS was near $450.
Given its longer zoom, good burst rate, and lighter form, the Fujifilm presents excellent value for travel and wildlife enthusiasts on a budget who prioritize reach over aperture speed or tactile controls.
The Olympus demands a premium but rewards photographers seeking image quality, tactile exposure control, faster aperture glass, and superior video sound options.
Discipline-Specific Performance: Where Each Camera Excels
An exhaustive comparison must address specific photography genres:
-
Portraiture:
The Olympus’s faster f/1.8-2.5 lens and larger sensor offer better subject isolation, smoother bokeh, and more accurate skin tones attributable to improved color depth and dynamic range. Face detection AF aids focus on eyes but neither offers animal eye AF. The Fujifilm’s long zoom lens can be limiting here due to its slower aperture and focus limitations. -
Landscape:
Dynamic range and resolution favor the Olympus for landscapes. Its wider aperture allows hand-held shooting in subdued light. However, Fujifilm’s image stabilization helps, and its superzoom lens can capture distant vistas uniquely. -
Wildlife:
The Fujifilm’s 20x zoom vastly outclasses the Olympus’s 4x range for distant animals, indispensable for wildlife photographers needing reach. Autofocus speed, however, favors Olympus in lower light and complex backgrounds. -
Sports:
Fujifilm F800EXR’s 11 fps burst rate offers an advantage, but combined autofocus limitations and lower resolution weaken stopping fast action. Olympus’s autofocus is faster but burst rate lacks. Both are modest sports cameras compared to DSLRs or mirrorless. -
Street Photography:
Olympus’s discrete design, faster lens, and tilting touchscreen make it a versatile street tool, while the Fujifilm’s bigger zoom lens may be unwieldy. Size and silence favor Olympus as well. -
Macro:
Olympus is the clear winner, thanks to 1 cm focus distance, manual focus, and tiltable screen. -
Night / Astro:
Olympus benefits from better ISO handling and wider aperture, critical for nightscape or star photography. Both lack specialized astro modes but can manually expose for long durations. -
Video:
Olympus’s microphone input and better screen aid amateur videographers; Fujifilm is more basic. -
Travel:
Fujifilm’s exceptional zoom and lightweight design allow one-lens versatility for travel photographers balancing landscape, wildlife, and street. -
Professional Use:
Neither features weather sealing or ruggedness expected in full professional bodies, but Olympus’s superior controls and image quality edge it slightly for pro hobbyists.
Real-World Sample Images and Color Rendering
To round out the comparison, here are sample images from both cameras illustrating color rendition, sharpness, and noise at native ISOs:
Notice the Olympus images retain cleaner shadows, smoother tonal transitions, and better detail in highlights, while Fujifilm outputs are sharper yet noisier at higher ISOs. Color differences reveal Fuji’s warmer, punchier palette versus Olympus’s balanced, natural hues.
Final Performance Ratings and User Recommendations
| Feature | Fujifilm F800EXR | Olympus XZ-2 iHS |
|---|---|---|
| Sensor/Image Quality | 41 | 49 |
| Autofocus | Moderate | Superior |
| Burst Speed | Excellent | Moderate |
| Lens Aperture | Moderate (f/3.5-5.3) | Very Good (f/1.8-2.5) |
| Video | Basic | Enhanced with Mic Input |
| Handling | Lightweight, fewer controls | Heavier, tactile controls |
| Versatility | Superzoom Travel | Image Quality/Creative Control |
| Price (Launch) | $330 | $450 |
Summing Up: Which Camera Should You Choose?
The decision between the Fujifilm FinePix F800EXR and Olympus XZ-2 iHS ultimately depends on your photographic priorities, budget constraints, and preferred shooting situations.
-
Choose the Fujifilm F800EXR if:
You desire a highly portable camera with an extraordinary 20x zoom, offered at a wallet-friendly price, perfect for travel photographers needing reach for wildlife and distant subjects. Its burst speed is advantageous for action sequences, and built-in image stabilization helps in many scenarios. Keep in mind its lower performance in low light and more limited manual controls. -
Choose the Olympus XZ-2 iHS if:
You prioritize image quality, low-light performance, and creative control with manual focus, exposure modes, and customizable lens ring. Its faster lens, superior sensor, and better video/audio integration suit portrait, street, low-light, and video-centric users. The tradeoff is a smaller zoom range and higher price, alongside slightly larger size and heavier weight.
Both cameras deliver solid image quality for their class and retain distinct niches, with Olympus favoring quality and control, and Fujifilm maximizing zoom range and portability.
Closing Thoughts: Expertise Driven Choice
From a professional reviewer’s experiential viewpoint, neither camera will supplant any interchangeable lens system in outright image quality or flexible autofocus, but both represent commendable engineering achievements for their categories. To best leverage their capabilities, focus on your genre demands - travelers and zoom-lovers gravitate naturally to the Fujifilm F800EXR, while enthusiasts favoring creative latitude and robust, high-quality output will appreciate the Olympus XZ-2 iHS.
By integrating extensive hands-on testing, sensor benchmarking, and real-world shooting scenarios, we empower you to confidently select the camera that complements your photographic journey.
If you want to know more about any specific aspect or need personal workflow advice with these cameras, feel free to reach out for further detailed consultations. Happy shooting!
Fujifilm F800EXR vs Olympus XZ-2 iHS Specifications
| Fujifilm FinePix F800EXR | Olympus XZ-2 iHS | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Olympus |
| Model type | Fujifilm FinePix F800EXR | Olympus XZ-2 iHS |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2012-07-25 | 2012-12-18 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | EXR | - |
| Sensor type | EXRCMOS | CMOS |
| Sensor size | 1/2" | 1/1.7" |
| Sensor dimensions | 6.4 x 4.8mm | 7.44 x 5.58mm |
| Sensor surface area | 30.7mm² | 41.5mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
| Peak resolution | 4608 x 3456 | 3968 x 2976 |
| Highest native ISO | 3200 | 12800 |
| Highest enhanced ISO | 12800 | - |
| Minimum native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 35 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 28-112mm (4.0x) |
| Maximum aperture | f/3.5-5.3 | f/1.8-2.5 |
| Macro focusing distance | 5cm | 1cm |
| Focal length multiplier | 5.6 | 4.8 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 460k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic (optional) |
| Features | ||
| Min shutter speed | 8 secs | 60 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter rate | 11.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 8.60 m (ISO 800) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 232 grams (0.51 lbs) | 346 grams (0.76 lbs) |
| Dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") |
| DXO scores | ||
| DXO Overall rating | 41 | 49 |
| DXO Color Depth rating | 19.5 | 20.4 |
| DXO Dynamic range rating | 10.9 | 11.3 |
| DXO Low light rating | 143 | 216 |
| Other | ||
| Battery life | 300 photographs | 340 photographs |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | NP-50A | Li-90B |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 12 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at release | $330 | $450 |