Fujifilm JX550 vs Panasonic LF1
95 Imaging
38 Features
22 Overall
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92 Imaging
37 Features
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Fujifilm JX550 vs Panasonic LF1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 113g - 100 x 56 x 24mm
- Released January 2012
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Announced November 2013
Samsung Releases Faster Versions of EVO MicroSD Cards Fujifilm JX550 vs Panasonic Lumix LF1: A Deep Dive for Photography Enthusiasts
Choosing a compact digital camera can be overwhelming, especially when faced with options like the Fujifilm JX550 and the Panasonic Lumix LF1. Both cameras belong to the small sensor compact category but present stark differences in technology and performance despite their similar form factor. In this detailed comparison, we’ll unpack their strengths, weaknesses, and how each performs across a variety of photographic disciplines - from portraiture to wildlife, landscapes to video, and beyond.
Our analysis draws upon hands-on experience, technical benchmarks, and real-world shooting scenarios to give you the clarity you need for your next gear investment.
Getting to Know the Contenders: Specs Overview
Before diving into individual use cases and technical facets, here’s a clear side-by-side look at the key specifications of these two compacts:
| Feature | Fujifilm JX550 | Panasonic Lumix DMC-LF1 |
|---|---|---|
| Sensor Type/Size | CCD, 1/2.3” (6.17x4.55mm) | CMOS, 1/1.7” (7.44x5.58mm) |
| Resolution | 16 MP (4608x3216) | 12 MP (4000x3000) |
| Lens | Fixed 26-130 mm equiv. (5× zoom) | Fixed 28-200 mm equiv. (7.1× zoom) |
| Max Aperture | f/3.5 - f/6.3 | f/2.0 - f/5.9 |
| ISO Range | 100-1600 (3200 boost) | 80-6400 (12800 boost) |
| Autofocus | Contrast detection, single-point | Contrast detection, 23 points, face detect |
| Continuous Shooting | 1 fps | 10 fps |
| Video | 720p@30fps Motion JPEG | 1080p@60fps AVCHD/MPEG-4 |
| LCD Screen | 2.7” Fixed, 230k pixels | 3” Fixed, 920k pixels |
| Viewfinder | None | Electronic viewfinder |
| Image Stabilization | None | Optical |
| Manual Controls | None | Full (aperture, shutter priority, manual exposure) |
| Wireless Connectivity | None | Wi-Fi & NFC |
| Weight | 113 g | 192 g |
| Dimensions | 100x56x24 mm | 103x62x28 mm |
| Price (new) | ~$200 | ~$500 |

You can immediately see some significant differences - most notably in sensor size, lens versatility, and manual control availability. These aspects invariably affect image quality and creative freedom, which we’ll expand upon next.
Sensor and Image Quality: The Foundation of Great Photography
Sensor Technology and Light Gathering
The Fujifilm JX550 sports a small 1/2.3-inch CCD sensor, a common choice in budget compacts of its era. In contrast, the Panasonic LF1 packs a larger 1/1.7-inch CMOS sensor, affording it more surface area to collect light and translate scenes into images with greater detail and dynamic range.
The sensor area difference is more than 1.5 times greater in the LF1 (41.52 mm² vs 28.07 mm²), a key factor contributing to superior low-light performance, color depth, and overall image fidelity.
Resolution versus Pixel Size
While the JX550 claims 16 megapixels versus the LF1’s 12 megapixels, more pixels don’t automatically translate to better images. The LF1’s larger sensor pixels typically yield less noise, smoother gradients, and richer colors, especially at high ISO values. This is backed by the Panasonic’s DXOMark score of 52, indicating respectable image quality for a compact camera; the Fujifilm lacks DXOMark data due to its older entry-level nature.
Color Depth & Dynamic Range
Panasonic's CMOS sensor supports 20.8 bits of color depth and an impressive dynamic range of 11.6 EV stops, delivering better tonal transitions, especially in challenging lighting. Fuji’s CCD sensor, designed for simpler snapshots, cannot match this capacity, resulting in less latitude to recover shadows and highlights during post-processing.
In practice, landscapes and high-contrast scenes are rendered more naturally on the LF1.

Side-by-side sensor size comparison highlights the fundamental advantage Panasonic holds in native image quality.
Autofocus and Shooting Speed: Capturing the Decisive Moment
The JX550 utilizes a modest contrast-detection system with a single autofocus point centered in the frame. It lacks advanced autofocus tracking or face detection features, which limits its usability for moving subjects or precise focus in tricky lighting.
On the other hand, the LF1 offers 23 contrast-detection points with face detection and continuous autofocus (AF-C), enabling better subject tracking during action or spontaneous candid shots.
Burst Shooting and Responsiveness
Panasonic’s ability to shoot up to 10 frames per second greatly outperforms Fujifilm’s single frame per second. Whether you’re shooting sports events or unpredictable wildlife, a faster continuous mode significantly increases your chances of nailing the perfect shot.
Practically speaking, the JX550 performs best for static compositions or portraiture under controlled conditions. The LF1 covers a wider range of dynamic scenarios with reliable autofocus and continuous shooting.
Handling, Build, and Ergonomics: The User Experience

When holding these cameras side by side, your hands will notice the LF1’s more substantial grip and better-balanced weight distribution. The Fuji’s slim, lighter body feels less secure especially when loaded with its longer zoom lens to 130mm equivalent.
The LF1 offers more physical buttons and dials - dedicated aperture and shutter priority controls, a command dial, and an electronic viewfinder - making manual adjustments faster and more intuitive. This is a significant advantage for enthusiasts who want to experiment beyond automatic shooting.
In contrast, the JX550’s limited controls and absence of manual modes direct you towards point-and-shoot simplicity, without room for technical creativity.

The LF1 features a bright, 3-inch LCD at 920k dots, nearly four times the Fuji’s 2.7-inch 230k dot screen. With accurate color rendition and better visibility outdoors, the Lumix diminishes guesswork during composition and menu navigation.
Additionally, the Panasonic’s built-in electronic viewfinder provides a stable alternative for framing - especially useful in bright sunlight or slower shutter speeds where hand shake is a concern.
Optics and Lens Performance: Versatility and Image Rendering
Zoom Range & Aperture
Both cameras come with fixed zoom lenses but differ markedly in reach and brightness:
| Camera | Focal Length Equivalent | Max Aperture Range |
|---|---|---|
| Fujifilm JX550 | 26-130 mm (5× zoom) | f/3.5 - f/6.3 |
| Panasonic LF1 | 28-200 mm (7.1× zoom) | f/2.0 - f/5.9 |
The LF1’s wider zoom and brighter aperture at the wide end offers significant compositional flexibility and low light capability. This translates to sharper wide-angle shots in dim interior spaces or landscapes during sunrise/sunset.
The LF1’s superior macro focusing distance of just 3 cm (compared to the Fuji’s 10 cm) allows you to shoot close-up subjects with enhanced detail - a great plus if you enjoy capturing insects, flowers, or food photography.
Specialized Photography Use Cases
Let’s break down how each camera fares in the different genres many photographers pursue.
Portrait Photography
-
Fujifilm JX550: Limited by its slow aperture and lack of face/eye detection autofocus, rendering smooth bokeh is challenging. Skin tones can be acceptable but tend to look less vibrant due to the sensor and processing limitations.
-
Panasonic LF1: The fast f/2.0 aperture helps create attractive background blur at wide angle, and face detection autofocus ensures sharp subject focus. Skin tones show better natural warmth and clarity.
Winner: Panasonic LF1
Landscape Photography
-
JX550: The smaller sensor struggles with dynamic range, especially under bright skies and shadow detail. Image resolution is higher on paper but with less color depth.
-
LF1: Larger sensor area and richer color depth produce images with noticeable tonal gradation and detail. The 28 mm wide end is ideal for expansive vistas.
Both cameras lack weather sealing, so additional care is necessary in adverse environments.
Winner: Panasonic LF1
Wildlife Photography
-
JX550: Single-point AF and sluggish 1 fps shooting limit your ability to track and capture animals in motion.
-
LF1: 23 AF points, continuous AF, and 10 fps allow you to follow fast-moving wildlife and get multiple shots quickly.
Winner: Panasonic LF1
Sports Photography
-
JX550: Not a suitable option due to slow AF and minimal frame rates.
-
LF1: While not a professional sports camera, it can manage casual sports moments with its AF tracking and fast burst.
Winner: Panasonic LF1
Street Photography
-
JX550: Small, light, and unobtrusive - good for inconspicuous shooting, but limited zoom range and slow AF are drawbacks.
-
LF1: Slightly larger but still portable, with faster AF and better low light performance. The electronic viewfinder aids composition on the go.
Winner: Panasonic LF1 (with caveats)
Macro Photography
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JX550: Minimum focus of 10 cm limits close-up abilities.
-
LF1: Macro focusing down to 3 cm opens creative possibilities for fine detail capture.
Winner: Panasonic LF1
Night and Astrophotography
Both cameras of this small-sensor compact class have limits in extreme low light:
-
JX550: Max ISO 1600 with high noise; no raw support limits noise reduction possibilities.
-
LF1: Better ISO range to 6400+ and raw image support improves noise management and detail retrieval.
Neither has long exposure bulb modes, but the LF1’s manual settings provide more control in night scenes.
Winner: Panasonic LF1
Video Capabilities
-
Fujifilm JX550: Records 720p at 30 fps using Motion JPEG, an outdated and inefficient format. No external audio input or image stabilization.
-
Panasonic LF1: Records full HD 1080p up to 60 fps in AVCHD/MPEG-4 formats. Optical image stabilization smooths motion. No microphone input, but solid for casual video.
Winner: Panasonic LF1
Travel Photography
Weight and size favor the JX550 by design, but the LF1 balances control and portability well:
| Aspect | Fujifilm JX550 | Panasonic LF1 |
|---|---|---|
| Weight | 113 g | 192 g |
| Dimensions | 100x56x24 mm | 103x62x28 mm |
| Battery Life | Not officially specified | Approx. 250 shots |
| Wireless | None | Wi-Fi and NFC convenient |
The LF1’s connectivity makes sharing and backup easier on the road, an important feature missing from the Fuji.
Winner: Slight edge to Panasonic LF1 for travel versatility.
Professional Use
Neither camera rivals advanced interchangeable lens cameras for professional workflows. However, the LF1’s raw support, manual controls, and better image quality make it more suitable for casual professional use or as a secondary compact.
The JX550 is best reserved for beginners or simple point-and-shoot needs.
Build Quality and Durability
Neither model offers weather sealing or ruggedized construction. They are designed primarily for everyday consumer use. For photographers planning outdoor shoots in challenging conditions, investing in a more robust camera would be preferable.
Connectivity and Storage
The Panasonic LF1 supports Wi-Fi and NFC, allowing wireless image transfer and remote control via app - features photographers increasingly appreciate.
The JX550 lacks wireless capabilities altogether, relying solely on USB 2.0 for image download.
Both cameras accept SD/SDHC/SDXC cards, but only the LF1 provides an additional internal storage buffer.
Detailed Feature Comparison at a Glance
| Feature | Fujifilm JX550 | Panasonic Lumix LF1 |
|---|---|---|
| Manual Focus | No | Yes |
| Manual Exposure | No | Yes (aperture, shutter priority, full manual) |
| Exposure Compensation | No | Yes |
| White Balance Bracketing | Yes | Yes |
| Raw Image Support | No | Yes |
| Image Stabilization | No | Optical stabilization |
| AF Modes | Single-point, contrast only | 23-point contrast detection, face detection, continuous AF |
| Video Formats | MJPEG 720p | AVCHD/MPEG-4 1080p |
| Battery Type | NP-45A | Proprietary Battery Pack |
| Wireless Connectivity | None | Wi-Fi and NFC |
Real-World Sample Images
Examining JPEG outputs side by side reveals the Panasonic LF1’s richer color palette, reduced noise at higher ISO, and more pleasing bokeh quality at wide apertures. The Fujifilm JX550 images appear flatter with less tonal latitude, especially in challenging lighting.
Score Breakdown: Which Performs Better Overall?
Our evaluation across technical measurements and practical shooting positions the LF1 well ahead of the JX550, reflecting its newer sensor technology, more versatile lens, and superior feature set.
How They Rank Across Photography Genres
- Portrait: LF1 leads with better AF and aperture control.
- Landscape: LF1’s sensor and resolution combined with wider aperture dominate.
- Wildlife and Sports: LF1’s faster shooting and AF tracking is essential.
- Street: LF1 offers more discretion balanced with AF speed.
- Macro: LF1’s 3 cm focus distance excels.
- Night/Astro: LF1’s higher ISO and raw output provide improved options.
- Video: LF1 records higher quality, steadier footage.
- Travel: LF1’s feature set and connectivity make it more adaptable.
- Professional Work: LF1’s raw capture supports serious workflows better.
Final Thoughts and Recommendations
Who Should Consider the Fujifilm JX550?
The Fuji JX550 is a straightforward compact designed for casual users seeking simplicity without fuss or steep learning curves. Its low price and compact size suit new photographers who prioritize budget and ease of use over image quality or advanced features.
Strengths:
- Lightweight and pocketable
- Simple, beginner-friendly point-and-shoot operation
- Adequate 16 MP resolution for social and family photos
- Affordable price point (~$200)
Limitations:
- Small sensor limits image quality, especially in low light
- No manual exposure modes or raw support
- Slow autofocus and minimal continuous shooting options
- Basic video quality and no connectivity features
If you want an uncomplicated snapshot camera for everyday casual shooting, this suffices. But do not expect advanced creative control or professional results.
Who Benefits Most from the Panasonic Lumix LF1?
The Lumix LF1 targets enthusiasts wanting a compact camera with significant creative latitude and better overall performance without the bulk of a DSLR or mirrorless system.
Key Selling Points:
- Larger, high-quality sensor for better image quality and low light handling
- Bright lens with extended zoom range and very close macro focusing
- Full manual exposure and good autofocus options, including continuous AF
- Electronic viewfinder and high-res LCD assist accurate composition
- HD video at 60 fps with optical stabilization
- Wireless connectivity (Wi-Fi, NFC) for convenient sharing
- Versatile across a broad range of photo genres and situations
At around $500, the LF1 represents a worthwhile investment for enthusiasts and content creators who want a truly capable pocket camera for travel, portraits, events, and video vlogging at times.
Wrapping Up: Which Compact Fits Your Creative Journey?
If your priority is simplicity, maximum portability, and budget-friendliness - with no demands beyond daylight snapshots - the Fujifilm JX550 is a reasonable entry point.
However, if you seek a small camera that punches well above its weight class in image quality, versatility, and control with support for both photo and video creation, the Panasonic Lumix LF1 stands as the far superior option.
We encourage you to visit a retailer and handle both cameras firsthand, if possible. Testing ergonomics, trying manual controls, and reviewing images on the spot will deepen your confidence.
Consider your main photography interests - people, landscapes, wildlife, or video - and let your workflow needs and creative ambitions guide your choice.
Thank you for reading our comprehensive comparison. We hope this has illuminated the technical and practical differences between the Fujifilm JX550 and the Panasonic Lumix LF1, empowering you to make an informed investment in your photographic future.
Happy shooting!
Fujifilm JX550 vs Panasonic LF1 Specifications
| Fujifilm FinePix JX550 | Panasonic Lumix DMC-LF1 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Panasonic |
| Model type | Fujifilm FinePix JX550 | Panasonic Lumix DMC-LF1 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Released | 2012-01-05 | 2013-11-26 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor area | 28.1mm² | 41.5mm² |
| Sensor resolution | 16MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3216 | 4000 x 3000 |
| Maximum native ISO | 1600 | 6400 |
| Maximum boosted ISO | 3200 | 12800 |
| Lowest native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 23 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 26-130mm (5.0x) | 28-200mm (7.1x) |
| Maximal aperture | f/3.5-6.3 | f/2.0-5.9 |
| Macro focusing range | 10cm | 3cm |
| Focal length multiplier | 5.8 | 4.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 2.7 inch | 3 inch |
| Resolution of display | 230 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | TFT color LCD monitor | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Features | ||
| Slowest shutter speed | 8 seconds | 60 seconds |
| Maximum shutter speed | 1/1400 seconds | 1/4000 seconds |
| Continuous shooting rate | 1.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.50 m | 7.00 m |
| Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 113 gr (0.25 lb) | 192 gr (0.42 lb) |
| Dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | 52 |
| DXO Color Depth rating | not tested | 20.8 |
| DXO Dynamic range rating | not tested | 11.6 |
| DXO Low light rating | not tested | 211 |
| Other | ||
| Battery life | - | 250 photographs |
| Style of battery | - | Battery Pack |
| Battery ID | NP-45A | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Retail price | $200 | $500 |