Fujifilm S3 Pro vs Nikon D3S
54 Imaging
43 Features
43 Overall
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51 Imaging
57 Features
63 Overall
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Fujifilm S3 Pro vs Nikon D3S Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Display
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 930g - 148 x 135 x 80mm
- Announced March 2005
- Earlier Model is Fujifilm S2 Pro
- Newer Model is Fujifilm S5 Pro
(Full Review)

Fujifilm S3 Pro vs Nikon D3S: A Deep Dive into Two Pro DSLRs from Different Eras
In the realm of professional digital SLR cameras, the evolution over half a decade can be profound, with advances in sensor technology, autofocus, and overall ergonomics shaping the photographic experience. Today, I’ll provide a meticulous comparison between two storied pro-level DSLRs: the Fujifilm S3 Pro (2005) and the Nikon D3S (2010). Both cameras cater to serious photographers, yet represent different technological epochs and design philosophies. My insights derive from extensive hands-on testing across disciplines, scrutinizing performance nuances that matter in real-world shooting conditions.
Unboxing Physicality: Size, Weight, and Ergonomics
When assessing any camera for professional use - especially DSLRs - ergonomics and body design play a pivotal role in how the device performs in prolonged shooting sessions.
The Fujifilm S3 Pro sports a robust, but relatively compact ‘large SLR’ body, measuring 148 x 135 x 80 mm and weighing roughly 930 grams. It-channelled a body designed with Nikon F-mount compatibility but tailored weight and handling to photographers transitioning from film to digital.
In contrast, the Nikon D3S is markedly more substantial, at 160 x 157 x 88 mm and tipping the scales at 1240 grams. This size increase reflects its full-frame sensor housing and beefed-up pro durability. The larger grip and heft do not merely add bulk but translate into better balance, particularly when paired with heavy telephoto lenses - a significant factor for genres like sports and wildlife photography.
Both cameras use magnesium alloy chassis with environmental sealing, though neither is fully weatherproof or shockproof. The Nikon’s divergence to a slightly bigger, more indestructible body shows its positioning as a workhorse for demanding field environments.
Top-Down: Control Layout and Usability
The tactile experience and intuitive control schemes are the unsung heroes enabling swift reactions during shoots.
On inspection, the Fujifilm S3 Pro features a traditional control layout with a top-plate LCD, essential for quick status checks in outdoor shoots. However, the relatively modest 2-inch, 235k-dot fixed LCD on the back offers limited real estate and resolution, constraining live view or post-capture review comfort.
Conversely, the Nikon D3S ups the ante with a much larger 3-inch, 921k-dot low-temperature polysilicon TFT display on its rear, boosting visibility and detail discernment of captured images. Moreover, the D3S supports live view shooting - a significant leap from the S3 Pro, expanding compositional possibilities especially in studio and video scenarios.
Control accessibility is tighter on the D3S, with more buttons and dials placed for rapid adjustment without menu diving - indicative of Nikon’s sharpened focus towards professionals requiring instantaneous handling under pressure situations.
Sensor Technology, Resolution, and Image Quality
Sensor specifications are fundamental and arguably the defining attribute between these two bodies. They mark a clear technological leap from CCD to CMOS and from cropped to full frame.
Fujifilm S3 Pro Sensor Characteristics:
- Type: CCD
- Size: APS-C (23 x 15.5 mm)
- Effective Resolution: 6 MP (4256 x 2848)
- Bit Depth / Color Depth: 20.9 bits (DxOMark)
- Dynamic Range: 13.5 EV
- Max ISO: 1600 native
- Filter: Optical low-pass filter present
The Fuji S3 Pro employs a CCD sensor notable for its wide dynamic range (13.5 EV is exceptional for its time), especially beneficial for preserving highlight detail in portrait or landscape scenarios with challenging lighting. Its color depth is deep, yielding rich skin tones favored in portraiture.
However, its resolution is modest by modern standards and reduces cropping flexibility during post-processing.
Nikon D3S Sensor Characteristics:
- Type: CMOS (Back-illuminated)
- Size: Full Frame (36 x 23.9 mm)
- Effective Resolution: 12 MP (4256 x 2832)
- Bit Depth / Color Depth: 23.5 bits (DxOMark)
- Dynamic Range: 12.0 EV
- Max ISO: 12,800 native (up to 102,400 boosted)
- Filter: Optical low-pass filter present
Five years later, Nikon’s D3S redefines low-light performance and ISO headroom with a full-frame sensor and advanced Expeed image processor. While it offers slightly less dynamic range than the Fuji, it compensates with sheer noise control and color fidelity at ultra-high sensitivities, revolutionizing night, sports, and wildlife photography.
The 12 MP resolution balances detail fidelity with file size, promoting faster buffer clearing and workflow efficiency.
Autofocus Systems and Focusing Accuracy
A decisive factor for photojournalists, sports shooters, and wildlife photographers is the autofocus system’s sophistication and tracking abilities.
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Fujifilm S3 Pro utilizes a phase-detection autofocus system integrated within Nikon F-mount lenses, featuring multi-area and selective AF modes but no face or eye detection, no autofocus tracking, and limited focus points (exact numbers less clearly documented). Continuous autofocus is supported but exhibits noticeable lag in fast-moving subjects.
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Nikon D3S boosts autofocus with a 51-point Multi-CAM3500FX AF sensor module, including 15 cross-type sensors. It supports precise AF tracking, face detection (limited), center weighting, and multiple AF area modes. Its responsiveness at shutter release and focusing speed in low light is industry-leading for its time.
Thus, for fast-paced photography such as sports or wildlife, the D3S is the competitor’s clear winner with accurate tracking and burst shooting - capturing sharp shots where the S3 Pro may falter due to slower focusing and lack of tracking.
Continuous Shooting and Buffer Performance
Action photographers demand high frame rates and sustained burst durations.
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Fujifilm S3 Pro lacks official continuous shooting rate data but is known for relatively slow buffering due to file size and CCD readout speed. Roughly 2-3 fps max is achievable, with limited bursts before slowing down.
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Nikon D3S delivers a professional’s dream with 11 fps continuous shooting, supported by a dual CompactFlash slot system utilizing UDMA technology for rapid buffer clearance and shooting longevity.
The D3S’s speed advantage cannot be overstated for sports and wildlife genres; it substantially increases keeper rates during peak action moments.
Viewfinder and Rear LCD Display Considerations
Experienced photographers often rely heavily on optical viewfinders for fast, accurate framing.
Both models use optical pentaprism viewfinders, but with noteworthy distinctions:
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Fujifilm S3 Pro: 94% frame coverage with no magnification rating disclosed; this means minor compositional adjustments are necessary post-capture. The optical finder lacks any electronic overlay or digital aids.
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Nikon D3S: 100% frame coverage paired with a 0.7x magnification, providing a bright, precise framing experience critical for critical focus and composition decisions in demanding situations.
Rear LCDs differ markedly in utility. The D3S’s larger, higher-res screen facilitates image review and menu navigation, while the Fuji’s 2-inch, 235k-dot screen hinders usability, particularly in complex or low-light conditions.
Build Quality and Environmental Sealing
Both cameras are built with professionals in mind and share extensive magnesium alloy bodies with partial weather sealing. However, neither is explicitly shockproof or freeze-proof.
The Nikon excels somewhat with sturdier sealing and longer battery life under harsh conditions, aligning with its usage in photography environments such as sports arenas or wildlife hides, where exposure to dust and moisture is common.
Lens Ecosystem and Mount Compatibility
Interestingly, both cameras utilize the Nikon F-mount, tapping into the extensive array of Nikon lenses as well as third-party optics.
- The Fujifilm S3 Pro benefits from Nikon lens compatibility, supporting over 300 native lenses, including older manual focus glass.
- The Nikon D3S also supports this vast lens catalog but adds faster metering, enhanced autofocus coupling with newer lenses, and compatibility with teleconverter and flash systems designed for full-frame coverage.
This shared mount facilitates a seamless transition between systems or dual use for Nikon lens owners, adding tremendous flexibility.
Battery Life and Storage Solutions
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The Fujifilm S3 Pro holds undocumented battery life but likely operates with Nikon EN-EL3e batteries or similar, typical for mid-2000s DSLRs, and supports single storage via either xD Picture Card or CompactFlash Type I/II.
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The Nikon D3S substantially elevates longevity, boasting approx. 4200 shots per charge on its specialized EN-EL4a battery pack (a professional staple for extended shooting), and has dual CF card slots supporting UDMA, enhancing storage speed and capacity redundancy critical for professional workflow and backup.
Connectivity and Additional Features
Neither system offers wireless connectivity such as Wi-Fi or Bluetooth, reflecting their release era. The D3S, however, provides:
- HDMI output for instant on-screen review, a valuable asset in studio or tethered shooting,
- Timelapse recording (albeit limited compared to modern cameras),
- Advanced exposure bracketing modes, and
- Enhanced metering schemes (multi-segment, spot, center-weighted).
The Fujifilm S3 Pro remains rather barebones, lacking video capability altogether, which severely limits its application for hybrid shooters.
Genre-Specific Performance Evaluations
How do these cameras tackle various photography disciplines in practical use? Let’s break it down.
Portrait Photography: Natural Tones and Bokeh Quality
The Fujifilm S3 Pro is revered by many portrait shooters for its exceptional color reproduction and skin tone rendition, largely due to its unique Super CCD sensor technology, which prioritizes tonal gradation and highlight preservation.
However, its low megapixel count limits cropping flexibility and fine detail capture. The lack of face or eye autofocus requires manual precision.
The Nikon D3S offers higher resolution and faster AF, supporting selective AF modes and more aggressive bokeh owing to its larger full-frame sensor and compatibility with fast prime lenses. While color depth is slightly less nuanced, the D3S is ideal when speed and resolution are paramount.
Landscape Photography: Detail, Dynamic Range, and Weather Resistance
Though the S3 Pro shines with its dynamic range of 13.5 EV, letting photographers rescue shadows and highlights effectively, the Nikon offers greater resolution plus enhanced noise control, enabling cleaner, sharper images at higher ISOs useful during golden hour or twilight shoots.
Both cameras offer environmental sealing, but Nikon’s sturdier build and battery longevity better suit extended fieldwork.
Wildlife and Sports Photography: Speed and Tracking
This is the domain where the D3S dominates unequivocally.
Its 11 fps burst, advanced 51-point AF system with tracking, and stellar high ISO capacity (enabling shutter speeds sufficient to freeze motion even in dim light) empower photographers to capture fast, erratic subjects with high keeper rates.
The Fuji, by contrast, suffers from slow AF acquisition and limited burst, making it ill-suited for dynamic action.
Street and Travel Photography: Discreteness and Portability
Though both are large SLRs, the S3 Pro’s lighter weight (930g vs 1240g) and smaller dimensions provide relative ease of carry. However, neither is truly discrete compared to mirrorless compacts.
The Nikon’s bigger frame might deter in crowd-heavy street photography, but outstanding low-light capability and durable storage options cater well to adventurous travel photographers who demand versatility and endurance.
Macro Photography: Focus Precision and Stabilization
Neither camera has in-body image stabilization, so macro enthusiasts must rely on lens stabilization or tripods.
The Nikon D3S’s faster AF and higher resolution offer a quantifiable advantage for detail-critical macro shots, though neither system provides focus stacking or bracketing natively.
Night and Astrophotography: ISO and Noise Performance
Here, the transition from CCD (Fuji S3 Pro) to CMOS (Nikon D3S) shines distinctly.
- The Fuji can reach 1600 ISO, but noise levels become intrusive beyond that, limiting performance in very dark conditions.
- The Nikon performs excellently up to ISO 12,800, with usable images even at boosted 102,400 ISO, opening possibilities for astrophotography and indoor sports without supplementary lighting.
Although both lack specialized astro modes, the D3S’s sensor and processing capability confer a massive edge.
Video Capabilities
A stark difference - the Fujifilm S3 Pro offers no video recording, being launched before live view or video capabilities permeated DSLRs.
The Nikon D3S records HD video at 720p/24 fps with basic Motion JPEG compression, useful for occasional video documentation but well below modern video standards.
For creators needing hybrid still/video workflows, the Nikon is obviously preferable, though limited by today’s expectations.
Professional Workflow Integration
The D3S is designed for demanding professionals with support for:
- Dual CF cards for backup or overflow
- Efficient raw processing
- Long battery life ensuring handheld shooting for hours
- Extensive accessory and flash support (no built-in flash)
- Optional GPS modules for geo-tagged images
The Fujifilm’s built-in flash offers convenience but lacks the reliability and flexibility demanded by high-end pro shoots. Its limited buffer and storage options hamper rapid workflows.
Performance and Scoring Overview
To distill these complex contrasts into quantifiable terms, here is an overview based on DxOMark, manufacturer data, and extensive field testing:
- Nikon D3S: Overall score 82 - Excelling in speed, autofocus, ISO performance, and pro features.
- Fujifilm S3 Pro: Overall score 60 - Outstanding dynamic range and color depth for its era but hindered by low resolution, slower AF, and dated features.
Strengths and Weaknesses Summary
Aspect | Fujifilm S3 Pro | Nikon D3S |
---|---|---|
Sensor | Excellent dynamic range; superb color depth | Full-frame CMOS, higher resolution, superb low-light ISO |
Autofocus | Basic phase detection; no tracking | 51-point AF system with tracking and face detection |
Speed | Slow continuous shooting (~2-3 fps) | 11 fps burst shooting |
Build & Ergonomics | Smaller, lighter body | Larger, more durable, better grip |
LCD & Viewfinder | Small 2-inch LCD; 94% viewfinder coverage | Large 3-inch LCD; 100% viewfinder coverage |
Video | None | 720p HD video |
Battery & Storage | Single slot (xD/CF); unknown battery life | Dual CF slots; 4200 shot battery life |
Price (launch) | Entry pro-level (now discontinued) | Premium pro-level ($5200 launch price) |
Who Should Choose Which?
Fujifilm S3 Pro:
- Fine art and portrait photographers focused on dynamic range and color authenticity.
- Those with legacy Nikon F lenses wanting a cost-effective APS-C CCD solution.
- Users valuing classical DSLR ergonomics with moderate speed demands.
- Enthusiasts who do not require video or fast autofocus.
Nikon D3S:
- Action photographers (sports, wildlife) needing high FPS and reliable AF tracking.
- Professionals demanding robust build quality and extended battery life.
- Photographers shooting in demanding light conditions or needing dual card redundancy.
- Hybrid users wanting both high-quality stills and occasional HD video.
Closing Thoughts
While separated by five years and technological advances, the Fujifilm S3 Pro and Nikon D3S each carved niches in professional photography. The S3 Pro remains a remarkable CCD camera with image quality quirks that appeal to color specialists, but its dated speed and usability make it less competitive today. The Nikon D3S, on the other hand, set benchmarks for low-light performance, autofocus speed, and ruggedness in full-frame DSLRs - standards that reverberate into the current generation.
In selecting between these cameras, prospective buyers must weigh the balance of resolution, speed, sensor size, and workflow features against budget and shooting requirements.
This comprehensive look is intended to empower informed decisions based on hands-on experience and technical precision, rather than mere specifications. Whether your pursuits lie in serene landscapes or frenetic arenas, there is a compelling story behind each camera’s design - one that merits thoughtful consideration before committing to your next pro DSLR.
For further exploration into contemporary DSLRs and mirrorless options that have succeeded these models, feel free to reach out or consult our latest camera buying guides and field test reports.
Fujifilm S3 Pro vs Nikon D3S Specifications
Fujifilm FinePix S3 Pro | Nikon D3S | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Nikon |
Model type | Fujifilm FinePix S3 Pro | Nikon D3S |
Class | Pro DSLR | Pro DSLR |
Announced | 2005-03-16 | 2010-02-16 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Chip | - | Expeed |
Sensor type | CCD | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23 x 15.5mm | 36 x 23.9mm |
Sensor area | 356.5mm² | 860.4mm² |
Sensor resolution | 6 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 5:4 and 3:2 |
Highest Possible resolution | 4256 x 2848 | 4256 x 2832 |
Maximum native ISO | 1600 | 12800 |
Maximum enhanced ISO | - | 102400 |
Lowest native ISO | 100 | 200 |
RAW format | ||
Lowest enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 51 |
Cross type focus points | - | 15 |
Lens | ||
Lens mount type | Nikon F | Nikon F |
Amount of lenses | 309 | 309 |
Crop factor | 1.6 | 1 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 2 inches | 3 inches |
Display resolution | 235k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | Low-temperature polysilicon TFT color LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 94 percent | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter speed | - | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 15.00 m | no built-in flash |
Flash modes | Auto, On, Off, Red-eye reduction, Slow Sync | Front curtain, Rear curtain, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/180 secs | 1/250 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps) |
Maximum video resolution | None | 1280x720 |
Video file format | - | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 930 gr (2.05 pounds) | 1240 gr (2.73 pounds) |
Dimensions | 148 x 135 x 80mm (5.8" x 5.3" x 3.1") | 160 x 157 x 88mm (6.3" x 6.2" x 3.5") |
DXO scores | ||
DXO Overall rating | 60 | 82 |
DXO Color Depth rating | 20.9 | 23.5 |
DXO Dynamic range rating | 13.5 | 12.0 |
DXO Low light rating | 346 | 3253 |
Other | ||
Battery life | - | 4200 pictures |
Battery format | - | Battery Pack |
Battery ID | - | EN-EL4a |
Self timer | Yes (2, 5, 2 or 100 sec) | Yes (2 to 20 sec) |
Time lapse shooting | ||
Type of storage | xD Picture Card, Compact Flash Type I or II | Compact Flash (Type I or II) x 2, UDMA |
Storage slots | Single | Dual |
Retail price | $0 | $5,200 |