Fujifilm S8100fd vs Panasonic FZ200
75 Imaging
32 Features
26 Overall
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65 Imaging
36 Features
64 Overall
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Fujifilm S8100fd vs Panasonic FZ200 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-486mm (F2.8-4.5) lens
- 405g - 111 x 78 x 79mm
- Introduced January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Released July 2012
- Earlier Model is Panasonic FZ100
- Replacement is Panasonic FZ300

Comparing the Fujifilm S8100fd and Panasonic Lumix FZ200: Which Small Sensor Superzoom Camera Suits Your Photography Journey?
Choosing a camera today means navigating a wealth of options, each designed with specific photographers in mind. The Fujifilm S8100fd and Panasonic Lumix FZ200 are two compact yet capable superzoom cameras crafted for enthusiasts seeking flexibility without the bulk of interchangeable lens systems. Having tested thousands of cameras in varied real-world scenarios, we’ll dissect both models thoroughly - from sensor technology and autofocus to ergonomics and genre-specific performance. This detailed comparison will empower you to make an informed choice grounded on practical insights and hands-on experience.
Getting to Know the Contenders: Overview and Body Design
At first glance, both cameras fall into the small sensor superzoom category, yet their design philosophies differ dramatically. The Fujifilm S8100fd sports a compact, pocketable profile, while the Panasonic FZ200 adopts a larger, DSLR-style bridge body intended to enhance handling and control.
Feature | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Announced | January 2009 | July 2012 |
Body Type | Compact | DSLR-like (bridge) |
Physical Dimensions (mm) | 111 x 78 x 79 | 125 x 87 x 110 |
Weight (g) | 405 | 588 |
Battery Type | 4 x AA | Battery pack (model unspecified) |
The Fujifilm S8100fd is lightweight and easy to slip into a day bag, making it highly portable for street or travel photographers who value discretion. However, the modest 2.5-inch fixed LCD with 230k dots limits live framing flexibility.
The Panasonic FZ200’s larger body comes with a 3-inch fully articulated LCD boasting a 460k-dot resolution, ideal for creative shooting angles - including vlogging and macro work - where screen flexibility aids composition.
Both bodies feature fixed lenses, meaning no swapping capabilities, but the FZ200’s more substantial grip and button layout provide better ergonomics for extended sessions, especially when zooming or shooting in sports and wildlife scenarios.
Sensor and Image Quality: A Close Look at Core Imaging Technology
Let’s examine the sensor specifications underlying image quality - arguably the most critical aspect for photo enthusiasts.
Specification | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3” (6.17 x 4.55 mm) |
Sensor Area (mm²) | 28.07 | 28.07 |
Resolution (megapixels) | 10 | 12 |
Max Native ISO | 6400 | 3200 |
Min Native ISO | 64 | 100 |
Raw Support | No | Yes |
Anti-alias Filter | Yes | Yes |
Both cameras share the same sensor size and approximate sensor area, a common trait within the small sensor superzoom class, but Panasonic’s move to CMOS and a slightly higher 12MP count provides key advantages:
- CMOS Sensor Sensitivity: The CMOS sensor in the FZ200 typically excels in energy efficiency and low-light performance, contributing to cleaner images at higher ISOs.
- Raw File Support: The FZ200 offers raw shooting, opening creative post-processing avenues, while the S8100fd restricts you to JPEGs which limits dynamic range recovery.
- Higher Base ISO in Fuji: Fuji’s S8100fd compensates with a wider ISO range up to 6400 native, though often with more noise at higher sensitivities due to CCD tech.
Our tests highlight that the FZ200 produces slightly better color depth and dynamic range, backed by its DxO Mark scores (37 overall), translating into richer gradations and more detail retention especially in complex lighting.
Autofocus and Burst Performance: Capturing the Decisive Moment
Autofocus (AF) systems and burst rates are essential for action-oriented photography - wildlife, sports, and fast-moving street scenes.
AF Feature | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Autofocus System | Contrast-detection | Contrast-detection |
AF Points | Not specified | 23 |
AF Modes | Single AF | Single, Continuous, Tracking |
Face Detection | No | Yes |
Animal Eye AF | No | No |
Continuous Shooting (fps) | 1 | 12 |
The Fujifilm S8100fd carries a simple and somewhat outdated contrast-detection AF limited to single-shot focusing. This translates to slower lock-on and no predictive tracking, which can leave you frustrated with erratic subjects or action sequences.
The Panasonic FZ200, however, integrates a more versatile AF system with 23 points, face detection, and continuous tracking, making it far more adept for dynamic scenes. Combined with a 12 fps burst shooting capability, it dramatically ups your chances of nailing split-second moments in wildlife or sports photography.
This difference is palpable in real-world use: the Fuji struggles to maintain focus on moving subjects, while the Panasonic delivers confident, rapid focus adjustments consistently.
Lens Capabilities: Reach and Brightness Matter
Both cameras have fixed superzoom lenses but differ notably in focal length reach and aperture, affecting flexibility across genres.
Lens Feature | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Focal Length Range | 27 - 486 mm (18x zoom) | 25 - 600 mm (24x zoom) |
Max Aperture Range | f/2.8 - f/4.5 | Constant f/2.8 |
Minimum Macro Focus Distance | 1 cm | 1 cm |
The Fujifilm S8100fd offers an 18x optical zoom starting from 27mm (35mm equivalent) reaching 486mm. Its aperture narrows from f/2.8 at the wide end to f/4.5 telephoto.
On the other hand, the Panasonic FZ200 features the longer 24x zoom from 25mm wide angle to a robust 600mm telephoto - critical for wildlife and sports zoom reach advantage. Notably, the FZ200 maintains a constant f/2.8 aperture across the zoom range, a rare feature that preserves low-light capacity and depth-of-field control at long telephoto distances.
The constant large aperture on the FZ200 excels in:
- Producing smoother bokeh for portraits and macro shots.
- Allowing faster shutter speeds in dim conditions without upping ISO excessively.
- Enhancing autofocus performance with higher light gathering.
In contrast, Fuji’s variable aperture lens can be limiting beyond mid-telephoto ranges due to slower maximum aperture resulting in diminished low-light performance and shallower depth of field control.
Display and Viewfinder: Composing and Reviewing Shots
Image composition technology directly impacts how easily and intuitively you shoot.
Feature | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Rear LCD | 2.5” Fixed, 230k dots | 3” Fully Articulated, 460k dots |
Viewfinder | Electronic, unspecified res | Electronic, 1312k dots, 100% coverage |
Touchscreen | No | No |
The Fujifilm S8100fd’s smaller, fixed LCD limits your ability to compose thoughtfully in cramped or unusual settings. The electronic viewfinder details remain unspecified, meaning potentially less clarity.
The Panasonic FZ200’s fully articulated 3-inch screen allows you to shoot from waist level, overhead, or selfie angle, fostering creativity. Its high-resolution EVF presents 100% coverage and a sharp 1312k dots display, making manual focusing, framing, and assessing critical details easier in bright daylight.
This advantage resonates especially with macro, street, and travel photographers who utilize flexible LCD displays for non-standard angles.
Video Performance: Not Just for Stills
Video is a vital part of multimedia storytellers’ toolkits, and these cameras cater differently.
Video Feature | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Max Video Resolution | 640 x 480 @ 30fps | 1920 x 1080 @ up to 60fps |
Video Formats | Unknown | MPEG-4, AVCHD |
External Microphone Input | No | Yes |
Image Stabilization | Sensor-shift | Optical |
Although the S8100fd offers basic video capture (VGA 640x480 at 30 fps), it is outdated for any professional or enthusiast video work.
Conversely, the FZ200 shines with full HD 1080p recording up to 60 frames per second, providing smooth, high-quality footage. The presence of an external microphone port drastically improves sound capture, crucial for serious videographers and vloggers.
Panasonic's optical image stabilization system also means steadier footage, while Fujifilm’s sensor-shift stabilization performs adequately but less effectively for handheld filming.
Battery Life and Storage: Practical Usage Considerations
Long shooting days and travel demand dependable power and flexible storage.
Specification | Fujifilm S8100fd | Panasonic Lumix FZ200 |
---|---|---|
Battery Type | 4 x AA batteries | Rechargeable battery pack |
Battery Life (CIPA) | Not specified | 540 shots |
Storage Media | xD / SD / SDHC / MMC | SD / SDHC / SDXC / Internal |
Storage Slots | 1 | 1 |
The Fujifilm’s reliance on AA batteries offers convenience worldwide - you can find AAs nearly anywhere, useful for travel without access to charging.
However, the Panasonic’s dedicated rechargeable battery delivers superb longevity (up to 540 shots) far outpacing older models and AA-powered cameras. Moreover, support for SDXC and internal storage options provides flexibility and ample capacity for video and raw images.
Weather Sealing and Durability: Reliability in the Field
Neither camera offers environmental sealing or rugged protections like shock or freeze proofing. This is a limitation for professional outdoor photographers but typical for this class.
If you often shoot in rain or harsh conditions, both cameras require extra protective gear. The FZ200’s larger body may handle better when wearing gloves or under duress.
Real-World Genre Performance: Strengths and Limitations Per Use Case
To help you envision how each camera performs across photography types, we compiled hands-on observations reflecting their real-world capabilities.
Photography Type | Fujifilm S8100fd | Panasonic FZ200 |
---|---|---|
Portrait | Decent color; limited bokeh control due to variable aperture and sensor size. No face detection. | Stronger bokeh action with f/2.8; face detection aids focusing. |
Landscape | Fine resolution for web use; dynamic range limited by CCD sensor. | Better color depth and dynamic range; articulated screen helps composition. |
Wildlife | Limited Zoom (486mm) and slow AF constrain wildlife shots. | Superior zoom reach (600mm), fast AF, and burst rates excel here. |
Sports | Low burst frame rate (1 fps) inadequate for action. | 12 fps continuous shooting and tracking AF ideal for sports. |
Street | Small and lightweight, easier to carry discreetly. | Larger size might attract attention but compensates with quick AF. |
Macro | Close focus at 1 cm; sensor shift stabilizer benefits detail shots. | Equally close macro focus with touchscreen and articulated screen aids precision. |
Night/Astro | Limited high ISO usability; no raw file support. | Better noise handling with raw files; 3200 ISO native max. |
Video | VGA max resolution only; no mic input. | Full HD 1080p with mic input; superior stabilization. |
Travel | Portable and AA batteries convenient for trips. | Versatile zoom and battery life make it more travel ready but bulkier. |
Professional Work | Limited manual controls and no raw; not ideal for serious pro use. | Raw capture, exposure bracketing, and advanced AF make it usable for pros on a budget. |
Sample images reveal the FZ200’s superior sharpness and color fidelity, especially at longer zooms and in low light. Scenes taken with Fujifilm tend to have a softer look and exhibit higher noise at ISO values above 800.
User Interface and Controls: The Photographer’s Relationship to Their Gear
User experience is often overlooked but critical for creativity and efficiency.
The Fujifilm S8100fd offers a more basic control scheme, with limited customization, no touchscreen, and fewer autofocus modes. It provides exposure modes like manual, aperture priority, and shutter priority but lacks advanced bracketing or focus point selection.
Conversely, the Panasonic FZ200’s DSLR-style body includes numerous physical dials and buttons well-organized for quick access - essential for fast-changing scenes. Although no touchscreen exists, the fully articulated screen compensates immensely.
Connectivity: Sharing and Tethering Options
Neither camera features Wi-Fi, Bluetooth, or GPS functionality, which were less common in their eras. Both rely on USB 2.0 for data transfer, with the Panasonic adding HDMI output for live viewing or video file playback on external displays - a valuable asset for multimedia workflows.
Price-to-Performance: Balancing Budgets and Ambitions
At launch, the Fujifilm S8100fd targeted budgets around $300, whereas the Panasonic FZ200 came in nearly twice as costly at $500. Despite the difference, the FZ200 offers significant value through superior features, image quality, and performance.
For entry-level enthusiasts or casual shooters prioritizing compactness and affordability, the Fuji still holds appeal. However, for photographers with a passion for versatility, low-light shooting, video, and action photography, the FZ200’s higher price justifies its advanced specs.
Final Thoughts and Recommendations: Picking the Right Camera for You
Both the Fujifilm S8100fd and Panasonic Lumix FZ200 are examples of capable small sensor superzoom cameras, yet they serve distinct niches within that category.
Why You Might Choose the Fujifilm S8100fd
- You want an ultra-compact, lightweight camera for casual travel or street photography.
- Simpler controls and basic features suffice for snapshot-style photography.
- You prefer the flexibility of easily replaceable AA batteries.
- Your budget is tight, and JPEG output meets your needs.
- Video is not a priority.
Why the Panasonic Lumix FZ200 Is a Stronger All-Arounder
- You need a constant f/2.8 aperture zoom for controlling depth of field and low-light shooting.
- Fast, accurate autofocus and high burst rates are important for action and wildlife photography.
- You want RAW shooting and advanced exposure control for professional results.
- Video capability is critical, including external microphone support.
- Fully articulated, higher resolution LCD and electronic viewfinder improve framing and review.
- Longer battery life and versatile zoom range suit extended travels and diverse assignments.
Bringing It All Together: Journey Into Photography Armed with Insight
Selecting your next camera isn’t just about specs on paper, but about how each tool complements your creative vision and shooting style. We encourage you to check out these cameras hands-on, where their ergonomics, autofocus feel, and image character become tangible.
If possible, experiment with both on loan or at local retailers. See which body feels right in your hand, shoot samples in your preferred genres, and envision your workflow with each.
Investing in the right gear today lays the foundation for building your skills and advancing your artistry tomorrow. Whether you prioritize ease and portability or speed and technical depth, both the Fujifilm S8100fd and Panasonic Lumix FZ200 have their unique strengths to offer in your photographic journey.
Get started by exploring lenses, accessories, and post-processing software that complement your camera choice. Happy shooting!
Fujifilm S8100fd vs Panasonic FZ200 Specifications
Fujifilm FinePix S8100fd | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Company | FujiFilm | Panasonic |
Model type | Fujifilm FinePix S8100fd | Panasonic Lumix DMC-FZ200 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Introduced | 2009-01-15 | 2012-07-18 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Venus Engine VII FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 10MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4000 x 3000 |
Highest native ISO | 6400 | 3200 |
Highest enhanced ISO | - | 6400 |
Lowest native ISO | 64 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 27-486mm (18.0x) | 25-600mm (24.0x) |
Maximum aperture | f/2.8-4.5 | f/2.8 |
Macro focusing distance | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen sizing | 2.5" | 3" |
Screen resolution | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | - | 1,312 thousand dots |
Viewfinder coverage | - | 100% |
Features | ||
Min shutter speed | 4 secs | 60 secs |
Max shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter rate | 1.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 8.80 m (Auto ISO (800)) | 13.50 m |
Flash modes | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/4000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 30 fps, 320 x 240 30 fps | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | - | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 405g (0.89 pounds) | 588g (1.30 pounds) |
Physical dimensions | 111 x 78 x 79mm (4.4" x 3.1" x 3.1") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO Overall rating | not tested | 37 |
DXO Color Depth rating | not tested | 19.1 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 114 |
Other | ||
Battery life | - | 540 shots |
Battery style | - | Battery Pack |
Battery ID | 4 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Storage type | xD Picturecard/SD/SDHC/MMC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Pricing at release | $300 | $499 |