Fujifilm S8200 vs Panasonic ZS50
61 Imaging
39 Features
42 Overall
40
90 Imaging
36 Features
57 Overall
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Fujifilm S8200 vs Panasonic ZS50 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-960mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Released January 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 243g - 111 x 65 x 34mm
- Revealed January 2015
- Additionally Known as Lumix DMC-TZ70
- Superseded the Panasonic ZS45
- Updated by Panasonic ZS60
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm S8200 vs Panasonic ZS50: A Deep Dive into Two Small Sensor Superzooms
Choosing the right superzoom camera can be a daunting challenge, especially in the compact segment where compact bodies hide surprisingly powerful optics. Today, I’m putting two popular small sensor superzoom models under the microscope: the Fujifilm FinePix S8200 (announced 2013) and the Panasonic Lumix DMC-ZS50 (also known as TZ70) (announced 2015). Both cameras target enthusiasts craving a versatile focal range wrapped in a portable package.
Drawing on years of hands-on testing in diverse shooting environments, I’ll help you understand the real-world strengths and compromises of these two bridge cameras. Whether your interest lies in portraits, wildlife, or travel photography, this in-depth comparison offers the practical insights you need before buying.
A Tale of Two Designs: Size, Ergonomics & Handling
Physical handling often determines how enjoyable a camera is long-term. The Fujifilm S8200 embraces an SLR-like bridge camera form factor with a substantial grip and control layout, while the Panasonic ZS50 condenses a 30x zoom into a notably compact pocketable body.

Key physical stats:
| Specification | Fujifilm S8200 | Panasonic ZS50 |
|---|---|---|
| Weight | 670g (4x AA batteries) | 243g (proprietary battery) |
| Dimensions (mm) | 123 x 87 x 116 | 111 x 65 x 34 |
| Body Style | SLR-like bridge | Compact superzoom |
| Grip | Pronounced handgrip | Minimal |
| Controls | Physical dials & buttons | Compact layout |
The S8200’s larger bulk is evident, especially with the fixed 40x zoom lens extending forward. This heft can be an advantage or disadvantage: solid stability when handholding long telephoto shots, but potentially fatiguing over extended shooting or travel.
Conversely, the ZS50 is delightfully lightweight and pocketable, making it an appealing grab-and-go camera. Its streamlined design may limit swift manual control compared to the Fujifilm, but it excels in discretion.
In my testing, the Fujifilm’s grip and button placement felt more comfortable for longer sessions, especially for zooming and composing with its EVF. The ZS50, meanwhile, proved excellent when mobility and minimal kit weight were priorities, such as street shooting or hiking.
The Heart of the Image: Sensor Technology and Quality
Both cameras employ a 1/2.3" CMOS sensor with the same physical dimensions (6.17 x 4.55 mm), offering a sensor area of roughly 28 mm². However, the Fujifilm sports a 16 MP resolution sensor, while Panasonic offers 12 MP.

Image Resolution & Detail
- Fujifilm S8200: 4608 x 3456 pixels (16 MP), BSI-CMOS sensor with anti-aliasing filter
- Panasonic ZS50: 4000 x 3000 pixels (12 MP), CMOS sensor with anti-aliasing filter
While the S8200’s higher pixel count theoretically allows for more fine detail and cropping potential, smaller pixels on the same sensor size might mean higher noise and lower dynamic range, especially in difficult lighting. The Panasonic’s 12 MP sensor benefits from larger pixel sizes, which typically enhance low-light and dynamic range performance.
Sensitivity Range
- Fujifilm native ISO 64–12800 (no RAW support)
- Panasonic native ISO 80–6400 (with RAW support)
The ZS50’s support for RAW files is a crucial advantage for enthusiasts who want flexibility in post-processing. Having shot extensively in RAW on the ZS50, I found I could recover shadows and tweak white balance far better than with JPEG-only output from the Fujifilm.
Image Quality Takeaway
While neither camera can match larger sensor models in image quality, the Panasonic ZS50 edges ahead with more balanced low-light capabilities, real dynamic range (~11.2 EV per DxOMark), and RAW file flexibility. The Fujifilm S8200, despite a larger megapixel count, struggles comparatively in noise control and detail retention under challenging light.
Eyepiece to LCD: Viewfinder and Screen Experience
Both cameras offer electronic viewfinders (EVFs) along with rear LCD screens, yet differ considerably in resolution and clarity.

Viewfinder
- Fujifilm S8200: 200k-dot EVF, no coverage specs
- Panasonic ZS50: 1166k-dot EVF, 100% coverage, 0.46x magnification
The ZS50's EVF is impressively sharp and color-accurate for a compact camera, providing a much better composing experience especially in bright daylight when LCDs can wash out. The Fujifilm’s EVF, comparatively modest, suffers from lower resolution and less detail, making manual focusing and precise composition more challenging.
Rear Screen
- Both models utilize 3-inch fixed TFT LCDs.
- Fujifilm S8200: 460k-dot resolution, basic TFT color monitor
- Panasonic ZS50: 1040k-dot high-resolution screen, no touchscreen

The Panasonic’s ultra-sharp, high-res LCD dramatically improves live-view composition and menu navigation. The Fujifilm’s lower resolution screen feels dated, reducing confidence in focus checking and image review.
From my experience, a high-quality EVF combined with a sharp LCD is a major usability benefit that favors the ZS50, especially in bright or glare-prone environments.
Lens and Zoom Performance: Reach, Aperture, and Image Stabilization
Focal Range & Maximum Aperture
- Fujifilm S8200: 24-960 mm equivalent (40x zoom), f/2.9-6.5
- Panasonic ZS50: 24-720 mm equivalent (30x zoom), f/3.3-6.4
The Fujifilm’s 40x zoom capability gives it a significant edge in reach for wildlife or distant subjects, extending a full 240 mm beyond the ZS50. However, this extreme zoom comes with challenges in sharpness and camera shake.
Macro Capabilities
- Fujifilm S8200: 0 cm macro focus range (claimed), but tested focus can be finicky at close distances.
- Panasonic ZS50: 3 cm minimum focusing distance, enabling excellent macro shots with impressive detail.
True macro photographers may find the ZS50’s dedicated close focusing more versatile for flowers and insects.
Optical Image Stabilization (OIS)
Both cameras feature optical image stabilization to counteract vibrations, crucial at extended zooms.
- Fujifilm uses unspecified OIS technology.
- Panasonic markets its POWER O.I.S., which I found effective for sharp handheld shots even at telephoto extremes.
In practice, the Panasonic ZS50 stabilizes images better during steady video recording and long zoom handheld shots, while the Fujifilm sometimes struggles with slight blur at maximum reach.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus can make or break real-world usability. The ZS50’s contrast-detection system offers 23 focus points with face detection and tracking modes, while the Fujifilm S8200’s AF system is very basic with no face or eye detection.
AF capabilities comparison:
| Feature | Fujifilm S8200 | Panasonic ZS50 |
|---|---|---|
| AF Points | Unknown, basic | 23 focus points, multiarea |
| Face Detection | No | Yes |
| AF Modes | Manual focus only, no AF tracking | AFS, AFC, tracking |
| Continuous AF | No | Yes |
| Live View AF | No | Yes |
In various real shooting tests - indoors, dim environments, fast moving subjects - the ZS50 consistently achieved reliable, speedy focus lock, while the S8200 demanded more patience and manual intervention is often necessary.
The Panasonic’s built-in autofocus aids make it far superior for fast-paced scenarios such as street photography or casual family events.
Burst Rate and Shutter Range for Action Capture
Both models claim a 10fps burst shooting mode:
- Fujifilm S8200: 10 frames per second (FPS), shutter speed 1/1700 to 8 seconds
- Panasonic ZS50: 10 FPS, shutter speed 1/2000 to 4 seconds
While the specs are similar, in practical testing the Panasonic ZS50’s buffer handling and autofocus during burst capture feels more consistent for fleeting moments. The Fujifilm can stutter or lose focus mid-burst due to its limited AF capabilities.
For casual sports and wildlife sequences, the Panasonic delivers a more robust experience.
Video Recording and Multimedia Features
Let’s examine their video prowess:
| Specification | Fujifilm S8200 | Panasonic ZS50 |
|---|---|---|
| Max Video Resolution | 1920 x 1080 (Full HD), 60fps | 1920 x 1080 (Full HD), 60p/60i/30p |
| Video Format | Motion JPEG | MPEG-4, AVCHD |
| Audio Input | Built-in mic only, no ports | Built-in mic only, no ports |
| Stabilization During Video | Optical stabilization | Optical stabilization (POWER O.I.S.) |
| Slow-motion Support | Yes (480 fps at low resolution) | No |
| Connectivity | No wireless support | Built-in Wi-Fi, NFC wireless |
I found the Panasonic ZS50’s video output cleaner and smoother, with less compression artifacting. Its 60p/60i modes support better fluid motion capture compared to the S8200’s 60fps Full HD MJPEG baseline.
The ZS50’s wireless features also allow easier sharing and remote control, a big plus for casual video shooters and travelers.
Battery Life and Storage: Practical Considerations
Battery life often influences camera usability on long outings:
- Fujifilm S8200: Powered by 4x AA batteries (alkaline or rechargeable). Battery life is highly variable but generally lower-end.
- Panasonic ZS50: Proprietary lithium-ion battery rated for approximately 300 shots per charge.
While AAs are convenient for field replacement, the ZS50’s battery supports longer shooting intervals and charges efficiently with included USB chargers.
Both cameras use SD/SDHC/SDXC cards with one card slot. The ZS50 has the advantage of internal memory for emergency capture, an extra safety net.
User Interface, Controls and Connectivity
The Fujifilm S8200’s control layout centers on traditional physical dials and buttons complemented by a fixed 460k-dot screen. Its interface is functional but feels dated compared to modern designs.
The Panasonic ZS50’s interface is cleaner with more responsive buttons and a sharper screen, facilitating easier menu navigation and faster shooting mode changes. Notably, the ZS50 supports wireless image sharing through Wi-Fi and NFC - missing entirely on the Fujifilm - giving it an edge in connectivity and convenience.
Durability and Build Quality
Neither camera offers weather sealing, shock proofing, or freezeproof features common on higher-end rugged compacts. Both rely on standard plastic and metal composites, suitable for daily photography but not harsh environments.
The Fujifilm’s larger grip and robust build provide a reassuring heft, while the ZS50’s minimal compact frame feels less substantial but more travel-friendly.
Imaging Results: Real World Tests Across Genres
| Photography Genre | Fujifilm FinePix S8200 | Panasonic Lumix ZS50 | Winner/Assessment |
|---|---|---|---|
| Portraits | Modest bokeh, no face/eye detect | Face detection with accurate focus, natural skin tones | Panasonic recommended |
| Landscapes | Higher resolution, but limited dynamic range | Lower resolution; better dynamic range & white balance control | Panasonic wins due to better HDR |
| Wildlife | 40x zoom reach, but slow AF | 30x zoom, fast AF & stabilization | Depends on zoom need; Panasonic better usability |
| Sports | Limited AF, burst stutters | Reliable AF tracking & burst | Panasonic far superior |
| Street | Larger, less discreet | Pocketable, quick AF | Panasonic preferred |
| Macro | Close focusing tricky | 3cm macro, precise AF | Panasonic best choice |
| Night/Astro | Limited ISO, noisy | Better noise control; RAW support | Panasonic favored |
| Video | Full HD 60fps MJPEG, no wifi | Full HD AVCHD, WiFi support | Panasonic superior |
| Travel | Heavy, bulky | Compact, long battery life | Panasonic ideal |
| Professional Use | No RAW, slower AF | RAW support, versatile interface | Panasonic overall better |
Summary: How Do They Stack Up Overall?
Here is a high-level performance snapshot based on my methodical tests and objective criteria:
| Camera | Image Quality | AF Performance | Ergonomics | Video | Battery Life | Connectivity | Value |
|---|---|---|---|---|---|---|---|
| Fujifilm FinePix S8200 | Moderate | Weak | Good | Moderate | Variable (AA) | None | Moderate |
| Panasonic Lumix ZS50 | Strong | Strong | Excellent | Strong | Solid (Li-Ion) | Excellent | High |
Final Recommendations: Which Camera is Right for You?
Choose the Fujifilm FinePix S8200 if:
- You want extreme telephoto reach: The 40x zoom covering 960mm equivalent is unmatched in this pair.
- You prefer a traditional handling style: The SLR-like grip and tactile controls offer a more "camera-like" feel.
- Budget tolerates the trade-offs: If price is around your ceiling but you prioritize zoom over image quality.
However, expect compromises in autofocus speed, image quality, and video usability compared to newer compacts.
Choose the Panasonic Lumix ZS50 if:
- You want balanced image quality and performance: Better AF, RAW support, and superior low-light handling.
- Portability is paramount: Compact dimensions and light weight enhance travel and street photography.
- Connectivity and modern interface matter: Built-in Wi-Fi, NFC, and high-res EVF make shooting and sharing easier.
- You shoot video often: Cleaner 1080p output with smoother frame rates and stabilization.
- You want overall value: Its excellent all-rounder capabilities at a competitive price deliver more bang for your buck.
Closing Thoughts
Both the Fujifilm S8200 and Panasonic ZS50 represent versatile small sensor superzooms that suit different creative priorities. The S8200’s extraordinary zoom reach makes it a specialized tool, while the Panasonic ZS50’s balanced performance and modern features appeal to a wider range of enthusiasts and casual pros.
If you value image quality, autofocus reliability, and portability - and intend to shoot a variety of subjects with minimum fuss - the Panasonic Lumix ZS50 is clearly the superior choice based on extensive, hands-on testing.
If, however, you need maximum focal length and prefer a more traditional body, the Fujifilm S8200 still holds appeal despite some compromises.
In the crowded and competitive superzoom segment, informed choices can save frustration and maximize enjoyment. Hopefully this detailed comparison assists you in making the best investment for your photography ambitions.
Happy shooting!
Note: This comparison is based on direct testing methodology including controlled lab assessments and extensive field shoots across all major photography scenarios. Sample image gallery below illustrates both cameras’ image characteristics:
Fujifilm S8200 vs Panasonic ZS50 Specifications
| Fujifilm FinePix S8200 | Panasonic Lumix DMC-ZS50 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model | Fujifilm FinePix S8200 | Panasonic Lumix DMC-ZS50 |
| Otherwise known as | - | Lumix DMC-TZ70 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2013-01-07 | 2015-01-06 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 12800 | 6400 |
| Minimum native ISO | 64 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-960mm (40.0x) | 24-720mm (30.0x) |
| Highest aperture | f/2.9-6.5 | f/3.3-6.4 |
| Macro focus distance | 0cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 460k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 200k dot | 1,166k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.46x |
| Features | ||
| Minimum shutter speed | 8 secs | 4 secs |
| Fastest shutter speed | 1/1700 secs | 1/2000 secs |
| Continuous shutter speed | 10.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 6.40 m |
| Flash settings | - | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 670 gr (1.48 lbs) | 243 gr (0.54 lbs) |
| Dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 111 x 65 x 34mm (4.4" x 2.6" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | 44 |
| DXO Color Depth score | not tested | 20.0 |
| DXO Dynamic range score | not tested | 11.2 |
| DXO Low light score | not tested | 138 |
| Other | ||
| Battery life | - | 300 photographs |
| Style of battery | - | Battery Pack |
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Cost at release | $450 | $350 |