Fujifilm S9400W vs Leica V-Lux 5
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Fujifilm S9400W vs Leica V-Lux 5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Launched January 2014
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 80 - 12500 (Bump to 25000)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-400mm (F2.8-4) lens
- 812g - 137 x 97 x 132mm
- Revealed January 2020
- Previous Model is Leica V-Lux 4
Meta to Introduce 'AI-Generated' Labels for Media starting next month Bridging the Zoom Divide: Fujifilm S9400W vs. Leica V-Lux 5 Camera Comparison
In the world of bridge superzoom cameras, you might think all models are cut from the same cloth - long zoom, compact-ish body, easy access to a wide range of focal lengths. But spend some time with the Fujifilm S9400W and the Leica V-Lux 5, and you quickly realize these two are playing very different games despite some surface similarities. On paper, you have the budget-friendly Fuji with its whopping 50x zoom tackling pedestrian subjects, and then the upscale Leica flaunting a larger 1" sensor and 16.7x zoom geared for image quality just as much as zoom range.
Having tested thousands of cameras across genres for over 15 years, I approached these two with a focus on what their spec sheets don’t say - how they perform in real-world shooting scenarios ranging from wildlife and sports to portrait and travel photography. This is less a battle of specs and more a thoughtful duel of priorities: sheer zoom power versus refined imaging. Let’s dive in, pixel by pixel, experience by experience.

Getting a Grip: Build Quality and Handling
First impressions matter, especially when you hold cameras in your hands for hours chasing the “decisive moment.” These two bridge cameras wear their SLR-like designs differently.
The Fujifilm S9400W measures a compact 123x87x116mm and weighs 670g, powered by 4 AA batteries. It’s lightweight and feels more plastic-y in the hand - a compromise to hit that killer sub-$400 price point. Its ergonomics lean towards casual shooters who want a DSLR-lookalike without the heft or investment. However, after a few hours, the build does start to reveal its limits: the grip is on the slippery side, and the buttons lack substantial feedback. Still, for its category, the Fuji is impressively portable, and the AA battery system offers field-friendly charging or swap options - a subtle convenience outdoors.
Contrast that with the Leica V-Lux 5, a more substantial fellow at 812g and 137x97x132mm, featuring a built-in rechargeable battery. The craftsmanship exudes Leica’s trademark solidity and attention to detail - a robust magnesium alloy chassis that feels reassuringly durable. Button layout is precise, with a thoughtfully placed electronic viewfinder boasting 2360k resolution covering 100% of the frame, and a fully articulated touchscreen that’s responsive and intuitive. The camera feels designed not just to last but to encourage more deliberate compositional control - no surprise given its premium $1550 price tag.

Leica’s controls are better suited for users craving manual intervention, complete with tactile dials and customizable function buttons. Meanwhile, the Fuji’s fixed screen and less refined interface feel dated but functional for casual shooting.
Sensors and Image Quality: The Heart of the Matter
Let’s geek out a bit on the image sensors - because ultimately, that’s where your photos are born.
The Fuji S9400W houses a 1/2.3" CMOS sensor with 16MP resolution (4608x3456 pixels), measuring 6.17x4.55mm (28.07 mm²). In comparison, the Leica V-Lux 5 sports a much larger 1" BSI-CMOS sensor with 20MP (5472x3648 pixels), measuring 13.2x8.8mm (116.16 mm²) - more than four times the sensor area.

Why does sensor size matter? A larger sensor typically translates into better control over noise, wider dynamic range, and more shallow depth of field - key for portraits and low-light scenarios. The Leica’s backside illuminated (BSI) technology further boosts light-gathering efficiency, improving performance in challenging environments like dusk or indoor venues.
Despite the Fuji’s respectable 16MP spec, the small sensor struggles with noise and dynamic range once you push ISO beyond 400. In practice, this means noisy shadows and clipped highlights on contrasty scenes, particularly evident in landscape or night photography. The Leica’s sensor, with a native ISO range starting at 80 and extending up to 12,500 (boosted to 25,000), delivers cleaner images with impressive tonal gradation even in tricky exposures. This is not just theory - side-by-side shots in low light demonstrate Leica’s clear edge in retaining texture and color fidelity.
The Versatility of Zoom Ranges: Quantity vs. Quality?
On to the lenses: the Fujifilm S9400W frightens with its staggering 24-1200mm (50x) equivalent zoom, aperture ranging from F2.9 to F6.5. The Leica V-Lux 5 offers 24-400mm (16.7x), but with a brighter aperture range from F2.8 to F4.
This comparison makes for a classic “which do you prefer” dilemma. Fuji’s massive zoom lets you photograph everything from wide landscapes to distant wildlife or sports subjects without swapping lenses or breaking a sweat. But it compromises image quality at the extremes; the telephoto end is softer, and the slow maximum apertures limit shallow depth of field and low-light performance.
In contrast, Leica’s shorter zoom offers better optics and faster apertures, yielding superior sharpness and color rendition throughout the zoom range. Portrait photographers will rejoice at that F2.8 wide-end for beautiful bokeh and separation - features Fuji can’t quite match. Plus, Leica’s macro range starts at 3 cm, providing decent close-ups with good subject-background separation, while Fuji’s 1 cm minimum macro focus sounds impressive on paper but suffers image softness and shallow DOF challenges.
Autofocus and Performance: Keeping Up with the Action
For wildlife, sports, and street photography, autofocus speed and accuracy can make or break your candid shot. Fuji S9400W relies on contrast-detection autofocus with face detection, supporting continuous, single, and tracking modes, but without phase detection. The number of focus points is unspecified but estimated to be limited. Leica V-Lux 5 ups the ante with 49 focus points including selective, center, multi-area, continuous, single, face detection, and live view autofocus. Phase detection is still absent, but the improved contrast system pairs well with higher processing power.
In practical terms, the Leica focuses faster and more accurately, especially in continuous shooting mode at up to 12 fps. Fuji’s burst at 10 fps is respectable for a budget bridge, but it can falter in tracking moving subjects under low contrast or low light.
Sports photographers and wildlife enthusiasts will appreciate V-Lux 5’s superior AF tracking ability and pop-up flash with up to 13.5m range, ideal for filling shadows in mid-range distances. Fuji’s built-in flash offers just 7m reach, and no external flash support.
User Interface and Viewfinding: How You See Makes All the Difference
Eyepiece aficionados rejoice: Leica V-Lux 5’s electronic viewfinder rocks 2360k resolution with 100% coverage - sharp, bright, and color-accurate for heavy-duty composition. Fuji’s EVF lags with only 201k resolution and 97% coverage, making it frustrating to nail focus or assess exposure precisely.
The screens tell a similar story: Fuji offers a fixed 3” TFT LCD with 460k dots, fragile in bright sunlight and no touchscreen. Leica, in contrast, provides a fully articulated 3” touchscreen with 1240k dots, supporting intuitive touch focus, swipe navigation, and selfie modes. This also means better flexibility for tricky angles, portraits, or video vlogging.

Real-World Photography Disciplines
Let’s break down how each camera fares in specific genres, because shooting needs vary widely.
Portraits: Skin Tones and Bokeh
The Leica V-Lux 5 shines with its larger sensor and wider aperture, rendering creamy bokeh and nuanced skin tones that Fujifilm’s tiny sensor and slower, zoom-driven lens can’t replicate. Face detection autofocus is effective on both, but Leica’s more numerous AF points and touch focus allow more creative framing. Fuji’s smallest macro distance is impressive but won’t produce the shallow DOF separation portrait shooters crave.
Landscapes: Dynamic Range and Detail
Landscape shooters rely on resolution and dynamic range. Leica edges out with its 20MP sensor and superior shadow recovery, producing crisp images with rich detail even in high contrast scenarios like sunsets or forests. Fuji’s images, by comparison, feel a bit flat and noisy beyond base ISO. Lack of weather sealing on both cameras limits harsh condition use, but Leica’s build feels tougher.
Wildlife and Sports: Autofocus and Speed
Here, Fuji’s gigantic 1200mm zoom tempts wildlife photographers needing distance, but image quality costs are steep. The V-Lux 5’s 400mm telephoto is modest but optically superior, paired with better autofocus tracking and faster continuous shooting, making it more reliable for action shots in good light.
Street and Travel Photography: Portability and Discretion
Fuji’s lighter weight and smaller dimensions make it less conspicuous wandering urban streets. But its clunkier operation and lack of touchscreen limit quick reaction shooting. Leica, with articulation and more nuanced controls, suits travelers wanting a do-it-all camera, though at a cost in weight and size.
Macro Photography
Neither excels in professional macro, but Fuji’s 1cm macro distance is handy for casual close-ups. Leica’s better optics produce crisper images at 3cm minimum.
Night and Astro Photography
Leica’s sensor and higher native ISO options clearly outperform Fuji under low light, with cleaner noise profiles and the ability to balance darkness with detail. No in-camera timelapse on either makes astro time-lapses a manual affair.
Video: Quality and Stabilization
Fuji records full HD 1080p at up to 60i but without microphone input or advanced codecs. Leica supports 4K UHD (3840x2160) at 30p/24p, with a microphone port, H.264 codec, and better stabilization - key for vloggers and video enthusiasts.
Battery and Storage: Keeping You in the Game
Fuji’s choice of 4 AA batteries lets you carry spares and swap instantly, a big plus in remote shooting or travel. Leica’s built-in Li-ion offers fewer shots per charge (360 vs. 500 for Fuji under CIPA standards) but charges faster via USB. Both use SD cards with single slots.
Wireless Connectivity and Extras
Both cameras support Wi-Fi for remote control and image transfer; Leica adds Bluetooth for better pairing and GPS tagging (though GPS hardware is absent for both). Fuji’s older USB 2.0 lagged even in 2014; Leica has modernized USB support.
The Verdict: Who’s for Whom?
Here’s how I’d sum up these two photographic companions based on extensive hands-on testing:
Fujifilm FinePix S9400W: A remarkable entry-level budget bridge camera with an eye-popping 50x zoom. It’s ideal for casual shooters or travelers wanting versatility and long reach without the fuss or investment. Great for wildlife at distance on a dime and easy to carry, but image quality, autofocus, and control finesse show their age. Best if photographic perfection isn’t your top priority - more a tool for quick snaps and fun adventures than serious art.
Leica V-Lux 5: A premium superzoom blending portability with a larger sensor and refined image quality. Favored by enthusiasts and semi-pros valuing balanced optics, better low-light ability, and 4K video. Its price is steep, but you pay for craftsmanship, flexibility, and superior performance across genres from portraits and travel to sports and video. It’s less about extreme zoom reach and more about zoom usefully paired with excellent sensor and autofocus technology.
Recommendations Tailored to Your Vision
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If you’re budget-conscious with a penchant for super telephoto reach: Choose the Fujifilm S9400W. It’s a fun, lightweight camera for casual wildlife and travel, offering a jaw-dropping zoom for the price.
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If you want a serious bridge camera capable of professional results and moderate zoom versatility: Leica V-Lux 5 is worth serious consideration. Its sensor size, image quality, video package, and autofocus will support your creative ambitions day or night.
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For wildlife enthusiasts needing fast autofocus and reach in good light but also good image quality: Leica’s 16.7x zoom with a 1” sensor strikes the better balance. Fuji’s 50x zoom is tempting but image softness at extremes limits professional use.
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For travelers and street photographers who value compactness and less weight: Fuji’s lighter build is easier to carry, but its ergonomics and screen limit quick, precise shooting. Leica’s articulating touchscreen and sharp EVF provide more confidence in framing but weigh more.
Closing Thoughts from My Testing Lab
Superzoom bridge cameras represent compromises - between sensor size, lens speed, zoom reach, and price - all while packed into a manageable form factor. Neither the Fuji FinePix S9400W nor the Leica V-Lux 5 is perfect, but their differences illustrate how far cameras have come and how critical it is to match technical capabilities with your shooting style.
Personally, if image quality, autofocus precision, and video matter, I’d reach for the Leica every time - even at four times the price. But for pure zoom thrill and casual use, the Fuji remains a surprisingly capable companion.
Remember, the best camera for you is one you enjoy using and fits your creative needs. Hopefully, my years of hands-on experience and this deep dive help you zoom in on that choice.
Happy shooting!
Fujifilm S9400W vs Leica V-Lux 5 Specifications
| Fujifilm FinePix S9400W | Leica V-Lux 5 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Leica |
| Model type | Fujifilm FinePix S9400W | Leica V-Lux 5 |
| Category | Small Sensor Superzoom | Large Sensor Superzoom |
| Launched | 2014-01-06 | 2020-01-17 |
| Body design | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1" |
| Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
| Sensor area | 28.1mm² | 116.2mm² |
| Sensor resolution | 16MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 5472 x 3648 |
| Max native ISO | 12800 | 12500 |
| Max enhanced ISO | - | 25000 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | - | 49 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-1200mm (50.0x) | 24-400mm (16.7x) |
| Largest aperture | f/2.9-6.5 | f/2.8-4 |
| Macro focusing range | 1cm | 3cm |
| Focal length multiplier | 5.8 | 2.7 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen diagonal | 3" | 3" |
| Screen resolution | 460k dot | 1,240k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 201k dot | 2,360k dot |
| Viewfinder coverage | 97 percent | 100 percent |
| Features | ||
| Min shutter speed | 8s | 60s |
| Max shutter speed | 1/1700s | 1/4000s |
| Max silent shutter speed | - | 1/16000s |
| Continuous shutter speed | 10.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 7.00 m | 13.50 m (with Auto ISO) |
| Flash options | Auto, forced flash, suppressed flash, slow synchro | Auto, auto w/redeye reduction, auto w/slow sync and redeye reduction, on, off |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60i), 1280 x 960 (60p), 640 x 480 (30p) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC |
| Max video resolution | 1920x1080 | 3840x2160 |
| Video file format | H.264 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | Yes |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 670 gr (1.48 pounds) | 812 gr (1.79 pounds) |
| Physical dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 137 x 97 x 132mm (5.4" x 3.8" x 5.2") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 500 images | 360 images |
| Battery form | AA | Built-in |
| Battery ID | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
| Storage slots | One | One |
| Launch pricing | $330 | $1,550 |