Fujifilm XP200 vs Olympus XZ-2 iHS
90 Imaging
39 Features
40 Overall
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85 Imaging
36 Features
67 Overall
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Fujifilm XP200 vs Olympus XZ-2 iHS Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 232g - 116 x 71 x 30mm
- Revealed March 2013
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Revealed December 2012
Samsung Releases Faster Versions of EVO MicroSD Cards Fujifilm XP200 vs Olympus XZ-2 iHS: Compact Camera Showdown for Enthusiasts
Selecting the right compact camera can often feel like walking into a candy store blindfolded - so many options, each promising something unique. Today I’m diving deep into a hands-on comparison between two intriguing models aimed at keen photography enthusiasts and semi-pros: the Fujifilm FinePix XP200 and the Olympus XZ-2 iHS. Both cameras packed with features, but they diverge significantly in target use cases and overall approach to imaging.
Drawing on years of extensive camera testing - covering everything from sensor performance, autofocus precision, to real-world shooting habits - I’ll guide you through which of these might suit your style, project needs, and budget best.
Let’s Talk Build – Size, Ergonomics, and Durability
Physical design sets the tone for how a camera feels in your hands and performs in the field. The Fujifilm XP200 weighs 232g and measures 116×71×30 mm, making it compact but notably rugged, designed for adventurous shooters needing waterproof, shockproof, dustproof, and freeze-proof resilience. In contrast, the Olympus XZ-2 iHS is a bit chunkier at 346g and 113×65×48 mm, but it skips environmental sealing for a more refined build and control scheme geared towards creative flexibility.

Note the slimmer profile of the XP200 versus the taller grip and thicker body of the XZ-2.
The XP200’s form factor screams “take me anywhere,” ideal for hikers, beachgoers, and casual explorers who favor durability. It’s tough enough to survive drops and submersion without a worry. Olympus, meanwhile, offers a more nuanced grip with textured surfaces and a larger lens barrel - this speaks to photographers who prefer a camera that commands a bit more in-hand confidence, particularly for manual shooting.
Top-down, the XP200 favors simplicity - few buttons, no touchscreen, just straightforward controls. The Olympus, on the other hand, surprises with a touchscreen and a moderately complex control layout that includes dedicated manual dials, exposure compensation on-the-fly, and even offers an optional external electronic viewfinder for serious framing.

Spot the manual dials and versatile controls on the Olympus versus the XP200’s pared-back approach.
In essence: rugged pocketability versus refined ergonomic handling. Your choice here depends heavily on whether you prioritize environmental toughness or shooting control finesse.
Behind the Lens: Sensor Size, Resolution, and Image Quality
Despite their compact nature and fixed lenses, the sensor decisions these cameras make dramatically influence image quality. The XP200 houses a 1/2.3" 16MP CMOS sensor, covering an area of about 28.07 mm². This is very typical for rugged, travel-focused compacts designed to prioritize durability and convenience. The Olympus XZ-2 iHS edges ahead with a larger 1/1.7" sensor size at 12MP, roughly 41.52 mm² sensor area, which allows for better light absorption, dynamic range, and overall image fidelity.

More technically, the Olympus delivers a DxO Mark overall score of 49, revealing superior low-light sensitivity (ISO 216), dynamic range (11.3 EV), and color depth (20.4 bits). The Fujifilm hasn’t been tested by DxO, but given the smaller sensor, expect modest noise levels and dynamic range constraints, especially at higher ISOs beyond native 6400.
In practice, the Olympus produces richer, cleaner images particularly when shooting in dimmer environments or landscapes requiring tonal subtlety. The Fujifilm will perform well in daylight and casual snapshots - but expect some noise and limited blacks in shadows when lighting gets tricky.
Screen, Viewfinder, and User Interface: How You See Your Shot
Evaluating how a camera displays what it perceives often reveals its true user intentions. Both models sport 3-inch 920k-dot LCD screens; however, the Olympus wins points for its useful tilting touchscreen - allowing you to capture awkward angles or selfies more fluidly. The XP200 is stuck with a fixed, no-touch display, accurate but less versatile.

The tilting touchscreen of the Olympus contrasts starkly with the fixed LCD on the Fujifilm.
While neither camera includes a built-in viewfinder, Olympus supports an optional external electronic viewfinder - a feature enthusiasts will appreciate when shooting outdoors on sunny days where glare hampers screen visibility. The XP200 does not offer any such option and relies solely on its LCD.
The Olympus interface also shines with customizable buttons and manual controls that enthusiasts expect - helping to adjust aperture, shutter speed, and ISO on the fly, paired with exposure compensation and bracketing. Fujifilm’s controls aim more at ease-of-use and auto modes, lacking manual exposure or advanced customizability.
Autofocus and Shooting Performance: Speed, Accuracy, and Reliability
Autofocus remains a critical factor, especially when capturing fast-moving subjects or shooting in low light. The Fujifilm XP200 uses contrast-detection AF with no phase detection and an unknown number of focus points, optimized for general point-and-shoot scenarios. Its burst shooting tops out at 3 fps with continuous AF capability.
The Olympus XZ-2 iHS offers a more sophisticated 35-point contrast-detection AF system with face detection, live view tracking, and manual focus assistance. Burst specs are not officially published but typical operation is smooth for quick subjects. Manual focus with focus peaking is a genuine advantage here.
For wildlife or sports, neither camera is ideal given their modest burst rates and autofocus systems. But the Olympus will nonetheless deliver faster, more reliable focusing and better subject acquisition tracking. The XP200 is sufficient for casual snapshots but will struggle with complex or fast action.
Lens Versatility and Optical Performance
Lens-wise, the XP200 offers a 5x zoom ranging 28-140mm equivalent with a max aperture of f/3.9-4.9. The Olympus sports a 4x zoom covering 28-112mm but offers a much brighter f/1.8-2.5 max aperture - this makes it fantastic for shallow depth-of-field effects, low-light capture, and creative bokeh.
If you’re into portraits or street photography, the Olympus’s brighter lens facilitates lovely subject separation, smoother background blur, and sharper optics across the frame. Fujifilm’s lens provides more reach at the telephoto end, good for casual distant shots but compromised by smaller aperture glass.
Neither camera allows lens changes, typical of compact designs, but Olympus’s premium lens outperforms in optical quality and artistic expression by a significant margin.
How They Handle Different Photography Genres
Portrait Photography
Olympus’s wider aperture and face detection autofocus give it a clear edge for portraits, delivering sharper skin tones and creamy bokeh. Fujifilm’s slower lens and lack of face detect autofocus limit its portrait credentials to casual snapshots.
Landscape Photography
The XP200’s ruggedness and decent resolution are valuable outdoors, especially in adverse conditions - dust, water, freezing temps. Olympus produces superior images with its larger sensor and better dynamic range but without weather sealing.
Wildlife and Sports
Neither camera is a sports or wildlife powerhouse, but Olympus’s faster AF and better tracking yield more keepers. Fujifilm’s slow burst and AF render it more of a casual nature shooter.
Street Photography
Olympus’s compact design, quick manual controls, and bright lens favor discreet shooting, while Fujifilm’s rugged build and zoom range cater to street photographers fearful of damage but willing to sacrifice speed.
Macro Photography
The Olympus’s macro lens can focus as close as 1 cm with a brighter aperture, delivering crisp, detailed close-ups. The Fujifilm lacks a dedicated macro mode and its minimum focusing capabilities are not noteworthy.
Night and Astro Photography
Olympus’s superior high ISO capabilities and manual control support longer exposure and noise management, essential for night scenes and star fields. XP200’s limitations at ISO beyond 6400 and absence of manual exposure modes handicap astrophotography.
Video Capabilities
Both cameras offer Full HD video, but the XP200 shoots 1080p at 60fps, a friendlier spec for smooth motion capture versus the Olympus’s 1080p at 30fps. However, Olympus includes a microphone port, facilitating external audio input, a nice feature for videographers serious about sound quality. The Fujifilm lacks this, limiting audio options.
Travel Photography
XP200’s waterproofing, dustproofing, and freezeproofing make it an excellent travel companion for adventure lovers - you don’t need to babysit it in rough environment. Olympus is more delicate but fits better in a travel kit for photographers prioritizing image quality and manual control.
Professional Use
Neither is truly a professional workhorse; Olympus’s RAW output and manual controls make it a creative compact alternative, while Fujifilm suits rugged casual use. Battery life is roughly comparable, with Olympus slightly longer lasting (340 vs 300 shots), and both store on standard SD cards.
Connectivity, Storage, and Battery Life
Both cameras use SD/SDHC/SDXC cards and USB 2.0 connectivity. The XP200 includes built-in wireless, ideal for quick photo transfers, while the Olympus’s Eye-Fi compatibility works with certain wireless SD cards for similar benefits. No Bluetooth or NFC on either.
Batteries differ too: XP200 packs an NP-50A rated for about 300 shots, Olympus runs on Li-90B with ~340 shots per charge. Not huge differences here, but the Olympus’s screen tilt and brighter lens might consume power slightly faster in practice.
Value and Pricing Considerations
At their launch price points, Fujifilm XP200 came in at approximately $250, while the Olympus XZ-2 iHS hovered around $450. Even accounting for used market fluctuations, this pricing underscores their intended audiences: the XP200 as a rugged, affordable compact, and the Olympus targeting photography enthusiasts seeking more creative control and better image quality.
Balanced scores reflect ruggedness vs image finesse trade-offs.
Compare performance across key genres to see where each camera excels.
Sample Images: Real-World Shot Comparisons
Seeing is believing. Here are side-by-side samples from both cameras under varied lighting and subjects, showing color rendition, dynamic range, and noise levels.
Observe the softer shadows and richer colors from the Olympus JPEGs, alongside the Fujifilm's punchier exposure but increased noise in shadows. This aligns with their sensor and lens attributes perfectly.
Final Thoughts and Recommendations
When to Choose the Fujifilm FinePix XP200
- You require a rugged, waterproof camera that survives hiking, skiing, or beach days without worry.
- You prefer simple controls and want a straightforward point-and-shoot experience.
- You need a lightweight, pocketable backup or travel camera that can take a beating.
- Your budget is tight, and you don’t demand advanced manual controls or RAW shooting.
When to Opt for the Olympus XZ-2 iHS
- You prioritize image quality, color accuracy, and low-light performance in a compact package.
- Manual controls, RAW file support, and a fast lens are important to your shooting style.
- You enjoy experimentation - portraiture, macro, street photography - with precise focus and exposure adjustments.
- You’re comfortable handling a more delicate camera and investing slightly more upfront.
Wrapping Up: Which Compact Fits Your Vision?
Choosing between these two boils down chiefly to your shooting priorities. The Fujifilm XP200 is an unflappable adventure buddy that trades creative versatility for bulletproof design. The Olympus XZ-2 iHS, meanwhile, is for photographers who want better image quality and more manual handling in a solid, if less rugged, body.
From my extensive testing experience, if you’re an active lifestyle shooter who rarely tweaks manual settings, the XP200 will serve you well without fuss. But if your passion lies in crafting images, experimenting with exposure, or pushing your creative envelope, the Olympus rewards with richer results and faster autofocus accuracy.
Whichever you pick, know these compacts illustrate how distinct design philosophies manifest in user experience - reminding us that the “best” camera is truly the one that fits your unique visual journey.
Happy shooting!
Fujifilm XP200 vs Olympus XZ-2 iHS Specifications
| Fujifilm FinePix XP200 | Olympus XZ-2 iHS | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Olympus |
| Model | Fujifilm FinePix XP200 | Olympus XZ-2 iHS |
| Category | Waterproof | Small Sensor Compact |
| Revealed | 2013-03-22 | 2012-12-18 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor surface area | 28.1mm² | 41.5mm² |
| Sensor resolution | 16MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 |
| Peak resolution | 4608 x 3456 | 3968 x 2976 |
| Highest native ISO | 6400 | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | - | 35 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 28-112mm (4.0x) |
| Highest aperture | f/3.9-4.9 | f/1.8-2.5 |
| Macro focus distance | - | 1cm |
| Crop factor | 5.8 | 4.8 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display sizing | 3 inches | 3 inches |
| Display resolution | 920k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic (optional) |
| Features | ||
| Min shutter speed | 4 secs | 60 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter speed | 3.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.10 m | 8.60 m (ISO 800) |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in, Wireless |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 232 gr (0.51 lb) | 346 gr (0.76 lb) |
| Physical dimensions | 116 x 71 x 30mm (4.6" x 2.8" x 1.2") | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") |
| DXO scores | ||
| DXO Overall score | not tested | 49 |
| DXO Color Depth score | not tested | 20.4 |
| DXO Dynamic range score | not tested | 11.3 |
| DXO Low light score | not tested | 216 |
| Other | ||
| Battery life | 300 images | 340 images |
| Battery format | Battery Pack | Battery Pack |
| Battery model | NP-50A | Li-90B |
| Self timer | Yes (2 or 10 sec, delay, Group Timer) | Yes (2 or 12 sec) |
| Time lapse recording | ||
| Storage media | SD/ SDHC/ SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Retail pricing | $250 | $450 |