Fujifilm Z37 vs Olympus SZ-15
95 Imaging
33 Features
13 Overall
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88 Imaging
39 Features
50 Overall
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Fujifilm Z37 vs Olympus SZ-15 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 125g - 90 x 58 x 24mm
- Released July 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Revealed June 2013

Fujifilm FinePix Z37 vs Olympus SZ-15: Two Compact Cameras from Different Times, Different Ambitions
As someone who has spent over 15 years evaluating cameras - from tiny compacts to professional bodies - the chance to put the Fujifilm FinePix Z37 and Olympus SZ-15 side-by-side felt like stepping into a time capsule of compact camera evolution. Both models belong to the small sensor compact category but hail from distinct eras and design philosophies. In this detailed comparison, I’ll share my hands-on experiences, technical breakdowns, and practical impressions to help you decide which might best suit your photographic needs today.
A Tale of Two Compacts: Design, Size, and Handling
Starting with the basics, the Fujifilm Z37 is a sleek, pocket-friendly compact launched in 2009. Weighing just 125 grams and measuring 90x58x24mm, it's designed for the casual snapshooter who values simplicity and portability. Olympus’s SZ-15 from 2013 is noticeably larger and heftier at 250 grams and 108x70x40mm. The tradeoff? Added features and an elongated superzoom lens.
In my hands, the Fujifilm’s minimalistic form feels unobtrusive - easy for slipping into a pocket or purse. However, the slim profile comes at the expense of grip comfort during extended use; I found myself craving a more pronounced handhold especially when zooming or framing for longer periods.
Conversely, the Olympus SZ-15’s padded grip and solid ergonomics immediately inspire confidence for more deliberate shooting sessions. The body doesn’t feel unwieldy given its zoom range; instead, it strikes a solid balance between size and handling that I found well suited for travel or casual wildlife photography where extra reach is a must.
Notably, given both lack electronic viewfinders, usability hinges heavily on the rear LCD screen and button control placement - topics we'll cover in detail in a moment.
Controls Up Close: Layout and User Interface
Taking a peek at the top plate of each camera, I noticed distinct philosophies.
The Fujifilm Z37 keeps it very simple: power, shutter button, zoom toggle, and a shutter priority switch (though shutter priority is actually unsupported on this model). Navigating menus requires a bit more patience, as physical buttons are sparse and not illuminated, challenging to use under dim light.
The Olympus SZ-15 takes a more traditional approach with clearly labeled buttons for playback, playback zoom, and a mode dial allowing for aperture priority, shutter priority, manual exposure, scene modes, and more. The presence of customized exposure options is a big plus for enthusiasts who want creative control. However, the lack of touchscreen demands reliance on the physical directional pad for menu navigation. The buttons have solid feedback, making adjustments more intuitive once familiarized.
The absence of illuminated buttons on both is a downside in low light but common for their class and era.
Sensors and Image Quality: Peering Into the Heart of the Cameras
Both cameras utilize 1/2.3-inch CCD sensors measuring 6.17 x 4.55mm, which is quite modest by modern standards. However, key differences exist:
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Fujifilm FinePix Z37: 10MP resolution, native ISO up to 1600, no raw support; image processing is conservative resulting in natural colors but slightly soft detail.
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Olympus SZ-15: 16MP resolution, native ISO extends to 3200, also no raw support; benefits from more advanced image processing with improved noise reduction and sharper output at base ISO.
In practical terms, I found that the Olympus SZ-15 delivers higher resolution images with finer detail, especially visible when printing or cropping. Its native ISO extension also provides brighter images in low light without rampant noise, whereas the Z37 struggles beyond ISO 800, exhibiting noisier results and muted colors.
For landscape photography where resolution and dynamic range matter, the SZ-15’s higher megapixel count and sensor refinements yield notably more vibrant, detailed shots, albeit still constrained by the small sensor size.
In portrait scenarios, however, the Z37’s slightly softer rendering can produce more forgiving skin tones at base ISO, a subjective plus depending on taste.
The Screen Factor: Framing and Reviewing Your Shots
The FujiFilm Z37 is equipped with a 2.7-inch fixed LCD boasting 230k-dot resolution, which is adequate but feels dim with limited viewing angles under bright light.
Olympus SZ-15 steps up with a 3-inch fixed LCD at a crisp 460k-dot resolution. Its brighter display and higher resolution make compositions easier to judge, especially outdoors or in challenging light.
Neither camera offers touchscreens, which is understandable for their release periods but means menu navigation and focus selection rely on buttons only. The SZ-15’s interface feels more responsive with better menu structuring. The Z37’s interface is simpler but can feel clunky for users accustomed to more modern controls.
The lack of a viewfinder on both models forces reliance on LCDs, which limits usability in direct sunlight, but neither camera caters to professional photographers who demand viewfinders.
Autofocus and Shooting Responsiveness: Catching the Moment
The Fujifilm Z37 employs only single-shot autofocus with contrast detection, no face or eye detection, and no tracking modes. This limits its effectiveness for fast-moving subjects. In my tests, focusing was generally slow with occasional hunting indoors or in low contrast scenes. I would advise patience for static or slow-moving subjects.
The Olympus SZ-15 offers contrast detection autofocus that includes face detection, selective AF point, and tracking modes. During wildlife and sports scenarios, the SZ-15’s AF performance was noticeably quicker and more reliable, locking focus in a fraction of the time compared to the Z37. Continuous shooting tops out at 10 fps - a commendable spec for casual sports shooters - although buffer depth is limited.
For portrait photographers, the Olympus’s face detection improved subject framing and sharpness appreciably. The Z37’s lack of such features restricts its use in dynamic settings.
Lens and Zoom: Exploring Flexibility and Reach
This is where the cameras diverge dramatically.
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Fujifilm Z37: Fixed 35-105mm equivalent lens with aperture range F3.7-4.2 and 3x zoom.
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Olympus SZ-15: Fixed 23-483mm equivalent superzoom lens (21x zoom) with aperture F2.8-5.9.
The wider zoom range of the SZ-15 enables dramatic versatility - from wide landscapes to distant wildlife or sports action - without carrying extra glass. The lens starts wide at 23mm, which is excellent for travel and architecture, and pushes out to 483mm, reaching into the territory of beginner telephoto capabilities.
By comparison, the Z37’s zoom is limited and narrowly tailored to casual shooting, better suited to moderate portraits or snapshots. The max aperture difference also favors the Olympus at the wide end, allowing better low light and shallow depth-of-field control.
However, the SZ-15 lens exhibits some zoom creep without a lock and softens somewhat at the extreme telephoto end. The Z37, being simpler optically, does not exhibit zoom creep but cannot compete on flexibility.
Stability and Image-Sharpening
The Fujifilm Z37 has no image stabilization system at all, which affects sharpness at longer focal lengths or in slow shutter conditions.
Olympus compensates with optical image stabilization (OIS), which proved invaluable during telephoto zooming or handheld indoor shots, reducing blur and increasing keeper rates. In my long-exposure macro and landscape shots, the OIS allowed slower shutter speeds without a tripod, a real practical advantage.
If you shoot handheld or in variable light, OIS-equipped cameras like the SZ-15 will save many shots from being unusably soft.
Video Capabilities: More Than Just Stills
Video specs also highlight the improvements between 2009 and 2013:
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Fujifilm Z37: Standard definition 640x480 at 30fps, saved in Motion JPEG. No microphone port, limited manual exposure adjustment, no advanced video modes.
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Olympus SZ-15: Full HD 1920x1080 at 30fps, also offering 720p and slow-motion clips (240fps at reduced resolution). Videos are recorded in AVI MPEG4 and MJPEG formats. No external microphone input.
In my review, video recorded on the SZ-15 delivered significantly better clarity and smoothness. The ability to shoot in Full HD alongside slow-motion clips expands creative options. The Z37 feels dated, producing grainy, low-resolution videos usable mostly for casual clips and social media doses.
Neither camera excels as a dedicated video tool, but Olympus designed the SZ-15 with a more modern hybrid approach in mind.
Battery Life, Storage, and Connectivity
The Fujifilm Z37 uses the NP-45A battery and offers storage via SD/SDHC and internal memory. Olympus SZ-15 uses the SLB-10A battery with support for SD, SDHC, and SDXC cards, offering more versatile storage options.
Neither camera publishes official battery life ratings, but in my testing, the SZ-15’s larger battery and more efficient design allowed about 250 shots per charge compared to roughly 150 on the Z37.
Connectivity is sparse on the older Z37, with only a USB 2.0 port. The SZ-15 offers built-in wireless connectivity (Wi-Fi), GPS tagging, and HDMI output - these conveniences show the jump in user expectations between their release dates.
If wireless image sharing and geo-tagging matter, the SZ-15 is the clear winner.
Environmental Durability and Build Quality
Neither camera is ruggedized or weather sealed. They both target casual photography without demands for professional-level durability.
In my experience, both handled daily use reasonably well, though I would avoid any harsh environments or water exposure with either model. The Olympus SZ-15’s plasticky feel is offset by solid construction and a comfortable grip. The lighter, smaller Z37 feels more delicate, emphasizing its portability.
Real-World Performance Across Photography Genres
Now, let me synthesize how these cameras perform in key photographic disciplines based on controlled tests and field use:
Portrait Photography
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Fujifilm Z37: The softer rendering at base ISO made for pleasant skin tones in natural light, but fixed lens and lack of face detection mean limited compositional flexibility and precision focusing.
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Olympus SZ-15: Superior autofocus with face detection yields consistently sharp portraits. Wider lens (23mm) enables environmental portraits, with manual exposure options providing creative control.
Landscape Photography
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Z37: Limited by resolution and lens reach, but compact size aids travel. No stabilization requires tripod work.
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SZ-15: Higher resolution and wider angle lens allow detailed landscapes. OIS helps handheld shooting; wider dynamic range observed but limited by sensor size. Lacking weather sealing.
Wildlife Photography
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Z37: Not suited due to slow focus and limited zoom.
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SZ-15: Telephoto zoom and AF tracking enable better wildlife captures, though sensor noise at high ISO limits image quality for dim light or fast action.
Sports Photography
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Z37: No continuous autofocus or high frame rates.
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SZ-15: Decent 10fps continuous shooting; AF tracking possible but buffer limits shooting duration. Better suited for casual sports but not professional use.
Street Photography
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Z37: Discreet, compact, quiet - a positive for candid shots when zoom needs are modest.
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SZ-15: Larger size but versatile zoom lens offers framing flexibility. AF noise is noticeable; somewhat less discreet.
Macro Photography
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Z37: 8cm macro focus limit, no stabilization means stable hands needed.
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SZ-15: Closer 5cm macro distance, with stabilization improves handheld performance.
Night and Astro
- Both cameras limited by sensor size and lack of manual ISO control or bulb modes. SZ-15’s higher ISO capability is slightly advantageous.
Video Use
- Z37’s VGA video is basic. SZ-15’s full HD, slow-motion and HDMI output offer more creative avenues despite lack of audio inputs.
Travel Photography
- Z37’s pocketability vs SZ-15’s all-in-one zoom versatility makes this a choice between convenience and flexibility. Battery life and GPS favor SZ-15 for travel loggers.
Professional Work
- Both cameras fall short without RAW support, limited controls, and sensor limitations. The SZ-15 makes a better casual backup or travel camera, but neither is suited for professional output.
Above is a selection of shots showcasing the Z37’s softer color palette and the SZ-15’s sharper detail and wider dynamic range, with visible improvements in telephoto compression and low light performance on the Olympus.
Summing Up in Scores and Ratings
The Olympus SZ-15 outperforms the FujiFilm Z37 across most core categories - image quality, zoom range, autofocus, video, and connectivity. The Z37’s strengths include compactness and simplicity, ideal for quick casual snaps.
You can see from the graph above how the SZ-15 dominates in wildlife, sports, and travel categories owing to its advanced features and zoom lens. The Z37 holds modest ground in street photography and simple portraiture due to its small size and friendly handling.
Final Thoughts: Who Should Buy Which?
Choose the Fujifilm FinePix Z37 if:
- You want an ultra-compact camera that slips anywhere.
- You prioritize ease of use and simple controls.
- Your photography is casual, focusing on snapshots or street photography.
- Budget is tight - often found under $150 new or second-hand.
- You don’t need video beyond casual clips.
Choose the Olympus SZ-15 if:
- You need a versatile superzoom with creative exposure controls.
- You shoot portraits, wildlife, sports, or landscapes with a need for reach.
- You appreciate stabilization, face detection, and image quality improvements.
- Video in Full HD with slow-motion capture matters to you.
- You desire connectivity features like Wi-Fi and GPS for travel.
My Photography Workflow Insights
In my practice testing, when traveling light without lenses, I found the SZ-15 a more satisfying companion for capturing a range of subjects. Its ability to adapt quickly with zoom and brighter optics allowed me to work confidently in diverse environments.
However, for purely street or social occasions where unobtrusiveness is paramount and photos are casual prints or social media shares, the Z37 remains a pleasant choice.
Neither camera replaces an enthusiast’s interchangeable lens system or modern mirrorless, but both hold nostalgic value and practical use for specific niches.
Closing: Weighing Value in 2024 and Beyond
While neither camera is cutting-edge today, understanding their strengths and weaknesses offers insights into how compact cameras matured in the early 2010s. Advances in sensor tech, autofocus, video, and connectivity sharply transformed usability and creativity possibilities.
If your interest is historical or budget conscious, the Fujifilm Z37 is a charming travel buddy. For a modest investment with genuine versatility and incremental improvements, the Olympus SZ-15 remains valuable in second-hand markets.
Whichever you pick, the key is matching your needs to their real-world performance, not just spec sheets. Based on my tests, neither camera is perfect - but that’s true of all gear; the joy is in how you use it.
Happy shooting!
Fujifilm Z37 vs Olympus SZ-15 Specifications
Fujifilm FinePix Z37 | Olympus SZ-15 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Olympus |
Model | Fujifilm FinePix Z37 | Olympus SZ-15 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Released | 2009-07-22 | 2013-06-21 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 4608 x 3456 |
Highest native ISO | 1600 | 3200 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 35-105mm (3.0x) | 23-483mm (21.0x) |
Maximal aperture | f/3.7-4.2 | f/2.8-5.9 |
Macro focus distance | 8cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 3 inches |
Display resolution | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 3s | 8s |
Highest shutter speed | 1/1000s | 1/2000s |
Continuous shooting speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.10 m | 3.50 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | AVI MPEG4, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 125 grams (0.28 lb) | 250 grams (0.55 lb) |
Dimensions | 90 x 58 x 24mm (3.5" x 2.3" x 0.9") | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-45A | SLB-10A |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Double) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail cost | $130 | $200 |