Fujifilm GFX 100 vs Panasonic G2
52 Imaging
92 Features
86 Overall
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72 Imaging
47 Features
60 Overall
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Fujifilm GFX 100 vs Panasonic G2 Key Specs
(Full Review)
- 102MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 12800 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- 4096 x 2160 video
- Fujifilm G Mount
- 1320g - 156 x 144 x 75mm
- Released May 2019
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 428g - 124 x 84 x 74mm
- Launched July 2010
- Old Model is Panasonic G1
- Updated by Panasonic G3

Fujifilm GFX 100 vs Panasonic Lumix G2: A Comprehensive Camera Showdown for Every Photographer
Choosing your next camera can feel like navigating a labyrinth, especially when comparing a cutting-edge medium format powerhouse like the Fujifilm GFX 100 and an entry-level classic, the Panasonic Lumix G2. Both offer mirrorless benefits but cater to vastly different users, shooting styles, and budgets. With over 15 years of testing hundreds of cameras, we've seen firsthand how specs translate into daily shooting realities. This deep-dive comparison cuts through marketing jargon and specs sheets - helping you find the perfect fit for your photography journey.
First Impressions: Size, Handling & Design
One of the most immediate differences you'll notice between these two is their physical size and presence. The Fujifilm GFX 100 is a pro-level medium format system, and it commands presence in your hands. The Panasonic G2 is a compact entry-level mirrorless designed for travel and street photographers seeking agility.
Feature | Fujifilm GFX 100 | Panasonic Lumix G2 |
---|---|---|
Dimensions (mm) | 156 x 144 x 75 | 124 x 84 x 74 |
Weight (grams) | 1320 | 428 |
Body Style | SLR-style mirrorless | SLR-style mirrorless |
Weather Sealing | Yes | No |
Build Material | Magnesium alloy chassis | Polycarbonate with metal mount |
Ergonomics | Large grips, robust controls | Compact grip, smaller buttons |
Holding the GFX 100 feels solid and deliberate - tailored for long shoots where stability and heft matter. The Panasonic G2, by contrast, fits snugly in smaller hands and travels easily in shoulder bags. If you prefer shooting handheld and on the go, the G2’s light frame is enticing. But if you want a camera that feels built to withstand demanding studio or outdoor pro work, Fujifilm’s hefty ergonomics shine.
Design & Interface: Controls Made for Your Style
Both cameras adopt SLR-inspired mirrorless designs, but the control layouts and interfaces differ substantially reflecting the target user groups.
- Fujifilm GFX 100 offers dedicated dials for shutter speed, ISO, and exposure compensation. The top screen displays essential shooting data. Expect professional-grade tactile controls with no-nonsense access to key functions.
- Panasonic G2 simplifies controls with a mode dial and fewer physical buttons, leaning on an articulated touchscreen for menu navigation. This setup appeals more to enthusiasts and new users familiar with smartphone-like touchscreen operation.
The GFX 100’s illuminated buttons are absent, but the layout maintains clarity under varied lighting - a boon for serious shooters. The G2’s fully articulating touchscreen lets you flexibly compose at odd angles, great for vlogging and street photography but may require menu digging for advanced settings.
Sensor & Image Quality: The Heart of the Matter
Nothing highlights the gap between these cameras like their sensors.
Feature | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Sensor Type | BSI CMOS Medium Format | CMOS Four Thirds |
Sensor Size (mm) | 44 x 33 (1.7x full frame crop factor) | 17.3 x 13 |
Sensor Area (mm²) | 1452 | 224.9 |
Resolution (MP) | 102 | 12 |
Native ISO Range | 100 – 12,800 | 100 – 6400 |
Max Boosted ISO | 102,400 | None |
Anti-Aliasing Filter | Yes | Yes |
The Fujifilm GFX 100 offers a whopping 102-megapixel medium format sensor, far surpassing the G2’s 12MP Four Thirds chip. This difference dramatically impacts resolution, dynamic range, color fidelity, and low-light behavior.
- Resolution & Detail: The GFX 100 delivers ultra-fine detail crucial for commercial, fashion, or fine art printing. You'll notice textures and details invisible to smaller sensors.
- Dynamic Range: Larger photosites on the medium format sensor yield superior dynamic range, preserving highlights and shadows better.
- Noise Performance: Thanks to BSI technology and a larger sensor, the GFX 100 keeps noise in check up to ISO 12,800 and beyond, maintaining clean images for night or astrophotography.
- G2 Limitations: The G2’s smaller sensor and older generation tech mean lower resolution and less flexibility when cropping or enlarging images. Noise rises visibly beyond ISO 800-1600, limiting low-light use.
If image quality is paramount - think landscape, studio, or professional portraiture - the GFX 100’s sensor dominates by miles. However, the G2 delivers good quality photos for everyday use and web sharing, especially benefiting beginners exploring basic photography.
Shooting Experience: Autofocus, Burst Speed & Usability
How fast and accurately a camera focuses and shoots under real-world conditions impacts your creativity and success rate.
Feature | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Autofocus Type | Hybrid PDAF + CDAF (425 points) | Contrast Detection AF only |
Face Detection | Yes | Yes |
Eye AF | Yes | Yes |
AF Tracking | Yes | Yes |
Continuous Shooting | 5 fps | 3 fps |
Silent Shutter | Yes (up to 1/16000s) | No |
Touch AF & Select Areas | Yes | Yes |
The GFX 100’s hybrid autofocus system with 425 focus points allows fast, precise subject acquisition even in challenging light or motion. Its eye-detection is professional-grade, beneficial for portrait and event shooters requiring sharp eyes.
The Panasonic G2 uses contrast detection autofocus, which can struggle with speed and accuracy, particularly tracking fast-moving subjects. Still, for casual portraits and landscapes, it performs reliably.
Burst shooting rates favor the Fujifilm system. 5 fps isn't blazing but is respectable for a large medium format sensor; the G2’s 3 fps suffices for slow action but limits wildlife or sports use.
Display & Viewfinder: Composing Your Shots
Your ability to compose and review images quickly depends on the viewfinder and rear display technology.
Feature | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Rear Screen Size | 3.2" Tilting LCD | 3" Fully articulated touchscreen |
Rear Screen Resolution | 2.36 million dots | 460k dots |
Touchscreen | Yes | Yes |
Viewfinder Type | Electronic (OLED) | Electronic (OLED) |
Viewfinder Resolution | 5.76 million dots | 1.44 million dots |
Viewfinder Coverage | 100% | 100% |
Magnification | 1.09x | 0.55x |
The GFX 100’s display quality is noticeably superior, offering crisp, bright previews with high resolution. The tilting mechanism supports flexible shooting angles but lacks full articulation.
Panasonic’s G2 wins with its fully articulating screen - a rare feature in 2010 launch cameras and still prized today for video and vlogging setups.
On the EVF side, Fujifilm’s viewfinder boasts stellar resolution with fine detail, critical when manual focusing or assessing sharpness. The G2’s smaller, lower-resolution EVF works fine but feels dated compared to modern specs.
Lens Selection and Compatibility: What You Can Shoot
Lens choice is imperative for unlocking your vision.
Aspect | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Lens Mount | Fujifilm G | Micro Four Thirds (MFT) |
Number of Native Lenses | 12 | 107 |
Focal Length Multiplier | 0.8x (Medium format crop factor) | 2.1x (Four Thirds crop factor) |
Lens Ecosystem | Growing medium format optics | Mature and extensive MFT system |
The Fujifilm GFX 100 integrates with high-end medium format lenses designed for ultimate sharpness and character. This lineup is smaller but specializes in professional-grade primes and zooms. With a 0.8x crop factor, focal lengths behave slightly wider than full-frame formats.
The Panasonic G2 benefits from the enormous Micro Four Thirds lens ecosystem built over more than a decade. There are lenses from ultra-wide to super-telephoto, super affordable primes, and many third-party options. However, the 2.1x crop factor means telephoto reach is doubled in effective focal length - perfect for wildlife or sports but limiting wide-angle perspectives.
Battery Life & Storage: Ready for Longer Shoots?
Shooting time and storage capacity influence how long you can stay in your creative flow.
Feature | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Battery Life (CIPA) | 800 shots | 360 shots |
Storage Media | Dual SD/SDHC/SDXC (UHS-II) | Single SD/SDHC/SDXC |
USB Port | USB 3.1 Gen 1 (5Gbps) | USB 2.0 (480 Mbps) |
The GFX 100’s robust battery life of 800 shots outperforms many pro cameras, allowing longer sessions without a recharge. Dual card slots offer secure backup or extended storage - must-haves for professionals.
Meanwhile, the Panasonic G2 uses a single card slot and battery that lasts about half as long. While this is decent for casual shooting, you may want spares for day-long outings.
Video Capabilities: From Still to Motion
Though primarily photographic tools, both cameras offer video modes suited to different creators.
Feature | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Max Video Resolutions | 4K DCI 4096x2160 @ 30p, MOV, H.265, 400 Mbps | HD 1280x720 @ 30 fps, AVCHD Lite |
In-Body Stabilization | 5-axis sensor-based IS | None |
Microphone Jack | Yes | Yes |
Headphone Jack | Yes | No |
4k / 6k Photo Modes | No | No |
The GFX 100 clearly targets hybrid shooters, offering impressive 4K DCI cinema-quality video with efficient codecs, alongside professional audio input/output options. Its sensor-shift stabilization improves handheld videography markedly.
The G2 is constrained to HD resolution video at modest bitrates, limiting professional video work but enough for casual YouTube or family clips. No in-body stabilization means lens-stabilized or gimbal-assisted shooting is advisable.
Specialized Photography Types: Finding Your Perfect Match
Let’s consider how each camera holds up across popular genres:
Genre | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Portrait | Exceptional skin tone rendering, bokeh, and eye AF for defining sharp portraits. | Good skin tone, softer background separation due to sensor size; eye AF reliable for casual portraits. |
Landscape | Unrivaled detail and dynamic range, weather sealed for rugged locations. | Adequate dynamic range, compact for hiking; no weather sealing limits harsh environments. |
Wildlife | Good AF, but 5fps limits fast-action; lens weight factor. | Crop factor helps reach; slower AF and burst speed reduce fast wildlife capture. |
Sports | Decent tracking and exposure; burst speed limiting. | Lower burst and contrast-detect AF limit sports; better for static or slower action. |
Street | Large and heavier; presence may affect candid shots. | Small, discreet, and quiet ideal for street photography. |
Macro | High resolution and 5-axis IS aids critical detail. | Lens-dependent; G2 lacks stabilisation but access to macro lenses is extensive. |
Night/Astro | Excellent high ISO performance and dynamic range. | Higher noise beyond ISO 800 reduces image quality; not ideal for astro. |
Video | Professional 4K with audio controls and stabilization. | Basic 720p video suitable for casual content. |
Travel | Heavy, bulky but weather sealed; superb image quality at any location. | Lightweight and compact; easy to carry and shoot spontaneously. |
Professional Use | Top-tier reliability with dual cards, extensive controls, and pro workflows. | Entry-level options restrict professional studio or delivery work. |
Technical Analysis & Performance Scores
Although DXOmark hasn't tested the GFX 100 officially, its medium format sensor inherently outperforms the Four Thirds sensor in every measure - color depth, dynamic range, and low-light sensitivity. Panasonic G2 scores from DXOmark illustrate its sensor limitations but adequate performance for entry-level use.
Metric | Rough Score Expectation (Fujifilm GFX 100) | Panasonic G2 (DXOmark Scores) |
---|---|---|
Overall Quality | Exceptionally high (top-tier medium format) | 53 (modest sensor performance) |
Color Depth | >24 bits | 21.2 bits |
Dynamic Range | >14 stops | 10.3 stops |
Low-light ISO | >2000 (excellent clean images) | 493 (visible noise) |
For deeper insights, note how the GFX 100 outperforms across genres based on crispness, tonality, and shooting speed:
Connectivity and Extra Features
The GFX 100 benefits from Bluetooth and built-in Wi-Fi for remote control and seamless file transfer. USB 3.1 enables fast tethered workflows. The Panasonic G2 lacks wireless connectivity, limiting modern conveniences.
Both cameras have HDMI ports; however, GFX 100 supports professional video outputs. Headphone support on the Fuji further proves its hybrid capability.
Price & Value: What You Get for Your Investment
Camera | Approximate Price |
---|---|
Fujifilm GFX 100 | $9,999.95 |
Panasonic Lumix G2 | $999.99 |
This tenfold price gap reflects technology generations, target users, sensor size, and feature sets.
- Fujifilm GFX 100: Demands serious investment, justified for professionals needing unattainable image quality and build durability.
- Panasonic G2: Affordable gateway into interchangeable lens mirrorless photography, perfect for learners or budget-conscious enthusiasts.
Who Should Choose Which?
Fujifilm GFX 100 Is Best For You If:
- You require unrivaled image quality for commercial, fine art, or editorial work.
- You shoot professionally in diverse, harsh environments needing weather sealing.
- Large prints, impeccable skin tones, or expansive landscape detail matter.
- You want cutting-edge hybrid photo/video tools.
- Budget is secondary to performance and future-proofing.
Panasonic Lumix G2 Fits Perfectly If You:
- Are new to mirrorless or upgrading from smartphone photography.
- Seek a lightweight camera for travel, street, or casual portraits.
- Want a touchscreen-driven interface to learn quickly.
- Have a limited budget but want access to a mature lens lineup.
- Shoot mainly photos and occasional HD videos for social media.
Final Thoughts: Investing In Your Photography Future
Both Fujifilm GFX 100 and Panasonic G2 offer rewarding photographic experiences in their realms. The GFX 100 stands as a technological marvel and professional tool; the G2 remains a practical and versatile beginner's camera that can still capture creative moments with flair.
We recommend you try holding both cameras to feel their ergonomics and interfaces firsthand. Consider your current and future photographic goals. A medium format camera is a commitment - to size, weight, and wallet - but delivers extraordinary results for those who need it. The Panasonic G2 invites you to explore the joys of mirrorless photography gently and affordably.
Congratulations on taking the next step in your photography journey - whichever camera you choose, get ready to create amazing images!
Would you like our detailed lens recommendations or a guide on essential accessories for these cameras? Let us know, and we'll help you build your perfect kit.
Summary Table of Key Specs
Spec | Fujifilm GFX 100 | Panasonic G2 |
---|---|---|
Sensor | 102MP Medium Format BSI CMOS | 12MP Four Thirds CMOS |
AF Points | 425 Hybrid PDAF + CDAF | Contrast Detection Only |
Continuous Shooting | 5 fps | 3 fps |
IS | 5-axis in-body | No |
Max ISO | 102,400 (boosted) | 6400 |
Video | 4K DCI 30p (H.265), mic & headphone jacks | 720p 30 fps, mic jack only |
Weight | 1320 g | 428 g |
Weather sealed | Yes | No |
Price (approx.) | $9,999 | $999 |
This thorough breakdown should empower you to make a well-informed choice. Remember - the best camera is always the one that inspires you to get out and shoot!
Fujifilm GFX 100 vs Panasonic G2 Specifications
Fujifilm GFX 100 | Panasonic Lumix DMC-G2 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model | Fujifilm GFX 100 | Panasonic Lumix DMC-G2 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Released | 2019-05-23 | 2010-07-12 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | X-Processor 4 | Venus Engine HD II |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Medium format | Four Thirds |
Sensor dimensions | 44 x 33mm | 17.3 x 13mm |
Sensor area | 1,452.0mm² | 224.9mm² |
Sensor resolution | 102MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 11648 x 8736 | 4000 x 3000 |
Max native ISO | 12800 | 6400 |
Max boosted ISO | 102400 | - |
Min native ISO | 100 | 100 |
RAW format | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 425 | - |
Lens | ||
Lens mounting type | Fujifilm G | Micro Four Thirds |
Number of lenses | 12 | 107 |
Focal length multiplier | 0.8 | 2.1 |
Screen | ||
Range of screen | Tilting | Fully Articulated |
Screen size | 3.2 inches | 3 inches |
Screen resolution | 2,360 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760 thousand dot | 1,440 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 1.09x | 0.55x |
Features | ||
Lowest shutter speed | 30s | 60s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting speed | 5.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 11.00 m |
Flash options | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/125s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 4096x2160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | AVCHD Lite, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1320 gr (2.91 lbs) | 428 gr (0.94 lbs) |
Dimensions | 156 x 144 x 75mm (6.1" x 5.7" x 3.0") | 124 x 84 x 74mm (4.9" x 3.3" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 53 |
DXO Color Depth score | not tested | 21.2 |
DXO Dynamic range score | not tested | 10.3 |
DXO Low light score | not tested | 493 |
Other | ||
Battery life | 800 shots | 360 shots |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-T125 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC cards (UHS-II supported) | SD/SDHC/SDXC |
Storage slots | Two | One |
Launch cost | $10,000 | $1,000 |