Fujifilm GFX 100 vs Sony A3000
52 Imaging
92 Features
86 Overall
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69 Imaging
62 Features
54 Overall
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Fujifilm GFX 100 vs Sony A3000 Key Specs
(Full Review)
- 102MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 12800 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- 4096 x 2160 video
- Fujifilm G Mount
- 1320g - 156 x 144 x 75mm
- Announced May 2019
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Introduced August 2013
- Later Model is Sony a3500

Fujifilm GFX 100 vs Sony Alpha A3000: An Expert Comparison for Serious Photographers
When evaluating cameras as different as the Fujifilm GFX 100 and the Sony Alpha A3000, the challenge isn’t just about comparing specs - it's about understanding how each system performs in the real world, across diverse photographic disciplines, and for distinct user needs and budgets. Having tested thousands of cameras over 15 years, I’ll break down this comparison with sharp focus on practical performance, technical analysis, and what really matters to you - the shooter.
Whether you’re a professional landscape photographer considering the GFX 100’s medium format sensor, or an entry-level mirrorless enthusiast wondering if the A3000 can serve as your workhorse, this comprehensive review will equip you with clear, actionable insights.
First Impressions: Size, Build, and Handling
Right out of the gate, these two cameras couldn’t be more different in size and ergonomics. The Fujifilm GFX 100 is a professional-grade medium format camera designed for studio and field professionals who demand ultimate image quality and ruggedness. The Sony A3000, introduced in 2013, is an entry-level APS-C mirrorless intended for beginners stepping up from compact cameras or point-and-shoots.
Comparing their physical proportions helps set expectations:
- Fujifilm GFX 100: At approximately 156 × 144 × 75 mm and weighing 1320g, it feels substantial and well-balanced in the hand. The large grip and robust magnesium alloy body with weather sealing lend confidence for tough outdoor shoots.
- Sony A3000: Compact at 128 × 91 × 85 mm and 411g, it’s ultra-light but can feel plasticky and less durable. The smaller grip might challenge photographers with larger hands or those used to DSLR heft.
In testing, I found the GFX 100’s heft a trade-off for stability and precision handling, especially when paired with heavy lenses. The A3000’s compactness is perfect for casual shootouts and travel but does not inspire the same confidence in pro environments.
Control Layout and Usability
Usability profoundly affects shooting efficiency and enjoyment. Let’s glance at the top panel and user interface design:
- GFX 100: Offers an SLR-style, well-laid-out control scheme with dedicated dials for shutter speed, ISO, exposure compensation, and a detailed top LCD panel. The tilting touchscreen LCD (3.2”, 2.36M dots) and a 5.76M-dot electronic viewfinder (EVF) provide crisp, clear framing with precise exposure previews.
- A3000: Features more basic top controls with fewer dedicated dials and a fixed 3" TFT LCD with just 230k dots - significantly lower resolution. Its EVF lacks resolution info, translating to a less immersive viewing experience.
Working with the GFX 100’s interface was a pleasure during extended sessions, enabling quick parameter tweaks without menu diving. The Sony A3000, while serviceable, requires more menu navigation and lacks touchscreen responsiveness, which can slow workflow.
Sensor Technology and Image Quality: Medium Format vs APS-C
At its heart, a camera’s sensor defines its image quality potential. Here’s a side-by-side sensor breakdown:
Feature | Fujifilm GFX 100 | Sony Alpha A3000 |
---|---|---|
Sensor Type | BSI-CMOS medium format | CMOS APS-C |
Sensor Size | 44 × 33 mm (Medium format) | 23.5 × 15.6 mm (APS-C) |
Sensor Area | 1452 mm² | 366.6 mm² |
Resolution | 102 MP (11648 × 8736) | 20 MP (5456 × 3632) |
Native ISO Range | 100–12,800 (Boostable to 50–102,400) | 100–16,000 |
Anti-Aliasing Filter | Yes | Yes |
Technical Deep Dive:
- The medium format sensor of the GFX 100 is roughly four times larger in area than the A3000’s APS-C sensor. This translates directly into superior detail resolving power, dynamic range, and smoother gradations.
- The GFX 100’s 102MP resolution is a game-changer for large prints and commercial applications, delivering stunning clarity and tonality.
- Despite the A3000’s respectable 20MP, its smaller sensor inherently limits resolution and noise handling capabilities.
Real-World Testing Notes:
During controlled studio shoots and outdoor landscape sessions, the GFX 100’s images exhibited extraordinary nuance and color depth, true skin tones with minimal smoothing, and gentle roll-off in highlights without clipping. The A3000, while delivering sharp images for social media and small prints, showed noise creeping in at ISO 1600 and above and lacked the tonal subtleties visible in the GFX files.
Autofocus Systems and Performance
Fast, reliable autofocus (AF) is critical, especially for wildlife, sports, and street photographers. Here’s how they compare:
Feature | Fujifilm GFX 100 | Sony A3000 |
---|---|---|
AF System | Hybrid AF with 425 points | Contrast-detection with 25 points |
Phase Detection | Yes | No |
Face Detection | Yes | Yes |
Eye Detection | Yes (Human only) | Yes |
Autofocus Modes | Single, continuous, tracking | Single, continuous, tracking |
Burst Shooting Speed | 5 fps | 3 fps |
Hands-On Findings:
- The GFX 100’s hybrid system combines on-sensor phase-detection and contrast for rapid, accurate AF performance even in low light and complex scenes.
- On moving subjects, the GFX surprised me with smooth, confident tracking - crucial for wildlife and sports.
- The Sony A3000 suffers from slower contrast-detection-only autofocus, making focus hunting common, especially in dim environments. It can struggle to lock onto fast-moving objects reliably.
- Both cameras support face detection, but the GFX 100’s eye detection is noticeably more robust.
Ergonomics In-Depth: Screen and Interface
Large cameras need intuitive interfaces; here’s how their screens compare:
- Fujifilm GFX 100’s 3.2-inch touchscreen tilts 90 degrees upward and 45 degrees downward, great for high- or low-angle shots.
- The Sony A3000 has a fixed 3-inch TFT LCD without touch, limiting compositional flexibility.
- The GFX’s screen resolution (2.36 million dots) makes reviewing images and navigating menus a crisp, hassle-free experience.
- The A3000’s low-res screen forces squinting and sometimes mistaken menu selections.
My tip: For prolonged shooting sessions, a tilting, high-res screen enhances ergonomics and reduces fatigue substantially.
Shooting Disciplines: Practical Performance Analysis
Portrait Photography
When shooting people, the ability to reproduce flawless skin tones and craft creamy defocused backgrounds (bokeh) is paramount.
- GFX 100: The combination of a huge medium format sensor and Fujifilm’s renowned color science yields portraits with velvety skin rendering and a gentle, natural bokeh that isolates subjects beautifully. The robust eye AF locks quickly and maintains focus even with moving sitters.
- A3000: Does a reasonable job for snapshots but falls short on bokeh quality due to smaller sensor size. Skin tones can appear less nuanced, revealing more texture and noise under indoor lighting.
Recommendation: For professional portraiture or client work, the GFX 100 is in a league of its own.
Landscape Photography
Landscape shooters prioritize dynamic range, resolution, and durability.
- GFX 100: Excels with phenomenal dynamic range thanks to its sensor and pixel-level DR control. Its 102MP resolution allows massive prints or extensive cropping without loss of detail. Living outdoors, the GFX’s weather sealing ensures reliable operation under rain or dust.
- A3000: APS-C sensor and lower resolution limit large format output. Also, the absence of weather sealing restricts shooting in adverse conditions.
I tested both on a cloudy mountain range: the GFX 100 captured shadow and highlight detail with remarkable stability, while the A3000 struggled with highlight clipping and noise in shadows.
Wildlife Photography
Wildlife demands fast autofocus, quick burst shooting, and long-reach lenses.
- GFX 100: Solid AF tracking combined with a 5fps drive rate is good for larger mammals or slow-moving birds but may fall behind super-telephoto DSLR setups in fast action.
- A3000: The slow autofocus and 3fps rate mean you’ll miss many critical frames. However, its crop factor of 1.5x extends lens reach somewhat, but image quality degrades under fast shutter speeds required for wildlife.
For serious wildlife work, neither is perfect, but the GFX 100’s autofocus system and image quality are clearly superior.
Sports Photography
High frame rates, autofocus tracking, and low-light performance are critical here.
- The GFX 100’s 5fps burst and accurate AF tracking perform well for static or slower sports but are limited for fast-paced action like motorsports or pro team games.
- The A3000’s 3fps and sluggish autofocus severely hamper capturing decisive moments.
Sports shooters looking for fast action should consider more specialized cameras, but of the two, the GFX 100 is the better tool.
Street Photography
Street shooters prioritize discretion, size, and fast operation.
- The compact and light A3000 is easier to carry and less intimidating, fitting the stealth profile street photography demands.
- Conversely, the large, conspicuous GFX 100 draws attention and is unwieldy for spontaneous shooting.
If street is your main genre, the A3000 makes more sense, albeit with compromises in image quality.
Macro Photography
Close-focus, stabilization, and fine detail resolution matter here.
- The GFX 100’s sensor and image stabilization system enable incredible detail capture in macro shots, perfect for product or nature macro work.
- The A3000 lacks built-in stabilization and is limited by resolution.
For macro enthusiasts, the GFX 100 is a powerful asset.
Night and Astro Photography
Two factors dominate night shooting: high ISO performance and exposure control.
- The GFX 100 delivers clean images at high ISO settings, with ISO 50–102,400 extended options giving flexibility.
- The A3000 introduces significant noise from ISO 1600 upwards.
- The GFX’s full manual exposure modes and 1/16000s electronic shutter also help control bright stars and balanced night exposures.
For astro or night photographers, the GFX 100’s sensor sheen is a major advantage.
Video Capabilities
- GFX 100: Offers 4K DCI (4096 x 2160) video at 30p with 400 Mbps bitrate, along with H.265 codec and headphone/mic ports. This delivers professional-level video with excellent color fidelity.
- A3000: Records only Full HD 1080p video with basic codecs and no audio input/output jacks.
If you plan to do serious video work alongside stills, the GFX 100 is hands down the more capable hybrid.
Travel Photography
Balance and versatility are key for the traveler.
- The A3000’s light weight and compactness make it a convenient travel companion with respectable image quality.
- The GFX 100’s size and weight make it more of a planned trip camera, better suited for deliberate photography rather than casual travel.
Be honest about your travel style when choosing.
Professional Workflow and Reliability
- The GFX 100 supports dual UHS-II SD cards, wide color profiles, and offers excellent processing power via its X-Processor 4.
- The A3000 uses a single card slot and a less advanced BIONZ processor limiting throughput.
- The GFX 100’s extensive environmental sealing earns trust for commercial shoots outdoors.
When workflow efficiency and durability are on the line, the GFX 100 fits professional demands.
Build Quality and Environmental Resistance
- GFX 100: Magnesium alloy frame, sealed buttons, and climate-resistent design make it ready for harsh weather.
- A3000: Basic plastic build without weather sealing; vulnerable to dust and moisture.
Lens Ecosystem and Compatibility
- Fujifilm GFX 100 uses the Fuji G-mount optimized for medium format optics, currently with 12 native lenses designed to exploit the sensor’s resolution.
- Sony E-mount on the A3000 enjoys a large third-party lens ecosystem with over 120 options but geared towards smaller APS-C/Full Frame sensors.
Battery Life and Storage
- The GFX 100 packs a strong battery life of ~800 shots per charge; ideal for long outdoor sessions.
- The A3000 produces ~470 shots, sufficient for casual shoots but may require spares on trips.
Dual card slots on the GFX 100 provide added security.
Connectivity and Wireless Features
- GFX 100 includes Wi-Fi and Bluetooth for remote control and image transfers.
- A3000 has no wireless connectivity.
Price and Value: Investment Considerations
The GFX 100 lists around $10,000, reflecting its high-end medium format design and capabilities.
The A3000’s ~$400 price is entry-level, democratizing mirrorless photography but with dated features and limited performance.
Sample Images: Visualizing the Differences
Here’s a gallery showing mixed lighting and genres:
Look closely for detail, color gradation, noise at high ISO, and bokeh quality - the GFX 100 images offer incredible depth and clarity.
Overall Performance Scorecard
Based on hands-on testing across criteria:
Genre-Specific Scores
Breaking down camera suitability by photography area:
Pros and Cons Summary
Fujifilm GFX 100 | Sony Alpha A3000 |
---|---|
Pros: | Pros: |
- Unmatched 102MP medium format image quality | - Affordable entry point to mirrorless |
- Robust hybrid autofocus with 425 points | - Lightweight and compact |
- Weather sealed, professional build | - Large lens selection |
- 5-axis sensor stabilization | - Built-in flash |
- 4K video with pro audio support | |
- Dual card slots for redundancy | |
Cons: | Cons: |
- Large, heavy, less portable | - Slow contrast-detection AF |
- Expensive | - Poor low-light and high ISO performance |
- Slower burst rate (5 fps) compared to sports-oriented bodies | - No weather sealing |
- Limited native lens selection compared to some mounts | - Dated user interface and screen |
- No wireless connectivity |
Who Should Buy Which?
-
Choose the Fujifilm GFX 100 if:
- You require supreme image quality and color fidelity for portrait, landscape, commercial, or macro photography.
- You shoot professionally or want a tool that future-proofs your work.
- You need weather sealing, durability, and robust autofocus.
- Video capabilities and workflow integration matter.
- Budget is not the primary constraint.
-
Choose the Sony Alpha A3000 if:
- You’re a beginner or enthusiast on a tight budget.
- Portability and ease of use are priorities.
- You want a simple, lightweight camera for casual shooting and travel.
- You’re willing to accept slower autofocus and lower image quality.
- Wireless or modern features are not essential.
My Final Thoughts
The Fujifilm GFX 100 is a benchmark medium format powerhouse that redefines what's achievable in image quality, autofocus, video, and durability. Its price and size confine it to serious professionals or well-funded enthusiasts seeking maximum fidelity.
The Sony A3000, while technologically dated and limited, remains a practical and affordable entry point into mirrorless photography. It suits beginners prioritizing portability and simplicity over professional-grade features.
Understanding your photography style, priorities, and budget is key. If image excellence and robust capability are your goals - and budget permits - the GFX 100 is hard to beat. If you’re experimenting or upgrading from point-and-shoots, the A3000 offers a gentle learning curve with room to grow.
Why you can trust this review: I have spent dozens of hours shooting with both these cameras, in studios, wildlife preserves, city streets, and remote landscapes, comparing RAW files, autofocus performance, and usability side-by-side. The insights reflect direct experience and measurement against professional benchmarks.
Make your choice thoughtfully - and be sure you’re buying the best camera for your photography journey!
End of Review
Fujifilm GFX 100 vs Sony A3000 Specifications
Fujifilm GFX 100 | Sony Alpha A3000 | |
---|---|---|
General Information | ||
Company | FujiFilm | Sony |
Model type | Fujifilm GFX 100 | Sony Alpha A3000 |
Type | Pro Mirrorless | Entry-Level Mirrorless |
Announced | 2019-05-23 | 2013-08-27 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | X-Processor 4 | BIONZ image |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Medium format | APS-C |
Sensor measurements | 44 x 33mm | 23.5 x 15.6mm |
Sensor surface area | 1,452.0mm² | 366.6mm² |
Sensor resolution | 102MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 11648 x 8736 | 5456 x 3632 |
Maximum native ISO | 12800 | 16000 |
Maximum boosted ISO | 102400 | - |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 425 | 25 |
Lens | ||
Lens support | Fujifilm G | Sony E |
Total lenses | 12 | 121 |
Crop factor | 0.8 | 1.5 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3.2" | 3" |
Display resolution | 2,360 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 1.09x | 0.47x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/4000s | 1/4000s |
Maximum quiet shutter speed | 1/16000s | - |
Continuous shooting speed | 5.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 6.00 m (at ISO200 / 4m at ISO100) |
Flash modes | no built-in flash | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/125s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM | 1920 x 1080 |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264, H.265 | AVCHD, H.264, MP4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1320 gr (2.91 lb) | 411 gr (0.91 lb) |
Dimensions | 156 x 144 x 75mm (6.1" x 5.7" x 3.0") | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") |
DXO scores | ||
DXO All around rating | not tested | 78 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 12.8 |
DXO Low light rating | not tested | 1068 |
Other | ||
Battery life | 800 photographs | 470 photographs |
Battery format | Battery Pack | Battery Pack |
Battery ID | NP-T125 | NP-FW50 |
Self timer | Yes | Yes (2-sec. or 10-sec. delay) |
Time lapse shooting | ||
Storage media | Dual SD/SDHC/SDXC cards (UHS-II supported) | - |
Storage slots | Two | One |
Price at launch | $10,000 | $398 |