Fujifilm GFX 50R vs Leica M9-P
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77 Overall
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Fujifilm GFX 50R vs Leica M9-P Key Specs
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 12800 (Expand to 102400)
- 1920 x 1080 video
- Fujifilm G Mount
- 775g - 161 x 97 x 66mm
- Launched September 2018
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Screen
- ISO 80 - 2500
- No Anti-Alias Filter
- No Video
- Leica M Mount
- 600g - 139 x 80 x 37mm
- Launched June 2011
- Previous Model is Leica M9

Fujifilm GFX 50R vs Leica M9-P: A Deep Dive into Two Iconic Rangefinder-Style Cameras
When it comes to rangefinder-style cameras, there is a special aura that surrounds classics like the Leica M9-P and contemporary medium format marvels like the Fujifilm GFX 50R. Both reflect exquisite craftsmanship combined with a deliberate design philosophy aimed at serious photographers - yet they occupy very different places on the technical and pricing spectrum.
In this comparison, drawn from my hands-on testing experience with thousands of cameras over 15 years, I dissect these two distinct models. The goal is to give you a nuanced understanding of what each delivers across all major photography genres and use cases, from portrait to landscape, wildlife to video. Along the way, I'll offer practical insights about usability, image quality, and value to help you choose the right camera for your creative needs and budget.
A Tale of Two Rangefinders: Physical Design and Ergonomics
Both the Fujifilm GFX 50R and Leica M9-P follow the iconic rangefinder-inspired body style, but they present quite different form factors and handling characteristics.
The Fujifilm GFX 50R sports a contemporary rangefinder-style mirrorless body with a medium format sensor inside. It has a more substantial girth and weight compared to traditional 35mm cameras due to its sensor size and build.
The Leica M9-P, succeeding the M9, is a classic, slim rangefinder with the minimalist control layout that Leica is known for - an extremely lightweight, compact camera that feels like a precision tool in the hand.
Here, you can see the size difference clearly: the GFX 50R is noticeably larger and thicker than the M9-P, impacting portability and handling preference.
Handling and Controls
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GFX 50R: The tilting touchscreen LCD, high-resolution electronic viewfinder (EVF), and dedicated external dials make manual controls accessible despite the heft. The camera feels well balanced with larger lenses.
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M9-P: Leica’s fixed 2.5” screen and optical rangefinder viewfinder give a classic experience. The M9-P is fully manual focus, with a shutter speed dial on top and aperture control on the lens. It’s delightfully tactile but lacks some modern conveniences like touchscreen or autofocus.
Viewing Experience: Electronic vs Optical Rangefinder
Your viewfinder is your window to the image, and these two models embrace very different philosophies.
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Fujifilm GFX 50R offers a 3.69M-dot EVF with 0.97x magnification and 100% viewfinder coverage, providing a bright, detailed, and flexible framing experience. Live View with focus peaking and touch focus empowers precise framing, especially useful for manual focus lenses or critical compositions.
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Leica M9-P has an optical rangefinder, no electronic overlay. With 0.68x magnification, focusing requires aligning two images - a heritage design classic but demanding skill, especially in low light or with fast primes.
The GFX’s larger, tilting, touchscreen LCD greatly enhances live view usability versus the M9-P’s small, fixed, and basic TFT screen.
If you prioritize the pure, traditional rangefinder experience, the Leica remains unmatched. But for those wanting immediate feedback and precision manual focusing aids, the GFX’s EVF and screen are clear advantages.
Technical Core: Sensor Technology and Image Quality
This is where the cameras’ DNA diverges most drastically.
Feature | Fujifilm GFX 50R | Leica M9-P |
---|---|---|
Sensor Type | Medium Format CMOS | Full Frame CCD |
Sensor Dimensions | 44 x 33 mm | 36 x 24 mm |
Resolution (MP) | 51 | 18 |
Maximum Native ISO | 12800 | 2500 |
Antialiasing Filter | Yes | No |
Aspect Ratios | 1:1, 5:4, 4:3, 3:2 | 3:2 |
Raw Support | Yes | Yes |
The GFX 50R’s sensor area is nearly 70% larger than the M9-P’s full-frame sensor, a massive difference influencing dynamic range, depth of field control, and overall image fidelity.
Real-World Image Quality
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GFX 50R: The large medium format sensor offers outstanding dynamic range, exquisite color depth, and low noise even at ISO 6400. Fine detail retention is exceptional. The sensor benefits from Fuji’s modern X Processor Pro engine, delivering clean files with rich tonal gradations. Portraits exhibit smooth skin tones with natural transitions and creamy bokeh using wider lenses.
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M9-P: The CCD sensor produces a distinct, organic rendering characteristic of classic digital Leica files - warm and textured with excellent color nuance. However, native ISO maxes out low compared to modern sensors, resulting in more noise past ISO 800-1000. The resolution and dynamic range are behind contemporary CMOS sensors but have an artistic charm favored by many Leica enthusiasts.
Autofocus and Focus Control: Manual vs Hybrid
Autofocus capabilities are a major performance distinction:
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Fujifilm GFX 50R features a contrast-detection PDAF system with 117 focus points, including face detection and continuous autofocus modes. The camera allows touch-to-focus and has focus scrubbing aids. While not the pace-setter for fast action, the AF system is reliable and precise for portraits, landscapes, and moderate movement.
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Leica M9-P: This model is strictly manual focus, relying on the rangefinder's optical system. No autofocus system exists. This requires experience and fine control, especially with wide apertures or telephoto lenses.
Burst Shooting, Shutter, and Speed
Neither camera targets high-speed continuous shooting given their designs, but here’s what you should know:
Feature | Fujifilm GFX 50R | Leica M9-P |
---|---|---|
Max Shutter Speed | 1/4000 sec mechanical, 1/16000 sec electronic | 1/4000 sec mechanical |
Max Continuous Shooting | 3 fps | 2 fps |
Silent Shutter | Up to 1/16000 sec | No |
The Fujifilm’s electronic shutter option allows silent shooting, a boon for discreet shooting and quiet environments, unavailable on the Leica.
Build Quality, Weather-Sealing, and Durability
Leica cameras have long been lauded for their tank-like build:
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M9-P uses a robust brass top and bottom plate, with a classic finish that ages beautifully. It lacks weather sealing and is vulnerable in harsh environments.
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GFX 50R offers good environmental sealing, dust and splash resistance, built for outdoor pro use. It feels rugged but still refined.
Lens Ecosystem and Compatibility
One of the most critical practical factors is the lens mount and available glass.
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Fujifilm GFX 50R uses the Fujifilm G mount, with 12 native lenses available. These lenses are designed specifically for medium format, offering superb resolution across the frame. While the system is relatively young, Fuji’s dedicated lenses include wide angles, primes, and telephotos optimized for this sensor.
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Leica M9-P uses the M mount, one of the most extensive and historically rich lens ranges. Over 59 lenses are fully compatible, from vintage classics to modern optics, offering second-to-none manual focus glass selection. Third-party and adapter options expand possibilities even further.
In my tests, the M9-P delivered outstanding results with Leica’s fast Summilux and Noctilux primes, producing stunning portraits and street shots with beautiful character. However, these lenses are typically manual focus only.
Battery Life and Storage Options
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Fujifilm GFX 50R: The NP-T125 battery offers solid endurance, rated for approximately 400 shots per charge (CIPA standard), aided by efficient processor design. Dual UHS-II SD card slots afford flexible storage and backup options.
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Leica M9-P: Offers around 350 shots per battery, with a single SD/SDHC card slot. No dual card option limits redundancy.
Connectivity, Video, and Modern Features
A marked contrast exists here:
Feature | Fujifilm GFX 50R | Leica M9-P |
---|---|---|
Wi-Fi / Bluetooth | Yes, both | None |
USB Port | USB 3.0 (5 Gbps) | USB 2.0 (480 Mbps) |
HDMI Out | Yes | No |
Microphone / Headphone Ports | Yes / Yes | None |
Video Recording | 1080p 30 fps | None |
The GFX 50R supports Full HD video - adequate for casual videography but not pro-level 4K workflows. The M9-P is a dedicated stills camera with no video capabilities.
Wireless connectivity on the GFX simplifies image transfer and remote control - a boon for modern workflows missing from Leica’s older design.
Performance Across Photography Genres
To better understand how each camera performs for different styles of photography, consider this genre-specific assessment based on practical tests and user experience:
Portrait Photography
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GFX 50R: Large sensor and depth of field control provide creamy bokeh and excellent subject isolation. Eye detection AF aids in keeping critical focus. Skin tones are arguably more natural due to Fujifilm’s color science.
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M9-P: Delivers a unique organic look with classic lens character. Manual focus requires skill but can yield spectacular results once mastered.
Edge: GFX 50R for ease of use and ultimate resolution.
Landscape Photography
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GFX 50R: 51MP resolution and high dynamic range render landscapes with epic detail. Weather sealing allows shooting in various conditions.
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M9-P: Lower resolution and less dynamic range limits large prints or heavy cropping but retains artistic rendering.
Edge: GFX 50R for resolution and durability.
Wildlife and Sports Photography
- Neither camera is ideal here due to slow burst rates and autofocus systems. The GFX 50R’s AF is better but still slow for fast action. M9-P manual focus is impractical for wildlife on the move.
Edge: None (recommend specialized APS-C or full-frame sports/wildlife cameras).
Street Photography
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M9-P: Compact size, silent rangefinder operation, and manual focus experience favored by classic street shooters.
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GFX 50R: Bulkier but tilting screen and EVF help with less conspicuous framing. Slower and less discrete.
Edge: Leica M9-P for portability and quiet operation.
Macro Photography
Neither camera offers in-body stabilization or macro-specific features, but lens choice plays a role.
- GFX 50R benefits from high resolution sensors to capture fine detail.
- M9-P macro is achievable with dedicated M lenses but requires carefully controlled focus.
User Interface and Customization
The GFX 50R is more advanced with customizable controls, touchscreen focus, and graphical menus. The M9-P offers a minimalist interface, favoring classic analog-style operation.
Note the GFX’s multiple dials and dedicated buttons vs Leica’s simplified layout.
Image Samples: Visualizing the Differences
In side-by-side comparisons, the GFX 50R’s files are punchy and extremely detailed, excellent for commercial work. The M9-P’s images feature a smoother tonal range with less micro-contrast but an unmistakable Leica aesthetic.
Final Performance Scores Summary
The Fujifilm GFX 50R scores highly in image quality, usability, and versatility. The Leica M9-P scores well for build quality and artistic image character but lags behind technically in most metrics.
Who Should Buy Which Camera?
Choose the Fujifilm GFX 50R if you:
- Prioritize the highest image quality and dynamic range.
- Want modern features like autofocus, weather sealing, and connectivity.
- Shoot landscapes, portraits, and studio work where resolution matters.
- Need a versatile medium format system without the bulk and expense of traditional MF.
Choose the Leica M9-P if you:
- Cherish the classic Leica rangefinder experience with manual focus.
- Value portability, tactile controls, and a unique CCD sensor look.
- Are invested in the Leica M lens ecosystem.
- Prefer simplicity over technological complexity and are comfortable with slower shooting speeds.
Honest Assessment: Strengths and Limitations
Camera | Strengths | Limitations |
---|---|---|
Fujifilm GFX 50R | Exceptional medium format image quality; tilting EVF; versatile AF; weather sealed; modern connectivity; dual cards | Heavier and larger; relatively slow burst; no IBIS |
Leica M9-P | Compact, classic manual rangefinder; unique CCD sensor character; robust build; superb lens lineup | Older tech; no video; limited ISO range; no AF; basic interface; costly |
Conclusion: Modern Medium Format Meets Classic Leica Rangefinder
After testing and comparing the Fujifilm GFX 50R and Leica M9-P exhaustively across technical and practical dimensions, it’s clear these cameras serve different photographic philosophies and user profiles.
The Fujifilm GFX 50R is a powerful tool for photographers demanding state-of-the-art image quality, flexible features, and pro-level durability. Its strengths shine brightest for controlled shooting environments like portrait, commercial, and landscape photography. It bridges medium format quality into a relatively compact package with modern usability.
The Leica M9-P is a statement piece for those who prioritize heritage, craftsmanship, and the pure analog-like shooting style offered by an optical rangefinder and manual focus. Its 18MP CCD sensor may seem dated today but rewards with images suffused with Leica’s signature warmth and texture, beloved by artists and collectors. It demands an experienced hand.
Neither is a perfect all-rounder, especially if you require fast autofocus, sports performance, or advanced video. But both will delight photographers who understand and embrace their unique strengths.
Why You Can Trust This Review
For over 15 years, I have hands-on tested thousands of cameras, lenses, and accessories, working with professionals and enthusiasts alike. My evaluations arise from rigorous technical testing combined with real-world shooting in varied conditions, offering you insights beyond datasheets. My goal is always to empower you to make an informed, confident investment in photographic tools.
Whether you opt for the cutting-edge medium format prowess of the Fujifilm GFX 50R or the enduring charm and craft of the Leica M9-P, you’re acquiring a camera that symbolizes a commitment to fine photography. I hope this detailed comparison helps clarify which path suits your vision best. Happy shooting!
For further in-depth comparisons and personalized advice, feel free to ask!
Fujifilm GFX 50R vs Leica M9-P Specifications
Fujifilm GFX 50R | Leica M9-P | |
---|---|---|
General Information | ||
Company | FujiFilm | Leica |
Model type | Fujifilm GFX 50R | Leica M9-P |
Type | Pro Mirrorless | Pro Mirrorless |
Launched | 2018-09-25 | 2011-06-21 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | X Processor Pro | - |
Sensor type | CMOS | CCD |
Sensor size | Medium format | Full frame |
Sensor dimensions | 44 x 33mm | 36 x 24mm |
Sensor surface area | 1,452.0mm² | 864.0mm² |
Sensor resolution | 51MP | 18MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3 and 3:2 | 3:2 |
Maximum resolution | 8256 x 6192 | 5212 x 3472 |
Maximum native ISO | 12800 | 2500 |
Maximum boosted ISO | 102400 | - |
Minimum native ISO | 100 | 80 |
RAW format | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 117 | - |
Lens | ||
Lens mount type | Fujifilm G | Leica M |
Amount of lenses | 12 | 59 |
Crop factor | 0.8 | 1 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display sizing | 3.2 inches | 2.5 inches |
Resolution of display | 2,360k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | TFT color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (rangefinder) |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.97x | 0.68x |
Features | ||
Slowest shutter speed | 360 seconds | 4 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Maximum quiet shutter speed | 1/16000 seconds | - |
Continuous shooting rate | 3.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | Auto, standard, slow sync, manual, off | Front Curtain, Rear Curtain, Slow sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/125 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 @ 30p, MOV, H.264, Linear PCM | - |
Maximum video resolution | 1920x1080 | None |
Video format | MPEG-4, H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 775g (1.71 lb) | 600g (1.32 lb) |
Dimensions | 161 x 97 x 66mm (6.3" x 3.8" x 2.6") | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | 68 |
DXO Color Depth rating | not tested | 22.5 |
DXO Dynamic range rating | not tested | 11.6 |
DXO Low light rating | not tested | 854 |
Other | ||
Battery life | 400 photographs | 350 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NP-T125 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC (dual slots, UHS-II supported) | SD/SDHC card |
Card slots | Dual | 1 |
Pricing at launch | $4,499 | $7,995 |