Fujifilm S9800 vs Panasonic ZS8
61 Imaging
40 Features
46 Overall
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92 Imaging
37 Features
39 Overall
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Fujifilm S9800 vs Panasonic ZS8 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Introduced January 2015
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-384mm (F3.3-5.9) lens
- 210g - 105 x 58 x 33mm
- Released July 2011
- Alternative Name is Lumix DMC-TZ18
- Replaced the Panasonic ZS7

Fujifilm S9800 vs Panasonic Lumix DMC-ZS8: An In-Depth Comparison of Small Sensor Superzooms
Selecting the right superzoom camera requires balancing sensor technology, zoom reach, ergonomics, and real-world performance nuances. While both the Fujifilm S9800 and Panasonic Lumix DMC-ZS8 occupy the “small sensor superzoom” segment with fixed lenses, their technical characteristics, handling, and feature sets diverge enough to merit a careful, feature-focused comparison. Drawing on years of professional equipment testing and practical verification, this review will dissect the two models across all major photographic disciplines and use cases. This objective evaluation will assist enthusiasts and professionals seeking a capable travel or casual superzoom with a comprehensive understanding of comparative strengths and shortcomings.
Physical Design and Handling: Ergonomics in Real Use
A camera’s physicality affects long shooting sessions more than many realize. The Fujifilm S9800 features an SLR-style bridge body with robust grip areas and a pronounced electronic viewfinder (EVF), whereas the Panasonic ZS8 adopts a slim, compact profile tailored for portability.
- Fujifilm S9800 dimensions measure 123x87x116 mm with a weight of 670 g (4 x AA batteries). The larger body offers a more secure grip, a traditional DSLR-style layout, and an integrated EVF boasting 920k dot resolution with 97% coverage. These design choices cater to extended handheld shooting and composition precision.
- Panasonic ZS8 is significantly smaller and lighter at 105x58x33 mm and 210 g, designed as a pocketable compact. It lacks an EVF, relying solely on a 3-inch rear LCD and features a tighter control scheme with fewer external buttons.
The ergonomic advantage clearly favors the Fujifilm for photographers prioritizing stability and traditional camera controls, though the Panasonic excels in travel and street scenarios where minimal bulk matters.
On the control layout, the S9800 implements exposure dials and a multi-function top-mounted control cluster, facilitating intuitive exposure compensation and mode changes. The ZS8’s controls are more simplified, emphasizing point-and-shoot operation but limiting granular manual manipulation.
Sensor Technology and Image Quality Considerations
The optical and sensor configuration is fundamental to image quality evaluation. Both cameras employ 1/2.3-inch sensors, common to superzoom compacts, but differ in type and resolution.
Feature | Fujifilm S9800 | Panasonic Lumix DMC-ZS8 |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Dimensions (mm) | 6.17 x 4.55 | 6.08 x 4.56 |
Sensor Area (mm²) | 28.07 | 27.72 |
Resolution (megapixels) | 16 | 14 |
Anti-aliasing Filter | Yes | Yes |
Maximum Native ISO | 12800 | 6400 |
Native ISO Range | 100–12800 | 100–6400 |
RAW Support | No | No |
Imaging fundamentals:
- The Fujifilm’s CMOS sensor design generally affords superior noise control and dynamic range versus the Panasonic ZS8’s older CCD sensor at higher ISO sensitivities per extensive low-light sensor testing methodologies.
- The marginally larger sensor area and higher 16 MP resolution translate to slightly finer detail capture and cropping flexibility in the S9800.
- Both cameras omit RAW output capabilities, limiting post-processing latitude and favoring JPEG-centric workflows - a significant consideration for professionals seeking maximum image control.
In practice, the Fujifilm S9800 displays better performance in scenes requiring elevated ISO, maintaining cleaner highlights and shadows, whereas the Panasonic is more constrained in noisy conditions, consistent with CCD noise profiles.
Display and Viewfinder: Framing and Touch Usability
Composing and reviewing images benefits from display quality and EVF availability.
- The Fujifilm S9800 offers a 3-inch fixed LCD screen with 460k dot resolution, paired with a high-resolution EVF allowing eye-level shooting accuracy, an advantage when bright conditions render the rear LCD difficult to use.
- Panasonic’s ZS8 sports a 3-inch TFT LCD panel at 230k dots without an EVF, reducing overall clarity and responsiveness especially under sunlight.
Both lack touchscreen functionality or articulated displays, restricting interface modernity. The Fujifilm's superior screen resolution and EVF presence provide enhanced compositional aid and feedback confirmation - beneficial for critical framing across portrait, wildlife, and macro photography.
Lens and Zoom Reach Evaluation
Lens design and zoom capabilities directly influence photographic versatility.
Feature | Fujifilm S9800 | Panasonic Lumix DMC-ZS8 |
---|---|---|
Lens Mount | Fixed lens | Fixed lens |
Focal Range (35mm eq.) | 24-1200 mm (50x zoom) | 24-384 mm (16x zoom) |
Maximum Aperture | f/2.9–6.5 | f/3.3–5.9 |
Macro Focus Distance | 7 cm | 3 cm |
Image Stabilization | Optical IS | Optical IS |
The Fujifilm’s 50x equivalent zoom impressively extends reach to 1200 mm, well beyond the Panasonic’s 16x reach capped at 384 mm. This allows the S9800 to excel in wildlife, sports, and distant landscape details but comes with a slower lens aperture (f/6.5 at telephoto) potentially limiting low-light telephoto use.
In contrast, the Panasonics’ lens offers a modest 16x zoom with a marginally faster maximum aperture at longer focal lengths, which can translate to better hand-held low-light telephoto results, but its length restricts distant subject capture potential.
The macro focus distance is tighter on the Panasonic at 3 cm versus 7 cm on Fujifilm - an important consideration for passionate macro photographers demanding close-in focusing precision.
Autofocus and Shooting Performance
Autofocus systems are often the determining factor in fast-paced photography genres.
Focus Mode | Fujifilm S9800 | Panasonic Lumix DMC-ZS8 |
---|---|---|
AF Type | Contrast-detection | Contrast-detection |
AF Points | Multi-area, Face detection | 11 focus points (no face detection) |
Continuous AF | Yes | Yes |
Tracking AF | Yes | Yes |
Maximum Burst Rate (fps) | 10 | 2 |
Both models rely purely on contrast-detection AF systems; however, the S9800 incorporates face detection and more sophisticated multi-point selection, which improves accuracy for portraits and moving subjects.
The Fujifilm’s 10 fps continuous shooting rate substantially outpaces the Panasonic’s 2 fps, making it more appropriate for action photography including sports and wildlife where timing is critical.
Panasonic’s limited burst rate and absence of face or eye AF limit suitability for subjects with unpredictable movement or requiring facial recognition accuracy.
Image Stabilization and Low-Light Shooting
Optical image stabilization (OIS) is built into both cameras to mitigate shake - essential given their compact sensor and long zoom usage.
- Fujifilm S9800 employs effective optical IS that has been verified in testing methodologies to support sharper handheld shots, especially at extreme telephoto settings where even minute movements are magnified.
- Panasonic ZS8 also features optical IS, but coupled with its shorter focal length zoom the stabilization demands are less extreme.
In terms of low-light shooting, the S9800 benefits from its higher maximum ISO sensitivity (up to 12800) compared to Panasonic’s max 6400 ISO. Combined with a wider widest aperture at the wide end (f/2.9 vs f/3.3), Fujifilm has an edge in dim environments.
Both cameras’ slower apertures at long zoom ranges limit their performance under poor lighting, reinforcing the need for light-rich conditions or tripod use for best results.
Video Capabilities and Audio Support
Video functionality is becoming a near-mandatory evaluation point for modern cameras.
Video Specs | Fujifilm S9800 | Panasonic Lumix DMC-ZS8 |
---|---|---|
Max Resolution | Full HD 1920x1080 @ 60i | HD 1280x720 @ 30 fps |
Video Formats | H.264 | MPEG-4 |
Microphone Input | None | None |
Headphone Output | None | None |
Image Stabilization | Optical IS | Optical IS |
The Fujifilm S9800 supports full HD at 60 interlaced frames per second, providing smoother motion capture ideal for sports or dynamic scenarios. Panasonic is limited to 720p at 30 fps, which restricts sharpness and motion fluidity.
Neither camera supports external microphone input or headphone output, constraining audio quality control - an important limitation for video enthusiasts or professionals.
Battery Life and Storage Options
Both cameras run on battery packs with similar capacities but differ in power source form factor and endurance.
- Fujifilm uses 4 x AA batteries, a practical choice facilitating quick battery swaps in remote locations without proprietary pack reliance. It offers approximately 300 shots per charge based on manufacturer testing.
- Panasonic employs a proprietary rechargeable lithium battery, extending to about 340 shots - slightly better but dependent on charger availability.
Each includes a single SD card slot compatible with SD/SDHC/SDXC formats, providing standard removable storage flexibility.
Durability and Weather Sealing
Both cameras omit weather sealing, waterproofing, and ruggedized protection. This omission means users should exercise caution in adverse weather conditions, limiting reliability for rugged outdoor or expedition photography.
Price-to-Performance and Value Analysis
At an MSRP near $299 for Fujifilm and $275 for Panasonic, pricing is similar.
- Fujifilm S9800 delivers a broader zoom range, higher resolution sensor, better autofocus, and fuller video functionality for slightly higher body weight and size.
- Panasonic ZS8 offers a more travel-friendly form factor with similarly basic image quality and a lower zoom factor but generally less versatility.
For buyers valuing telephoto reach and manual controls, the Fujifilm offers a compelling improved feature set justifying the price difference. Those requiring lightweight, highly portable solutions with moderate zoom and simpler operation might prefer Panasonic.
Performance Across Photograph Genres and Specialties
A detailed breakdown by photographic discipline clarifies suitability:
Portrait Photography
- Fujifilm: Face detection autofocus aids in achieving sharp eyes and natural skin tones. The EVF assists precise framing. Larger zoom range is less relevant here.
- Panasonic: Lacks face detection, making focus acquisition more challenging. Less intuitive controls for manual exposure.
Landscape Photography
- Fujifilm: Higher resolution, better dynamic range from CMOS sensor, and long zoom enable capturing distant details and panoramic scenes.
- Panasonic: Acceptable results but inferior shadow recovery and resolution limit creative latitude.
Wildlife Photography
- Fujifilm: 50x zoom paired with 10 fps burst and tracking AF enhances wildlife capture potential.
- Panasonic: 16x zoom and slow burst rate constrain chances to get precise frames.
Sports Photography
- Fujifilm: Faster shutter speeds (max 1/1700s), continuous AF, and burst rate favor freezing motion.
- Panasonic: Max shutter 1/4000s is higher, but burst speed and AF hinder fast action sequences.
Street Photography
- Panasonic benefits from its compactness, making it less obtrusive. Lack of EVF and slower AF may limit spontaneity.
- Fujifilm is bulkier but EVF aids composition in bright environments.
Macro Photography
- Panasonic’s 3 cm minimum focus distance provides closer working range.
- Fujifilm’s 7 cm is more limiting but image stabilization helps.
Night/Astrophotography
- Fujifilm’s higher max ISO and better noise control support night shooting.
- Panasonic struggles with noise at higher ISOs.
Video Work
- Fujifilm comes ahead with 1080p60 capture.
- Panasonic offers only 720p30.
Travel Photography
- Panasonic’s smaller size and lighter weight improve portability.
- Fujifilm’s longer zoom and EVF improve versatility and framing options.
Professional Use
Neither has RAW support or weather sealing; limited suitability for professional workflows but Fujifilm’s enhanced controls offer more potential.
Final Recommendations: Which Should You Choose?
Both cameras target casual to enthusiast shooters interested in compact superzoom solutions, but the practical differences suggest distinct buyer profiles.
-
Choose Fujifilm S9800 if:
- You prioritize extreme zoom reach (50x) for wildlife, landscapes, or sports.
- You want more control over exposure and faster autofocus.
- You value an electronic viewfinder and richer video features.
- You shoot frequently in varied lighting including low light and night.
- Size and weight are secondary to functionality.
-
Choose Panasonic DMC-ZS8 if:
- Portability and pocketability are paramount.
- You primarily shoot daylight scenes with modest zoom needs.
- Ease of use with simpler controls appeals more than manual settings.
- You require decent macro focusing with minimum lens working distance.
- Budget constraints encourage slightly lower cost and lighter design.
Summary
This comparative evaluation reveals that while both the Fujifilm S9800 and Panasonic ZS8 share a small sensor superzoom niche, their divergent sensor designs, zoom capabilities, autofocus sophistication, and ergonomics dictate distinctly different use profiles.
The Fujifilm S9800 stands out with a more versatile and performance-oriented specification package - CMOS sensor with higher sensitivity, longer zoom, superior AF and burst rates, and an EVF for enhanced composition. However, it carries the penalty of increased size and weight.
The Panasonic ZS8 offers better portability and simplicity in a smaller body with acceptable image quality, but is handicapped by a less capable CCD sensor, reduced zoom, slower burst shooting, and limited video capabilities.
Understanding one's priorities in photographic disciplines, required zoom range, low-light tolerance, and handling preferences will guide the right camera choice between these two notable, though aging, superzoom models.
Sample Images
To illustrate the practical photographic output and zoom versatility of both cameras in various settings, the following gallery presents side-by-side samples:
These images provide clear examples of color rendition, sharpness, and detail retrieval consistent with the earlier sensor and lens analysis.
This detailed, evidence-based comparison should assist advanced amateurs and professionals alike in making an informed decision grounded in practical usability and photographic outcome expectations.
Fujifilm S9800 vs Panasonic ZS8 Specifications
Fujifilm S9800 | Panasonic Lumix DMC-ZS8 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model type | Fujifilm S9800 | Panasonic Lumix DMC-ZS8 |
Other name | - | Lumix DMC-TZ18 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Introduced | 2015-01-14 | 2011-07-19 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Chip | - | Venus Engine FHD |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor surface area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4320 x 3240 |
Max native ISO | 12800 | 6400 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 11 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-1200mm (50.0x) | 24-384mm (16.0x) |
Highest aperture | f/2.9-6.5 | f/3.3-5.9 |
Macro focusing distance | 7cm | 3cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 920 thousand dots | - |
Viewfinder coverage | 97% | - |
Features | ||
Min shutter speed | 8 secs | 60 secs |
Max shutter speed | 1/1700 secs | 1/4000 secs |
Continuous shutter rate | 10.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (with Auto ISO) | 5.00 m |
Flash modes | Auto, flash on, flash off, slow synchro | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (6oi), 1280 x 720 (60p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video file format | H.264 | MPEG-4 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 670 grams (1.48 lb) | 210 grams (0.46 lb) |
Dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 images | 340 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | 4 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Pricing at release | $299 | $275 |