Fujifilm X-A2 vs Nikon Z fc
86 Imaging
58 Features
68 Overall
62
79 Imaging
68 Features
80 Overall
72
Fujifilm X-A2 vs Nikon Z fc Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Bump to 25600)
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 117 x 67 x 40mm
- Released January 2015
- Previous Model is Fujifilm X-A1
- Successor is Fujifilm X-A3
(Full Review)
- 21MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Push to 204800)
- No Anti-Alias Filter
- 3840 x 2160 video
- Nikon Z Mount
- 445g - 135 x 94 x 44mm
- Introduced June 2021
Samsung Releases Faster Versions of EVO MicroSD Cards FujiFilm X-A2 vs Nikon Z fc: A Deep Dive into Two Distinct Entry-Level Mirrorless Cameras
Navigating the relatively crowded field of entry-level mirrorless cameras can be a difficult task even for seasoned photographers, let alone hobbyists trying to step up from smartphones or compact point-and-shoots. Today, I’m turning the spotlight on two stylistically and technically distinct contenders released six years apart: the 2015 Fujifilm X-A2, an early player in Fuji’s popular X-series, and the 2021 Nikon Z fc, Nikon’s retro-inspired mirrorless aimed at enthusiasts. Both are APS-C format cameras but serve different audiences and technical sensibilities. After personally testing thousands of cameras over the past 15+ years, including extensive side-by-side assessments, I’m sharing a comprehensive comparison between these two to help you decide which best fits your photographic ambitions.
First Impressions: Size, Build & Handling
Much like the initial tactile interaction with any camera, size and ergonomics profoundly influence how comfortable one feels spending hours shooting.

At first glance and in hand, the Nikon Z fc clearly asserts its presence as the “bigger brother” despite still being fairly compact for a mirrorless. Measuring 135x94x44mm and weighing 445g, it outsizes the Fuji’s petite 117x67x40mm and 350g frame. This difference isn’t merely trivial; the Z fc’s deeper grip and expanded controls lend a reassuring heft and stability that photographers shooting outdoors or for long stretches will appreciate.
Moving to the control layouts:

The Nikon’s SLR-style body radiates tactile sophistication. Dedicated dials for ISO, shutter speed, and exposure compensation harken back to film days and allow rapid, glanceable control changes conducive to fast-paced shooting - a boon for street, travel or event photographers.
By contrast, the Fuji X-A2 opts for a more minimalist, rangefinder-inspired design without these dedicated dials. This leads to a reliance on menu digging or multi-function buttons, which can slow down operation but might be less intimidating for absolute beginners.
The X-A2’s tilting 3-inch 920k-dot TFT LCD is useful but lacks touchscreen functionality. The Nikon Z fc elevates screen usability with a fully articulated 3-inch, 1040k-dot touchscreen, facilitating creative angles and effortless navigation - especially for vloggers and selfie shooters.

In short, the Z fc prioritizes ergonomics and intuitive control at a slightly heavier cost, while the X-A2 embraces compactness and simplicity.
Sensor Technology & Image Quality: The Heart of the Matter
When assessing cameras, sensor performance ultimately defines image quality and flexibility.

Both feature APS-C sized sensors with comparable surface areas - 368.16 mm² for the Fuji and 368.95 mm² for the Nikon - and a 1.5x crop factor. However, the similarities largely end there.
The Fuji X-A2’s 16MP CMOS sensor with an anti-aliasing filter was well-received in 2015 for delivering clean images with decent color rendition. Yet it employs an older EXR Processor II, limiting noise performance at high ISOs. The maximum native ISO tops out at 6400, expandable to 25,600, but beyond ISO 3200 noise becomes quite apparent.
In contrast, the Nikon Z fc boasts a more modern 21MP backside-illuminated (BSI) CMOS sensor lacking an anti-aliasing filter, designed to eke out finer detail with enhanced resolution (up to 5568x3712 pixels). The BSI architecture improves low-light sensitivity, enabling usable shots at ISO 51,200 and even boosted ISO to a staggering 204,800 for specialized needs - though the price is color fidelity and accentuated noise at extremes.
The absence of a low-pass filter improves sharpness but can risk moiré patterns in fine detail (a rare but noteworthy consideration for product or textile photographers). The higher resolution paired with better noise control makes the Nikon far more versatile across genres.
Autofocus and Shooting Speed
Performance here can mean the difference between missing fleeting moments and capturing perfection.
The Fuji X-A2 was somewhat limited in autofocus capabilities, relying solely on contrast-detection AF across 49 points. Its autofocus is decent in good light but struggles in dim conditions and with moving subjects. The continuous shooting speed tops out at a moderate 5.6 fps, suitable mostly for casual opportunities or portraiture but inadequate for fast-paced sports or wildlife.
The Nikon Z fc steps up with a hybrid autofocus system combining phase-detection and contrast-detection, spanning a whopping 209 focus points, including eye and animal eye AF support. This dramatically increases focus acquisition speed and tracking reliability even with erratic motion and challenging lighting. The burst shooting rate at 11 fps nearly doubles that of the Fuji, making it a more confident choice for sports, wildlife, and street photographers seeking peak responsiveness.
Lens Ecosystem: Glass Matters
No camera exists in isolation - lenses often define creative potential.
For the Fuji X-A2, the Fujifilm X mount supports 54 native lenses, an impressively broad range spanning compact primes, all-around zooms and fast apertures from f/1.4 primes to professional telephotos. Fuji’s strong reputation in prime lens performance adds to its appeal for dedicated portrait and landscape shooters seeking excellent glass-to-body balance.
On the Nikon Z fc, the native Nikon Z mount currently offers 21 lenses but is expanding steadily. Nikon’s strategy emphasizes large aperture Nikkor primes and impressive zooms, though the smaller native catalog is an important consideration. However, Nikon’s FTZ adapter allows users to harness their extensive DSLR F-mount lens collection seamlessly, which is a massive advantage for existing Nikon photographers transitioning to mirrorless.
Specialty Photography Performance Across Genres
Having parsed the basics, we can now dive into how these cameras perform for various photo disciplines.
Portrait Photography
-
Fujifilm X-A2: Skin tones rendered warmly, albeit with less fine detail than newer cameras. Its respectable 49-point contrast AF system includes face detection, delivering acceptable eye-focused shots in controlled lighting. Bokeh quality strongly depends on lens choice - no body stabilization means fast primes preferred for shallow depth without motion blur.
-
Nikon Z fc: Improved face and eye detection (including animal eye AF) result in sharp, lively portraits even handheld and at wide apertures. Lens stabilization integration and higher resolution detail combine for excellent skin texture fidelity. The absence of anti-alias filter helps emphasize micro-contrast and skin nuances. The fully articulating touchscreen simplifies framing and remote shooting for self-portraits.
Landscape Photography
-
Fujifilm X-A2: Offers good dynamic range for its class but limited high ISO headroom and older sensor technology constrain shadow recovery. TFT LCD and limited battery life require planning on long hikes. No weather sealing demands extra care in damp or dusty environments.
-
Nikon Z fc: Strong dynamic range expands detail extraction possibilities, especially in RAW. Bigger sensor resolution enhances large prints and cropping flexibility. Despite the lack of weather sealing, the durable build and articulated screen facilitate creative compositions in tough scenarios. Battery might be slightly shorter, but fast UHS-II SD card support helps streamline shooting workflows.
Wildlife Photography
-
Fujifilm X-A2: Not optimized for wildlife, the slower 5.6 fps burst speed and contrast-only AF can struggle with erratic animal movements.
-
Nikon Z fc: Fast 11 fps shooter and advanced hybrid AF translate to better subject tracking, particularly beneficial for birds or mammals in motion. Support for longer tele lenses and AF fine-tuning through firmware enhances reliability out in the wild.
Sports Photography
-
Fuji X-A2: Limited frame rate and AF speed hinder capturing fast action sequences accurately.
-
Nikon Z fc: High burst rates combined with effective tracking autofocus offer a distinct advantage for sports shooters requiring precision and speed.
Street Photography
-
Fuji X-A2: Small size, rangefinder styling, tilting screen make it unobtrusive and user-friendly for candid and low-profile photography.
-
Nikon Z fc: SLR design is less discreet but offers superior image quality and responsiveness, appealing to street photographers who prioritize performance over stealth.
Macro Photography
-
Fujifilm X-A2: No in-body stabilization means tripod or lens stabilization key when shooting close. Precision focus aided by 49 contrast points is workable but requires patience.
-
Nikon Z fc: Supports focus bracketing and stacking, improving macro depth of field control. Touch AF enhances pinpoint focusing accuracy. Lacking IBIS in body, lens stabilization again critical.
Night and Astro Photography
-
Fujifilm X-A2: Limited high ISO and shorter shutter speed ceiling curtail flexibility.
-
Nikon Z fc: Higher max ISO and extended exposure modes accommodate astrophotography better. RAW support with enhanced dynamic range allows fine-tuned exposure adjustments.
Video Capabilities
-
Fujifilm X-A2: Limited to Full HD 1080p at 30fps, without microphone/headphone jacks or in-body stabilization. Good enough for casual video but not content creators.
-
Nikon Z fc: Offers 4K UHD at 30 fps, external microphone input, and advanced codec options. Lack of headphone jack might frustrate pros but respectable video feature set for entry-level filmmakers.
Travel Photography
-
Fujifilm X-A2: Compact and lightweight ideal for travel, with excellent battery life (410 shots). Limited connectivity options and screen constraints impact versatility.
-
Nikon Z fc: Heavier but packing touchscreen, wireless (Bluetooth), and UHS-II cards ideal for on-the-go professional backup routines. Battery life is shorter (~300 shots).
Professional Workflows
-
Fujifilm X-A2: RAW shooting supported but lacks tethering and advanced connectivity.
-
Nikon Z fc: USB 3.2 Gen 1 offers faster tethered shooting and file transfers. Better metadata management and Wi-Fi integration suit studio or client work.
Additional Technical Insights
| Feature | Fujifilm X-A2 | Nikon Z fc |
|---|---|---|
| ISO Range | 200–6400 (expandable to 25600) | 100–51200 (expandable to 204,800) |
| Autofocus Points | 49 (contrast detection only) | 209 (hybrid with phase detection) |
| Image Stabilization | None | None (lens-dependent) |
| Built-In Flash | Yes, with flash sync up to 1/180s | No |
| Wireless Connectivity | Wi-Fi only | Wi-Fi + Bluetooth |
| Video Recording | Full HD 1080p @ 30p, H.264 | 4K UHD @ 30p, external microphone input |
| Battery Life (CIPA) | ~410 shots | ~300 shots |
| Memory Card Slots | Single SD/SDHC/SDXC | Single SD/SDHC/SDXC (UHS-II supported) |
| USB Type | USB 2.0 | USB 3.2 Gen 1 |
| Viewfinder | None (screen only) | 2.36M dot electronic viewfinder, 100% coverage |
Sample Images: Seeing Is Believing
To better appreciate practical output, I gathered sample shots at various focal lengths, lighting, and subjects from both cameras:
Fuji’s color rendition favors warm, filmic tones true to its heritage - ideal for lifestyle shots and portraits with nostalgic ambience. Nikon images deliver crisp details, punchy contrast, and superior low-light clarity. Dynamic range and shadow recovery in Nikon files stand out markedly when processed gently.
Overall Performance Scores and Value Assessment
Bringing all testing data together:
The Nikon Z fc consistently outperforms the Fuji X-A2 across speed, autofocus, resolution, and video, reflecting advances in sensor technology and features over six years’ difference. The Fuji holds its own in compact size, usability, and affordability.
| Aspect | Winner | Comments |
|---|---|---|
| Ergonomics | Nikon Z fc | Larger controls, touchscreen, EVF |
| Image Quality | Nikon Z fc | Higher resolution, better noise control |
| Shooting Speed | Nikon Z fc | 11fps vs 5.6fps burst rate |
| Lens Selection | Fujifilm X-A2 | Larger native assortment |
| Video Features | Nikon Z fc | 4K video + external mic |
| Battery Life | Fujifilm X-A2 | Longer image counts |
| Price | Fujifilm X-A2 | Significantly more affordable (~$370) |
Who Should Buy Which? Clear Recommendations
Choose the Fujifilm X-A2 if:
- You are a beginner or casual photographer seeking an affordable, user-friendly mirrorless camera.
- You value compactness, lightweight portability, and film-like color straight out of the box.
- Your photography focuses on portraits, travel snapshots, or street shooting where size and discreteness matter.
- You already own quality Fujinon lenses or prefer a wider selection of native optics.
- Video is a minor consideration.
Choose the Nikon Z fc if:
- You want an entry-level mirrorless camera with substantial technological refinements and future-proof features.
- You require fast and accurate autofocus, high burst speeds for action, or want serious video capabilities.
- You appreciate tactile controls, an electronic viewfinder for critical framing, and a versatile articulating touchscreen.
- You plan to incorporate more diverse photography genres including sports, wildlife, or macro.
- Budget is flexible around $950 with expectations for increased performance and connectivity.
Final Thoughts From the Field
When I first picked up the FujiFilm X-A2, it reminded me of the transitional phase where mirrorless systems began their rise - simple, approachable, yet limited by dated technology. It excels as an entry-level companion simply by being straightforward and delivering pleasant images with a nostalgic aesthetic.
The Nikon Z fc, on the other hand, feels like a confident evolution of entry-level mirrorless cameras equipped for modern demands. Its retro design pleases the eye, but more importantly, the spec sheet and real-world usage reveal a camera built to empower enthusiasts and casual professionals alike. The inclusion of eye and animal detection autofocus alone makes it a game-changer for dynamic shooting situations.
Neither camera is weather sealed, which is a noteworthy downside for outdoor photographers, and lack of in-body image stabilization means lens choices need to compensate. Still, the Nikon’s newer tech, expanded AF system, and 4K video capabilities grant undeniable versatility and durability that justify the price differential for many buyers.
With this detailed comparison, I hope you feel better equipped to choose between these two distinctive APS-C mirrorless cameras. Whether your priority is stepping into mirrorless with a straightforward, budget-friendly design or investing in a more powerful, adaptable system, both the Fuji X-A2 and Nikon Z fc have something uniquely valuable to offer.
Happy shooting!
Fujifilm X-A2 vs Nikon Z fc Specifications
| Fujifilm X-A2 | Nikon Z fc | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Nikon |
| Model | Fujifilm X-A2 | Nikon Z fc |
| Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Released | 2015-01-14 | 2021-06-28 |
| Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor | EXR Processor II | - |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.7mm |
| Sensor area | 368.2mm² | 369.0mm² |
| Sensor resolution | 16MP | 21MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Highest Possible resolution | 4896 x 3264 | 5568 x 3712 |
| Maximum native ISO | 6400 | 51200 |
| Maximum enhanced ISO | 25600 | 204800 |
| Min native ISO | 200 | 100 |
| RAW format | ||
| Min enhanced ISO | 100 | - |
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 49 | 209 |
| Lens | ||
| Lens mount | Fujifilm X | Nikon Z |
| Available lenses | 54 | 21 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Display type | Tilting | Fully Articulated |
| Display sizing | 3" | 3" |
| Display resolution | 920 thousand dot | 1,040 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,360 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.68x |
| Features | ||
| Min shutter speed | 30s | 30s |
| Max shutter speed | 1/4000s | 1/4000s |
| Continuous shutter speed | 5.6 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 7.00 m (at ISO 200) | no built-in flash |
| Flash modes | Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/180s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video data format | H.264 | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 350g (0.77 lbs) | 445g (0.98 lbs) |
| Dimensions | 117 x 67 x 40mm (4.6" x 2.6" x 1.6") | 135 x 94 x 44mm (5.3" x 3.7" x 1.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 410 shots | 300 shots |
| Battery form | Battery Pack | Battery Pack |
| Battery model | NP-W126 | EN-EL25 |
| Self timer | Yes (2 or 10 secs) | Yes |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC card (UHS-II supported) |
| Storage slots | 1 | 1 |
| Retail cost | $370 | $949 |