Fujifilm X-A5 vs Olympus E-PL7
86 Imaging
68 Features
84 Overall
74


86 Imaging
53 Features
81 Overall
64
Fujifilm X-A5 vs Olympus E-PL7 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800 (Expand to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 361g - 117 x 68 x 40mm
- Launched January 2018
- Earlier Model is Fujifilm X-A3
- Later Model is Fujifilm X-A7
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 357g - 115 x 67 x 38mm
- Revealed September 2014
- Old Model is Olympus E-PL6
- Renewed by Olympus E-PL8

FujiFilm X-A5 vs Olympus PEN E-PL7: A Hands-On Comparison for the Discerning Enthusiast
When two entry-level mirrorless contenders from FujiFilm and Olympus cross paths, it’s more than just specs on paper - it’s about how they perform in the real world, how their technology blends into your shooting style, and where each excels or stumbles. The Fujifilm X-A5 and Olympus PEN E-PL7, despite their similar prices and vintage rangefinder styling, cater to subtly different audiences with distinct design philosophies and feature sets. After extensive hands-on testing and countless shoot sessions across genres, I’m eager to unpack where these two cameras stand firm and where compromises lie. Whether you’re building your first serious mirrorless kit or supplementing your professional workflow, this comparison aims to give you practical insight beyond marketing blurbs.
First Impressions: Size, Handling, and Build Quality
Right out of the box, both cameras embrace classic rangefinder aesthetics, but feel quite different in the hand. The Fuji X-A5 measures 117x68x40mm and weighs 361 grams, while the Olympus PEN E-PL7 is ever so slightly more compact at 115x67x38mm and 357 grams.
Handling-wise, the FujiFilm X-A5 feels a tad chunkier with a deeper grip that more comfortably accommodates various hand sizes - I personally prefer this for stability during longer shoots. Olympus’s more tapered design lends itself well to quick snapshots and street shooting where a light footprint is desirable. Both use a sleek rangefinder-styled chassis with solid plastic build but neither offers weather sealing - something you’ll want to keep in mind if rough conditions are in your future.
The top control layout also reveals differing philosophies. Fuji’s controls are more pronounced and tactile, allowing swift access to key exposure settings without diving into menus. On the other hand, Olympus takes a minimalistic approach with fewer physical dials, relying on touchscreen interaction and more menu navigation.
It’s an ergonomics debate of bulk versus minimalism, with Fuji leaning towards muscle and Olympus towards subtlety. For me, especially in brisk shooting scenarios or portraits, I appreciate a good grip - thus, FujiX-A5 wins here.
Sensor and Image Quality: Larger APS-C vs Compact Four Thirds
The heart of any camera is its sensor, and here the differences become technical yet deeply impactful on your images. FujiFilm X-A5 boasts a 24MP APS-C CMOS sensor measuring 23.5 x 15.7mm, whereas the Olympus PEN E-PL7 packs a smaller 16MP Four Thirds sensor of 17.3 x 13mm dimension.
What does that mean practically?
First, the Fuji’s larger sensor area translates to greater light-catching ability, better high-ISO performance, richer dynamic range, and overall better detail rendering - especially noticeable in challenging lighting like bright skies or shadowy terrain. Olympus’s Four Thirds sensor, while competent, inherently suffers from more noise at higher ISOs and somewhat limited dynamic range but compensates by leveraging highly optimized image processors and in-body stabilization to keep shots crisp.
In my landscape tests, the Fuji X-A5’s larger sensor preserved highlight details and colors more faithfully, lending images a vibrant yet natural punch. Olympus images needed more careful exposure as they clipped shadows more easily. On the downside, Fuji applies a subtle anti-aliasing filter while Olympus does too, both reducing moiré but slightly softening microcontrast.
Also worth noting: Fuji uses a hybrid autofocus system incorporating phase detection, whereas Olympus’s contrast-detection autofocus, though quick, can occasionally hesitate in low contrast scenes.
LCD and Viewfinder: Touchscreen Wars and the Missing EVF
Both cameras forgo built-in viewfinders but offer tilting rear LCDs geared towards flexible live view shooting and selfies. The Fujifilm X-A5 has a 3.0-inch tilting touchscreen with 1.04 million dots, and the Olympus E-PL7 a similarly sized 3.0-inch resolution panel with near-identical pixel count.
Their touch implementations differ slightly. Fuji’s touchscreen is more responsive and allows multitouch gestures to zoom and navigate menus swiftly, which is handy for focus point selection and reviewing images quickly on the go. Olympus offers touchscreen focusing but less fluid UI gestures overall.
While Olympus offers an optional external electronic viewfinder that fits the hot shoe, the FujiX-A5 simplifies the experience by not supporting an EVF, which might be limiting if you prefer eye-level framing or shooting under strong sunlight.
Personally, in bright outdoor conditions, I found Fuji’s screen marginally harder to see without shading. The lack of EVF on either is a drawback when compared with contemporaries, but the Fuji’s better touchscreen responsiveness nudges it ahead for most users engaging in vlogging or casual photography.
Autofocus: Speed and Accuracy in Different Scenarios
For many photographers, autofocus can make or break usability, especially in dynamic environments like sports, wildlife, or street scenes. The FujiFilm X-A5 is equipped with a hybrid AF system that combines 91 phase detection points with contrast detection, allowing fast and reliable autofocus tracking with face/eye detection.
The Olympus E-PL7, by contrast, relies solely on contrast detection, with 81 focus areas but no phase detection.
In practical use, you’ll notice the Fuji’s AF locking quicker and more consistently in both bright and dim lighting. Its face and eye detection work well for portrait sessions, often nailing focus on the iris - critical for flattering skin renditions and sharp, expressive portraits. Olympus’s focus system is competent but occasionally hunts, particularly with moving subjects or in less textured scenes.
Continuous autofocus in Fuji’s 6 fps burst mode keeps subjects locked better than Olympus’s 8 fps continuous shooting, which sometimes loses focus mid-sequence. While Olympus edges Fuji on raw frame rates, the latter’s AF reliability often results in more keepers.
Neither camera offers advanced animal eye detection found in newer models, so wildlife photographers might find both limited but Fuji’s hybrid AF is preferable for faster focusing.
Image Stabilization and Shooting Experience
The Olympus PEN E-PL7 stands out here with in-body 3-axis sensor stabilization. This feature fundamentally changes handheld shooting dynamics, especially in low light or when using telephoto lenses without built-in stabilization.
FujiFilm’s X-A5 lacks any form of IBIS, relying solely on stabilized lenses to compensate - which aren’t as prevalent or affordable in the Fuji X mount ecosystem.
In my hands-on trials, the Olympus’s IBIS enabled sharper shots at shutter speeds 2–3 stops slower than normally possible without a tripod, a boon for macro and travel photographers alike.
Lens Ecosystem: Versatility versus Depth
Lens availability and variety is often overlooked but hugely impacts long-term satisfaction.
FujiFilm supports the proprietary X mount, with around 54 lenses ranging from affordable primes to pro-level glass with stellar optics, renowned for rendering clarity and beautiful bokeh. Fuji lenses are generally fast, sharp, and compact, although at a higher price point.
Olympus’s Micro Four Thirds mount enjoys a broader lens selection (around 107 lenses) due to sharing lenses with Panasonic and other manufacturers. Smaller sensor format lenses tend to be more compact and budget-friendly, making E-PL7 a versatile choice if you prioritize variety and portability.
Focal length multiplier differences are important too: Fuji’s APS-C sensor applies a 1.5x crop factor, while Olympus’s Four Thirds sensor has a 2.0x crop factor - meaning the same 25mm lens on Olympus behaves like a 50mm equivalent, while on Fuji it gives a more moderate 37.5mm framing. This affects lens choice depending on your preferred shooting style.
Video Capabilities: 4K Aspirations vs Full HD Mainstay
Neither camera is aimed at professional videographers, but casual video recording is standard.
The Fuji X-A5 records up to 4K UHD at 15 fps - yes, 15 fps is too low for smooth video, essentially limiting 4K to stills or very slow motion clips - and Full HD at 60 fps. It supports external microphones, a definite plus for vloggers and content creators seeking better audio quality.
Olympus sticks with 1080p max at 30 fps and lacks microphone inputs, which restricts audio options and overall video flexibility.
Both cameras lack in-body video stabilization, putting the onus on lenses or gimbals to smooth footage.
For those prioritizing video, Fuji’s higher resolution video support and mic input tip the scales.
Battery, Storage, and Connectivity: Longer Life and Modern Perks
Battery life is where Fuji asserts a strong advantage: rated at approximately 450 shots per charge (CIPA), compared to Olympus’s 350 shots. In real-world use, the Fuji lasted notably longer during extended daylight sessions without needing battery swaps.
Storage-wise, both cameras accept SD/SDHC/SDXC cards but Fuji supports faster UHS-I cards enabling quicker buffer clears.
Connectivity differences are also worth noting. FujiFilm X-A5 features built-in Wi-Fi plus Bluetooth, thus enabling seamless pairing with smartphones for quick file transfers and remote shooting apps. Olympus offers built-in Wi-Fi but lacks Bluetooth - a feature increasingly appreciated for reliable, low-power connections.
Genre Deep Dives: Which Camera Excels Where?
Let’s break down performance across popular photography disciplines, helping you pinpoint which camera fits your personal passions:
Portraits:
Fuji’s combination of larger sensor, eye-detection AF, and access to fast Fuji primes delivers superior skin tone rendition and beautiful bokeh separation. Olympus can shoot rich portraits but can’t match Fuji’s autofocus precision or depth of field control. Fuji is the winner here.
Landscapes:
Fuji’s higher resolution sensor and wider dynamic range offer more detail retention in highs and lows. However, Olympus’s built-in stabilization helps get sharp handheld shots in tricky conditions. But for raw image quality and detail, I prefer Fuji.
Wildlife:
Fast AF and burst shooting favor Olympus due to slightly higher fps, but Fuji’s better subject tracking and larger sensor yield sharper images with better noise control. Given both have no animal eye AF, neither excels, but Fuji’s image quality trumps.
Sports:
Olympus can shoot faster at 8 fps but its AF struggles with fast tracking. Fuji’s 6 fps with reliable AF is better suited for amateur sports photography. Fuji edges out overall.
Street:
Olympus’s smaller size, lighter lenses, and superior stabilization make it the stealthier choice for street photography. Fuji’s size and lack of stabilization are drawbacks, but Fuji’s superior AF speed is helpful. Overall, Olympus is more street-friendly.
Macro:
Olympus’s IBIS and compact lenses support closer working distances with sharpness, aiding handheld macro shots. Fuji’s lack of stabilization can hinder macro handheld work, so Olympus has an edge here.
Night/Astrophotography:
Fuji’s larger sensor with better high ISO performance and cleaner images wins. Olympus’s Four Thirds sensor shows more noise past ISO 1600.
Video:
Fuji’s 4K albeit limited to 15 fps and microphone input makes it better for casual video. Olympus maxes out at 1080p/30 fps with no audio input, less flexible.
Travel:
Both are compact but Olympus’s smaller lenses and IBIS make it better for travel photographers who need versatility and stabilization on the go. Fuji offers better image quality but at a slight size and weight penalty.
Professional Work:
Neither camera breaks into high-level professional reliability and features but Fuji’s APS-C sensor and RAW support with excellent color rendering fit better for professionals needing a lightweight backup body. Olympus’s limited resolution and slower AF places it behind here.
Summary: Scores, Strengths, and Who Should Choose What
Here’s a visual summary comparing overall and genre-specific scores I assigned after field tests measuring image quality, autofocus, usability, and value:
Feature | FujiFilm X-A5 | Olympus PEN E-PL7 |
---|---|---|
Sensor | 24MP APS-C, better dynamic range & ISO | 16MP Four Thirds, smaller sensor |
Autofocus | Hybrid AF with phase detection (fast) | Contrast-detect AF (slower, hunts more) |
Image Stabilization | None | In-body 3-axis stabilization |
Video | 4K 15fps & Full HD 60fps, mic input | Full HD max 30fps, no mic input |
Lens Ecosystem | 54 quality X-mount lenses (fast primes) | 107+ lenses Micro Four Thirds, diverse |
Battery Life | ~450 shots per charge | ~350 shots per charge |
Connectivity | Wi-Fi & Bluetooth | Wi-Fi only |
Ergonomics | Deeper grip, tactile controls | Smaller, lighter, minimalist design |
My Recommendations for Your Next Steps
Choose the Fujifilm X-A5 if:
- You prioritize image quality with richer colors, better dynamic range, and low-light performance.
- You want fast, reliable autofocus with face and eye detection for portraits.
- Video is important and you want 4K (even limited) and external mic input.
- You like Fuji’s renowned lens ecosystem and solid battery life.
Opt for the Olympus PEN E-PL7 if:
- You’re seeking a highly compact, travel-friendly kit with excellent in-body stabilization.
- You want a wide selection of lenses from Micro Four Thirds mount at various price points.
- You shoot a lot of handheld macro or street photography where stabilization and lightness count.
- 1080p video suffices and you don’t need external audio inputs.
Final Thoughts: Balancing Features With Your Style
Selecting between the Fujifilm X-A5 and Olympus PEN E-PL7 boils down to what you want most from your camera. If you’re after crisp image quality, speedy autofocus, and decent video features, Fuji’s APS-C sensor camera is the well-rounded champion. On the flip side, if portability, stabilization, and lens variety are your priorities - particularly for travel or walkaround use - Olympus’s E-PL7 remains a sensible choice.
Both cameras have aged slightly, and newer models now offer more advanced features, but if budget and simplicity matter, these two remain compelling entry points. Remember, no camera shines equally in every genre - your choice reflects what matters most in your personal photography journey.
Feel free to refer back to the detailed comparisons, gesture through sample shots above, and ask yourself: which features make your creative heart sing? For me, the Fuji X-A5’s reliable autofocus and superior image quality place it slightly ahead, but Olympus’s punchy stabilization and compactness carve a niche all their own.
Happy shooting, and may your next camera serve your vision brilliantly!
Fujifilm X-A5 vs Olympus E-PL7 Specifications
Fujifilm X-A5 | Olympus PEN E-PL7 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Olympus |
Model type | Fujifilm X-A5 | Olympus PEN E-PL7 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2018-01-31 | 2014-09-01 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | - | TruePic VII |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.7mm | 17.3 x 13mm |
Sensor surface area | 369.0mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4608 x 3456 |
Highest native ISO | 12800 | 25600 |
Highest enhanced ISO | 51200 | - |
Lowest native ISO | 200 | 100 |
RAW files | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 91 | 81 |
Lens | ||
Lens mount type | Fujifilm X | Micro Four Thirds |
Total lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Range of display | Tilting | Tilting |
Display size | 3" | 3" |
Resolution of display | 1,040 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Min shutter speed | 30 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Max quiet shutter speed | 1/32000 secs | - |
Continuous shutter speed | 6.0 frames per second | 8.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.70 m (at ISO 200) | no built-in flash |
Flash settings | Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/180 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | H.264, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | NP-W126S lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 361 gr (0.80 lb) | 357 gr (0.79 lb) |
Dimensions | 117 x 68 x 40mm (4.6" x 2.7" x 1.6") | 115 x 67 x 38mm (4.5" x 2.6" x 1.5") |
DXO scores | ||
DXO Overall rating | not tested | 72 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 873 |
Other | ||
Battery life | 450 photos | 350 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | NP-W126S | BLS-50 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Retail cost | $500 | $499 |