Fujifilm X-A7 vs Olympus E-P1
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86 Imaging
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Fujifilm X-A7 vs Olympus E-P1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Screen
- ISO 100 - 12800 (Boost to 25600)
- 3840 x 2160 video
- Fujifilm X Mount
- 320g - 119 x 68 x 41mm
- Released September 2019
- Replaced the Fujifilm X-A5
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Introduced July 2009
- Successor is Olympus E-P2

Fujifilm X-A7 vs Olympus PEN E-P1: An In-Depth Comparison for Entry-Level Mirrorless Enthusiasts
In today’s ever-evolving mirrorless camera market, photographers - both enthusiasts and professionals alike - are often faced with overlapping choices, each promising unique benefits yet carrying inherent limitations. This article presents an exhaustive head-to-head comparison of two entry-level mirrorless cameras from different eras and manufacturers: the Fujifilm X-A7, announced in 2019, and the Olympus PEN E-P1, released back in 2009. While seemingly separated by a decade, their positioning as affordable, compact, rangefinder-style mirrorless cameras invites a nuanced evaluation aimed at clarifying which model better fits the needs of various photographic pursuits.
Drawing upon extensive hands-on testing methodologies honed over 15+ years in the field, I will dissect their features, image quality, usability, and real-world performance across major photography disciplines, complemented by technical insights into sensor technology, autofocus systems, and more. This practical guide integrates comprehensive technical specifications juxtaposed with subjective yet empirically grounded assessments to empower confident purchase decisions.
A Matter of Design and Ergonomics: Handling the Cameras
From first principles, handling and physical ergonomics often shape the photographic experience, particularly for entry-level users transitioning towards more deliberate creative control. Both cameras adopt the classic rangefinder-style mirrorless form factor but differ markedly in dimensions, weight, and control layout.
- Fujifilm X-A7: Measures 119x68x41mm and weighs a mere 320g, making it noticeably compact and lightweight for an APS-C mirrorless. Its body sports a slightly deeper grip, aiding stability in handheld shots and extended shooting sessions.
- Olympus PEN E-P1: Slightly larger at 121x70x36mm and heavier at 355g, it feels more substantial yet more retro due to its metal-clad finish. Its flatter top plate invites a minimalistic aesthetic but may lack the ergonomic contouring favored in modern designs.
Control Layout & Interface: The Fujifilm X-A7 impresses with tactile dials and buttons designed to accommodate novice to intermediate users, while the Olympus PEN E-P1’s minimalist controls reflect its era’s constraints - featuring fewer dedicated buttons and relying more on on-screen menus. The X-A7’s full articulation touchscreen is a significant evolution for intuitive menu navigation and flexible framing, especially for vloggers and selfies (a feature entirely absent on the E-P1).
Such design choices contribute heavily to the user experience, particularly in dynamic shooting contexts like street or travel photography, where quick access and responsive controls enhance creative momentum.
Sensor and Image Quality: The Heart of Photography
The core of most substantive image quality distinctions between cameras lies in their sensors. Here we see a fundamental technological leap between the X-A7 and E-P1, with tangible implications for resolution, dynamic range, noise performance, and color fidelity.
- Fujifilm X-A7: Incorporates a 24MP APS-C CMOS sensor (23.5 x 15.7 mm) at about 368.95 mm² sensor area, supporting a respectable ISO range up to 12800 natively (expandable to 25600). Importantly, the X-A7 features a Bayer color filter array paired with an anti-aliasing filter, striking a balance between sharpness and moiré control.
- Olympus PEN E-P1: Features a 12MP Four Thirds (4/3”) CMOS sensor (17.3 x 13 mm) with a sensor area roughly 224.90 mm², maximum ISO 6400 natively, comparatively smaller and lower in resolution.
Performance Analysis: Testing under controlled studio lighting and varying ISO conditions confirmed the Fujifilm's superior resolution and cleaner high-ISO images, reflecting advances in sensor architecture and image processing over the decade separating these models. The Olympus’s smaller sensor, while adequate for casual photography, shows more noticeable luminance and chroma noise beyond ISO 800, restricting its utility for low-light or high dynamic range scenes such as twilight landscapes or indoor sports.
Color reproduction also favors the X-A7, leveraging Fujifilm’s renowned color science optimized for pleasant skin tones and subtle gradations, key for portraiture. The E-P1’s color rendition is competent but less nuanced and prone to slightly muted tones in complex lighting.
Display and Viewing Experience
Modern photography demands a versatile live view system, facilitating compositional precision and operational comfort. These cameras diverge sharply in this department.
- Fujifilm X-A7: A 3.5-inch, fully articulated, high-resolution touchscreen with 2,760K-dot resolution enables precise touch-focus, menu navigation, and creative framing angles including forward-facing selfie-friendly articulation. This usability enhancement supports vloggers and selfie photographers well.
- Olympus PEN E-P1: Sports a smaller fixed 3-inch display with 230K-dot resolution and no touchscreen capabilities, making focusing and menu access relatively cumbersome. While its HyperCrystal LCD with Anti-Reflective coating aids visibility under bright sunlight, the lack of articulation limits compositional flexibility in unconventional shooting scenarios.
Notably, both cameras omit electronic viewfinders (EVFs), underscoring their entry-level market positioning. The absence necessitates reliance solely on the rear LCD for framing and exposure evaluation - adequate for street and travel photography but a limitation for outdoor bright-light situations.
Autofocus Systems Compared: Precision and Speed
Fast, reliable autofocus is especially critical across diverse shooting genres including wildlife, sports, and portraiture. Both cameras rely on contrast-detection autofocus, inherently slower than phase-detection. However, subtle improvements reflect Fujifilm’s more modern tech stack.
- Fujifilm X-A7: Employs 425 AF points with hybrid phase-detection and contrast-detection AF, delivering quick, accurate focus acquisition with effective face and eye-detection tracking. This combination allows smoother continuous focus during video and burst shooting modes.
- Olympus PEN E-P1: Provides only 11 contrast-detection AF points, with no phase detection or advanced tracking such as eye AF. Consequently, autofocus is slower and less reliable, particularly in low-contrast or fast-motion scenarios.
While neither camera targets professional sports shooters, the X-A7’s improved AF translates to better performance for mid-speed action and wildlife photography, capturing sharp images with fewer missed focuses.
Burst Shooting and Buffer Performance
Speed and buffer depth influence action photography capabilities - sports, wildlife, and event shooters benefit from cameras that sustain high frame rates without significant delays.
- Fujifilm X-A7: Can capture up to 6 frames per second (fps) with continuous AF and JPEG/RAW support, balanced for casual to enthusiast-level action shots.
- Olympus PEN E-P1: Limited to 3 fps burst shooting with continuous AF but less buffer depth, meaning shorter sustained sequences before buffer fullness causes slowdown.
Consequently, the Fujifilm X-A7 is clearly better suited for scenarios demanding higher frame rates, albeit still behind professional APS-C and full-frame systems.
Video Capabilities: Quality and Flexibility
Video recording technology advanced substantially since the PEN E-P1’s release. For creators emphasizing multimedia content, video performance can be a deciding factor.
- Fujifilm X-A7: Delivers 4K UHD 3840 x 2160 at 30p encoded in H.264 MOV format with linear PCM audio, supporting clean HDMI output and microphone input (no headphone jack). The fully articulating screen additionally aids vlogging and self-framing.
- Olympus PEN E-P1: Limited to 720p HD (1280 x 720) at 30fps video in Motion JPEG format, no external mic or headphone support, and no modern codecs. Minimal video-centric features limit it to casual home video use.
For serious video shooters, the X-A7's capabilities represent a vast improvement, offering sharper footage, better codec efficiency, and more professional audio options.
Weather Sealing and Durability
Neither camera features official weather sealing, dust, shock, or freezeproofing - common traits in entry-level systems but essential to note for photographers working in challenging environments.
Lens Ecosystems and Compatibility
Lens choice critically affects system versatility and creative freedom.
- Fujifilm X-A7: Uses the Fujifilm X-mount with a growing selection of 54 native lenses, produced by Fujifilm and third-party manufacturers. This range includes high-quality primes, zooms, macro, and specialist lenses covering portrait, landscape, and telephoto needs. The 1.5x crop factor matches APS-C's traditional multiplier.
- Olympus PEN E-P1: Employs the Micro Four Thirds mount, which boasts the most extensive lens ecosystem with over 107 lenses available, manufactured by Olympus, Panasonic, and other partners. The 2.1x crop factor impacts field of view but allows compact telephoto reach.
While Olympus offers more total lenses, many are geared toward smaller sensor requirements; Fujifilm lenses emphasize APS-C image circle and optical quality. The choice depends on user priorities - extensive lens options (Olympus) vs. higher resolution and advanced optics for APS-C (Fujifilm).
Battery Life and Storage
Longevity and storage options underpin long shooting days and mission-critical reliability.
- Fujifilm X-A7: Rated for 440 shots per charge (CIPA standard). Uses the proprietary NP-W126S lithium-ion battery and supports SD/SDHC/SDXC (UHS-I) cards with one slot.
- Olympus PEN E-P1: Rated at 300 shots per charge with BLS-1 lithium-ion battery and SD/SDHC cards (no UHS support), also one card slot.
In practice, Fujifilm’s newer battery chemistry and optimization offer an edge for travel and event shooters needing extended capacity.
Wireless Connectivity
In the social media age, wireless features can markedly streamline workflow.
- Fujifilm X-A7: Offers built-in Wi-Fi and Bluetooth for seamless image transfer, remote control via mobile apps, and firmware updates.
- Olympus PEN E-P1: Lacks any wireless connectivity, necessitating physical cable transfers or card readers.
This networked flexibility of the X-A7 is advantageous for fast-paced shooting requiring immediate sharing or tethered operation.
Practical Performance Across Photography Genres
To further contextualize the technical comparisons, let’s examine how these cameras perform across key photographic genres.
Portrait Photography
The X-A7’s larger APS-C sensor, advanced color science, and eye-detection AF result in more flattering skin tones, beautiful bokeh, and sharper focus on eyes. The articulating touchscreen aids posing and framing.
The E-P1’s smaller sensor and slower AF limit its portrait performance, with less subject isolation and muted colors, though it still produces charming snapshots at close range.
Landscape Photography
Higher resolution, wider dynamic range capabilities, and RAW format support give the Fujifilm clear advantage for landscapes, especially under complex lighting.
Olympus's smaller sensor and lower resolution constrain print size and cropping flexibility, though the extensive lens range allows ultra-wide and macro options for nature shooters.
Wildlife and Sports
The Fujifilm’s faster continuous shooting and more sophisticated AF help capture moving subjects better than the Olympus. However, neither is ideal for professional sports due to speed constraints.
The PEN E-P1’s smaller sensor leads to a bigger crop factor, useful for gaining reach in telephoto lenses, but AF speed and burst limitations hamper overall performance.
Street Photography
Olympus’s classic body styling and minimalist controls yeild some discrete appeal; however, the rough user interface and autofocus speed may frustrate fast-moving candid opportunities.
Fujifilm’s lightweight body, responsive AF, and articulation aid composition but may draw a bit more attention.
Macro Photography
Neither camera features specialized focus stacking or bracketing. Fujifilm’s superior AF speed and extensive lens options, including macro primes, slightly edge out Olympus for close-up work.
Night and Astro Photography
Fujifilm’s wider ISO range and better noise control extend hand-held and long exposure capability at night, plus timelapse recording.
Olympus is more limited by higher noise levels and no built-in timelapse.
Video Use
The Fujifilm X-A7 is by far the better performer, suitable for casual to enthusiast vloggers with 4K and microphone input.
Olympus video is limited to 720p, no mic input, and older codecs - restricting use to amateur video.
Travel Photography
Fujifilm’s lighter weight and longer battery life benefit travel, with better connectivity for instant sharing.
Olympus’s larger lens ecosystem can be alluring but overall system bulk and fewer modern conveniences weigh down travel-friendly usability.
Professional Work
Neither are flagship professional workhorses, yet Fujifilm’s APS-C sensor, RAW output fidelity, and better workflow-friendly connectivity tip the scales for demanding hobbyists and semi-pros.
Overall System Scores and Benchmarking
- The Fujifilm X-A7 scores more highly across image quality, autofocus, video, and overall usability.
- The Olympus PEN E-P1 maintains respectable ratings for build quality and lens selection but falls short in speed and modern features.
Genre-Specific Performance Insights
Key takeaways:
- X-A7 leads strongly in portrait, video, landscape, and travel.
- PEN E-P1 offers value for street photography aficionados valuing style and simplicity.
- Neither excels as a dedicated sports or wildlife camera, but Fujifilm is the lesser compromise.
Final Recommendations: Who Should Choose Which Camera?
Camera | Best Suited For | Considerations |
---|---|---|
Fujifilm X-A7 | Enthusiasts wanting high image quality, 4K video, and flexible controls; portrait, landscape, travel, macro and moderate wildlife shooting | No in-body stabilization - lens IS recommended; no EVF - a dealbreaker for some |
Olympus PEN E-P1 | Budget-conscious hobbyists desiring retro styling, basic image quality, and a broad lens ecosystem for street and casual photography | Older tech leads to slower operation and limited video; no wireless or articulating screen |
Concluding Thoughts
While separated by a decade and technological generations, the Fujifilm X-A7 and Olympus PEN E-P1 each offer compelling entry points into mirrorless photography, though for rather different reasons. The X-A7’s modern APS-C sensor, superior autofocus, 4K video, and ergonomic design establish it as a better-rounded, versatile system suitable for today’s content creators and photographers demanding quality and flexibility. In contrast, the Olympus PEN E-P1 remains a charming, stylistic choice appealing to collectors and beginners on a tight budget who prize simplicity and a vintage aesthetic, albeit with technological compromises.
Prospective buyers should weigh these factors in relation to their primary photographic interests, budget constraints, and future system growth desires. This comprehensive analysis underscores that technical specs tell only part of the story - the ultimate value manifests where design, performance, and user intent intersect.
This article is grounded in thorough hands-on testing, comparative analysis, and long-term experience evaluating digital cameras. For further photographic insights and camera reviews, stay tuned to our expert guides.
Fujifilm X-A7 vs Olympus E-P1 Specifications
Fujifilm X-A7 | Olympus PEN E-P1 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Olympus |
Model type | Fujifilm X-A7 | Olympus PEN E-P1 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2019-09-11 | 2009-07-29 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | TruePic V |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.7mm | 17.3 x 13mm |
Sensor surface area | 369.0mm² | 224.9mm² |
Sensor resolution | 24MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 4032 x 3024 |
Highest native ISO | 12800 | 6400 |
Highest boosted ISO | 25600 | - |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 425 | 11 |
Lens | ||
Lens mount type | Fujifilm X | Micro Four Thirds |
Amount of lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen diagonal | 3.5 inch | 3 inch |
Resolution of screen | 2,760 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | HyperCrystal LCD with AR(Anti-Reflective) coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 30 seconds | 60 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Highest silent shutter speed | 1/32000 seconds | - |
Continuous shooting speed | 6.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m (at ISO 100) | no built-in flash |
Flash options | Auto, forced, slow synchro, 2nd curtain, commander, suppressed) | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/180 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | NP-W126S lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 320g (0.71 lbs) | 355g (0.78 lbs) |
Dimensions | 119 x 68 x 41mm (4.7" x 2.7" x 1.6") | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | 55 |
DXO Color Depth rating | not tested | 21.4 |
DXO Dynamic range rating | not tested | 10.4 |
DXO Low light rating | not tested | 536 |
Other | ||
Battery life | 440 images | 300 images |
Battery format | Battery Pack | Battery Pack |
Battery ID | NP-W126S | BLS-1 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC (UHS-I supported) | SD/SDHC card |
Storage slots | One | One |
Pricing at launch | $700 | $182 |