Fujifilm X-E1 vs Nikon Z fc
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Fujifilm X-E1 vs Nikon Z fc Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 2.8" Fixed Display
- ISO 100 - 6400 (Expand to 25600)
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 38mm
- Released February 2013
- Replacement is Fujifilm X-E2
(Full Review)
- 21MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Push to 204800)
- No Anti-Alias Filter
- 3840 x 2160 video
- Nikon Z Mount
- 445g - 135 x 94 x 44mm
- Launched June 2021

Fujifilm X-E1 vs Nikon Z fc: A Hands-On Comparison for the Practical Photographer
In the dense jungle of mirrorless cameras, the Fujifilm X-E1 and Nikon Z fc stand out as tantalizing options - both appealing to photographers craving capable, entry-level gear wrapped in distinctively retro designs. While these cameras are separated by nearly a decade (X-E1 came out in 2013, Nikon Z fc launched in 2021), each represents a different era of mirrorless innovation, and understanding their real-world strengths and weaknesses requires peeling back specs and pixel-peeping.
Having personally wrangled both cameras extensively in all kinds of photo situations - landscapes, portraits, wildlife impromptu shoots, even some video - I’m here to give you a grounded comparison focused on practical use. This review covers everything from sensor tech to ergonomics, autofocus chops, and value-for-money considerations. By the end, whether you’re an aspiring enthusiast, a budget-conscious traveler, or a prosumer looking for an enjoyable second body, you’ll know which camera suits your photography.
Let’s get into it.
First Impressions: A Tale of Two Retro Designs
At a glance, both the Fujifilm X-E1 and Nikon Z fc nab attention with their vintage-inspired builds - but peel back that aesthetic, and their design philosophies reveal different priorities.
The Fujifilm X-E1 presents a classic rangefinder-style mirrorless body, compact and light at 350 grams and with dimensions of about 129x75x38mm. Its slim profile is ideal for photographers who prize portability and stealth, making it a friendly travel companion and street-shooting buddy.
By contrast, the Nikon Z fc is chunkier and heavier (445 grams, 135x94x44mm), reminiscent of SLR cameras from the 70s. This heft translates into slightly better grip ergonomics, especially for users with larger hands or those who mount bigger lenses. The extra bulk is not excessive but is noticeable when you carry the camera day-to-day.
The control layouts also follow different paths, with the Fujifilm placing classic dials at the top for shutter speed and exposure compensation, giving you a tactile and swift way to change settings - a boon for photographers who love clubs for thumbs rather than menus. Meanwhile, Nikon adapts retro dials but with a more standard SLR control scheme and a prominent command dial on the back.
Between these two, the Fuji feels more nimble, while the Nikon is geared towards those who want solid handling with plenty of real knobs. My advice: If you enjoy direct tactile control without scrolling through menus, the X-E1 shines here. Those favoring a more DSLR-like grip and slightly more ergonomic heft might lean towards the Z fc.
Sensor and Image Quality: Old Tech vs Modern Muscle
This is where the decade gap really hits home.
The Fujifilm X-E1 sports the X-Trans I APS-C CMOS sensor with 16 megapixels and a traditional anti-aliasing (AA) filter. For its time, this sensor delivered clean images with Fuji's signature color science, especially mock Fuji film looks baked into RAW development software.
The Nikon Z fc, by contrast, boasts a 21.0 MP APS-C BSI CMOS sensor, a more modern design without an optical low-pass filter (no AA), which means sharper images but potentially more risk of moiré. It also features a substantially broader native ISO range (100–51,200) expandable up to ISO 204,800, making it far more adaptable in low-light scenes.
Real world shooting: The X-E1 still renders excellent color, with pleasing skin tones and punchy Fuji-esque film simulation curves. But its dynamic range is honestly limited by today’s standards - highlights clip sooner, and shadows hold less detail, which can frustrate landscape shooters trying to balance dawn or dusk light.
The Nikon Z fc greatly ups the ante with both resolution and dynamic range. In practice, you get crisper fine detail, especially evident when pixel peeping landscapes or macro shots. High ISO performance is also dramatically improved - not surprising given the modern back-illuminated sensor technology and advanced noise reduction in JPEGs and RAW files.
If you’re a pixel peeper and want better shadow recovery and cleaner low-light files, the Z fc is the clear winner here. If color rendition and Fuji’s unique look appeal more and megapixels don’t matter as much, Fuji still holds its charm.
Autofocus Systems: Speed, Accuracy, and Smarts
Autofocus (AF) is a dealbreaker for many - and the contrast couldn’t be starker between these two cameras.
The Fujifilm X-E1 relies solely on contrast-detection AF with no phase-detection pixels, only center-weighted AF points, and lacks face or eye detection. It can do continuous AF at 6fps burst but struggles with tracking moving subjects. In practice, this led to noticeable lag hunting in challenging light or fast action - poor for wildlife or sports.
The Nikon Z fc, however, packs a hybrid AF system with on-sensor phase-detection points across an impressive 209 focus points, offering eye and face detection (including animal eye AF) and subject tracking. You can shoot continuous bursts at 11fps, double the Fuji’s speed, with snappy autofocus lock.
During my testing, the Z fc confidently locked onto eyes within milliseconds - even outdoors in tricky shadow/highlight mixes - and maintained focus on erratically moving kids or animals. The Fuji X-E1 often missed focus on anything beyond stationary subjects or required manual focus - a chore for fast-paced photography.
Exploring Photography Genres: How They Stack Up
Let’s break down how these cameras behave in common photography types.
Portrait Photography: Skin Tones and Bokeh
The X-E1’s Fuji color science, including built-in film simulations, delivers flattering skin tones with warm, natural textures. Its classic rangefinder body allows a relaxed approach with discrete shooting. However, autofocus hunting and lack of eye detection mean you’ll need patience or manual adjustments for tack-sharp portraits.
The Nikon Z fc brings modern AF tech with the eye/face detection advantage, helping deliver sharply focused portraits every time. Coupled with excellent sensor resolution, skin tones come out clean - though arguably more clinical than Fuji’s film emulations.
Bokeh quality chiefly depends on your lens choice, but the Nikon’s Z-mount lenses are more varied in fast aperture primes compared to the vintage Fuji X glass.
Landscape Photography: Dynamic Range and Resolution
The Nikon Z fc’s higher resolution and superior dynamic range give it an edge for landscapes, allowing you to pull detail from shadows and highlights without nasty noise, plus higher-resolution crops. Its fully articulated LCD helps compose tricky low or high-angle shots.
The X-E1, though limited in resolution and dynamic range, excels in delivering Fuji’s classic color palette, which some landscape shooters prize for artistry over technical perfection.
Neither camera is weather sealed, which is worth remembering if you shoot outdoors in rugged conditions.
Wildlife & Sports: Autofocus and Speed
Here, the Nikon Z fc really flexes. Its fast burst shooting (11fps), reliable subject tracking, and phase-detection AF points allow you to capture fleeting moments better than the slow, contrast-only AF system of the Fuji X-E1. Wildlife or sports photographers will likely find the X-E1’s AF system frustrating.
Street Photography: Discreteness and Size
The Fujifilm X-E1’s compact, rangefinder-style body makes it stealthier for candid street photography. Its modest shutter sound and smaller size helped me shoot unnoticed in crowded urban environments.
The Nikon Z fc is larger and louder, with a more pronounced shutter click, which may draw attention during street sessions.
Macro Photography: Focusing Precision & Stabilization
Neither camera features in-body image stabilization (IBIS), so macro shooters must rely on lenses with optical stabilization or sturdy tripods. The Nikon Z fc’s advanced AF with focus bracketing and stacking support gives macro shooters more tools to achieve razor-sharp focus stacking sequences - something the Fuji X-E1 lacks.
Night and Astrophotography: High ISO and Exposure
The Z fc’s high-ISO performance and support for timelapse recording enable more confidence in dark and astrophotography scenes. Although neither excels in freezing shutter noise or offers true electronic shutter silent modes, Nikon’s broader ISO range is beneficial for night skies.
The Fuji X-E1 can shoot at ISO 25600 boosted but noise levels rise harshly - automatic noise reduction blurs fine star detail.
Video Capabilities: Specs and Practicality
Video is a side player here - both cameras offer limited video functionality.
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Fujifilm X-E1: Full HD (1920x1080) at 24fps only, with an external mic port but no headphone jack. Limited video codec (H.264).
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Nikon Z fc: 4K UHD (3840x2160) at 30fps, plus Full HD. Also supports external mic but no headphone port. More modern codec options and in-camera stabilization through lenses.
The Nikon wins video-wise, even if neither is a dedicated video tool.
Travel Photography: Versatility and Battery Life
For travelers, weight and battery life matter.
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X-E1 weighs less (350g vs 445g), an attractive feature for long days on the move.
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Battery life favors the Fuji marginally (350 shots per charge vs 300 shots Nikon).
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Fuji’s lack of wireless connectivity limits on-the-go sharing; Nikon’s built-in Bluetooth eases file transfer to phones.
Build Quality and User Interface
Neither camera is weather-sealed, so pro shooters who venture into rain or dust will want to consider external protection.
The Nikon Z fc has a larger, fully articulated touchscreen LCD (3.0” at 1040k dots) great for vlogging, selfie shots, and awkward angles. The Fuji X-E1 has a smaller, fixed 2.8” screen with lower resolution.
The Nikon’s touch responsiveness and menu system are more intuitive thanks to its newer design, while the Fuji’s menus feel dated but straightforward once you get used to them.
Both have electronic viewfinders (EVFs) with similar 2360 dot resolution, but Nikon’s slightly higher viewfinder magnification (0.68x vs 0.62x) provides a marginally better framing experience.
Lens Ecosystem and Compatibility
The Fujifilm X-mount has widely respected lenses - 54 native options including superb primes from 23mm f/1.4 to classic 56mm f/1.2 - many beloved by pros and enthusiasts alike. Third-party lens availability is solid but spottier as Fuji is more niche.
Meanwhile, Nikon Z-mount lenses, though fewer in number for APS-C, are growing steadily (21 lenses). Nikon’s adapters also allow you to use F-mount DSLR lenses seamlessly, providing huge versatility - a big plus if you already own Nikon glass.
Connectivity and Storage
The Nikon Z fc is modern with wireless built-in (Bluetooth, no NFC) allowing quick image transfer and remote control via Nikon’s SnapBridge app - hugely practical in the age of social media. It supports UHS-II cards, enhancing write speed for fast burst shooting.
The Fujifilm X-E1 has no wireless at all and relies on USB 2.0 for tethering and file transfers, which is slower and less convenient now.
Both cameras have one SD card slot, but the Z fc supports faster cards.
Battery Life and Handling Realities
The Fuji’s W126 battery delivers about 350 shots per charge, which is decent for an older camera, while the Z fc’s EN-EL25 battery delivers slightly fewer shots at around 300. In practical use, the Z fc felt more power-hungry with its bigger screen and wireless connectivity.
Handling-wise, despite being chunkier, the Nikon’s grip feels natural and comfortable, while the Fuji’s slim body often meant a shallower grip requiring a third-party thumb grip for better stability.
Price to Performance: What You Get for Your Buck
As of this writing, the Fujifilm X-E1 can be found in used or refurbished condition for about $600, a bargain for those wanting classic Fuji color and style without breaking the bank. The Nikon Z fc retails around $950 new, reflecting its newer tech and feature set.
If your budget strictly limits you, and you love Fuji’s aesthetics, the X-E1 remains a capable camera with beautiful color rendition, provided you’re patient with AF.
The Nikon Z fc delivers more modern specs - higher resolution, better autofocus, 4K video, touchscreen - but demands a steeper investment.
How These Cameras Score: Overall and by Genre
You can see clearly the Z fc leads in autofocus, video, and dynamic range, while the X-E1 punches well in portability, style, and color science.
My Recommendations: Matching Cameras to Photographers
Choose the Fujifilm X-E1 if…
- You adore Fuji’s film simulation colors and prefer warmer skin tones straight out of camera
- You shoot mostly static subjects like portraits, casual travel, and street photography where compact size matters
- Your budget is tight, and you want an affordable gateway to Fujifilm’s excellent lens ecosystem
- You enjoy manual controls and classic rangefinder styling and don’t demand lightning-fast autofocus or 4K video
- You’re a cheapskate at heart but still want quality APS-C images with vintage charm
Choose the Nikon Z fc if…
- You want a modern sensor with higher resolution and excellent low-light capability
- Autofocus speed, accuracy, and eye/animal tracking matter, especially for wildlife, sports, or action photography
- You value 4K video and a fully articulated touchscreen for hybrid photo/video use
- You prefer an SLR-style more ergonomic grip and the latest connectivity options for content creation on the go
- Budget allows for more investment in a versatile camera that grows with you as a photographer
Wrapping Up: An Expert’s Final Take
Both the Fujifilm X-E1 and Nikon Z fc are fascinating cameras that sit at crossroads of nostalgia and technology.
Testing them back-to-back, I appreciate the Fuji’s timeless charm and color science but find its AF dragging it down in many demanding scenarios. The Nikon Z fc feels more like a fully fledged modern tool with retro vibes, making it a better all-around choice unless size and budget are your paramount concerns.
If you want a light, discreet camera with beautiful color and don’t mind manual focus or slower AF, the Fuji X-E1 remains a classic gem. For those craving sharper, faster, and more versatile performance with better video support, the Nikon Z fc is a smarter investment.
Ultimately, understanding your photography needs and patience level with autofocus will guide you here more than any spec sheet.
Happy shooting!
If you want detailed test images or frame rate videos from these cameras, feel free to reach out - I’m always eager to share hands-on insights beyond the specs.
Fujifilm X-E1 vs Nikon Z fc Specifications
Fujifilm X-E1 | Nikon Z fc | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Nikon |
Model type | Fujifilm X-E1 | Nikon Z fc |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2013-02-28 | 2021-06-28 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | EXR Pro | - |
Sensor type | CMOS X-TRANS I | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.6 x 15.6mm | 23.5 x 15.7mm |
Sensor area | 368.2mm² | 369.0mm² |
Sensor resolution | 16 megapixel | 21 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Max resolution | 4896 x 3264 | 5568 x 3712 |
Max native ISO | 6400 | 51200 |
Max enhanced ISO | 25600 | 204800 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 209 |
Cross type focus points | - | - |
Lens | ||
Lens support | Fujifilm X | Nikon Z |
Amount of lenses | 54 | 21 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display size | 2.8 inches | 3 inches |
Display resolution | 460 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.68x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter rate | 6.0 frames per second | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (24 fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 350 gr (0.77 pounds) | 445 gr (0.98 pounds) |
Physical dimensions | 129 x 75 x 38mm (5.1" x 3.0" x 1.5") | 135 x 94 x 44mm (5.3" x 3.7" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 photos | 300 photos |
Style of battery | Battery Pack | Battery Pack |
Battery ID | W126 | EN-EL25 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-II supported) |
Card slots | Single | Single |
Price at release | $600 | $949 |