Fujifilm X-E3 vs Olympus E-PL1
85 Imaging
67 Features
78 Overall
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86 Imaging
47 Features
43 Overall
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Fujifilm X-E3 vs Olympus E-PL1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Raise to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 337g - 121 x 74 x 43mm
- Revealed September 2017
- Superseded the Fujifilm X-E2S
- Renewed by Fujifilm X-E4
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Released May 2010
- Refreshed by Olympus E-PL1s

Fujifilm X-E3 vs Olympus PEN E-PL1: A Thorough Comparison of Two Entry-Level Mirrorless Cameras
In the tightly contested arena of entry-level mirrorless cameras, Fujifilm’s X-E3 and Olympus’s PEN E-PL1 represent distinct approaches that reflect their respective eras, technologies, and design philosophies. While superficially similar as compact, rangefinder-style mirrorless cameras geared toward enthusiasts looking to step up from smartphones or basic point-and-shoot cameras, a detailed comparison reveals how far camera technology has evolved between the E-PL1’s 2010 debut and the Fujifilm X-E3’s 2017 introduction. This head-to-head evaluation draws on extensive hands-on testing - evaluating sensor capabilities, autofocus precision, build quality, versatility across photography disciplines, and value propositions - aiming to empower photographers seeking a capable, reliable camera tailored to their specific needs and budget.
Let’s start by establishing a tangible sense of scale, ergonomics, and design differences.
Size and Handling: Compactness Meets Ergonomics
Both cameras adopt a rangefinder-style mirrorless form factor prioritizing portability without sacrificing too much usability, but ergonomic approaches differ sharply.
Weighing nearly identically, at roughly 337g for the X-E3 and 334g for the E-PL1, the physical dimensions show the Olympus as marginally smaller (115x72x42mm versus 121x74x43mm). However, the Fujifilm’s more sculpted grip and subtle beveling yield a firmer and more natural handhold. While the E-PL1’s simpler boxy frame suits casual shooting with a neutral grip, extended sessions reveal its ergonomics as less comfortable, lacking the X-E3’s pronounced grip swell.
Both bodies are metal-clad, but absent weather sealing and robustness reinforcements - unsurprising for this price bracket, but worth noting for prospective outdoor shooters. The X-E3’s top-plate metal finish confers a premium tactile feel which contrasts somewhat with the PEN’s plainer plastic exterior, affirming Fuji’s design maturity seven years later.
Turning to control layouts:
The Fujifilm X-E3 exhibits more sophisticated and intuitive control placement: dedicated dials for shutter speed and exposure compensation, a customizable function button, and tactile feedback from its knurled wheels, conveying professional-grade handling that supports manual exposure workflows. Conversely, the E-PL1 employs a more stripped-down interface, with fewer dedicated dials (relying more on menus and dial-button combos), and no touch-sensitive inputs, making it less agile for fast settings changes under pressure.
Hence, for photographers prioritizing responsive tactile controls and ergonomics optimized for longer shoots, the X-E3 commands a notable advantage here. The PEN E-PL1’s less refined handling might appeal more to casual users or beginners less concerned with manual adjustments on the fly.
Sensor and Image Quality: Bridging Seven Generations of Imaging Technology
Arguably the most critical distinction lies in the core imaging engine: sensor type, size, and resolution define the foundational quality envelope of any camera, influencing sharpness, dynamic range, noise control, and color fidelity.
The Fujifilm X-E3 sports a 24.3MP APS-C sized X-Trans CMOS III sensor (23.6x15.6 mm), notable both for its larger surface area - roughly 368 square millimeters compared to the 224.9 sq mm Four Thirds sensor (17.3x13 mm) in the Olympus PEN E-PL1, and its advanced X-Trans color filter array, which eschews the conventional Bayer pattern to minimize moiré without an optical low-pass filter. This design delivers images that are sharp and richly detailed, while retaining excellent color accuracy and reducing artifacts.
By contrast, the E-PL1’s 12MP Four Thirds sensor, despite pioneering 2010-era technology, is relatively modest in pixel count and surface area. The smaller sensor and Bayer filter pattern, combined with an anti-aliasing filter, generally produce softer images at base ISO and lower dynamic range. Its limited native ISO range (100-3200) further constrains low-light performance and noise control, while the X-E3 excels with a native ISO range of 200-12800 (expandable to 51200).
Extensive real-world shooting confirms that the X-E3 captures images with superior detail rendition and tonal gradation, especially in high-contrast scenes critical to landscape and portraiture work. The emergence of Fuji’s EXR Processor III also enhances image processing speed, noise reduction algorithms, and color processing advantages, yielding vibrant yet natural skin tones and landscapes.
User Interface and Viewfinder: Finding Your Composition Comfortably
User interface design and display elements impact each image capture workflow dramatically, especially in mirrorless cameras lacking optical viewfinders.
Both cameras deploy fixed screens: the X-E3’s 3-inch touchscreen with 1.04 million dots outperforms the PEN E-PL1’s non-touch 2.7-inch, low-resolution (230k dots) LCD. The Fuji’s touchscreen enables intuitive focus point selection, menu navigation, and image review, substantially increasing operational efficiency for both novices and pros alike. Conversely, the E-PL1 feels dated here, with a basic hypercrystal display that lacks touch sensitivity and fine detail rendering, complicating manual focusing and menu navigation.
Regarding electronic viewfinders (EVFs), the X-E3 boasts a high-resolution 2.36 million-dot EVF with 0.62x magnification, ensuring bright, crisp framing even under strong daylight. In contrast, the PEN E-PL1 lacks a built-in EVF; an optional external EVF is available but adds bulk and cost, limiting the camera’s utility for photographers preferring eye-level composition.
These elements significantly affect disciplines such as street, wildlife, and sports photography, where rapid framing and reliable focus verification are paramount. The X-E3’s combination of EVF and touchscreen provides a modern, versatile interface, whereas the E-PL1’s dated display technology reduces operational fluidity.
Autofocus Performance: Speed, Accuracy, and Tracking Capabilities
For photographers shooting fast-paced subjects (sports, wildlife), or those prioritizing ease of use in portrait or street photography, autofocus (AF) performance frequently serves as a dealbreaker.
The Fujifilm X-E3 features a hybrid AF system integrating 325 phase-detection points embedded across its sensor, coupled with contrast-detection, enabling quick focus acquisition and refined tracking ability. Real-world tests display consistently reliable face and eye-detection AF, allowing photographers to finely nail critical focus on subjects’ eyes - a vital feature for portraits. Continuous AF tracking excels even in moderately low light, with burst rates up to 14fps supporting fast-moving action sequences.
In contrast, the Olympus PEN E-PL1 employs a contrast-detection-only AF system with a mere 11 selectable focus points and no phase-detection assist. It performs acceptably in bright conditions for stationary subjects but struggles with rapid autofocus acquisition and subject tracking, which noticeably hampers wildlife and sports photography. Its maximum burst speed is limited to 3fps, constraining the capture of decisive moments.
Touch AF for focus point selection is supported on the X-E3 but absent in the PEN, complementing its speedy autofocus module. The E-PL1’s slower, less intelligent AF mechanism reflects its generation, demanding more user intervention via manual focus or stopping action quickly.
Thus, from an autofocus perspective, the Fujifilm X-E3 delivers superior accuracy, speed, and tracking sophistication suitable for a broad spectrum of photographic challenges.
Photography Discipline Performance: Versatility in Various Shooting Scenarios
No camera is truly universal, but evaluating each model’s strengths and drawbacks across genres reveals which user profiles it best suits.
Portraiture: Skin Tones and Bokeh
The X-E3’s APS-C sensor combined with Fujifilm’s rich film simulation modes produces skin tones that are notably natural and flattering, and its wide selection of sharp XF lenses delivers excellent subject-background separation with creamy bokeh. Additionally, precise eye-detection AF ensures critical focus. The PEN E-PL1, while competent for casual portraits, produces softer images with less dynamic range and less satisfying bokeh due to smaller sensor size and generally less advanced lens designs in the Four Thirds lens ecosystem.
Landscape Photography
The broader dynamic range and higher resolution of the X-E3 favor landscape work, faithfully capturing details in shadows and highlights. Its lack of environmental sealing is a limitation, however; photographers exposed to challenging weather should consider protective gear. The PEN E-PL1’s lower resolution and dynamic range hamper landscape fidelity, though its lightweight design aids portability.
Wildlife and Sports
The X-E3’s rapid AF and 14fps continuous shooting rates enable effective capture of moving subjects, fundamental for wildlife and sports photographers. Conversely, the E-PL1’s slower AF and limited burst shutter speed significantly restrict its utility in these fields.
Street Photography
Portability and discretion play central roles; both cameras qualify here given their small sizes and muted shutter sounds (with the X-E3 offering a silent electronic shutter option up to 1/32000s). The PEN’s smaller body offers a slight edge in stealth and unobtrusiveness, but inferior AF speed and lack of EVF may impede quick candid shots.
Macro Photography
Neither camera specializes in macro, but the Fuji, benefiting from superior lens options and focus precision, tends to render detailed close-up images better. The Olympus’s sensor-shift image stabilization (absent in the Fuji) can assist in handheld macro, partially mitigating its sensor disadvantages.
Night and Astrophotography
The Fuji’s higher max ISO (12800 native, extendable) and better noise handling make it more suitable for night shooting. The E-PL1 becomes noisy above ISO 800, rendering astrophotography challenging.
Video
The E-PL1 offers basic 720p video at 30 fps in Motion JPEG format, with no microphone or headphone inputs. The Fujifilm X-E3 steps up with UHD 4K video at up to 25p, with H.264 encoding and external microphone input, catering better to multimedia content creators seeking high-quality video capture and sound monitoring.
Travel Photography
Both models’ compactness and light weights make them appealing travel companions, but the X-E3’s superior battery life and image quality provide better real-world utility.
Professional Use
The Fuji X-E3 supports RAW image file capture in both lossless and compressed variants, robust manual controls, and advanced AF profiles, better suiting professional photographic workflows than the E-PL1, which offers more limited file options and slower manual operations.
Build Quality, Weather Resistance, and Durability
As briefly noted, neither camera boasts environmental sealing or ruggedization. The Fujifilm’s metal chassis presents a more durable construction perceived during extended fieldwork; the Plasticky feel of the PEN E-PL1 suggests less resilience against impacts or heavy use. For professional outdoor shooting, additional protective measures would be advised regardless.
Lens Ecosystem and Compatibility
Lens selection is critical when investing in any mirrorless system.
The Fujifilm X mount supports a modern range of 54 native lenses with excellent optical performance, including high-quality primes, fast zooms, and specialty optics spanning macro to telephoto. The mount’s relatively recent design benefits from years of iterative improvements, with wide third-party support.
The Olympus PEN E-PL1 employs the Micro Four Thirds mount, boasting an extensive catalog of over 100 lenses. While numerically impressive, many E-MFT lenses are smaller, less bright, or optically less ambitious compared to Fuji’s XF lens series. Nonetheless, the MFT system offers versatility in focal lengths at smaller sizes and lower costs.
Adaptation options also exist, but native lens ecosystems weigh heavily for maximizing autofocus speed and reliability.
Battery Life and Storage
The Fujifilm X-E3 manages around 350 shots per charge, modestly better than the E-PL1’s 290 shots, likely reflective of improved power management in newer hardware. Both cameras utilize single SD/SDHC/SDXC slots, supporting modern storage media standards. However, the Fuji’s compatibility with more robust SD UHS-I cards offers faster write speeds and buffer clearance during high-burst or 4K video shooting.
Connectivity and Wireless Features
Connectivity profoundly shapes the shooting and sharing experience in contemporary photography.
The Fujifilm X-E3 includes built-in Wi-Fi and Bluetooth for wireless image transfer and remote control via smartphone apps, enhancing workflow efficiency and social sharing. The PEN E-PL1 lacks any wireless connectivity, limiting tethered capture or remote access options.
Both utilize USB 2.0 (480 Mbit/s) and feature HDMI output, but only the X-E3 provides a microphone port for external audio input, vital for serious video work.
Pricing and Value Assessment
At launch, the Fujifilm X-E3 was priced significantly higher (approximately $700) than the Olympus PEN E-PL1 ($288), commensurate with the seven-year generational leap in technology and feature set.
Today, the PEN E-PL1 serves primarily budget-conscious buyers seeking a capable entry into interchangeable lens cameras with legacy support and minimal complexity. Yet, users must accept compromises in image quality, AF speed, and modern conveniences.
The X-E3 offers a far more rounded, future-proofed value proposition, suitable for serious enthusiasts or semi-professional users prepared to invest in superior build, imaging, and operational performance.
Objective Performance Ratings and Genre-Specific Scores
Finally, it’s instructive to review aggregate performance evaluations and discipline-specific scores derived from rigorous multi-criteria testing protocols.
The Fujifilm X-E3 outranks the Olympus in virtually all tested categories - including image quality, autofocus, and video - with a particularly wide margin in low-light and continuous shooting performance.
Genre-specific results confirm the X-E3’s supremacy in portrait, landscape, wildlife, and sports photography, while the PEN E-PL1 remains competitive mainly in casual street and travel photography due to its smaller size and simplicity.
Final Recommendations: Choosing the Best Camera for Your Needs
Choose the Fujifilm X-E3 if:
- You demand superior image quality with excellent detail, dynamic range, and color rendition critical for portraits, landscapes, and professional workflows.
- Fast, reliable autofocus is a priority to capture dynamic subjects in wildlife, sports, or street photography.
- Video capability and external audio support are important.
- You desire a modern user interface with intuitive touch controls and a high-resolution electronic viewfinder.
- You plan to invest in a versatile, high-performance lens ecosystem that supports creative growth.
- Budget permits, as the higher cost is justified by substantial technical and usability advantages.
Choose the Olympus PEN E-PL1 if:
- Your budget is tight and you want to experiment with interchangeable lens photography with minimal financial outlay.
- You prioritize a small, lightweight camera for casual travel and street photography focused on ease of use rather than speed or maximum quality.
- You’re comfortable accepting slower autofocus, limited video specs, and a dated user interface.
- Convenient wireless features and high ISO performance are not essential.
Closing Thoughts
The side-by-side comparison between Fujifilm’s X-E3 and Olympus’s PEN E-PL1 acts as an instructive case study in how mirrorless camera technology has evolved and diversified over time. While the PEN E-PL1 remains a respectable entry into mirrorless with a modest price point and varied lens mount options, the substantial leaps in sensor technology, autofocus sophistication, ergonomics, and connectivity embodied by the X-E3 highlight its continued relevance in a fast-moving market.
Ultimately, thorough hands-on testing and multi-disciplinary assessments reveal the Fujifilm X-E3 as the stronger candidate for photography enthusiasts and professionals ready to leverage advanced tools for achieving compelling imagery, while the E-PL1 suits those starting out or prioritizing affordability and simplicity.
Making an informed choice demands clear consideration of these factors alongside your photographic goals, shooting style, and budget to select the camera that best empowers your photographic vision.
This in-depth comparison was crafted leveraging over 15 years of expert experience testing cameras across varied real-world conditions and technical benchmarks to help you make the most confident and satisfying investment in your photographic toolkit.
Fujifilm X-E3 vs Olympus E-PL1 Specifications
Fujifilm X-E3 | Olympus PEN E-PL1 | |
---|---|---|
General Information | ||
Make | FujiFilm | Olympus |
Model | Fujifilm X-E3 | Olympus PEN E-PL1 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2017-09-07 | 2010-05-17 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | EXR Processor III | Truepic V |
Sensor type | CMOS X-TRANS III | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor area | 368.2mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 6000 x 4000 | 4032 x 3024 |
Max native ISO | 12800 | 3200 |
Max boosted ISO | 51200 | - |
Lowest native ISO | 200 | 100 |
RAW pictures | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 325 | 11 |
Lens | ||
Lens mounting type | Fujifilm X | Micro Four Thirds |
Amount of lenses | 54 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inches | 2.7 inches |
Resolution of display | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | HyperCrystal LCD AR (Anti-Reflective) coating |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/4000s | 1/2000s |
Maximum quiet shutter speed | 1/32000s | - |
Continuous shooting speed | 14.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 10.00 m |
Flash options | no built-in flash | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/180s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 (20p, 25p, 24p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 337 gr (0.74 lbs) | 334 gr (0.74 lbs) |
Dimensions | 121 x 74 x 43mm (4.8" x 2.9" x 1.7") | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") |
DXO scores | ||
DXO All around score | not tested | 54 |
DXO Color Depth score | not tested | 21.5 |
DXO Dynamic range score | not tested | 10.1 |
DXO Low light score | not tested | 487 |
Other | ||
Battery life | 350 photographs | 290 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | NP-W126S | BLS-1 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card |
Storage slots | 1 | 1 |
Price at launch | $700 | $288 |