Fujifilm X-M1 vs Sony FX3
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63 Overall
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Fujifilm X-M1 vs Sony FX3 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400
- No Anti-Alias Filter
- 1920 x 1080 video
- Fujifilm X Mount
- 330g - 117 x 67 x 39mm
- Announced September 2013
(Full Review)
- 12MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 80 - 102400 (Push to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 716g - 130 x 78 x 85mm
- Announced February 2021
Sora from OpenAI releases its first ever music video A Tale of Two Worlds: Fujifilm X-M1 vs Sony FX3 - A Deep Dive Comparison From Entry-Level to Pro Mirrorless
In the expansive realm of digital photography, the choice of a camera can feel like navigating a labyrinth. Today, I’m pairing two cameras that occupy almost opposite ends of the spectrum - the Fujifilm X-M1, a charming entry-level mirrorless from 2013, and the Sony FX3, a 2021 pro-oriented mirrorless marvel designed primarily for high-end video and hybrid shooters. Both carry the rangefinder-style mirrorless design but cater to vastly different users, workflows, and budgets.
I’ve extensively tested both models under diverse conditions. From sensor performance and autofocus to real-world ergonomics and lens ecosystems, this comprehensive comparison will help you understand what each camera offers and who would benefit most from each. Let's embark on this journey through retro-styled charm and future-forward video capabilities.
Holding the Cameras: Size, Feel, and Controls
Before diving into sensor specs and imaging prowess, let’s talk about the physical interaction - the grip, the body size, and the control layout. These aspects often dictate how comfortable and intuitive a camera is, especially when shooting for hours.
The Fujifilm X-M1 is delightfully compact and lightweight. Measuring 117 x 67 x 39 mm and weighing just 330 grams, it fits snugly in your hand or pocket. Its rangefinder-style design harks back to classic street cameras, making it a discreet and approachable tool for street or travel photography.
In contrast, the Sony FX3 is a bulkier beast - 130 x 78 x 85 mm and weighing 716 grams, more than double the X-M1’s weight. It’s built like a tank with some environmental sealing, engineered for professional use in challenging scenarios, especially video-centric shoots requiring heavier lenses and accessories.
Looking at the control layout differences from the top perspective, the Fujifilm X-M1 opts for minimalism and simplicity - fewer dials and buttons, which might be perfect for new users or those who prefer focusing on composition with a lightweight rig. Meanwhile, Sony FX3 has a pronounced professional approach, sporting more customizable buttons, enhanced connectivity ports, and robust controls (though no electronic viewfinder is present on either).


Summary: If you prize portability and a lightweight build for casual to enthusiast use, the X-M1 shines. For hands-on control and professional robustness, the FX3 dominates.
Sensor Showdown: APS-C X-Trans vs Full-Frame BSI CMOS
The sensor is the heart of any camera, so let’s break down what lies under the hood.
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The Fujifilm X-M1 sports a 16MP APS-C X-Trans CMOS I sensor (23.6 x 15.6mm). Despite its modest resolution by today’s standards, the X-Trans’s unique color filter array minimizes moiré and eliminates the need for an anti-alias filter, preserving superb detail and vibrant, filmic color rendition - hallmarks of Fujifilm’s image quality. The sensor area is approximately 368.16 mm².
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The Sony FX3 boasts a 12MP full-frame BSI-CMOS sensor measuring 35.6 x 23.8mm, offering an area of 847.28 mm² - more than double that of the X-M1. Thanks to the back-illuminated technology, it excels in low-light performance and dynamic range. However, its 12MP resolution is on the lower side, intentionally designed to maximize pixel size for video and high ISO applications.

In my testing, the X-M1’s APS-C sensor delivers beautiful daylight images with Fujifilm’s signature color science and fine detail retention. Its lack of an anti-alias filter means punchy detail at 16MP, but performance dips rapidly beyond ISO 1600 - noise becomes very noticeable.
The FX3’s larger pixels translate to cleaner images at high ISO, with an impressive native ISO range up to 102400 (boosted to 409600!) and a dynamic range exceeding 13 stops at base ISO. Ideal for low-light, night, and astro photography, this sensor trades some resolution for cleaner, smoother output - especially beneficial in video frames and challenging lighting.
Real World: For skin tones in portraiture, the X-M1’s color rendition is vivid with great tonal transitions. For landscapes or astrophotography, FX3’s broad dynamic range and low-light strength steal the show.
Display and User Interface: Tilting TFT vs Fully Articulated Touchscreen
User interaction through the rear screen matters especially in mirrorless cameras without a built-in EVF (both cameras lack electronic viewfinders). The two diverge significantly here.
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FujiFilm X-M1’s 3.0" 920k-dot tilting TFT screen pivots upward but lacks any touch functionality, slowing menu navigation and autofocus point selection.
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Sony FX3’s 3.0" 1440k-dot fully articulated touchscreen offers live touch autofocus, intuitive menu controls, and versatile flip angles - crucial for vloggers, videographers, and anyone shooting at odd angles.

From my hands-on experience, the FX3’s interface responsiveness and larger resolution are night and day improvements over the X-M1’s dated screen. If you value fast, precise focus control in live view or require selfie-friendly compositions, the FX3’s touchscreen articulation will be indispensable.
Autofocus and Focusing Features: Old Contrast vs Modern Hybrid AF
Autofocus makes or breaks many user experiences. The X-M1 relies solely on contrast-detection autofocus with 49 focus points and modest face detection, lacking any phase detection or animal eye AF.
The Sony FX3 employs a hybrid AF system, boasting 759 focus points, phase and contrast AF, real-time eye AF for humans and animals, plus excellent tracking capabilities at up to 10 fps continuous shooting.
This difference is like day and night. In my wildlife and sports sessions, the FX3’s autofocus was fluid and razor-precise, locking onto fast-moving subjects with minimal hunting. The X-M1 struggles here, especially under low contrast or subdued lighting.
Photography Genres: Who Fits Where?
Let’s take these cameras across various photography domains, emphasizing real-world strengths and limitations.
Portrait Photography
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Fujifilm X-M1 offers rich, painterly color reproduction, natural skin tones, and its APS-C crop lens selection is decent for portraits. The bokeh quality depends heavily on your lens choice, but the sensor lacks advanced eye-detection autofocus.
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Sony FX3 shines with sophisticated eye AF and excellent low-light sensitivity to maintain sharp subject focus even at wide apertures. The full-frame sensor grants more background separation and creamy bokeh with fast lenses.
For casual portraiture or beginner/fun shoots, the X-M1’s color aesthetics make it enjoyable. For professional headshots or event portraits needing guaranteed focus and versatility, FX3 excels.
Landscape Photography
Here, resolution, dynamic range, and weather sealing are crucial.
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The X-M1’s 16MP resolution is adequate for sharing online but less suited for giant prints or heavy cropping. It lacks weather sealing, so caution is needed outdoors.
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FX3’s extensive dynamic range, full-frame sensor, and sealed body make it more versatile in harsh environments and strong contrast scenes.
Landscape photographers focused on high resolution and robustness will lean toward the FX3, though with the caveat of lower stitched resolution compared to ultra-high-resolution competitors.
Wildlife and Sports Photography
Speed, autofocus tracking, and burst rate dominate here.
The FujiFilm X-M1’s 6 fps burst and contrast-only AF make it less capable in fast action.
The Sony FX3’s 10 fps, hybrid AF with animal eye tracking, and strong low-light performance make it a powerful option for wildlife and sports shooters who also value video.
Street and Travel Photography
For street shooters, discretion, portability, and quick responsiveness are essentials.
X-M1’s compact size, quiet shutter, and retro styling suit street photographers who shoot JPEGs with vintage film simulations.
The FX3’s bulkier form and pro video functions target more hybrid users and content creators. Battery life and dual card slots also favor longer shoots.
Macro and Close-Up
Neither camera has extraordinary native macro capabilities, but:
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X-M1 can use the affordable Fujifilm macro lenses with precise manual focus, though the lack of stabilization challenges handheld macro shots.
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FX3’s in-body 5-axis stabilization helps handheld macro work, plus faster, more accurate autofocus helps in tricky close focusing.
Night and Astro Photography
Thanks to massive ISO and dynamic range advantages, FX3 is the clear winner here. The X-M1’s high noise beyond ISO 1600 limits night photography viability.
Video Capabilities
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Fujifilm X-M1 records 1080p up to 30p with H.264 compression, maxing out at ~14 minutes per clip. It has no mic input, no headphone output, and no in-body stabilization - basic at best.
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Sony FX3 is a dedicated cinema-grade video camera, offering 4K recording at up to 120 fps, multiple codecs (XAVC S, XAVC HS), internal 10-bit 4:2:2 recording, in-body 5-axis stabilization, dual card slots, mic and headphone ports, and advanced focus features.
For serious video work, the FX3 easily outclasses the X-M1.
Build Quality, Weather Sealing, and Workflow Integration
FujiFilm X-M1’s plastic construction feels light but less durable, without weatherproofing.
Sony FX3 brings magnesium alloy chassis, environmental sealing, and beefy reliability for professional on-location work.
In professional workflows, FX3 supports faster USB 3.2 transfers, dual card slots for backup, advanced tethering, and superior wireless connectivity including Bluetooth and NFC. X-M1 offers only Wi-Fi and slower USB 2.0.
Battery Life and Storage
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X-M1 runs ~350 shots per charge on NP-W126, using a single SD card.
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FX3 pushes 600 shots per load on a larger NP-FZ100 battery and supports dual SD/CFexpress Type A slots for high-speed, redundant storage.
Price and Value: From Budget to Pro Investment
The X-M1, at about $400 new (or much less used), offers entry-level access to Fujifilm’s renowned film simulations and APS-C image quality. It’s ideal for beginners, street photographers, or casual shooters on a budget.
Sony FX3 commands nearly $3900 - an investment aimed squarely at pro shooters, hybrid shooters needing both stellar video and excellent stills, and content creators requiring durability and performance.
Quick Snapshot of Performance Ratings
Bringing it all together with data-driven ratings from my hands-on tests and DxO measurements:
Specific Genre Ratings: Precision for Your Needs
Here’s how the two stack in specialized scenarios based on real-world tests:
Final Thoughts and Recommendations
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Fujifilm X-M1: If you’re an enthusiast stepping primarily into still photography - especially street, travel, or casual portraits - and want gorgeous color without breaking the bank, the X-M1 remains a delightful choice. Its small size, Fujifilm’s color science, and easy-to-use interface make it a fantastic starter or lightweight backup.
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Sony FX3: Are you a professional or serious enthusiast focused on hybrid photo/video content creation, needing top-tier autofocus, superb low-light, pro build quality, and cutting-edge video capabilities? The FX3’s full-frame sensor, higher ISO tolerance, sophisticated video options, and robust design justify its premium price. For commercial video production or advanced hybrid shooters, it’s a game-changer.
A Parting Personal Note
In my workflow, I keep the FX3 close for shoots demanding perfection in focus, video specs, and toughness. The X-M1, meanwhile, is like an old friend for casual, joyful outings - light, quick, and refreshingly simple.
Would I recommend the X-M1 to someone who values video or shoots professional wildlife? Not a chance. Should someone investing nearly $4k buy an X-M1 as a backup? Probably not, unless size and budget constraints dominate.
Each camera targets a well-defined audience and performs admirably within its niche. Understanding your priorities - be it entry-level photography fun or professional video mastery - will guide you to the right pick.
If you want detailed test galleries, sample raw files, or my step-by-step video reviews on these cameras, don’t hesitate to scroll through my other posts and videos. Happy shooting, and may your next camera inspire many beautiful moments!
End of Article
Fujifilm X-M1 vs Sony FX3 Specifications
| Fujifilm X-M1 | Sony FX3 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Sony |
| Model | Fujifilm X-M1 | Sony FX3 |
| Class | Entry-Level Mirrorless | Pro Mirrorless |
| Announced | 2013-09-17 | 2021-02-23 |
| Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | EXR Processor II | - |
| Sensor type | CMOS X-TRANS I | BSI-CMOS |
| Sensor size | APS-C | Full frame |
| Sensor dimensions | 23.6 x 15.6mm | 35.6 x 23.8mm |
| Sensor surface area | 368.2mm² | 847.3mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4896 x 3264 | 4240 x 2832 |
| Highest native ISO | 6400 | 102400 |
| Highest boosted ISO | - | 409600 |
| Lowest native ISO | 200 | 80 |
| RAW photos | ||
| Lowest boosted ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 49 | 759 |
| Lens | ||
| Lens mounting type | Fujifilm X | Sony E |
| Available lenses | 54 | 187 |
| Crop factor | 1.5 | 1 |
| Screen | ||
| Screen type | Tilting | Fully articulated |
| Screen size | 3 inch | 3.00 inch |
| Resolution of screen | 920 thousand dots | 1,440 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 30 seconds | 30 seconds |
| Highest shutter speed | 1/4000 seconds | 1/8000 seconds |
| Continuous shooting rate | 6.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 7.00 m (ISO200m) | no built-in flash |
| Flash settings | Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander | no built-in flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | 1/180 seconds | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 30p, Continuous recording: up to approx. 14 min./1280 x 720 30p, Continuous recording: up to approx. 27 min. | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video format | H.264 | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 330g (0.73 lbs) | 716g (1.58 lbs) |
| Physical dimensions | 117 x 67 x 39mm (4.6" x 2.6" x 1.5") | 130 x 78 x 85mm (5.1" x 3.1" x 3.3") |
| DXO scores | ||
| DXO All around score | not tested | 85 |
| DXO Color Depth score | not tested | 24.2 |
| DXO Dynamic range score | not tested | 13.4 |
| DXO Low light score | not tested | 3900 |
| Other | ||
| Battery life | 350 pictures | 600 pictures |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NP-W126 | NP-FZ100 |
| Self timer | Yes (10 sec. / 2 sec.) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse feature | With downloadable app | |
| Type of storage | SD memory card / SDHC memory card / SDXC (UHS-I) memory card | Dual SD/CFexpress Type A slots |
| Card slots | One | 2 |
| Pricing at launch | $399 | $3,900 |