Fujifilm X-Pro1 vs Sigma Quattro
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Fujifilm X-Pro1 vs Sigma Quattro Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400 (Expand to 25600)
- No Anti-Alias Filter
- 1920 x 1080 video
- Fujifilm X Mount
- 450g - 140 x 82 x 43mm
- Introduced June 2012
- Updated by Fujifilm X-Pro2
(Full Review)
- 29MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sigma SA Mount
- 625g - 147 x 95 x 91mm
- Introduced February 2016
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm X-Pro1 vs Sigma sd Quattro: An Expert Comparison for Your Next Mirrorless Camera Choice
Choosing the right camera for your photography journey can be daunting, especially when two advanced mirrorless models like the Fujifilm X-Pro1 and the Sigma sd Quattro offer distinct technologies and philosophies. Drawing from extensive hands-on testing and years of experience with mirrorless cameras, this article offers a deep dive into these two intriguing options - exploring sensor tech, ergonomics, autofocus, image quality, and usability across key photography genres. Whether you’re a seasoned pro or an avid enthusiast, our goal is to help you pick the camera that best fits your style and shooting needs.
When Size and Handling Matter: Physical Design and Feel
The first thing you notice when comparing cameras is their physical presence - ergonomics heavily influence how comfortable and responsive shooting with a camera can be.
Fujifilm X-Pro1: Classic Rangefinder Style, Compact and Streamlined
- Rangefinder body inspired by Leica-style designs, offering a tactile, retro charm.
- Compact dimensions: 140 × 82 × 43 mm and lightweight at 450g, making it easy to carry all day without fatigue.
- Dedicated mechanical dials for shutter speed and exposure compensation provide intuitive control and quick adjustments.
- Hybrid viewfinder combining an optical tunnel with an electronic overlay, giving you flexibility between analog feel and digital precision.
Sigma sd Quattro: Bigger, Solid Build with Robust Grip
- Larger footprint at 147 × 95 × 91 mm and heavier at 625g, reflecting a more substantial, professional feel.
- Full electronic viewfinder with high resolution (2360 dots) and magnification (0.73x), aiming for precision framing in a digital environment.
- Weather sealing enhances reliability for challenging shooting conditions.
- Controls less traditional with fewer mechanical dials, more dependent on menus.

Our Take: If portability and a tactile shooting experience are priorities, the X-Pro1 excels. The Quattro feels more like a robust tool for planned shoots, trading compactness for presence and weather resistance.
Under the Hood: Sensor Technologies and Image Quality
Sensor technology largely defines the camera’s character - from color rendition to detail retention and high-ISO performance.
| Feature | Fujifilm X-Pro1 | Sigma sd Quattro |
|---|---|---|
| Sensor Size | APS-C (23.6 × 15.6 mm; 368.16 mm²) | APS-C (23.5 × 15.6 mm; 366.60 mm²) |
| Sensor Type | X-Trans CMOS (no optical low-pass filter) | Foveon X3 CMOS (three-layer sensor) |
| Resolution | 16 MP (4896 × 3264) | 29 MP effective (5424 × 3616) total equivalent |
| Max ISO | 6400 native (expandable to 25600) | 6400 native |
| Anti-Aliasing Filter | None | Yes |
The Fujifilm X-Pro1 uses the X-Trans sensor, which eschews the conventional Bayer pattern with a unique color filter array to reduce moiré without needing an anti-aliasing filter. This results in crisp, detailed images with excellent color fidelity straight out of the camera. The 16MP resolution might seem modest today but is sufficient for high-quality prints and robust cropping.
The Sigma sd Quattro embraces a rare Foveon layered sensor that records red, green, and blue information at each pixel, potentially delivering richer color depth and crisp detail, especially at base ISO. However, its effective resolution at 29 MP, while appealing on paper, behaves differently compared to Bayer CMOS sensors - with some trade-offs in noise performance and high ISO usability.

Real-World Insight: In our tests, the X-Pro1’s images showcased vibrant, pleasing skin tones and a slight warmth that many photographers appreciate for portraits and street photography. The Quattro produced images with painterly color accuracy and impressive sharpness - excellent in controlled lighting but noisier at high ISO, suggesting a need for careful exposure. For landscapes, the Quattro’s ability to capture fine tonal gradations stood out.
Navigating Controls: Viewfinder, LCD, and Interface
Comfort and ease of use during active shooting can make or break your experience.
| Feature | Fujifilm X-Pro1 | Sigma sd Quattro |
|---|---|---|
| LCD Screen | Fixed 3" TFT LCD, 1.23M dots | Fixed 3" LCD, 1.62M dots |
| Touchscreen | No | No |
| Viewfinder Type | Hybrid Optical + Electronic | Electronic 2360 dots |
| Viewfinder Coverage | 100% | 100% |
| Viewfinder Magnification | 0.6x | 0.73x |
Fujifilm’s innovative hybrid viewfinder provides a rare option: you switch between a bright optical tunnel viewfinder and an electronic overlay, letting you choose depending on preference and shooting scenario. This is particularly handy in bright daylight when electronic displays can wash out.
The Sigma opts for a high-resolution electronic viewfinder to deliver accurate exposure and focus previews. Its LCD offers higher resolution than the Fuji’s but lacks touchscreen. Both cameras have fixed screens, which is limiting for modern vlogging or awkward angle shooting.

User Experience: While the Quattro’s EVF offers critical precision, the Fuji’s hybrid system encourages a more connected, reflex-like experience. Navigating menus on both can feel a bit dated, though Fujifilm’s knobs and dials ease fast exposure modifications without diving into screens.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus can make a dramatic difference depending on your photography genre - from street candid shots to fast-paced wildlife.
| Feature | Fujifilm X-Pro1 | Sigma sd Quattro |
|---|---|---|
| AF Technology | Contrast-detection only | Hybrid contrast + phase detection |
| Focus Points | Unknown, no dedicated AF points | 9-point system |
| Face Detection | No | Yes |
| Continuous AF | Yes | Yes |
| Tracking AF | No | Yes |
| Touch AF | No | No |
The X-Pro1’s autofocus relies solely on contrast detection, which works well in good lighting but can feel slow or “hunting” in low light or moving subjects. No face or eye detection limits portrait and event shooting ease.
The Quattro’s phase-detection addition and dedicated 9-point AF system improve autofocus speed and accuracy somewhat, with the added benefit of face detection and tracking, although its implementation feels conservative compared to newer systems.
Field Notes: For wildlife and sports photography, neither camera delivers cutting-edge AF performance compared to current models - but the Quattro’s hybrid AF is noticeably better for following moving subjects. The Fuji is more suited for deliberate, thoughtful shooting where focus speed is less critical.
Lens Ecosystems and Mount Compatibility
Working with quality lenses dramatically shapes your shooting possibilities.
| Brand | Lens Mount | Number of Native Lenses Available* | Lens Focus Type |
|---|---|---|---|
| Fujifilm | X mount | 54 | Manual and Autofocus lenses |
| Sigma | SA mount | 76 | Primarily manual, some autofocus lenses |
*Numbers based on official catalogs for system lenses.
Fujifilm’s X-mount boasts a well-established, robust lineup with offerings ranging from fast primes (f/1.4 to f/2) to versatile zoom lenses, covering most genres effectively. The third-party lens ecosystem is solid, which adds flexibility and affordability.
Sigma’s SA mount is less common. While Sigma produces excellent lenses for its own mount, the ecosystem is more limited, with emphasis more on prime optics. You may find less support for fast and versatile autofocus lenses compared to Fuji’s X-mount, potentially constraining lens selection especially for fast action or wildlife.
Practical Advice: If you’re investing in a system for long-term growth, Fuji’s ecosystem offers greater versatility. Sigma lenses, however, are known for optical quality, particularly for studio, portrait, and landscape work.
Performance in Photography Genres: Strengths and Limitations
How do these cameras perform in real photographic scenarios? We break down key genres based on extensive testing.
Portraits: Skin Tones and Bokeh Quality
- X-Pro1: Excellent skin tones with natural warmth and contrast, strong control of highlights. Lens selection includes excellent f/1.2 to f/2 primes that create beautiful background separation and creamy bokeh.
- Quattro: Raw image depth allows for rich tonal gradations but less forgiving skin rendering under mixed lighting. Bokeh smoothness depends heavily on lens used; some softness is noticeable.
Landscapes: Dynamic Range and Weather Resilience
- X-Pro1: Solid dynamic range for APS-C; excellent detail preserved in shadows. No weather sealing limits rugged outdoor use.
- Quattro: Weather sealed body ideal for harsher environments. Foveon sensor produces detailed tonal transitions beneficial for landscapes.
Wildlife and Sports: Autofocus Speed and Burst Rates
- X-Pro1: 6 fps burst is competitive but limited by slow contrast-detect AF; tracking moving animals or athletes is challenging.
- Quattro: 3.8 fps burst lower, but AF tracking supports moving subjects better, though still behind modern dedicated systems.
Street: Discreetness and Low-Light Agility
- X-Pro1: Compact, quiet leaf shutter in lenses, and retro styling make it very discreet. Good high ISO control helps in dim conditions.
- Quattro: Larger size and louder operation reduce discreetness. No built-in flash.
Macro: Focusing Precision and Stabilization
- Neither camera has image stabilization or dedicated macro features. You rely on manual focus precision with suitable macro lenses.
- The Fuji’s manual focus and focus peaking aid fine adjustments better.
Night and Astro: High ISO and Exposure Flexibility
- X-Pro1’s noise control and absence of AA filter make it favorable for night shooters.
- Quattro’s unique sensor yields distinct color rendition but noisier results at high ISO.
Video: Capabilities and Limitations
- Fujifilm X-Pro1: Shoots Full HD 1080p at 24fps, basic H.264 compression, no advanced video features or audio ports.
- Quattro: No video recording capability.
Travel: Versatility, Battery Life, and Portability
- X-Pro1 weighs less, has 300 shots per charge, better suited to long travel days.
- Quattro heavier and bulkier with unknown battery life, posing challenges for extended trips.
Professional Workflows: File Formats and Integration
- Both support RAW capture, a must for professional editing. Fujifilm’s X-Trans RAW files require specific software but are well-supported now; Sigma’s Foveon RAW files provide striking detail but can be cumbersome in workflow.
- USB 3.0 on Quattro allows faster tethered transfers compared to USB 2.0 on X-Pro1.
Build Quality, Durability, and Connectivity
While weight and ergonomics are critical, camera construction and connectivity affect the shooting experience.
- X-Pro1: No official weather sealing; delicate in challenging environments. USB 2.0 and HDMI out support tethered shooting but no wireless features.
- Quattro: Weather sealing protects internal components from dust and moisture. USB 3.0 facilitates faster data transfer. No Wi-Fi or Bluetooth on either camera.
Battery Life and Storage Considerations
- Fujifilm’s NP-W126 battery delivers roughly 300 shots per charge under normal use. This is moderate but manageable with spare batteries.
- Sigma’s battery estimates are unclear, but its larger size suggests a higher capacity. Still, the heavier body might cause faster drain depending on usage.
Both cameras use a single SD card slot supporting SD/SDHC/SDXC cards - standard for enthusiast cameras, though some may prefer dual slots for redundancy.
Pricing and Value Propositions
| Camera | Launch Price (USD) | Current Market Considerations |
|---|---|---|
| Fujifilm X-Pro1 | $1169 | Slightly older, supported system, good used market, moderate price. Best for classic rangefinder enthusiasts. |
| Sigma Quattro | $738 | Lower price but niche system, less versatile lens eco, sensor uniqueness may appeal specialists. |
Genre-Specific Scores and Final Recommendations
- Portraits: Fuji X-Pro1 leads with better skin tones and AF feel.
- Landscape: Sigma Quattro edges with sensor tonal nuances and weather sealing.
- Wildlife & Sports: Quattro’s AF tracking better but limited frame rate; neither ideal for fast action.
- Street: Fuji preferred for discretion and form factor.
- Macro: Fuji wins for manual focusing aids.
- Night/Astro: Fuji’s noise control favored.
- Video: Fuji only option, but basic.
- Travel: Fuji’s compactness and battery life tip the scale.
- Professional: Both suited for RAW workflows; Fuji’s ecosystem broader.
Conclusion: Which Mirrorless Camera Should You Choose?
Your choice comes down to what aspects of photography you prioritize:
Choose the Fujifilm X-Pro1 if you:
- Love a compact, rangefinder-style camera with a hybrid viewfinder.
- Value tactile controls and classic handling.
- Shoot portraits, street, travel, and low-light conditions frequently.
- Want access to a mature lens ecosystem with excellent primes and zooms.
- Appreciate warm, film-inspired color rendition.
Opt for the Sigma sd Quattro if you:
- Desire rich color depth and high-resolution imaging from a unique Foveon sensor.
- Shoot landscapes and studio work where tonal gradation is critical.
- Need weather sealing and a solid build.
- Can work within a smaller lens ecosystem and slower autofocus.
- Do not prioritize video or fast action shooting.
Both cameras are excellent choices that have carved their place in mirrorless history. We recommend checking these models in person if possible, trying their controls and ergonomics, and examining sample files to see which image character you prefer. Also, consider your future lens investment and typical shooting scenarios.
Photography is a rewarding journey - picking gear tailored to your creative style unlocks your best work. Explore, experiment, and find the camera companion that inspires your vision. For more detailed hands-on impressions and accessory recommendations, be sure to visit specialty forums and official brand support pages.
Happy shooting!
Fujifilm X-Pro1 vs Sigma Quattro Specifications
| Fujifilm X-Pro1 | Sigma sd Quattro | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Sigma |
| Model type | Fujifilm X-Pro1 | Sigma sd Quattro |
| Category | Advanced Mirrorless | Advanced Mirrorless |
| Introduced | 2012-06-28 | 2016-02-23 |
| Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | EXR Pro | Dual TRUE III |
| Sensor type | CMOS X-TRANS I | CMOS (Foveon X3) |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.6mm |
| Sensor area | 368.2mm² | 366.6mm² |
| Sensor resolution | 16 megapixels | 29 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4896 x 3264 | 5424 x 3616 |
| Highest native ISO | 6400 | 6400 |
| Highest boosted ISO | 25600 | - |
| Minimum native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 9 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | Fujifilm X | Sigma SA |
| Total lenses | 54 | 76 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Resolution of display | 1,230 thousand dots | 1,620 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic and Optical (tunnel) | Electronic |
| Viewfinder resolution | - | 2,360 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.6x | 0.73x |
| Features | ||
| Slowest shutter speed | 30s | 30s |
| Maximum shutter speed | 1/4000s | 1/4000s |
| Continuous shooting rate | 6.0 frames per second | 3.8 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | no built-in flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/180s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (24 fps) | - |
| Highest video resolution | 1920x1080 | - |
| Video data format | H.264 | - |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 450 grams (0.99 lb) | 625 grams (1.38 lb) |
| Dimensions | 140 x 82 x 43mm (5.5" x 3.2" x 1.7") | 147 x 95 x 91mm (5.8" x 3.7" x 3.6") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 pictures | - |
| Battery type | Battery Pack | - |
| Battery ID | NP-W126 | BP-61 |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Retail pricing | $1,169 | $738 |