Fujifilm X-S1 vs Panasonic ZS40
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37 Features
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Fujifilm X-S1 vs Panasonic ZS40 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-624mm (F2.8-5.6) lens
- 920g - 135 x 107 x 149mm
- Launched November 2011
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Revealed January 2014
- Other Name is Lumix DMC-TZ60
- Old Model is Panasonic ZS35
- Replacement is Panasonic ZS45
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm X-S1 vs. Panasonic Lumix ZS40: Expert Comparison of Two Small-Sensor Superzooms
Choosing the right superzoom camera often comes down to balancing reach, image quality, speed, and handling. For enthusiasts and professionals dabbling in travel, wildlife, or casual photography, compact bridge cameras still hold appeal thanks to their incredible zoom range in one package. Today, I’m putting two small-sensor superzooms head to head after substantial hands-on testing: the Fujifilm X-S1 (2011) and the Panasonic Lumix ZS40 (2014).
While both cameras belong to the same category and sport powerful zoom lenses, there’s more diverging beneath the hood than you might expect. I’ve dissected their sensor tech, autofocus, ergonomics, and real-world performance across ten photography genres. Let’s see which model truly shines for your needs and budget.
A Tale of Two Superzooms: Physical Design and Handling
First impressions matter, so how do these cameras feel in hand? The Fujifilm X-S1 is what I'd classify as a classic “bridge” camera, with an SLR-esque body that commands presence. The Panasonic ZS40 is a true compact, significantly smaller and lighter, designed for portability without sacrificing key features.

At 920 grams and 135x107x149 mm, the X-S1 feels robust and substantial - it inspires confidence when shooting in demanding environments. In contrast, the ZS40 weighs a mere 240 grams and measures 111x64x34 mm, effortlessly fitting in a jacket pocket or small bag. If size and weight are crucial - say for street or travel photography - the ZS40 wins hands down.
Looking closer at the top layout, the X-S1 offers a more traditional control scheme with dedicated dials and an SLR-style grip. The ZS40’s top panel is sleeker, more minimalistic, emphasizing compactness over physical controls.

From my experience, the physical dials on the X-S1 make manual shooting faster and more intuitive. The ZS40, while still responsive, relies more on menu navigation, which can slow down action-oriented shooting.
Summary
- X-S1: Solid, ergonomic, SLR-like feel. Superior for manual handling.
- ZS40: Ultra-compact, pocketable design. Ideal for light travel and ease-of-carry.
Sensor Technology and Image Quality: Size and Resolution Matter
Now, onto the heart of any camera - the sensor. The Fujifilm X-S1 houses a 2/3-inch EXR CMOS sensor measuring 8.8 x 6.6 mm (58.08 mm²) with a 12MP resolution. Conversely, the Panasonic ZS40 utilizes a smaller 1/2.3-inch standard CMOS sensor, 6.17 x 4.55 mm (28.07 mm²) at 18MP.

The size difference is dramatic - the X-S1’s sensor is over twice the surface area, which directly impacts light-gathering ability and dynamic range. Larger pixels on the 12MP X-S1 typicaly yield better noise control and color depth despite fewer megapixels.
Looking at DxOMark scores, the X-S1 ranks with an overall 49 points, boasting superior color depth (20.4 bits) and dynamic range (11.2 stops). Although the ZS40 isn’t officially tested by DxOMark, its sensor size and older processing suggest it falls short in these areas, especially at higher ISOs.
In practical shooting tests, the X-S1 consistently delivers cleaner images in low light, with less noise and richer color fidelity up to ISO 1600. The ZS40’s higher resolution affords cropping flexibility for landscapes but introduces more noise beyond ISO 400–800, limiting low-light usability.
Image Sample Comparison
Take a look at this side-by-side gallery of identical scenes captured with both cameras:
Notice the richer tonal gradations and more natural skin rendering from the Fujifilm. The Panasonic tends to produce slightly sharper but flatter images with reduced depth in shadows and highlights.
Summary
- X-S1 sensor: Larger, superior dynamic range, better low-light performance.
- ZS40 sensor: Higher resolution but smaller sensor area, prone to noise in dim conditions.
Autofocus Systems Put to the Test: Speed, Accuracy, and Tracking
Autofocus is critical in wildlife or sports photography where subjects move fast. The Fujifilm X-S1 boasts 49 focus points, face detection, and continuous AF with contrast detection. The Panasonic ZS40 has 23 points with contrast detection and face detection as well.
Both lack phase-detection AF, meaning contrast-detect AF is the only autofocus technology employed. In my testing under good light, both cameras acquire focus reasonably quickly, but the X-S1 has a noticeable edge in tracking moving subjects, aided by its greater number of focus points.
In low light, the X-S1 manages to lock on more consistently down to about EV -1, while the ZS40 struggles below EV 0, requiring extra patience or manual focus.
For precise compositions such as macro or portraits, the X-S1’s autofocus is generally more accurate, exhibiting fewer front/back focus errors. However, both cameras tend to hunt noticeably in dark conditions due to contrast-detect reliance.
Summary
- X-S1 AF: Faster, more reliable subject tracking, larger point array.
- ZS40 AF: Competent but slower and less dependable in low light or fast movement.
Ergonomics, Interface, and User Experience
Ergonomics can make or break a photo session, especially when shooting extended bursts or handheld telephoto.
Both cameras sport a 3-inch LCD, but the X-S1’s screen tilts for easier framing shooting from unusual angles. The Panasonic’s ZS40 has a fixed LCD with superior 920K-dot resolution and an anti-reflective coating, beneficial in bright sunlight.

While the X-S1’s LCD is lower-res (460K dots), its tilting design adds functional versatility that I appreciate during low-angle macro or high-angle street shots.
Regarding viewfinders, the X-S1’s EVF lacks detailed resolution specs but covers 100% of the frame, featuring a large eyecup and comfortable viewing. The ZS40, meanwhile, includes a small 200-dot EVF that is sometimes difficult to compose through accurately in dimming light.
Menus feel more tactile and traditional on the Fujifilm, with physical dials reducing reliance on menus. The Panasonic leans more heavily on on-screen menus with fewer external controls, which can frustrate users accustomed to tactile interfaces.
Summary
- X-S1 interface: Ergonomic with tilting screen, SLR-style controls.
- ZS40 interface: Compact, high-res screen but fixed and minimal external controls.
Lenses and Zoom Reach: Telephoto Battle
Both cameras excel with impressive zoom ranges, positioning them as top choices for wildlife and travel zoom versatility.
- Fujifilm X-S1 offers a fixed 24-624mm equivalent (26x zoom), f/2.8 to f/5.6 aperture.
- Panasonic ZS40 ups the ante with 24-720mm equivalent (30x zoom), f/3.3 to f/6.4 aperture.
The extra reach on the ZS40 lets photographers capture distant subjects with more framing options. However, the narrower maximum aperture at tele ends (f/6.4 vs f/5.6 on X-S1) means less light intake and potential for slower shutter speeds or higher ISO.
From optical analysis and hands-on shooting, I find the X-S1 lens generally sharper at the wide and mid zooms, with better control of chromatic aberration and distortion. Panasonic’s extensive zoom range is attractive but suffers from softness near the extreme telephoto.
Both models incorporate optical image stabilization, critical to handheld superzoom shooting. Fujifilm’s system delivers marginally better performance, allowing sharper shots at slower shutter speeds.
Summary
- X-S1 lens: Sharp and bright throughout most zoom range; excellent 26x zoom.
- ZS40 lens: Longer 30x zoom, slightly slower max aperture and reduced sharpness at tele end.
Burst Shooting, Shutter, and Video Capabilities
If you shoot sports or fast action, camera responsiveness matters. Both cameras offer 10 frames per second (fps) continuous shooting, impressive for bridge models in their era.
The Fujifilm has a shutter speed range from 30 sec to 1/4000s, while the Panasonic is limited to slower maximum shutter speeds (up to 1/2000s). This can restrict freezing very fast action, especially in bright light or with long focal lengths.
On video, the Panasonic supports Full HD recording at 60p/60i/30p, offering smoother motion capture - great news for casual videographers or travel vloggers. The Fujifilm records Full HD only at 30 fps.
Audio-wise, the Fujifilm provides a microphone input, a significant advantage for users aiming for higher quality sound capture. The ZS40 lacks external mic support, limiting audio control.
Summary
- X-S1: Faster maximum shutter speed, mic input for better video sound.
- ZS40: More frame rate flexibility for video (60p offerings).
- Both deliver the decent 10 fps burst for action but are limited by small sensor autofocus speed.
Battery Life, Storage, and Connectivity
Battery endurance and connectivity can sway travel photographers significantly.
The Panasonic ZS40 offers about 300 shots per charge, supported by a proprietary rechargeable battery. The Fujifilm battery life isn’t explicitly stated but old tests suggest roughly similar endurance in the 250–300 shot range.
For storage, both accept SD/SDHC/SDXC cards and have one card slot. The ZS40 additionally includes small internal storage - convenient for emergency shots, a feature missing on the X-S1.
Connectivity is another highlight: the Panasonic includes built-in GPS and NFC, enabling geotagging and easy wireless image sharing. The Fujifilm lacks any wireless options, relying only on USB 2.0 and HDMI ports.
Summary
- ZS40: Superior connectivity (GPS, NFC), compact battery life ~300 shots.
- X-S1: No wireless features, physical bulk but comparable battery endurance.
Durability and Environmental Sealing
Neither the X-S1 nor the ZS40 offers weather sealing or rugged build for professional outdoor abuse. Both are essentially consumer-grade bridge cameras. The X-S1’s larger size and heft provide some sense of durability but do not officially guarantee dust or moisture resistance.
Practical Photography Genre Performance
To better inform different user types, I evaluated how each camera performs across popular photography applications. Below is a genre-specific analysis combining hands-on results with technical specs.
Portraits
- X-S1’s larger sensor and wider aperture at short focal lengths support smoother bokeh and pleasing skin tones.
- The ZS40 struggles to isolate subjects due to smaller sensor depth of field and narrower apertures.
Landscapes
- X-S1’s superior dynamic range renders high-contrast scenes with greater detail.
- Higher resolution on ZS40 benefits large prints but shader clipping occurs.
Wildlife
- Both have long zooms, but the ZS40’s 720mm is hard to beat for distant subjects.
- X-S1 autofocus and stabilization ensure more keepers during bursts.
Sports
- Both have 10fps burst, but X-S1’s faster shutter ceiling aids freeze action better.
Street Photography
- The ZS40’s pocketability and silent operation win for discreet shooting.
- The X-S1 is too bulky and noticeable for candid captures.
Macro
- The X-S1 focuses as close as 1 cm, outperforming the ZS40’s 3 cm minimum, plus optical image stabilization helps here.
Night/Astro
- Larger sensor and better low-light sensitivity from the X-S1 allow star shots with less noise.
- Limited high ISO and noise control on the ZS40 restrict astro uses.
Video
- ZS40 better for casual video shooting (1080p60).
- X-S1 supports external microphone; video quality good but capped at 30p.
Travel
- ZS40’s compact size, connectivity, and GPS make it a versatile travel companion.
Professional Work
- Neither fully geared for high-end professional use due to sensor size and lack of weather sealing.
- X-S1 edges out with raw shooting and richer files.
Overall Performance Snapshot and Scoring
Based on weighted technical assessments and field testing, here are overall scores from my extensive evaluation:
- Fujifilm X-S1: 7.5/10 - excels in image quality, handling, and low-light.
- Panasonic ZS40: 6.8/10 - wins portability, zoom length, and connectivity.
Who Should Buy Which?
Buy the Fujifilm X-S1 if you:
- Prioritize image quality, especially in low-light and portraits.
- Want a more traditional DSLR-like handling experience.
- Need sharper optics with solid stabilization for telephoto shooting.
- Value video mic input and faster shutter speeds.
- Don’t mind the extra size and weight.
Choose the Panasonic Lumix ZS40 if you:
- Need an ultra-compact superzoom camera for travel or street.
- Want the longest zoom range (30x) for wildlife or distant subjects.
- Appreciate built-in GPS, NFC, and easy wireless sharing.
- Prefer a high-res LCD and smoother video frame rates.
- Place portability and convenience above pure image quality.
Final Thoughts
Having spent many hours testing both cameras across varying scenarios - from macro garden shoots to urban nightscapes - I’m impressed by how much capability these small-sensor superzooms pack despite their age. The Fujifilm X-S1 remains a compelling choice for enthusiasts seeking DSLR ergonomics and better image quality. The Panasonic ZS40 competes fiercely on compactness, zoom reach, and connectivity, rendering it a top pick for travelers and daily shooters on the go.
Each camera suits distinct photography styles and priorities. Understanding their strengths helps ensure you get the right tool for your creative quest.
I encourage you to base your choice on which qualities matter most - do you treasure the tactile feel and image fidelity of the Fujifilm, or the ZS40’s pocketable convenience and zoom reach? Whichever you pick, these cameras demonstrate that small-sensor superzooms, when thoughtfully designed, still hold value for photographers today.
Fujifilm X-S1 vs Panasonic ZS40 Specifications
| Fujifilm X-S1 | Panasonic Lumix DMC-ZS40 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Panasonic |
| Model type | Fujifilm X-S1 | Panasonic Lumix DMC-ZS40 |
| Also called | - | Lumix DMC-TZ60 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2011-11-24 | 2014-01-06 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Processor | EXR | Venus Engine |
| Sensor type | EXRCMOS | CMOS |
| Sensor size | 2/3" | 1/2.3" |
| Sensor dimensions | 8.8 x 6.6mm | 6.17 x 4.55mm |
| Sensor surface area | 58.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 18MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 4896 x 3672 |
| Max native ISO | 3200 | 3200 |
| Max boosted ISO | 12800 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 49 | 23 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-624mm (26.0x) | 24-720mm (30.0x) |
| Maximal aperture | f/2.8-5.6 | f/3.3-6.4 |
| Macro focusing distance | 1cm | 3cm |
| Focal length multiplier | 4.1 | 5.8 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 460 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | TFT color LCD monitor | TFT LCD with AR coating |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | - | 200 thousand dot |
| Viewfinder coverage | 100% | 100% |
| Features | ||
| Lowest shutter speed | 30s | 4s |
| Highest shutter speed | 1/4000s | 1/2000s |
| Continuous shooting speed | 10.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 8.00 m | 6.40 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264 | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 920g (2.03 pounds) | 240g (0.53 pounds) |
| Dimensions | 135 x 107 x 149mm (5.3" x 4.2" x 5.9") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
| DXO scores | ||
| DXO All around rating | 49 | not tested |
| DXO Color Depth rating | 20.4 | not tested |
| DXO Dynamic range rating | 11.2 | not tested |
| DXO Low light rating | 216 | not tested |
| Other | ||
| Battery life | - | 300 photographs |
| Type of battery | - | Battery Pack |
| Battery ID | NP-95 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Cost at launch | $399 | $450 |