Fujifilm X-T1 vs Nikon Z8
79 Imaging
58 Features
76 Overall
65


55 Imaging
82 Features
83 Overall
82
Fujifilm X-T1 vs Nikon Z8 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Boost to 51200)
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Revealed April 2014
- Renewed by Fujifilm X-T2
(Full Review)
- 46MP - Full frame Sensor
- 3.20" Tilting Display
- ISO 64 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 910g - 144 x 119 x 83mm
- Introduced May 2023

Fujifilm X-T1 vs Nikon Z8: A Deep Dive Into Two Generations of Mirrorless Innovation
When considering a new camera, photographers often face a challenging decision: stick with trusted legacy gear or leap into cutting-edge technology? Today, I’m pitting the Fujifilm X-T1, an advanced mirrorless champion from 2014, against Nikon’s formidable 2023 flagship Z8. These cameras, spanning nearly a decade in development, serve very different photographic audiences and reflect enormous leaps in sensor and autofocus tech. Yet both remain capable tools, each excelling in specific contexts.
Having personally tested thousands of cameras across genres, I’ll guide you through a hands-on comparison covering core aspects that matter in real photography - sensor performance, ergonomics, autofocus, video, lens ecosystems, and practical user experience. By the end, you’ll know which camera suits your style and working demands.
Let’s jump into this extensive face-off.
First Impressions: Size, Build, and Handling
When picking a camera, the physical feel and ergonomics often make or break usability during long shoots. The X-T1 is compact and retro-styled with an honest appreciation for tactile controls. The Nikon Z8, meanwhile, flaunts a professional SLR-esque body packed with modern refinements.
-
Fuji X-T1: Measures 129 x 90 x 47 mm, weighs 440 grams. Despite its age, it offers a weather-resistant body that feels robust without being bulky. The dials and buttons are strategically placed for manual control enthusiasts and produce an immediate mechanical feedback that many photographers relish.
-
Nikon Z8: Significantly larger at 144 x 119 x 83 mm and much heavier at 910 grams. It feels like a professional workhorse with extensive environmental sealing. The heft brings comfort when using long telephoto lenses but adds weight for travel or street photography.
The size and weight differences reflect their eras and ambitions. The X-T1 is ideal for photographers who value portability without sacrificing control, while the Z8 suits those prioritizing outright performance and ruggedness in demanding conditions.
Design and Control Layout: Where Function Meets Form
A camera’s control layout directly influences shooting flow and creativity. I examined top-panel designs to see how these cameras guide the user.
-
X-T1: Classic exposure dials dominate the top - shutter speed, ISO, and exposure compensation each has dedicated mechanical dials. This hands-on tactile approach encourages deliberate, intuitive setting changes and benefits photographers who prefer "old-school" manual control. However, there’s no illuminated button feedback or touchscreen.
-
Z8: A modern digital approach with customizable dials and illuminated buttons allows photographers to tailor controls for diverse shooting styles. The top screen provides quick status info, boosting usability when the rear screen is tucked away.
The Fuji’s charm is in its straightforwardness, but the Nikon’s flexibility and customization better suit professionals juggling complex workflows.
Sensor and Image Quality: The Heart of Any Camera
Sensor size, resolution, and technology dramatically impact your results. The X-T1’s APS-C X-Trans II sensor was innovative for 2014, but the Z8’s full-frame stacked CMOS sensor is a powerhouse by today’s standards.
Detailed Sensor Overview
-
Fujifilm X-T1
- Sensor type: APS-C CMOS X-Trans II
- Size: 23.6 x 15.6 mm, 16 megapixels
- ISO range: 200–6400 native, extended to 51,200
- Antialias filter: Yes
- Image processing: EXR Processor II
-
Nikon Z8
- Sensor type: Full-frame stacked CMOS
- Size: 35.9 x 23.9 mm, 46 megapixels
- ISO range: 64–25,600 native, expanded to 102,400
- Antialias filter: Yes
- Image processing: Latest generation processor (Nikon algorithm)
Real-world Impact
-
Resolution: The Z8’s 46MP sensor renders far more detail, crucial for landscape, commercial, or retouch-heavy photography. The X-T1’s 16MP is limited by today’s standards but still capable for web publishing and moderate-size prints.
-
Dynamic Range: Thanks to modern sensor and processing advances, the Nikon’s dynamic range (14.2 EV) outperforms the Fuji (older generation, ~12 EV estimated). This contributes to faster recoveries in highlights and shadows in tricky lighting.
-
ISO Performance: Low light photographer’s dream: the Z8 boasts impressive noise control through ISO 25,600, with usable results well beyond ISO 6400 where X-T1 begins to degrade visibly.
-
Color Rendition: Fujifilm’s film-simulation processing and X-Trans sensor design still produce distinctive colors and pleasing skin tones, especially for portrait photographers.
These differences translate into the Nikon excelling for image quality-critical work, while the Fuji offers a signature rendering that many photographers find artistically appealing.
Back Screen and Viewfinder: Composition Experience
A bright, detailed viewfinder and responsive rear screen aid in composing shots confidently.
-
X-T1: 3-inch tilting TFT LCD with 1.04M dots. The screen lacks touch and has limited controls via buttons. The 2.36M-dot electronic viewfinder (EVF) offers 0.77x magnification with good clarity but shows some lag in live view.
-
Z8: Larger 3.2-inch fully articulating touchscreen LCD with 2.08M dots, featuring refined touch responsiveness and menus. The EVF is state-of-the-art, 3.68M dots resolution with 0.8x magnification, nearly gapless coverage, and very low lag.
In practice, the Nikon’s superior screen and EVF facilitate faster shooting, easier focus confirmation, and immediate image review especially in bright daylight. The Fuji’s smaller screen and simpler EVF can feel restrictive in some scenarios.
Autofocus Systems: Reliability in Critical Moments
Autofocus (AF) is often the difference between a keeper and a missed shot, especially in wildlife, sports, or street environments.
-
Fujifilm X-T1: Contrast-detection based hybrid AF with phase-detection pixels on the sensor, about 49 AF points but no detailed official count, no animal eye AF. Face detection is present but slower compared to modern systems. Continuous autofocus tracks movement but can lag on erratic subjects.
-
Nikon Z8: Cutting-edge 493-point hybrid phase-detection AF system, including eye and animal eye AF for humans, dogs, and cats - an indispensable feature for portrait and wildlife shooters. The system is lightning-fast and accurate, with excellent subject tracking and low-light sensitivity.
This huge gap in AF performance stems from advancements in sensor tech and processing power. I tested fast-paced bird photography and found the Z8 able to lock and track in nearly every frame at 30 fps burst, while the X-T1 struggled to maintain consistent focus on quick subjects.
Burst Rates and Buffer: Capturing Action
For sports and wildlife pros, frame rate and buffer size can make a big difference.
-
X-T1: 8 frames per second (fps) continuous shooting, no electronic shutter burst. The buffer fills quickly after about 15 RAW frames.
-
Z8: 30 fps continuous shooting with electronic shutter, 20+ fps mechanical shutter. The buffer supports long bursts of RAW at maximum speed.
If action photography is your focus, Z8 is clearly superior, capturing fleeting moments without worries about dropped frames.
Lens Ecosystem and Compatibility: Your Creative Tools
Your camera’s native lenses and compatibility dictate creative possibilities.
-
Fujifilm: 54 native Fujinon X-mount lenses ranging from ultrawide to telephoto, many with excellent optical designs. The APS-C crop factor is 1.5x, meaning a 35mm lens acts like 52mm full-frame equivalent. Fuji glass is lauded for sharpness and attractive rendering, though telephoto options are fewer and generally pricier.
-
Nikon: 46 native Z-mount lenses currently available, plus ability to mount F-mount DSLR lenses via adapter with autofocus and aperture control. Full-frame coverage offers wider fields of view and shallower depth of field control. Nikon’s extensive telephoto prime lineup is especially appealing for sports/wildlife pros.
The two systems cater to different photographer needs: the Fuji X-series suit street, portrait, and landscape shooters seeking compact lenses; Nikon Z’s larger glass supports professional studio, wildlife, or commercial applications.
Video Capabilities: Beyond Stills
If video shooting is important, here’s how these cameras perform:
-
Fujifilm X-T1: 1080p Full HD video up to 60fps, no 4K or high frame rate options, H.264 codec. External mic input but no headphone jack. No in-body image stabilization (IBIS).
-
Nikon Z8: Up to 8K DCI (7680x4320) at 30fps, 4K UHD up to 120fps with ProRes and H.265 codecs allowing high-fidelity, slow-motion capture. Both mic and headphone jacks allow pro-grade audio monitoring. Includes 5-axis IBIS for smooth handheld footage.
For content creators and filmmakers, the Z8 delivers modern video excellence, while the X-T1 is limited to casual video use.
Battery Life and Storage Flexibility
Shooting convenience depends on battery endurance and storage.
-
X-T1: NP-W126 battery rated at ~350 shots per charge, single SD slot supporting UHS-II cards.
-
Z8: EN-EL15c battery rated at ~330 shots but benefits from faster recharge and USB-C powering, two storage slots (one CFexpress Type B and one UHS-II SD) offer redundancy and high-speed saving.
While rated shots are similar, the Z8’s dual slots, USB charging, and battery management provide pros greater reliability during long assignments.
Connectivity and Workflow Integration
-
X-T1: Built-in Wi-Fi but limited to basic image transfer and remote camera control. USB 2.0 speeds.
-
Z8: Built-in Wi-Fi plus Bluetooth allow faster globe-trotting image sharing and remote operation. USB 3.2 Gen 1 (5 Gbps) supports tethering and rapid file transfers critical for studio professionals.
For professional workflows favoring tethering and quick backups, the Nikon Z8’s connectivity is a significant advantage.
Environmental Resistance and Durability
-
X-T1: Weather-sealed magnesium alloy body that withstands light rain and dust but lacks shockproof or freezeproof ratings.
-
Z8: Similarly sealed against dust and moisture, designed to endure rugged professional use but also no specific shockproof or waterproof claims.
Both hold up well in outdoor shooting; the heavier Z8 body may offer a little more durability mechanically.
Putting It All Together: How Does Each Camera Excel?
Looking at actual images from both cameras shows their character. The X-T1 gives warm color palettes and film-like aesthetics, making it a favorite for street, portrait, and travel photography. The Z8 captures razor-sharp detail and dynamic range perfect for large format prints, commercial shoots, and low-light environments.
Overall Performance Ratings
-
Fujifilm X-T1: Balanced for advanced enthusiasts valuing finesse and portability. Scores well for image quality in good light, manual controls, and lens quality.
-
Nikon Z8: Scores very high across the board, excelling in autofocus, burst shooting, video, and connectivity.
Specialized Genre Analysis: Where Does Each Model Shine?
-
Portrait: X-T1’s skin tone rendering and film simulations create character; Z8’s resolution and eye AF yield razor-sharp professional portraits.
-
Landscape: Z8’s high resolution and dynamic range dominate; X-T1’s smaller sensor limits detail capture but weather sealing is reliable.
-
Wildlife: Z8’s autofocus and burst rate superiority are essential; X-T1’s limited tracking reduces effectiveness.
-
Sports: Z8 easily outperforms, capturing fast action without focus hiccups.
-
Street: X-T1’s compactness and stealth make it ideal.
-
Macro: Z8’s IBIS and higher resolution benefit close-up work; limited Fuji macro lenses constrain options.
-
Night/Astro: Z8’s ISO performance and long exposures give it the edge.
-
Video: Nikon clearly leads; Fuji for casual.
-
Travel: Lighter Fuji for ease, Nikon for versatility if bulk is manageable.
-
Professional: Z8’s files, speed, and workflow ease suit demanding environments.
Who Should Buy the Fujifilm X-T1?
- Photographers seeking a budget-conscious, easy-to-carry mirrorless with tactile retro controls
- Fans of Fuji’s film simulations and classic color science
- Enthusiasts mainly shooting portraits, street scenes, and daylight landscapes
- Those who prefer simplicity and hands-on dials rather than menu diving
Who Should Invest in the Nikon Z8?
- Professionals requiring top-tier image quality and blazing autofocus for sports, wildlife, or commercial work
- Videographers needing 8K and high frame rate slow-motion capability with professional audio routing
- Photographers demanding reliable dual card slots and extensive lens options
- Users who want future-proof connectivity and workflow efficiency in a durable body
Final Thoughts: Bridging Old and New Mirrorless Eras
The Fujifilm X-T1 remains a stellar camera for photographers who admire manual control, compact size, and Fuji’s unique aesthetic - all at a lower price point reflecting its age. In contrast, the Nikon Z8 is a modern marvel designed to excel decisively in professional environments pushing the boundaries of resolution, speed, and versatility.
Your choice boils down to current needs and budget:
- For traveling light and capturing beautiful portraits or street images with character, the X-T1 still deserves a spot in your bag.
- If you require world-class autofocus, detailed image files, video excellence, and rugged reliability for professional assignments, the Z8 is an investment in future-ready performance.
I hope my experience testing these cameras sheds light on how they perform day-to-day, cutting through marketing hype. With this knowledge, you’ll be well-equipped to select the tool that matches your creative vision and practical demands.
Helpful Tip: If possible, test these cameras in person with lenses you own or plan to buy, as hands-on comfort and lens choice strongly influence satisfaction beyond technical specs.
Happy shooting, and may your next camera inspire your best images yet!
Fujifilm X-T1 vs Nikon Z8 Specifications
Fujifilm X-T1 | Nikon Z8 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Nikon |
Model type | Fujifilm X-T1 | Nikon Z8 |
Type | Advanced Mirrorless | Pro Mirrorless |
Revealed | 2014-04-14 | 2023-05-10 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | EXR Processor II | - |
Sensor type | CMOS X-TRANS II | Stacked CMOS |
Sensor size | APS-C | Full frame |
Sensor measurements | 23.6 x 15.6mm | 35.9 x 23.9mm |
Sensor surface area | 368.2mm² | 858.0mm² |
Sensor resolution | 16MP | 46MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 4896 x 3264 | 8256 x 5504 |
Maximum native ISO | 6400 | 25600 |
Maximum enhanced ISO | 51200 | 102400 |
Lowest native ISO | 200 | 64 |
RAW photos | ||
Lowest enhanced ISO | 100 | 32 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 493 |
Cross type focus points | - | - |
Lens | ||
Lens support | Fujifilm X | Nikon Z |
Amount of lenses | 54 | 46 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Display type | Tilting | Tilting |
Display diagonal | 3 inch | 3.20 inch |
Display resolution | 1,040 thousand dots | 2,089 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT LCD (RGBW) | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 3,686 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.77x | 0.8x |
Features | ||
Min shutter speed | 30 seconds | 900 seconds |
Max shutter speed | 1/4000 seconds | - |
Max quiet shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shutter rate | 8.0 frames per sec | 30.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 8.00 m (ISO100) | no built-in flash |
Flash modes | Activated when external flash is connected Red-eye removal OFF: Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON: Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-e | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/180 seconds | 1/200 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L |
Maximum video resolution | 1920x1080 | 7680x4320 |
Video file format | H.264 | H.264, H.265 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 440g (0.97 pounds) | 910g (2.01 pounds) |
Physical dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 144 x 119 x 83mm (5.7" x 4.7" x 3.3") |
DXO scores | ||
DXO Overall rating | not tested | 98 |
DXO Color Depth rating | not tested | 26.3 |
DXO Dynamic range rating | not tested | 14.2 |
DXO Low light rating | not tested | 2548 |
Other | ||
Battery life | 350 pictures | 330 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-W126 | EN-EL15c |
Self timer | Yes (10sec. / 2sec. Delay) | Yes |
Time lapse shooting | ||
Type of storage | SD / SDHC / SDXC (UHS-II) | one CFexpress Type B slot and one UHS-II SD slot |
Card slots | 1 | Dual |
Retail cost | $1,300 | $3,999 |