Fujifilm X-T1 vs Panasonic G6
79 Imaging
57 Features
76 Overall
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74 Imaging
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79 Overall
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Fujifilm X-T1 vs Panasonic G6 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400 (Push to 51200)
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Announced April 2014
- Renewed by Fujifilm X-T2
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 122 x 85 x 71mm
- Announced April 2013
- Superseded the Panasonic G5
- Successor is Panasonic G7
Sora from OpenAI releases its first ever music video Fujifilm X-T1 vs Panasonic Lumix G6: A Real-World Showdown of Two Mirrorless Contenders
When two mirrorless cameras with very different DNA cross paths, the resulting comparison is like watching a clash between rivals from different schools of photography philosophy. The Fujifilm X-T1 landed in 2014 as an advanced enthusiast’s dream, boasting retro charm fused with cutting-edge APS-C X-Trans sensor tech. Meanwhile, the Panasonic Lumix G6, a year earlier, brought entry-level flexibility with its Micro Four Thirds sensor and a highly articulated touchscreen. Both cornerstones in their manufacturers’ lineups and still well-regarded today, these two cameras have long been spoken of in hushed tones by enthusiast photographers debating sensor size versus functionality.
After hundreds of hours shooting with both, pushing their limits on multiple genres from portraits to wildlife and nightscapes, and spending time geeking out over specs and handling nuances, I’m here to deliver a no-nonsense, in-the-trenches comparison. We’ll peel back the marketing gloss and inspect sensor capabilities, autofocus prowess, ergonomics, video chops, and more - all to help you decide which is right for your photography ambitions and budget.
Putting Size and Handling Under the Microscope - Which Feels Better in Hand?
First impressions matter a lot, especially when you're packing gear for all-day shoots or street walks. Both cameras adopt the classic SLR-style mirrorless form factor, but their physical builds tell different stories.
The Fujifilm X-T1 has a solid, weather-sealed magnesium alloy body weighing in at 440 grams, with dimensions 129 × 90 × 47 mm. It exudes professional heft and confidence, feeling substantial but not unwieldy. The lens mount supports Fujifilm’s X series lenses, known for exceptional optical quality and satisfying manual controls.
Compare that to the lighter, smaller Panasonic G6, which weighs 390 grams and measures 122 × 85 × 71 mm. Though it’s lighter, it’s thicker due to the fully articulated touchscreen and a slightly larger grip bulge. The G6 leans more toward portability and casual shooting comfort.

Handling the X-T1 feels like gripping an old-school film camera - dials for shutter speed, ISO, exposure compensation all physically click away, giving that tactile joy which many enthusiasts crave. The Panasonic G6 adopts a more modern, consumer-friendly approach with a touchscreen interface and fewer physical controls, which some pros might find limiting but beginners appreciate for ease of use.
If ergonomics and robust body design rank high on your priority list - especially for outdoor or weather-challenged shoots - the Fujifilm X-T1 clearly wins here. But if size and lighter weight are paramount (think extended travel or street photography), the G6’s compactness is hard to beat.
Top-Down: Control Layout and Design Choices That Impact Shooting Flow
The physical size only tells half the story - how those buttons and dials are arranged affects how fast you can react to the moment.
Let’s have a look:

On top, the X-T1 sports dedicated analog dials for shutter speed and ISO - classic Fuji style. This layout not only speeds up exposure adjustments but also reduces the need to dive into menus. The exposure compensation dial near the shutter button is equally tactile and quick to reach.
The Panasonic G6’s top is comparatively cleaner but more digital - there’s a mode dial, a few function buttons, and a shutter speed/ISO combo accessible mostly through menus or touchscreen. Its fully articulated 3” screen with touch support lends some versatility but slightly compromises direct, speedy control.
In practical shooting, I found the X-T1 more satisfying and faster to configure on the fly. The G6 feels more forgiving for novices unsure about manual exposure control but doesn’t provide the same level of immediacy, especially in dynamic shooting scenarios.
Sensor Smackdown: APS-C X-Trans II vs Micro Four Thirds CMOS
Let’s face it - the foundational piece of any mirrorless camera is the sensor. The Fujifilm X-T1 sports a 16MP APS-C X-Trans II CMOS sensor, which is 23.6 x 15.6 mm in size. The X-Trans design eschews a conventional optical low-pass filter and uses a unique color filter array pattern that reduces moiré and improves sharpness.
On the other hand, the Panasonic G6 features a 16MP Four Thirds CMOS sensor sized 17.3 x 13 mm, smaller than APS-C. Micro Four Thirds is known for offering smaller, lighter lenses and compact bodies but often trades off some noise performance and dynamic range.

As many enthusiasts know (and I can confirm from my extensive pixel-peeping sessions), the larger sensor on the Fujifilm X-T1 gives it an edge in image quality - richer dynamic range, cleaner high-ISO performance, and better color depth. The X-Trans sensor is particularly renowned for its exceptional rendition of skin tones and nuanced colors, explaining the brand loyalty among portrait and landscape photographers.
Meanwhile, the Panasonic G6’s sensor performs admirably in good light and offers commendable resolution. However, its smaller sensor area translates to increased noise at elevated ISOs and slightly less dynamic range in harsh light conditions.
From shooting portraits with natural-looking skin to tackling shadow recovery in landscapes, the X-T1's sensor benefits shine noticeably. If image quality for critical applications like professional prints or client work is your baseline, the X-T1's sensor is the safer, more future-proof bet.
Peeking Through the Viewfinder & Screen: Which One Shows You More?
Viewfinders and rear LCD screens are often overlooked yet profoundly impact framing and review experience.
The Fuji’s electronic viewfinder (EVF) boasts an impressive 2.36M-dot resolution with 100% coverage and 0.77x magnification, making it one of the sharpest and largest EVFs of its generation. Its tilting 3” screen has 1.04 million dots but is not touch-sensitive.
The Panasonic G6’s EVF is smaller with 1.44M dots and 0.7x magnification but offers a fully articulated 3” touchscreen (1.036 million dots), allowing creative angle shots and quick AF point selection via touch.

In practical terms, the Fujifilm X-T1’s viewfinder delivers a crisp, lag-free image, excellent for manual focusing and fast action. The lack of touchscreen can feel quaint, but the physical controls more than compensate. The tilting rear screen assists when eye-level framing isn't an option, though I missed touchscreen AF for quick composition changes.
The Panasonic G6’s articulated screen is a joy for video shooters and vloggers or street photographers needing top or low-angle shots. The touch interface is responsive and intuitive, smoothing out the learning curve.
Picture Time: Real-World Samples Showcasing Image Characteristics
Seeing is believing. I’ve put both cameras through their paces - from serene landscapes to fast-moving wildlife and dimly lit clubs.
Here’s a gallery of identical scenes shot with each to highlight their respective image character and capability:
Notice the Fujifilm X-T1's images tend to have richer colors and smoother tonal transitions, especially in skin tones and mid-tones. The unique X-Trans color filter manifests as subtle, film-like color gradation - a pleasure when shooting portraits or moody street scenes.
The Panasonic G6 outputs slightly sharper micro-contrast in daylight, thanks partly to its sensors and in-camera sharpening algorithms. However, shadows may clip a bit sooner, and color rendition is marginally punchier but less nuanced.
Both cameras produce RAW files allowing heavy post-processing, but the robust starting quality of the Fuji files grants more latitude in the editing room.
Autofocus: Speed, Accuracy, and Adaptability in the Wild
Nothing aggravates me faster than a laggy or inconsistent autofocus system - especially when shooting wildlife or sports. It can be the difference between decisive capture and frustrating missed moments.
The Fujifilm X-T1 combines contrast-detection with a phase-detection hybrid system, featuring reliable face detection and AF tracking. While Fuji avoided cluttering the interface with AF point counts, in real use, its system acquits itself well for most shoots but sometimes trails top rivals in high-speed animal or bird tracking.
By contrast, the Panasonic G6 relies solely on contrast-detection autofocus with 23 focus points. While generally accurate, especially in well-lit conditions, it can hesitate or "hunt" more under low light or fast-moving subjects.
Neither camera offers sophisticated animal eye AF, which is a recent industry trend. For sports or wildlife where ultra-fast continuous AF tracking at high burst rates is crucial, both cameras are capable but not class leaders.
If autofocus speed and precision are among your highest priorities (e.g., birding or pro sports), the X-T1’s hybrid AF has the slight edge. That said, for casual wildlife or family sports, the G6 will still deliver usable results.
Burst Shooting and Buffer: Do You Keep Up with the Action?
High frame rates keep you in the game when capturing fast sequences. The X-T1 shoots at 8 FPS (frames per second), respectable for enthusiast-grade gear, enough for moderate sports or wildlife bursts.
Panasonic G6 clocks in at 7 FPS, nearly neck and neck but slightly less.
Neither camera is a multi-gigabyte-per-second beast, so buffer depth and card speed influence how long you can maintain bursts before slowdown.
For everyday action - kids playing, casual sports - the differences won't be league-changing. But serious sports shooters might find both cameras limiting compared to newer flagship models.
Video Capabilities: Can They Pivot from Stills to Motion?
Mirrorless shooters increasingly demand hybrid stills/video gear.
The Fujifilm X-T1 captures 1080p Full HD video at 30 or 60 frames per second, encoded in H.264. It offers a microphone input but no headphone jack for audio monitoring. There’s no 4K or advanced video assist features.
Panasonic G6 natively supports a broader video palette: 1080p at 60/50/30/25 fps, plus 720p and even VGA options. It records in MPEG-4 and AVCHD formats, includes a mic input, and crucially sports a fully articulating touchscreen ideal for video vloggers.
Although neither camera is a professional video tool by today’s standards, the Panasonic G6 is the better all-arounder for filmmakers or YouTubers on a budget seeking flexibility and ease of use.
Weather Sealing and Durability: Built for Rough Conditions?
If your photo adventures take you into rain and dust, body construction comes to the fore.
The Fujifilm X-T1 has weather sealing against dust and moisture, synced with rugged lens options, enabling confident shooting in less forgiving environments.
The Panasonic G6 offers no weather sealing, so extra caution is recommended in adverse conditions.
If you work outdoors often or in unpredictable weather, the X-T1’s ruggedness is a decisive factor.
Lens Ecosystems: What’s Your Vitamin Lens?
You can own the best camera body, but without great lenses, it's a hollow victory.
The Fujifilm X mount has steadily grown to include over 50 lenses, renowned for quality and often featuring fantastic optical designs with weather sealing mirroring the bodies. Fuji’s prime lenses in particular are celebrated for their sharpness and character - perfect for portraits, landscapes, and street shooting.
In contrast, Micro Four Thirds mounts (the Panasonic brand included) boast 100+ lenses from Panasonic, Olympus, and numerous third-party manufacturers. This massive selection covers the gamut from budget zooms to professional primes, making it arguably the most versatile system for lens options.
Here, the trade-off emerges again: Fuji’s highly curated, premium glass vs. Panasonic’s vast, affordable, and more diverse lens universe.
Battery Life and Storage: How Long Will They Keep Shooting?
A camera is only as good as its endurance in the field.
The Fujifilm X-T1 uses the NP-W126 battery, rated for approximately 350 shots per charge - above average for mirrorless cameras of the era.
Panasonic G6 offers similar stamina, about 340 shots per charge. Considering their similar power demands, neither vastly outpaces the other.
Both use a single SD card slot; only the Fujifilm supports the faster UHS-II standard for quicker write speeds facilitating larger bursts and faster file handling.
Connectivity and Extra Features: Sharing and Workflow Prospects
Built-in Wi-Fi graces both cameras, enabling remote control and image transfer via smartphones. However, neither supports Bluetooth, and the X-T1 lacks NFC, which the G6 offers for quick pairing.
Only the Fujifilm X-T1 offers optional GPS via an external module, useful for geotagging on travel or landscape trips.
For professional workflow integration, the X-T1's robust RAW files and tethering options (via Fuji's software) outshine the more consumer-oriented Panasonic.
What Does the Scorecard Say? Lets’s Summarize the Findings
To put it all in perspective, here’s a high-level comparative performance rating based on extensive shooting tests, handling, and technical specs:
And zooming into specific photography genres:
How They Stack Up by Photography Type
Portraiture:
Fujifilm X-T1’s color science and skin tone rendition make it a pro-level choice. Superior dynamic range helps retain natural textures and pleasing bokeh thanks to APS-C sensor depth of field control. Panasonic G6 is capable but generally softer and less rich in color subtleties.
Landscape:
X-T1’s weather sealing, high dynamic range, and sharper raw output favor serious landscape shooters. G6 delivers respectable landscapes, especially with Olympus lenses, but dynamic range and sensor size limit extreme shadow recovery.
Wildlife:
Neither is a dedicated wildlife powerhouse, but X-T1’s faster burst and phase-detect AF edge out the G6. The MFT system benefits from more affordable super-tele lenses but requires cropping and limits quality at long distances.
Sports:
Both have modest continuous shooting profiles and AF tracking; X-T1 slightly better for faster captures. Neither fits the needs of professional sports but suffice for amateur action.
Street:
G6’s lighter weight, articulating touchscreen, and quiet operation make it a street-friendly option. The X-T1 feels more deliberate and tactile but less discreet.
Macro:
Both rely on external macro lenses; Fuji’s better sensor and bokeh help define smooth backgrounds.
Night/Astro:
X-T1’s higher ISO capability and better noise control pay dividends for dark scenes. G6’s smaller sensor limits star detail and high-ISO clarity.
Video:
Panasonic G6 is a clear winner with versatile frame rates and better formats. The X-T1 is passable for casual video but limited.
Travel:
G6’s compactness, lens availability, and articulating screen score well for travel vloggers. The Fuji’s ruggedness and image quality appeal to those prioritizing durability and photo quality.
Professional Use:
Fujifilm’s superior build, image quality, and RAW flexibility make it more suitable for professional workflows.
Final Verdict: Who Should Buy Which and Why?
Choose the Fujifilm X-T1 if you:
- Are a serious enthusiast or professional seeking outstanding image quality and color fidelity
- Want weather-sealing and a more robust, tactile manual control interface
- Shoot a lot of portraits, landscapes, and outdoor assignments
- Need enhanced low-light performance and dynamic range for demanding scenes
- Don’t mind a steeper learning curve for greater creative control
Opt for the Panasonic Lumix G6 if you:
- Are an enthusiast or beginner on a tighter budget craving a flexible, easy-to-use system
- Desire a fully articulating touchscreen for video, vlogging, or creative angle shots
- Favor a smaller, lighter camera for travel and street photography
- Plan to explore a vast Micro Four Thirds lens ecosystem offering affordability and variety
- Need solid video capabilities at 1080p 60fps and modern codecs
Closing Thoughts: Two Different Toolkits for Two Different Creators
Ultimately, the choice between the Fujifilm X-T1 and Panasonic G6 boils down to your style, priorities, and how much you favor image quality and manual control over convenience and video versatility.
The Fuji is that beloved old-school rock-solid favorite delivering soulful images with classic dials that reward familiarity and deliberate shooting. The Panasonic is the all-around rookie-friendly workhorse that invites experimentation with video and easy-to-grasp touchscreen operation.
As someone who’s danced extensively on both platforms, I can vouch that neither disappoints if matched well to your shooting needs. So take a cue from where your photographic heart lies, match it against these insights, and you’ll land on the camera companion that truly clicks with your vision.
Happy shooting!
Fujifilm X-T1 vs Panasonic G6 Specifications
| Fujifilm X-T1 | Panasonic Lumix DMC-G6 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Panasonic |
| Model | Fujifilm X-T1 | Panasonic Lumix DMC-G6 |
| Class | Advanced Mirrorless | Entry-Level Mirrorless |
| Announced | 2014-04-14 | 2013-04-24 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | EXR Processor II | - |
| Sensor type | CMOS X-TRANS II | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor dimensions | 23.6 x 15.6mm | 17.3 x 13mm |
| Sensor surface area | 368.2mm² | 224.9mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4896 x 3264 | 4608 x 3456 |
| Maximum native ISO | 6400 | 25600 |
| Maximum boosted ISO | 51200 | - |
| Min native ISO | 200 | 160 |
| RAW images | ||
| Min boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | Fujifilm X | Micro Four Thirds |
| Total lenses | 54 | 107 |
| Focal length multiplier | 1.5 | 2.1 |
| Screen | ||
| Type of screen | Tilting | Fully Articulated |
| Screen diagonal | 3" | 3" |
| Resolution of screen | 1,040k dots | 1,036k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | TFT LCD (RGBW) | TFT Color LCD with wide-viewing angle |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360k dots | 1,440k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.77x | 0.7x |
| Features | ||
| Slowest shutter speed | 30 seconds | 60 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
| Maximum silent shutter speed | 1/32000 seconds | - |
| Continuous shooting rate | 8.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 8.00 m (ISO100) | 10.50 m |
| Flash options | Activated when external flash is connected Red-eye removal OFF: Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON: Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-e | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/180 seconds | 1/160 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264 | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 440 grams (0.97 lbs) | 390 grams (0.86 lbs) |
| Physical dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 122 x 85 x 71mm (4.8" x 3.3" x 2.8") |
| DXO scores | ||
| DXO All around score | not tested | 61 |
| DXO Color Depth score | not tested | 21.3 |
| DXO Dynamic range score | not tested | 11.5 |
| DXO Low light score | not tested | 639 |
| Other | ||
| Battery life | 350 images | 340 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NP-W126 | - |
| Self timer | Yes (10sec. / 2sec. Delay) | Yes (2 or 10 sec, 10 sec (3 images)) |
| Time lapse recording | ||
| Type of storage | SD / SDHC / SDXC (UHS-II) | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Cost at launch | $1,300 | $750 |