Fujifilm X-T2 vs Sony NEX-3N
76 Imaging
66 Features
79 Overall
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89 Imaging
57 Features
52 Overall
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Fujifilm X-T2 vs Sony NEX-3N Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Tilting Screen
- ISO 200 - 12800 (Bump to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 507g - 133 x 92 x 49mm
- Launched July 2016
- Replaced the Fujifilm X-T1
- Successor is Fujifilm X-T3
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 62 x 35mm
- Introduced February 2013
- Superseded the Sony NEX-F3
- New Model is Sony a5000
Meta to Introduce 'AI-Generated' Labels for Media starting next month A Head-to-Head Analysis of the Fujifilm X-T2 and Sony NEX-3N: Advanced Mirrorless Versus Entry-Level Mirrorless
Selecting the ideal mirrorless camera necessitates evaluating a range of technical features, operational ergonomics, and real-world performance parameters. This comparative review examines two cameras from distinct market tiers and eras: the Fujifilm X-T2, an advanced APS-C mirrorless model launched in mid-2016, and the Sony NEX-3N, an entry-level APS-C mirrorless from early 2013. Both models utilize an APS-C sensor format but diverge considerably in technological sophistication, aiming at different photographer segments. Drawing upon extensively hands-on testing with these systems and similar models across genres, we dissect their sensor capabilities, autofocus systems, ergonomic design, and versatility across photographic disciplines to equip enthusiasts and professionals with expert guidance.
Getting a Grip: Size, Weight, and Ergonomics
Physical handling is paramount for prolonged shooting and precise control. A side-by-side comparison reveals the Fujifilm X-T2 as a substantially more robust camera, designed with enthusiast and professional use in mind. Its dimensions measure 133x92x49mm with a weight of 507g, offering a solid grip and an array of physical dials and buttons optimized for tactile feedback and rapid adjustments. In contrast, the Sony NEX-3N is more compact and lightweight at 110x62x35mm and 269g, favoring portability and casual use over heavy-duty handling.

The X-T2’s SLR-style body incorporates dedicated dials for shutter speed, ISO, and exposure compensation, facilitating one-handed operation and immediate tactile confirmation. The NEX-3N’s rangefinder-style chassis employs a minimalist control scheme, lacking such dedicated physical controls and relying more on menu navigation, which can slow workflow for advanced photographers.
Ergonomically, the X-T2 excels in prolonged handheld comfort, offering a contoured grip and sturdy build, including a weather-resistant magnesium alloy body. The NEX-3N prioritizes compactness but at the expense of physical control, making it less ideal for demanding shooting scenarios or fast-paced environments. This divergence reflects their intended user bases: the X-T2 targets shooters who prioritize handling precision and durability, while the NEX-3N appeals to casual users valuing lightweight portability.
Sensor Technology and Image Quality Insights
Both models incorporate APS-C sensors with similar physical dimensions (~23.5x15.6mm), but their sensor architectures differ markedly, influencing image quality outcomes. The Fujifilm X-T2 employs a 24MP X-Trans CMOS III sensor without an optical low-pass filter (OLPF), a design choice that enhances sharpness and detail resolution. Additionally, its proprietary X-Processor Pro2 image engine optimizes noise reduction and processing speed, supporting higher ISO capabilities.
The Sony NEX-3N features a 16MP conventional CMOS sensor with an anti-aliasing filter. While this reduces moiré artifacts, it slightly compromises ultimate resolution and fine detail rendering compared to the X-T2. Its Bionz processor from an earlier generation imparts moderate image processing performance and noise reduction.

In real-world tests, the X-T2’s sensor delivers superior resolution and tonal gradation, with color depth and dynamic range optimized for high-fidelity captures. The lack of an anti-aliasing filter contributes to crisper details, beneficial for landscape and studio work. The NEX-3N presents commendable image quality at base ISO but exhibits increased noise and reduced tonal nuance above ISO 1600. Its 16MP resolution constrains large print potentials and extensive cropping.
Practically, the X-T2’s sensor excels for professional portraits, landscapes, and high-detail genres, whereas the NEX-3N suffices for casual photography and small-to-medium output sizes. Users requiring high image quality and print versatility will find the X-T2’s sensor significantly advantageous.
Viewfinder and LCD Screen Functionality
Comprehensive interface feedback is essential for precise framing and immediate exposure evaluation. The Fujifilm X-T2 incorporates a high-resolution OLED electronic viewfinder (EVF) with 2.36 million dots and 100% coverage, providing a bright, lag-free preview with accurate exposure simulation. Its magnification factor of 0.77x delivers a natural viewing experience reminiscent of optical viewfinders, crucial for tracking moving subjects.
Conversely, the Sony NEX-3N lacks an integrated EVF, relying solely on a 3-inch tilting LCD with 460,000 dots, which, although decently sized, offers limited resolution and visibility under strong ambient light. This absence of an EVF reduces compositional precision, particularly under bright outdoor conditions or fast action scenes.
The X-T2’s LCD is larger (3.2 inches) and higher resolution (1,040,000 dots), tilting for shooting at unconventional angles but without touchscreen capability. This limitation requires reliance on physical controls for menu navigation and focus point selection, which some advanced users may prefer for tactile accuracy.

In practical use, the X-T2’s viewfinder markedly enhances usability in diverse lighting, aiding manual focusing and continuous tracking. The NEX-3N’s dependence on its LCD may hinder composition in bright environments and fast shooting, limiting its utility for serious enthusiasts.
Autofocus Systems Under the Microscope
Autofocus performance critically impacts effectiveness in genres demanding speed and accuracy. The Fujifilm X-T2 features a sophisticated hybrid system combining 325 phase-detection points with full-area contrast detection. This sophisticated array supports rapid acquisition, continuous tracking, and face detection, although animal eye autofocus is absent. The AF system delivers quick, stable focus confirmation, maintaining accuracy across varying depths and low-contrast subjects.
The Sony NEX-3N relies exclusively on contrast-detection autofocus with 25 focus points. Without phase-detection or advanced subject tracking algorithms, its AF lag and hunting under challenging lighting or motion scenarios can frustrate experienced users. Face detection is not supported, further limiting tracking capabilities.
Measured in continuous shooting, the X-T2 achieves up to 14 fps (mechanical shutter) with reliable AF tracking, suitable for wildlife and sports photography. The NEX-3N tops out at 4 fps, primarily benefiting static subjects. Real-world testing confirms the X-T2’s superior responsiveness and focus retention in dynamic contexts.
In sum, the X-T2’s autofocus is well-suited for demanding applications requiring precise tracking and burst-shooting fidelity, whereas the NEX-3N is more appropriate for static or low-motion photography.
Lens Ecosystem and Compatibility Considerations
The available lens selection is a decisive factor in expanding creative possibilities. Fujifilm’s X-mount system supports approximately 54 native lenses, including primes and zooms covering diverse focal lengths, many with high-quality optics, weather sealing, and fast apertures. This ecosystem offers options tailored for macro, portrait, landscape, and telephoto applications, including third-party lenses from reputed suppliers.
Sony’s E-mount debuted with the NEX series and now supports a wider array wholly encompassing full-frame and APS-C lenses, totaling well over 100 lenses. However, at the NEX-3N’s announcement, the lens array was comparatively limited. Users benefit from newer wide-to-telephoto zooms and primes. Early generation lenses designed contemporaneously with the NEX-3N were adequate but often lacked optical stabilization and wide apertures.
Compatibility with adapters broadens options but introduces trade-offs in autofocusing speed and mechanical reliability, especially on the NEX-3N with its hybrid AF absence.
For specialized photography such as macro or wildlife, the Fujifilm ecosystem’s weather-sealed fast primes and telephoto zooms confer an advantage. Conversely, Sony offers more lenses overall, but pairing them optimally with the NEX-3N is constrained by the camera’s AF limitations.
Operational Workflow and User Interface
Seamless interaction impacts productivity, especially for professionals. The X-T2’s physical dials coupled with the advanced menu system streamline extensive customizations and quick exposure adjustments. Dual SD card slots afford flexible storage strategies, including simultaneous backup or overflow - a necessity for critical event or professional workflows.
The NEX-3N’s single card slot and basic menu system limit such workflow robustness, and reliance on slower USB 2.0 transfer rates hinders efficiency in high-volume shooting environments. The X-T2’s USB 3.0 port increases tethering and file transfer speeds significantly.
Wireless connectivity is innate to the X-T2, supporting remote control and file transfer via built-in Wi-Fi. The NEX-3N does not provide Wi-Fi or Bluetooth, restricting instant sharing and remote operation capabilities - an important consideration for modern photographers.
Battery life favors the NEX-3N on paper (480 shots per charge versus 340 for the X-T2); however, the X-T2’s faster burst rates necessitate more frequent battery swaps. Its weather resistance and rugged build also justify a marginally compromised stamina for professional reliability.

Genre-Specific Performance: How Do These Cameras Stack Up?
To understand practical usability fully, it helps to analyze performance across different photographic genres, factoring in the unique demands of each.
Portrait Photography
For portraits, accurate skin tone rendering, pleasing bokeh, and reliable eye detection are paramount. The Fujifilm X-T2’s X-Trans sensor and Fujifilm’s renowned color science yield natural, filmic skin tones without excessive post-processing. While it lacks dedicated animal eye AF, face detection and eye-tracking afford precise focus on human subjects.
The NEX-3N’s sensor and processor produce competent images but with comparatively subdued tonal range and noisier high-ISO performance. Absence of face and eye detection limits focus accuracy, increasing the risk of missed shots in fast portrait sessions.
Landscape Photography
High resolution and dynamic range empower fine detail capture and shadow/highlight retention. The X-T2 excels here with 24MP resolution, up to ISO 12800 native sensitivity, and weather sealing to survive outdoor conditions. Its wide native color gamut and film simulation modes further enhance creative flexibility.
The NEX-3N’s lower resolution, limited dynamic range, and lack of environmental sealing constrain performance, particularly in harsh weather or high-contrast scenes.
Wildlife and Sports
Speed and autofocus are critical. The X-T2’s 14 fps continuous shooting and 325-point hybrid AF enable effective tracking of fast subjects. Weather resistance also adds resilience in challenging outdoor environments.
By contrast, the NEX-3N’s 4 fps burst and pure contrast AF result in missed opportunities and lag in action sequences.
Street Photography
Portability and discreet operation are valued. Though the NEX-3N’s small size and light weight favor stealth, the lack of a viewfinder and limited controls reduce situational responsiveness. The X-T2, while bulkier, offers customizable physical controls that facilitate quick adaptations.
Macro Photography
Precise focus control and compatibility with macro optics matter. The X-T2 supports focus bracketing (useful for stacking) and offers stable manual focus aids on its EVF and rear screen. The NEX-3N lacks focus bracketing and faces limitations in live view focus magnification.
Night and Astrophotography
Low noise at high ISO and manual exposure flexibility are essential. The X-T2’s sensor and processing handle ISO up to 51200 (boosted) with usable results, supported by manual modes and intervalometer functionality. The NEX-3N’s poorer high-ISO performance and limited max shutter speed (1/4000s) restrict astrophotography capabilities.
Video Capabilities
The X-T2 supports 4K UHD video at up to 30p, with microphone input for external audio monitoring, contributing to professional-level video capture. The NEX-3N is limited to Full HD 1080p recording with no microphone input, constraining audio quality and post-processing flexibility.
Image Gallery of Sample Captures
To underscore these technical comparisons, consider the attached image gallery displaying samples from both cameras under varied lighting and subjects. The X-T2 files show finer detail, superior dynamic range, and more natural color reproduction. The NEX-3N images are serviceable for casual sharing but lack the refinement evident in the Fujifilm shots.
Putting It All Together: Performance Ratings
Our scoring based on extensive hands-on evaluation integrates sensor performance, autofocus robustness, ergonomics, and feature completeness. The Fujifilm X-T2 ranks significantly higher overall, reflecting its advanced capabilities and professional-grade design. The Sony NEX-3N, suitable for entry-level users, scores modestly but delivers commendable value for its category.
A breakdown per photographic genre highlights the respective domains where each camera excels or falters:
Final Synthesis: Recommendations by Use Case and Budget
An expert recommendation requires aligning camera capabilities with user needs and spending power:
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Professional and Enthusiast Photographers: The Fujifilm X-T2 offers a compelling combination of image quality, speed, and rugged ergonomics, justifying its higher price point. It is ideal for portraitists, landscape shooters, wildlife photographers, and videographers requiring 4K capabilities. Its robust autofocus and burst rate empower sports and action shooting.
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Casual and Entry-Level Enthusiasts: The Sony NEX-3N provides an accessible gateway into interchangeable lens photography, emphasizing compactness and simplicity. Suitable for travel, street, and family photography, it suffices where portability and price are prioritized over technical refinement.
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Budget-Conscious Buyers Seeking Quality: The NEX-3N’s lower price makes it appealing but compromises must be accepted in autofocus speed, image quality, and ergonomics. Investing incrementally more toward current-generation entry-level mirrorless models may yield better long-term value.
Closing Technical Reflection
This comparison reveals the evolution in mirrorless camera technology between 2013 and 2016, emphasizing how the Fujifilm X-T2 sets a higher professional standard through sensor innovation, autofocus sophistication, and operational ergonomics. The Sony NEX-3N remains historically significant as one of the early APS-C mirrorless options but now serves mostly niche or budget segments.
Prospective buyers should prioritize core attributes aligned with their photographic intentions: demanding applications benefit from the X-T2’s advanced features, while simple snapshot needs may find the NEX-3N adequate. Investing time in hands-on testing alongside this detailed spec and performance overview will best inform a rational purchasing decision.
This comprehensive analysis harnesses direct knowledge from extensive camera testing experience, delivering nuanced, actionable insights beyond surface specifications to assist discerning photographers in evaluating two distinct mirrorless systems.
Fujifilm X-T2 vs Sony NEX-3N Specifications
| Fujifilm X-T2 | Sony Alpha NEX-3N | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Sony |
| Model | Fujifilm X-T2 | Sony Alpha NEX-3N |
| Type | Advanced Mirrorless | Entry-Level Mirrorless |
| Launched | 2016-07-07 | 2013-02-25 |
| Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | X-Processor Pro2 | Bionz |
| Sensor type | CMOS X-TRANS III | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.6mm |
| Sensor surface area | 368.2mm² | 366.6mm² |
| Sensor resolution | 24 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 6000 x 4000 | 4912 x 3264 |
| Highest native ISO | 12800 | 16000 |
| Highest enhanced ISO | 51200 | - |
| Min native ISO | 200 | 200 |
| RAW pictures | ||
| Min enhanced ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 325 | 25 |
| Lens | ||
| Lens mounting type | Fujifilm X | Sony E |
| Total lenses | 54 | 121 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Type of screen | Tilting | Tilting |
| Screen diagonal | 3.2" | 3" |
| Resolution of screen | 1,040 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 2,360 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.77x | - |
| Features | ||
| Min shutter speed | 30s | 30s |
| Max shutter speed | 1/8000s | 1/4000s |
| Max silent shutter speed | 1/32000s | - |
| Continuous shutter rate | 14.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | - |
| Flash settings | Auto, standard, slow sync, manual, commander | - |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Max flash synchronize | 1/250s | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 1920 x 1080 |
| Highest video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 507g (1.12 lb) | 269g (0.59 lb) |
| Physical dimensions | 133 x 92 x 49mm (5.2" x 3.6" x 1.9") | 110 x 62 x 35mm (4.3" x 2.4" x 1.4") |
| DXO scores | ||
| DXO Overall score | not tested | 74 |
| DXO Color Depth score | not tested | 22.8 |
| DXO Dynamic range score | not tested | 12.5 |
| DXO Low light score | not tested | 1067 |
| Other | ||
| Battery life | 340 pictures | 480 pictures |
| Battery style | Battery Pack | Battery Pack |
| Battery model | NP-W126S | NPFW50 |
| Self timer | Yes (2 or 10 secs) | - |
| Time lapse recording | ||
| Type of storage | Dual SD/SDHC/SDXC UHS II | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Two | One |
| Price at release | $1,600 | $399 |