Fujifilm X-T200 vs Sony NEX-5N
80 Imaging
69 Features
87 Overall
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89 Imaging
56 Features
69 Overall
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Fujifilm X-T200 vs Sony NEX-5N Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Display
- ISO 200 - 12800 (Increase to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 370g - 121 x 84 x 55mm
- Released January 2020
- Earlier Model is Fujifilm X-T100
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 269g - 111 x 59 x 38mm
- Introduced October 2011
- Older Model is Sony NEX-5
- Later Model is Sony NEX-5R
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm X-T200 vs Sony NEX-5N: An Expert Comparison for the Modern Photographer
When stepping into the entry-level mirrorless market, two models frequently surface in conversation: the 2020 Fujifilm X-T200, a camera that refreshes a proven lineup with new features and a modern flair; and the 2011 Sony Alpha NEX-5N, a pioneering small-bodied mirrorless that helped shape the category. Both cameras offer APS-C sensors and mirrorless form factors, but separated by nearly a decade of technology evolution, their distinctions are more than just about numbers on a spec sheet. Having tested thousands of cameras over the years, including exhaustive real-world shoots and controlled lab assessments, I want to take you through a detailed comparison highlighting how these two stack up across all relevant photography disciplines and user needs.
Let’s settle in to dissect ergonomics, image quality, autofocus, and feature sets from the viewpoint of seasoned users and enthusiastic newcomers alike.
Size, Handling, and Build: The Feel of the Gear
First impressions matter, and how a camera fits in your hands can influence creativity and comfort on long shoots. The Fujifilm X-T200 sports a SLR-style mirrorless body design compared to the more compact rangefinder-inspired Sony NEX-5N. To put this in perspective:

At 121x84x55mm and weighing 370g, the X-T200 offers a reassuringly substantial grip with a textured, contoured body that Fuji typically nails for comfort. Controls fall naturally under your fingers even if you’re shooting with larger lenses. In contrast, the NEX-5N measures 111x59x38mm and weighs just 269g - it’s unmistakably pocketable with a minimalist grip, designed for those valuing portability above all else.
Ergonomically, the X-T200 wins on physical control layout and intuitive handling due to its SLR-style top dials and larger body, which allows longer photography sessions with less fatigue. The NEX-5N, while pocket-friendly, can feel cramped after extended use, especially for photographers with moderate to large hands.
This boils down to the trade-off between carrying convenience and tactile operation - something I often caution clients to weigh carefully depending on their shooting style.
Control Layout and Interface: Navigating Your Tools
The tactile experience extends beyond size into the user interface and button placement. The Fujifilm X-T200 features a modern array of dedicated dials and buttons with a fully articulated 3.5-inch touchscreen at a sharp 2.78M-dot resolution, while the NEX-5N has a simpler tilting 3.0-inch LCD with 920k dots and fewer physical controls.

Fuji’s choice of a fully articulating screen, combined with a responsive touchscreen interface, supports richer interaction modes - facilitating selfies, vlogging, or tricky angle shots. Sony, on its older 5N, offers no touch capability and a more basic tilt design, limiting dynamic compositional flexibility.
The X-T200’s viewfinder is another bonus, delivering a 2.36M-dot OLED electronic viewfinder (EVF) with 100% coverage. The NEX-5N notably lacks a built-in EVF; instead, Sony offered an optional accessory for an electronic viewfinder, which I found inconvenient during field tests because of added bulk and cost.
In terms of control logic, the Fujifilm’s menu system remains one of the more intuitive setups, borrowing from its heritage of analog-like dials but integrating modern digital workflows. The Sony’s interface feels more elementary and dated, with slower menu navigation that can disrupt moment-to-moment shooting.
Sensor and Image Quality: Older Tech vs. Modern Advances
Image quality is the heart of any camera’s evaluation. Both cameras sport APS-C sensors, but the details reveal their generational gap.

- Fujifilm X-T200: 24MP APS-C CMOS sensor with an anti-aliasing filter, delivering 6000x4000 max resolution. Native ISO range 200–12,800, expandable to 51200, and without notable proprietary stabilization on sensor.
- Sony NEX-5N: 16MP APS-C CMOS sensor with anti-aliasing filter, max res 4912x3264. Native ISO 100–25600 but no ISO expansion. No sensor stabilization either.
Experiences in studio and daylight conditions showed the X-T200 producing markedly sharper images with less noise at higher ISOs thanks to its higher resolution and advancements in sensor manufacturing. Dynamic range - a critical factor in preserving details in highlights and shadows - was also superior on the Fujifilm, especially with JPEGs out of camera, benefiting from Fuji’s color science and processing.
The Sony’s 16MP sensor remains respectable for moderate prints and web use, but side-by-side comparisons showed it struggles in low light above ISO 1600, yielding more chroma noise and less detailed shadow retention. The lower megapixel count sometimes helps for speed and file size, but there’s a clear technological advantage for the X-T200's sensor.
The Fujifilm's color depth and dynamic range boosts contribute to richer landscape and portrait work, where retaining fine gradations makes all the difference.
Autofocus System: Speed, Accuracy, and Tracking
A modern camera’s autofocus (AF) capabilities can make or break photographic success in demanding scenarios.
- The X-T200 boasts a hybrid AF with 425 points, including phase detection and contrast detection, alongside face detection - including eye AF for humans - which modern Fuji cameras are well-known for.
- The Sony NEX-5N relies solely on contrast detection autofocus with 25 focus points, offering no phase detection or animal eye AF support.
In real-world performance, this translates to snappier, more accurate autofocus on the X-T200, especially in continuous AF and tracking modes. During portrait sessions, the human eye AF worked reliably to lock focus even on subjects moving slightly or looking away, a feature the NEX-5N misses entirely.
Sports and wildlife photographers I spoke with prefer phase-detection AF for its speed and predictive tracking - here, the X-T200 gains a clear edge with more focus points and better tracking algorithms.
The NEX-5N’s AF system, while decent for static subjects or controlled shooting, can feel laggy and less reliable in dynamic conditions, which impacts usability outdoors or in fast-paced situations.
Image Stabilization: What Both Cameras Bring to the Table
Interestingly, neither camera has in-body image stabilization (IBIS). This is a consideration especially for videographers, wildlife shooters using long telephotos, or macro photographers who work handheld.
With stabilization relying solely on lens-based options, users will need to invest in stabilized lenses for shake compensation or rely on high shutter speeds. Fuji’s lens ecosystem helps here somewhat - many X-mount lenses include optical image stabilization (OIS) - more so than early Sony E-mount lenses available for the NEX-5N, although Sony’s newer lenses greatly surpass what was initially offered.
Lens Ecosystem and Compatibility
A camera is only as capable as its lenses in many situations.
- Fujifilm X-T200 supports the Fujifilm X-mount, which boasts over 54 X-mount lenses, including a strong suite of primes, zooms, macro lenses, and excellent native OIS options.
- Sony NEX-5N uses the Sony E-mount with a notably larger ecosystem, featuring 121 lenses, thanks to Sony’s rapid development and adoption by third-party lens manufacturers.
This extensive lens selection on the Sony platform remains an attractive point, particularly for photographers seeking ultra-wide, telephoto, or affordable third-party options. However, many of the older lenses compatible with the NEX-5N are significantly outdated by today’s optical standards, and some may lack image stabilization or modern coatings.
Fuji’s lenses, though fewer in number, are highly regarded for optics, vintage style, and integration with the camera’s features - an important consideration for photographers prioritizing image quality and color rendition over sheer quantity.
Video: Features, Quality, and Usability
Both cameras support Full HD video, with important differences.
- The Fujifilm X-T200 offers 4K video at up to 30p, plus Full HD up to 120p for slow motion, using the widely supported MP4 (H.264 codec) with Linear PCM audio. It includes microphone and headphone jacks for monitoring, a boon for serious videographers.
- The Sony NEX-5N is limited to 1080p at 60fps max, using AVCHD format, and lacks microphone or headphone ports for audio monitoring.
The X-T200's 4K capabilities, combined with a fully articulating touchscreen, make it well-suited for vloggers, content creators, and hybrid shooters who want strong video options. Its lack of internal image stabilization can be mitigated using Fuji lenses with OIS and through digital subject tracking.
By contrast, the NEX-5N feels more like an entry-level photo-centric camera with modest video duties, somewhat dated for today’s video standards.
Battery Life and Storage: Staying Power in the Field
Battery performance is another functional consideration.
- The X-T200 uses the NP-W126S battery, rated for about 270 shots per charge.
- The NEX-5N uses the NP-FW50 battery, rated at roughly 460 shots.
Surprisingly, the older Sony outlasts Fuji in longevity, an observation consistent with my field testing where the smaller LCD and simpler processing in the NEX-5N consume less power.
Both have single SD card slots supporting SD/SDHC/SDXC cards; the Sony also supports the legacy Memory Stick format, though this has fallen out of favor.
For intensive shooting days or travel, packing extra batteries is advisable for both, but especially the Fujifilm.
Connectivity: Modern Expectations
Connectivity advances sharply in recent years.
- The Fujifilm X-T200 sports built-in Wi-Fi and Bluetooth, enabling easy pairing with phones for remote control, quick transfers, and social sharing.
- The Sony NEX-5N, launched before this tech was standard, supports Eye-Fi card connectivity but lacks built-in Wi-Fi or Bluetooth.
This limits the Sony in a fast-paced social or professional environment where rapid client previews or remote shooting are expected.
Shooting Disciplines: Real-World Use Cases
Now, let’s put how these cameras perform in actual photography genres - a critical lens for anyone choosing their next tool.
Portrait Photography
Skin tones and bokeh are king here. The Fujifilm X-T200’s newer sensor and color science render pleasing, natural skin tones with a warmly nuanced palette. Eye-detection autofocus reliably locks onto subjects for sharp portraits. Paired with Fujinon primes, the Fuji produces creamy bokeh and well-controlled backgrounds.
The NEX-5N, while capable with appropriate lenses, lacks eye AF and struggles to keep focus consistent, affecting portrait sharpness. Sony’s older sensor yields more muted colors and fewer megapixels for large prints.
Landscape Photography
Dynamic range and resolution dictate quality here. Fuji’s 24MP sensor and higher dynamic range capture more subtle tonal variations in skies and shadows, critical for landscapes. The articulating screen aids composition in uneven terrain.
Sony’s lower resolution and dynamic range make it less ideal for large prints, though its lighter weight adds convenience hiking. Neither camera is weathersealed, so care is advised in harsh environments.
Wildlife Photography
Autofocus speed and burst rates are essential for elusive subjects.
The Fuji’s 8 fps continuous shooting and 425 autofocus points with phase detection deliver predictably faster focus acquisition and better tracking continuity.
Sony’s 10 fps burst rate is faster on paper, but its contrast-detect AF with 25 points struggles to maintain focus on moving animals, leading to fewer keeper shots.
Lens availability favors Sony’s extensive telephoto lineup, but Fuji’s superior AF accuracy often yields better outcomes.
Sports Photography
Similar to wildlife, but often in lower light.
X-T200’s phase-detect AF and face/eye tracking make it better suited for indoor gyms or evening games. Sony’s AF lags behind with less accurate subject tracking, leading to missed moments.
Frame rates favor Sony marginally, but the quality of continuous focus shifts the balance to Fuji for most enthusiasts.
Street Photography
Discretion and portability often win.
Sony’s compact size and light weight make it ideally discreet for candid moments. Additionally, its tilting screen allows some covert composition.
Fujifilm’s larger body draws more attention but offers better handling and a superior EVF. Its silent electronic shutter at up to 1/32000s lets users shoot discreetly, a feature the Sony cannot match.
Macro Photography
Precise focusing and effective stabilization are key.
Both cameras lack in-body stabilization which makes using tripod or stabilized macro lenses mandatory.
Fuji's touchscreen AF assists in pinpoint focusing on small subjects; Sony’s older AF system struggles with fine adjustments.
Night and Astro Photography
High ISO performance and sustained exposure modes.
Neither camera is specialized for astro, but Fuji's newer sensor handles higher ISOs cleaner and has a smallest shutter speed of 4 seconds, compared to Sony's 30 seconds minimum. This makes Fuji more versatile for nightscapes.
Travel Photography
Versatility, battery life, and weight matter.
Sony’s pocketability and longer battery life make it a tempting travel companion, especially for street and casual use.
Fujifilm’s overall image quality and screen versatility better serve users wanting to cover a broader range of situations - landscapes, portraits, video - during trips.
Professional Work
Reliability, file versatility, and workflow integration.
Fujifilm supports 14 bit RAW files from its 24MP sensor, offering greater latitude in post-production.
Sony offers 14 bit RAW also, though lower resolution matters.
Fujifilm's dual control dials and input options suit professional workflows better, and its Wi-Fi/Bluetooth integration facilitates efficient tethered shooting.
Summarizing Strengths and Weaknesses
| Category | Fujifilm X-T200 | Sony NEX-5N |
|---|---|---|
| Sensor Resolution | 24MP, better dynamic range | 16MP, older sensor tech |
| Autofocus | Hybrid phase + contrast, 425 points, eye AF | Contrast-only, 25 points, no eye AF |
| Video | 4K UHD up to 30p with audio ports | Full HD max 60p, no audio input |
| Body/Ergonomics | Larger, SLR-style, fully articulating touchscreen | Compact, minimal controls, tilt screen |
| Battery Life | ~270 shots | ~460 shots |
| Lens Ecosystem | 54 high-quality lenses | 121 lenses, more third-party options |
| Connectivity | Built-in Wi-Fi and Bluetooth | No Wi-Fi/Bluetooth, Eye-Fi card support |
| Price (New) | $699 USD | About $550 USD (discontinued/new old stock) |

My Verdict: Who Should Choose Which?
The Fujifilm X-T200 is a well-rounded, modern entry-level mirrorless camera. For photographers who value image quality, autofocus performance, and flexibility - whether portraits, landscapes, or hybrid video/photo use - it is a clear winner. Its better sensor, live eye AF, articulating screen, and 4K video bring it closer to mid-range models at an entry price point.
In contrast, the Sony NEX-5N still holds charm for those prioritizing ultra-compact size, longer battery life, and access to Sony’s large lens library. Street shooters or hobbyists with minimal video needs might still find a good home for it, especially if cost is a factor given its older status and market availability.
In competitive genres like wildlife, action, and sports, the X-T200’s AF system and video capabilities shine. For travel photography, it offers more versatility, though some users may prefer Sony’s smaller footprint.
Examining Overall and Genre-Specific Performance
The charts below reflect combined lab scores and field test assessments, translating technical specs and user experiences into clear metrics.
Concluding Thoughts: Making the Decision
As someone who’s reviewed both cameras in detail, I encourage photographers to focus on their specific needs.
- If image quality, autofocus sophistication, video, and a modern user interface matter most, go Fujifilm X-T200.
- If you want lighter gear, longer battery life, and wide lens choices with a smaller form factor, and can live with older video and AF tech, Sony NEX-5N is a reasonable choice on a budget.
I’ve enjoyed testing both extensively, and while nostalgia for the Sony NEX-5N’s pioneering role is natural, the leap forward offered by the X-T200 is palpable in nearly every shooting scenario.
Happy shooting!
This camera comparison benefits from hands-on testing protocols including side-by-side outdoor shoots, autofocus tracking challenges, portrait sessions with model subjects, lab-based ISO and dynamic range testing, and extended user interface evaluations, to ensure a thorough, balanced perspective.
Fujifilm X-T200 vs Sony NEX-5N Specifications
| Fujifilm X-T200 | Sony Alpha NEX-5N | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Sony |
| Model type | Fujifilm X-T200 | Sony Alpha NEX-5N |
| Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Released | 2020-01-22 | 2011-10-03 |
| Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 23.5 x 15.7mm | 23.4 x 15.6mm |
| Sensor surface area | 369.0mm² | 365.0mm² |
| Sensor resolution | 24 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 6000 x 4000 | 4912 x 3264 |
| Highest native ISO | 12800 | 25600 |
| Highest boosted ISO | 51200 | - |
| Lowest native ISO | 200 | 100 |
| RAW photos | ||
| Lowest boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 425 | 25 |
| Lens | ||
| Lens mount type | Fujifilm X | Sony E |
| Total lenses | 54 | 121 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Display type | Fully Articulated | Tilting |
| Display diagonal | 3.5 inch | 3 inch |
| Display resolution | 2,780 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | - | Tilt Up 80°, Down 45° TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic (optional) |
| Viewfinder resolution | 2,360 thousand dot | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.62x | - |
| Features | ||
| Slowest shutter speed | 4s | 30s |
| Maximum shutter speed | 1/4000s | 1/4000s |
| Maximum quiet shutter speed | 1/32000s | - |
| Continuous shooting speed | 8.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 7.00 m (at ISO 200) | 12.00 m |
| Flash options | - | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p, MP4, H.264, Linear PCM3840 x 2160 @ 25p, MP4, H.264, Linear PCM3840 x 2160 @ 24p, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM1920 x 1080 @ 120p, MP4, H.264, Linear PCM1920 x 1080 @ 60p, MP4, H.264, Linear PCM1920 x 1080 @ 50p, MP4, H.264, Linear PCM1920 x 1080 @ 25p, MP4, H.264, Linear PCM1920 x 1080 @ 24p, MP4, H.264, Linear PCM1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264 | AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 370 grams (0.82 pounds) | 269 grams (0.59 pounds) |
| Physical dimensions | 121 x 84 x 55mm (4.8" x 3.3" x 2.2") | 111 x 59 x 38mm (4.4" x 2.3" x 1.5") |
| DXO scores | ||
| DXO All around rating | not tested | 77 |
| DXO Color Depth rating | not tested | 23.6 |
| DXO Dynamic range rating | not tested | 12.7 |
| DXO Low light rating | not tested | 1079 |
| Other | ||
| Battery life | 270 photographs | 460 photographs |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | NP-W126S | NPFW50 |
| Self timer | Yes | Yes (2 or 10 sec, 10sec (3 images)) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Retail cost | $699 | $550 |