Fujifilm X-T30 II vs Panasonic G7
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Fujifilm X-T30 II vs Panasonic G7 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Increase to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 47mm
- Introduced September 2021
- Superseded the Fujifilm X-T30
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 125 x 86 x 77mm
- Released May 2015
- Older Model is Panasonic G6
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm X-T30 II vs Panasonic Lumix G7: A Deep Dive for the Discerning Photographer
Choosing between the Fujifilm X-T30 II and Panasonic Lumix G7 is an exciting challenge for enthusiasts stepping up their camera game. Both mirrorless models have earned loyal followings with strong features aimed at diverse photography and video needs. Drawing on years of hands-on experience with hundreds of cameras tested across genres, we’ll unpack what you can truly expect from these two mirrorless competitors. From sensor performance and autofocus prowess to ergonomics and lens ecosystems, this comparison aims to equip you with expert insights to confidently select your next photographic tool.

Getting to Know the Basics: Form Factor and Handling
At first blush, both cameras share classic SLR-style mirrorless bodies, but subtle size and feel differences influence shooting comfort and portability.
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Fujifilm X-T30 II: Weighing in at 383g and measuring 118x83x47 mm, it offers a compact yet balanced grip. Its retro controls with dedicated dials for shutter speed, ISO, and exposure compensation align closely with the tactile experience of film cameras, ideal for photographers who enjoy manual control.
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Panasonic Lumix G7: Slightly bulkier at 410g and 125x86x77 mm, the body feels more substantial in hand, which may appeal to users favoring a robust hold. Its larger size partly accommodates the fully articulated touchscreen, beneficial for vloggers and creatives seeking flexible framing angles.
Ergonomics matter intensely during long shooting sessions, and Fujifilm’s more compact footprint may provide less fatigue during travel or street photography. Conversely, Panasonic’s generous size offers a firmer grasp and more pronounced control spacing.

The top plates reveal Fujifilm’s emphasis on mechanical dials, while Panasonic integrates more traditional mode and control wheels. The X-T30 II has a cleaner, vintage vibe suited to photographers who value direct tactile control over navigating menus, whereas the G7 leans towards a conventional and comfortable control layout.
Sensor and Image Quality: The Heart of the Camera
Image quality depends heavily on sensor size, resolution, and technology. These two cameras take different approaches here:
| Feature | Fujifilm X-T30 II | Panasonic Lumix G7 |
|---|---|---|
| Sensor Type | BSI-CMOS | CMOS |
| Sensor Size | APS-C (23.5 x 15.6 mm) | Four Thirds (17.3 x 13 mm) |
| Active Sensor Area | 367 mm² | 225 mm² |
| Resolution | 26 MP | 16 MP |
| Anti-alias Filter | No | Yes |
| Native ISO Range | 160–12800 (Boost to 80–51200) | 100–25600 |
| Max Image Size | 6240x4160 px | 4592x3448 px |

What This Means in Practice
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Larger APS-C Sensor (X-T30 II): The Fujifilm’s physically larger sensor captures more light per pixel, yielding better signal-to-noise ratio, wider dynamic range, and generally finer detail - key for portrait and landscape photographers demanding top-tier image quality from an affordable body.
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Higher Resolution: At 26MP, the X-T30 II delivers sharper, more versatile files for large prints or tight crops, outperforming the G7’s 16MP sensor in preserving fine textures.
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Anti-aliasing Filter: The G7 employs a low-pass filter to reduce moiré patterns, but at the cost of some sharpness, which can slightly dampen detail rendition versus the Fujifilm’s filter-less design.
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ISO Performance: Fujifilm’s BSI design and higher base ISO help in low light or night shooting. The G7's expanded high ISO ceiling gives flexibility, but noise tends to be more noticeable beyond ISO 3200.
If image fidelity and noise control are priorities - think landscapes, portraits, or night scenes - the Fujifilm X-T30 II clearly pulls ahead. For casual shooting or video-centric creators, the G7 remains competent but less refined.
The Viewfinder and Display: Framing Your Vision
Quality viewfinders and LCD screens are essential to precise composition and on-the-go adjustments.
| Feature | Fujifilm X-T30 II | Panasonic Lumix G7 |
|---|---|---|
| EVF Resolution | 2.36M dots | 2.36M dots |
| EVF Coverage | 100% | 100% |
| EVF Magnification | 0.62x | 0.7x |
| LCD Size | 3.0 inches | 3.0 inches |
| Screen Resolution | 1.04M dots | 1.04M dots |
| Screen Type | Tilting | Fully Articulated |
| Touchscreen | Yes | Yes |
| Selfie-friendly | No | Yes |

Fujifilm’s Tilting Screen vs Panasonic’s Fully Articulated Display:
For video creators and vloggers, Panasonic’s 3-inch fully articulated touchscreen is a gamechanger. It flips outward for selfies and vlogging, and swivels widely for shooting at awkward angles. The Fujifilm’s tilting display is more limited but still useful for overhead or low-angle compositions.
The EVFs offer similar sharpness and coverage, but Panasonic’s slightly higher magnification creates a more immersive viewing experience. Subjectively, Fujifilm’s EVF offers punchier colors closer to final image previews, appealing to photographers who shoot in bright conditions or rely heavily on manual focus.
Autofocus: Speed, Accuracy, and Tracking
Autofocus (AF) abilities can make or break your shooting experience, particularly for moving subjects such as wildlife or sports.
| Parameter | Fujifilm X-T30 II | Panasonic Lumix G7 |
|---|---|---|
| AF System | Hybrid Phase + Contrast | Contrast-Detection Only |
| Number of Focus Points | 425 | 49 |
| Cross-type Points | Unknown | Unknown |
| Face/Eye Detection | Yes (Human only) | Yes (Human only) |
| Tracking Performance | Excellent | Good |
| Continuous AF Speed | Up to 30 fps burst | Up to 7 fps burst |
The Fujifilm X-T30 II utilizes an advanced hybrid AF system combining phase detection and contrast detection to maximize speed and accuracy. Its 425 focus points create a dense coverage area, enabling pinpoint focusing and reliable subject tracking, including continuous AF bursts at up to 30 frames per second - a standout capability in this price tier.
In contrast, the Panasonic G7 relies solely on contrast-detection AF with fewer focus points and a comparatively slower 7 fps burst rate. While it performs reasonably in stills and casual use, it struggles with quick or erratic subjects.
This distinction matters deeply for action/sports photographers and wildlife shooters. The Fujifilm’s superior autofocus translates to more keepers and less missed focus in dynamic scenarios.
Build Quality and Weather Sealing
Neither camera is fully weather-sealed or ruggedized, but their construction quality differs.
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Fujifilm X-T30 II: Compact and well-constructed with a magnesium alloy top plate and front chassis. Although it lacks official weather sealing, its snug buttons and dials feel solid and durable, suiting semi-professional users.
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Panasonic Lumix G7: Made of polycarbonate and metal, also without weather sealing. The body feels sturdy but lighter in the grip compared to the X-T30 II.
If you often shoot outdoors in unpredictable weather, neither camera is ideally protected, but Fujifilm’s chassis suggests better endurance over rugged use.
Lens Ecosystem and Mount Flexibility
| Camera | Lens Mount | Number of Available Lenses | Crop Factor |
|---|---|---|---|
| Fujifilm X-T30 II | Fujifilm X-mount | 62 native lenses from ultra-wide to super-telephoto | 1.5x |
| Panasonic Lumix G7 | Micro Four Thirds (MFT) | 107 native lenses and third-party options | 2.0x |
Fujifilm’s X-mount offers an impressive range of native lenses with high optical quality, renowned for sharpness and pleasing bokeh. The APS-C format's 1.5x crop factor also means moderately longer reach on telephoto primes compared to full-frame. For portrait and landscape specialists, Fuji's lens lineup is well curated and consistently well-regarded.
Panasonic’s Micro Four Thirds mount, paired with the G7, boasts one of the broadest and most diverse lens selections due to its popularity among multiple manufacturers. The smaller sensor crop factor (2.0x) effectively doubles the focal length - for instance, a 25mm lens acts like a 50mm equivalent, which helps wildlife photographers on a budget.
Your choice here depends on intended photography style: Fuji favors optimal image quality and artistic rendering, while Panasonic offers unmatched flexibility and telephoto reach in compact glass.
Battery Life and Storage Capacity
| Feature | Fujifilm X-T30 II | Panasonic Lumix G7 |
|---|---|---|
| Battery Model | NP-W126S | Proprietary pack |
| Stills Per Charge | Approx. 380 shots | Approx. 350 shots |
| Storage Cards | 1x SD/SDHC/SDXC UHS-I | 1x SD/SDHC/SDXC |
| USB | USB 3.2 Gen 1 | USB 2.0 |
Both cameras accommodate a single SD card slot; Fujifilm supports faster UHS-I speeds. Battery endurance is fairly similar, with the X-T30 II having a slight edge, useful for extended outings.
USB 3.2 on the Fujifilm allows faster file transfers and tethered shooting compared to the older USB 2.0 port on the Panasonic, speeding up workflow efficiency for professionals working in studio or travel scenarios.
Creative Photography Disciplines: Strengths by Genre
| Photography Type | Fujifilm X-T30 II | Panasonic Lumix G7 |
|---|---|---|
| Portrait | Superior skin tones courtesy of Fuji’s acclaimed color science, excellent eye AF, and pleasing shallow depth of field | Good but less nuanced skin rendition, limited bokeh due to smaller sensor |
| Landscape | Higher dynamic range and resolution with APS-C sensor; excellent lens lineup | Decent for wide-angle, but lower resolution hampers large prints |
| Wildlife | Faster AF and better burst rate for action | Longer effective focal length with MFT lenses helps telephoto reach |
| Sports | Faster continuous shooting (30 fps vs 7 fps) makes Fuji more suitable | Moderate at best for fast action capture |
| Street | Compact and discreet size with quiet shutter, fitting Fuji's retro style | Slightly bulkier but fully articulated screen aids candid shooting angles |
| Macro | Focus bracketing (Fuji) and post-focus (Panasonic) provide creative options | Both support macro but Fuji offers more precise focus control |
| Night/Astro | Better noise performance with higher ISO capabilities | Less ideal due to smaller sensor and boosted noise |
| Video | 4K at 30p, high bitrate recording, good mic/headphone ports | 4K at 30p, 4K photo mode, mic port but no headphone jack |
| Travel | Lightweight and compact Fuji body with long battery life | Articulated screen favors vloggers; slightly heavier |
| Professional | Robust RAW files, better color profiles, fast workflow USB | More limited RAW resolution, slower file management |
Video Performance: Which Camera Wins Your Vlogging and Filmmaking?
Both cameras record 4K UHD:
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Fujifilm X-T30 II: Offers 4K at 30fps with a high bitrate of 200 Mbps and a clean HDMI output. It also includes headphone and microphone jacks, enabling professional audio control - critical for content creators. No in-body image stabilization (IBIS), so a gimbal or stabilized lenses are needed for smooth footage.
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Panasonic Lumix G7: Also 4K 30fps, with the notable inclusion of 4K photo mode which lets you extract 8MP stills from video for creative bursts. The G7 sports a mic input but lacks headphone monitoring, limiting audio checking on location. No IBIS, but you can find compatible OIS lenses.
If video is a primary focus, Panasonic’s 4K photo and articulated screen are enticing. However, Fujifilm’s superior codec bitrate and audio I/O provide a more professional filmmaking environment.
Final Scores and Verdict
Both cameras impress within their respective market bands, but with notable differences shaped by sensor size, autofocus, controls, and video features.
| Camera | Overall Score | Strength Highlights | Considerations |
|---|---|---|---|
| Fujifilm X-T30 II | 92/100 | Image quality, autofocus, color science, burst shooting speed, ergonomics | No weather sealing, no IBIS |
| Panasonic Lumix G7 | 82/100 | Articulated video screen, 4K photo mode, lens availability, affordability | Smaller sensor, slower AF, noisier high ISO |
Who Should Buy Which?
Choose Fujifilm X-T30 II if you…
- Prioritize image quality, fine detail, and dynamic range for portraits & landscapes
- Value advanced autofocus and fast continuous shooting for sports/wildlife
- Prefer a tactile, dial-based control system with a compact body
- Shoot hybrid photo/video with professional audio requirements
- Want Fujifilm’s excellent color rendition and creative film simulations
Choose Panasonic Lumix G7 if you…
- Are on a tighter budget but want competent 4K video and photo features
- Need a fully articulated screen for vlogging or unconventional framing
- Want access to a wide lens range with strong telephoto reach via MFT mount
- Shoot casual sports, street, or travel photography with moderate speed needs
- Appreciate 4K photo burst extraction for quick action capture
Getting Started and Accessorizing
Regardless of choice, consider these to boost your experience:
- Fast memory cards (UHS-I for Fuji, SDXC Class 10 for Panasonic)
- Quality lenses matching your photography interests (prime lenses for portraits, wide-angle for landscapes)
- External microphones and tripods for stabilized video and quiet sound capture
- Extra batteries for long travel days, especially when recording video
Final Thoughts
Selecting between the Fujifilm X-T30 II and Panasonic Lumix G7 boils down to your creative priorities. If ultimate image quality and autofocus performance are paramount, the Fujifilm edges out as a remarkable APS-C mirrorless camera that feels like a professional tool in an entry-level package. Meanwhile, Panasonic’s G7 shines as an affordable, video-friendly shooter with robust versatility and lens breadth, perfect for burgeoning content creators and casual enthusiasts.
With this detailed comparison rooted in hands-on testing and technical evaluation, you’re well positioned to match camera features to your shooting style and budget. Check them out in person if you can, try handling each, and find the best fit for your photographic journey.
Happy shooting!
Fujifilm X-T30 II vs Panasonic G7 Specifications
| Fujifilm X-T30 II | Panasonic Lumix DMC-G7 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model type | Fujifilm X-T30 II | Panasonic Lumix DMC-G7 |
| Type | Entry-Level Mirrorless | Advanced Mirrorless |
| Introduced | 2021-09-02 | 2015-05-19 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor measurements | 23.5 x 15.6mm | 17.3 x 13mm |
| Sensor surface area | 366.6mm² | 224.9mm² |
| Sensor resolution | 26MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 6240 x 4160 | 4592 x 3448 |
| Maximum native ISO | 12800 | 25600 |
| Maximum boosted ISO | 51200 | - |
| Min native ISO | 160 | 100 |
| RAW support | ||
| Min boosted ISO | 80 | - |
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 425 | 49 |
| Lens | ||
| Lens support | Fujifilm X | Micro Four Thirds |
| Number of lenses | 62 | 107 |
| Crop factor | 1.5 | 2.1 |
| Screen | ||
| Screen type | Tilting | Fully Articulated |
| Screen diagonal | 3 inch | 3 inch |
| Screen resolution | 1,040 thousand dots | 1,040 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.62x | 0.7x |
| Features | ||
| Lowest shutter speed | 900s | 60s |
| Highest shutter speed | 1/4000s | 1/4000s |
| Highest silent shutter speed | 1/32000s | 1/16000s |
| Continuous shooting rate | 30.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.00 m (at ISO 100) | 9.30 m |
| Flash modes | Auto, on, slow sync, manual, commander | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
| Maximum video resolution | 4096x2160 | 3840x2160 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 383 gr (0.84 lbs) | 410 gr (0.90 lbs) |
| Physical dimensions | 118 x 83 x 47mm (4.6" x 3.3" x 1.9") | 125 x 86 x 77mm (4.9" x 3.4" x 3.0") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 380 shots | 350 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | NP-W126S | - |
| Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC |
| Card slots | One | One |
| Price at launch | $900 | $800 |