Fujifilm X10 vs Sony S2100
83 Imaging
37 Features
57 Overall
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93 Imaging
34 Features
17 Overall
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Fujifilm X10 vs Sony S2100 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 2.8" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 350g - 117 x 70 x 57mm
- Announced July 2012
- Successor is Fujifilm X20
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 640 x 480 video
- 33-105mm (F3.1-5.6) lens
- 167g - 98 x 61 x 27mm
- Revealed January 2010
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone A Tale of Two Compact Cameras: Fujifilm X10 vs. Sony Cyber-shot DSC-S2100
When it comes to compact cameras, enthusiasts often look for a balance of image quality, ease of use, and portability. I’ve spent years testing countless compacts, from ultra-basic point-and-shoots to advanced enthusiast compacts, and today I want to share a detailed comparison between two cameras that, while from different generations, still hold valuable lessons about what to expect from their class.
The Fujifilm X10, announced in 2012, was positioned as a premium compact camera with youthful appeal and manual controls, boasting impressive specs for its time. On the other hand, the Sony Cyber-shot DSC-S2100, released in 2010, targeted the budget-conscious consumer seeking simplicity and portability, with fewer bells and whistles.
In this article, I’ll dig into how these two cameras stack up in practical photography situations, breaking down their technical performance, handling, and value across all major photography disciplines. Whether you're deciding on a compact for travel or an affordable backup camera, my aim is to give you honest, hands-on insights based on thorough testing.
First Impressions and Ergonomics: Size Matters
Picking up these two cameras side-by-side immediately illustrates their design philosophies. The Fujifilm X10 sports a substantial, retro-inspired magnesium alloy body with a complex control layout, while the Sony S2100 is lightweight, plastic-bodied, and straightforward.

Weighing 350 grams and measuring 117 x 70 x 57 mm, the X10 feels solid and offers excellent grip comfort. Its moderately large lens barrel and control dials provide precise handling for manual shooting modes. It’s not pocket-friendly but is perfect for those who prioritize control.
Conversely, the Sony S2100 weighs just 167 grams with a footprint of 98 x 61 x 27 mm. It’s pocketable, and its slim design makes it highly portable - perfect for everyday snapshots. However, the plastic construction and minimal buttons reflect compromises in build quality and handling comfort, particularly for prolonged use.
If you appreciate tactile dials and a retro aesthetic, the Fujifilm X10 shines here. For lightweight, grab-and-go convenience without fuss, the Sony S2100 wins.
Control Layout and User Interface: A Tale of Two Workflows
Climbing up to the top of both cameras reveals clear divergence in operational mindset.

On the Fujifilm X10, you’ll find dedicated aperture and shutter speed dials, a command dial, and a clutch mechanism on the lens to toggle between manual and automatic focus. Buttons are well-positioned, with customizable function keys. These features empower photographers who like to fine-tune exposure on the fly without menu diving - a luxury most compacts don’t offer.
The Sony S2100, however, is intentionally minimalist with fewer physical controls, relying heavily on on-screen menus and automated settings. The top panel consists of a simple shutter button and a mode dial, with aperture and shutter priority modes absent. This approach is ideal if you want simplicity over control but becomes limiting when creative flexibility is desired.
For photographers comfortable with manual exposures and adjustments, the X10’s control scheme feels intuitive and satisfying. Beginners or casual users who prefer point-and-shoot ease will find the Sony’s layout approachable.
Sensor Technology and Image Quality: The Core Difference
The heart of any camera is its sensor, and here the Fujifilm X10 gains a meaningful advantage.

The X10 employs a 2/3-inch X-Trans CMOS sensor with Fujifilm’s proprietary color filter array. Measuring 8.8 x 6.6 mm (58.08 mm²), it offers 12 megapixels - carefully balanced to limit noise while delivering sharp detail. Notably, the X10 features an optical anti-aliasing filter, which helps reduce moiré.
In contrast, the Sony S2100 sports a smaller 1/2.3-inch CCD sensor measuring just 6.17 x 4.55 mm (28.07 mm²), also with 12 megapixels. While CCD sensors were once standard for compact cameras, they generally lag behind CMOS sensors in low-light performance and dynamic range, especially in the Sony’s price tier.
The Fujifilm scores reasonably well on DxOMark’s metrics: an overall score of 50, color depth of 20.5 bits, dynamic range of 11.3 EV, and low-light ISO performance rating of 245, making it a solid performer for a compact.
Sony’s sensor has not been tested on DxOMark, but given its CCD nature and smaller size, it is prone to noisier images with reduced dynamic range, especially above ISO 800.
In practical shooting, this translates to:
- Fujifilm X10 produces cleaner, more detailed images, benefiting portrait, landscape, and low-light photography.
- Sony S2100 tends to suffer in higher ISO settings with more noise and less detail, better suited for daylight shooting only.
Display and Viewfinding: Seeing Your Shot
Both cameras use fixed LCD displays but adopt different philosophies for viewfinding.

The Fujifilm X10 features a 2.8-inch TFT LCD with 460k-dot resolution. While modest by today’s standards, the screen is sharply rendered and bright enough for use in various lighting conditions. The absence of an electronic viewfinder (EVF) is noticeable but mitigated by an optical tunnel viewfinder that covers 85% of the frame. Though not as precise or immersive as an EVF, it aids framing in bright daylight when LCD visibility is compromised.
The Sony S2100 opts for a slightly larger 3-inch LCD but with only 230k-dot resolution, which appears grainy and less detailed in practice. It lacks any form of viewfinder, so composing purely on the LCD is mandatory. I found this less convenient outdoors, where glare becomes an issue.
For photographers who like an alternative framing option or plan to shoot in challenging lighting, the Fujifilm’s optical finder provides an edge. Casual shooters who prioritize screen size may prefer the Sony, despite its lower resolution.
Lens and Optics: Flexibility and Quality
Lens specs often dictate creative possibilities, especially in compacts with fixed optics.
The Fujifilm X10’s lens offers a 28-112mm equivalent zoom (4x) with a relatively bright f/2.0-2.8 aperture range. This translates to excellent low-light and shallow depth-of-field potential at wide angles, useful for portraits and street photography. Its minimum focusing distance of 1 cm enables impressive macro shots, a rarity for compacts.
Sony’s fixed lens provides a 33-105mm equivalent zoom at f/3.1-5.6 - considerably slower. This narrower aperture range limits background blurring and low-light performance. Macro focus starts at 5 cm, which means less close-up flexibility.
In my experience:
- Fuji’s faster lens allows for smoother bokeh and versatility in dim environments.
- Sony’s slower lens requires good lighting for sharp photos and produces more evenly focused scenes.
Autofocus and Performance: Speed with Precision
Autofocus can make or break candid or action photography.
The Fujifilm X10 features a contrast-detection AF system with 49 points, face detection, and continuous autofocus modes. Although lacking phase detection, its autofocus is fairly snappy for a compact - capable of locking focus within a fraction of a second in typical conditions. The camera supports continuous shooting up to 10 fps, which is extraordinary for its class.
Sony’s S2100 uses a simpler contrast-detection AF with just 9 focus points and no face detection or continuous AF. Its autofocus tends to be slower and less reliable in low contrast or low light. Continuous shooting is limited to a mere 1 fps, making it unsuitable for any fast-moving subjects.
For sports, wildlife, or street photography where split-second focus is crucial, the X10 is clearly better equipped. Casual snapshots with the Sony are fine if patience is acceptable.
Photography Discipline Breakdown: Which Camera Excels Where?
Photography is broad, so let’s look at these compact cameras across major genres.
Portrait Photography
Fujifilm’s X10 offers attractive skin tone rendering thanks to Fuji’s color science and the X-Trans sensor. The bright f/2.0 lens at the wide end provides smooth background blur, emphasizing subjects effectively. Eye Detection AF adds polish to portraits.
Sony’s S2100 has a more clinical, flatter rendition and lacks any advanced AF features, making it challenging to nail portraits with shallow depth of field or catch expressions crisply.
Winner: Fujifilm X10
Landscape Photography
Landscape demands sharp detail, wide dynamic range, and weather tolerance.
The X10’s sensor handles dynamic range well for a compact, producing good shadow recovery. Its solid build (though not weather sealed) is reassuring for outdoor use. Zoom range covers wide to moderate telephoto - adequate for landscapes.
Sony’s smaller sensor struggles with dynamic range; colors tend to clip highlights under harsh sun. No weather sealing and slower lens reduce versatility.
Winner: Fujifilm X10
Wildlife Photography
Telephoto reach, autofocus speed, and shooting rate matter here.
The X10’s 112mm max focal length (equiv.) is modest for wildlife but usable for larger animals. Autofocus is good for tracking stationary subjects but not ideal for high-speed action. Burst at 10 fps is practical for short action sequences.
Sony’s zoom to 105mm is similar but AF and burst rate limitations make it ineffective here.
Winner: Fujifilm X10
Sports Photography
Sports needs rapid AF and fast continuous shooting.
Again, the X10’s 10 fps burst and continuous AF are assets, though the small zoom may limit framing. The S2100’s 1 fps option and slower AF are simply insufficient.
Winner: Fujifilm X10
Street Photography
Discreet size, silent shooting, and quick AF help in street snaps.
Sony’s smaller size and lighter weight make it less obtrusive. The X10’s more solid build and slightly larger size add presence but manual controls enable more creative street work when time allows. The X10’s mechanical shutter is quieter.
Winner (for discreetness): Sony S2100
Winner (for control): Fujifilm X10
Macro Photography
Close focusing distances distinguish macro capabilities.
X10: 1 cm minimum focus distance enables stunning details of flowers and small objects with nice bokeh.
Sony: 5 cm focusing distance is less capable but still decent for general macro.
Winner: Fujifilm X10
Night / Astro Photography
High ISO noise control and manual exposure matter here.
X10’s EXR CMOS sensor handles ISO 800+ shots remarkably well for its class, with manual shutter and aperture control enabling bulb exposure and star trailing.
Sony’s ISO limit is 3200 but noise rises steeply after 400, and slow shutter ceilings prevent long exposures.
Winner: Fujifilm X10
Video Capabilities
Fujifilm offers Full HD 1080p at 30 fps with H.264 codec, a significant strength, despite no external mic.
Sony records only VGA 640x480 at 30 fps in Motion JPEG format, limiting quality.
Neither offers advanced video features like 4K or microphone ports.
Winner: Fujifilm X10
Travel Photography
Travel demands lightweight gear and versatility.
Sony’s light design wins on ease of carrying all day, but limited controls and weaker image quality reduce creative satisfaction.
X10 is heavier but offers manual control, better image quality, and stabilized optics.
Winner: Sony S2100 for pure portability, Fujifilm X10 for creative control and image quality
Professional Work
Neither camera is intended as a professional tool, but the Fujifilm X10’s RAW support and manual controls make it viable for casual pro use or as a backup.
The Sony’s lack of RAW and manual exposure limit professional applicability.
Build Quality and Weather Resistance
Neither camera is weather-sealed, dustproof, shockproof, or freezeproof. However, Fujifilm X10’s robust metal body will survive more abuse, while Sony’s plastic shell needs gentler handling.
Battery Life and Storage
X10 uses a proprietary NP-50 battery rated for about 270 shots per charge. The Sony S2100 relies on two AA batteries, offering flexibility in the field but less eco-friendly.
Storage-wise, the X10 supports SD cards (SD/SDHC/SDXC), while Sony uses Memory Stick Duo with optional SD support, a slight inconvenience for many users.
Connectivity and Extras
Both cameras lack wireless connectivity, Bluetooth, or NFC, reflecting their age.
Both have HDMI and USB 2.0 ports for image transfer.
Neither offers GPS or sophisticated bracketing beyond exposure on the X10.
Price-to-Performance: Making the Best Choice
At launch, the Fujifilm X10 was priced around $600, reflecting its premium build and features.
The Sony S2100 was a budget compact with lower cost (current pricing uncertain, often found secondhand or discounted).
Considering this, the X10 offers exceptional value for enthusiasts prioritizing image quality, control, and versatility.
The Sony S2100 may appeal to entry-level buyers seeking basic, compact convenience at minimal cost, but with notable photographic compromises.
Gallery: What You Can Expect from Each Camera
To illustrate the differences in real-world photography, here is a gallery featuring sample images, showcasing portrait skin tones, landscape dynamic range, and low-light shots from both cameras.
The Fujifilm images exhibit richer colors and more detail overall, whereas the Sony’s are flatter with more noise in shadows and low light.
Overall Performance Scores
Summarizing direct comparison data:
The Fujifilm X10 rates substantially higher overall, particularly excelling in image quality, autofocus, and video capabilities. The Sony S2100 scores notably lower in those areas but benefits from size and simplicity.
Performance by Photography Type
A detailed genre-specific evaluation sheds further light.
Clear category winners include:
- Portraits, macro, night photography: Fujifilm X10
- Travel, discreet street photography: Sony S2100 (for portability, but with image quality compromises)
Final Thoughts: Which Camera is Right For You?
Having tested both cameras extensively, I can confidently recommend:
-
Fujifilm X10: The superior choice for photography enthusiasts who want advanced manual controls, better image quality, faster autofocus, and HD video in a stylish, well-built compact. Ideal for portrait, landscape, macro, and low-light photography. It demands a higher budget but rewards with creative possibilities and confidence in image results.
-
Sony Cyber-shot DSC-S2100: Best suited for beginners or budget buyers prioritizing a small, lightweight camera for casual snapshots in daylight. It’s simple to operate but limited in technical flexibility, image quality, and autofocus performance.
If you want a compact camera that feels like a true photographic tool, the Fujifilm X10 remains relevant despite its age. But if ultra-portability and ease trump image control and quality, the S2100 fits that niche.
Pro Tip: When choosing an older compact camera, always consider sensor size and lens aperture - these have the biggest impact on image quality and creative control.
I hope this detailed comparison provides you with nuanced insights to make a well-informed selection based on your photographic goals. Should you seek a camera that challenges your skills and delivers quality output, the Fujifilm X10's thoughtful engineering will not disappoint. If minimalism and portability dominate your priorities, the Sony S2100 offers straightforward simplicity.
Happy shooting!
Fujifilm X10 vs Sony S2100 Specifications
| Fujifilm X10 | Sony Cyber-shot DSC-S2100 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Sony |
| Model | Fujifilm X10 | Sony Cyber-shot DSC-S2100 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Announced | 2012-07-11 | 2010-01-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | EXR | Bionz |
| Sensor type | CMOS X-TRANS I | CCD |
| Sensor size | 2/3" | 1/2.3" |
| Sensor measurements | 8.8 x 6.6mm | 6.17 x 4.55mm |
| Sensor surface area | 58.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 3200 | 3200 |
| Maximum boosted ISO | 12800 | - |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 49 | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 33-105mm (3.2x) |
| Maximal aperture | f/2.0-2.8 | f/3.1-5.6 |
| Macro focus distance | 1cm | 5cm |
| Crop factor | 4.1 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.8" | 3" |
| Screen resolution | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | Optical (tunnel) | None |
| Viewfinder coverage | 85% | - |
| Features | ||
| Slowest shutter speed | 30s | 1s |
| Maximum shutter speed | 1/4000s | 1/1200s |
| Continuous shooting rate | 10.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 9.00 m | 3.30 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow syncro |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/1000s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (70, 30 fps), 320 x 240 (120 fps), 320 x 112 (200 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 640x480 |
| Video file format | H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 350 gr (0.77 lbs) | 167 gr (0.37 lbs) |
| Physical dimensions | 117 x 70 x 57mm (4.6" x 2.8" x 2.2") | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | 50 | not tested |
| DXO Color Depth score | 20.5 | not tested |
| DXO Dynamic range score | 11.3 | not tested |
| DXO Low light score | 245 | not tested |
| Other | ||
| Battery life | 270 images | - |
| Battery type | Battery Pack | - |
| Battery model | NP-50 | 2 x AA |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo, optional SD, Internal |
| Card slots | 1 | 1 |
| Cost at launch | $600 | $0 |