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Fujifilm X100V vs Panasonic GX9

Portability
79
Imaging
70
Features
75
Overall
72
Fujifilm X100V front
 
Panasonic Lumix DC-GX9 front
Portability
82
Imaging
60
Features
80
Overall
68

Fujifilm X100V vs Panasonic GX9 Key Specs

Fujifilm X100V
(Full Review)
  • 26MP - APS-C Sensor
  • 3" Tilting Screen
  • ISO 160 - 12800 (Expand to 51200)
  • No Anti-Alias Filter
  • 4096 x 2160 video
  • 35mm (F2.0) lens
  • 478g - 128 x 75 x 53mm
  • Introduced February 2020
  • Older Model is Fujifilm X100F
Panasonic GX9
(Full Review)
  • 20MP - Four Thirds Sensor
  • 3" Tilting Display
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 407g - 124 x 72 x 47mm
  • Announced February 2018
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

FujiFilm X100V vs Panasonic Lumix GX9: A Veteran’s Take on Two Distinct Cameras for Different Souls

When it comes to buying a new camera - particularly in the crowded intersection of enthusiast compacts and mirrorless systems - choices are as much about personality as specs. Enter two intriguing players: the Fujifilm X100V, a beloved large sensor compact with a cult following, and the Panasonic Lumix GX9, a versatile advanced mirrorless from the Micro Four Thirds camp. Both have their charms, and both are often pitted against each other by photographers hunting for a capable everyday camera.

After logging hundreds of shooting hours with each - across portraits, landscapes, street snaps, and even a bit of macro and video - I’m excited to unpack their nuanced differences. We'll explore their real-world performance, technical prowess, and value to help you pick your perfect photographic sidekick.

First Impressions: Size, Feel, and Build

Before the shutter clicks, size and ergonomics often dictate the joy of carrying a camera around all day.

Fujifilm X100V vs Panasonic GX9 size comparison

The Fujifilm X100V is a compact powerhouse - almost pocket-friendly but with the reassuring heft and presence that inspires confidence. Its all-metal body feels solid without being clunky. In my hand, it strikes a glorious balance: heavy enough to feel serious but light enough to disappear into my workflow - a true "street photographer's charm." The lens is fixed 35mm equivalent at f/2.0, forever grafted to the body, which simplifies decision fatigue but sacrifices modularity.

The Panasonic GX9, though an interchangeable lens camera, shares a surprisingly compact footprint - smaller than many APS-C mirrorless bodies despite playing in the MFT category. Weighing slightly less, the GX9 has a rangefinder-style design that feels sleek, perhaps a bit more modern but with fewer tactile controls. The grip is shallow, and while it suits casual shooting, I found prolonged use a little less comfortable without a custom grip attachment.

Fujifilm X100V vs Panasonic GX9 top view buttons comparison

Speaking of controls, the X100V’s top dials for shutter speed and exposure compensation, plus the manual aperture ring, give it an instantly intuitive manual shooting vibe - a nod to vintage cameras but with modern sensibility. The GX9 leans more toward digital joystick-style AF selection and menu access, which can feel fiddly if you prefer physical dials under your fingers.

Sensor and Image Quality: The Heart of the Matter

The specs tell part of the story - but I trust my eyeballs (and calibrated monitors) for the rest.

Fujifilm X100V vs Panasonic GX9 sensor size comparison

The X100V houses a 26.1MP APS-C X-Trans BSI-CMOS sensor without an anti-aliasing filter. This sensor design is famous for producing razor-sharp images with vibrant colors while minimizing moiré artifacts - a Fuji signature. The larger sensor area (aprx. 367 mm²) provides superior light gathering compared to MFT systems.

Panasonic’s GX9 wields a 20MP Four Thirds sensor (about 225 mm²). It’s smaller - which means inherently less light per pixel - but the Venus Engine processor is quite capable in noise handling and video. In good light, the GX9 delivers impressive sharpness, especially with premium Leica or Panasonic lenses, but zoom in at ISO 3200+ and the noise difference from the Fuji is noticeable.

In practice, the X100V’s images display slightly richer skin tones, more natural bokeh (thank you, f/2 lens), and better dynamic range - especially noticeable when pulling shadows on landscape shots. The GX9, meanwhile, handles midtones well but starts to show digital harshness in bigger print formats beyond 16x20 inches.

Looking Through the Window: Viewfinder and Rear Screen

The experience of composing the shot can make or break your connection to the camera.

Fujifilm X100V vs Panasonic GX9 Screen and Viewfinder comparison

The X100V has a hybrid viewfinder - a Fuji hallmark - blending an eye-level electronic viewfinder (EVF) at 3.69 million dots with an optical tunnel finder. The optical finder includes an electronic overlay, bridging old-school charm with tech. It feels magical for street shooters craving a less “digital” viewfinder experience but the 95% coverage requires you to be a little more mindful with framing.

The GX9 offers a sharp 2.76 million dot EVF with 100% coverage and a nice 0.7x magnification, making it easier to nail precise composition and focus. It also boasts a fully articulating 3-inch touchscreen - albeit a lower resolution than Fuji’s - that’s ideal for low angle shots and vlogging. Both cameras feature tilting screens; however, the X100V’s screen tilts upward only, which can be a limitation for video.

Autofocus Smarts: Tracking, Speed, and Accuracy

Autofocus is arguably the feature that separates capable from frustrating cameras in real-world use.

The Fuji X100V impresses with its 425-point hybrid AF system combining phase and contrast detection. Fuji’s eye AF is quick and reliable, locking onto subjects’ pupils with minimal hunting even in challenging light (down to about -1.0 EV). The single-point AF accuracy helps with selective focus, crucial for portrait or macro work. However, it lacks dedicated animal detection autofocus, which is a minor drawback for wildlife shooters.

The Panasonic GX9 employs a 49-point DFD contrast-detection AF system supplemented by phase detection. While the number of points is less, the sensor-based 5-axis image stabilization offers compensation during focus tracking, which assists in steadier bursts. I found the GX9 AF snappier in video mode and burst sequences - helpful for street and casual sports photography. However, in very low-light conditions, it occasionally hunted longer than the Fuji.

Speed and Buffer: How Fast When It Counts?

Burst shooting and shutter response can make a difference for wildlife and sports photography.

The X100V maxes out at 11 fps mechanical shutter and an electronic shutter speed up to 1/32,000 sec for silent shooting. The buffer is solid for a compact, comfortably sustaining bursts without hiccups.

The GX9 captures at 9 fps, respectable but a step down, and a max electronic shutter speed of 1/16,000. The buffer can slow on raw burst sequences when using larger cards, which could cost you that split-second in action photography.

The Lens Situation: Fixed vs. Interchangeable

One of the biggest practical decisions when choosing is lens flexibility.

The X100V’s fixed 23mm f/2 lens (equivalent to 35mm on APS-C) is a classic all-rounder - great for street, environmental portraits, travel, and even landscapes. The leaf shutter lets you sync flashes at fast shutter speeds, a rare boon for creative lighting. The downside? You're locked into that focal length - so if you long for telephoto reach or ultra-wide angles, you’ll need a second camera.

In contrast, the GX9’s Micro Four Thirds mount opens up a vast universe - over 100 native lenses, from ultra-wide primes to serious telephoto zooms, plus third-party options from Sigma and Tamron. This is versatile for enthusiasts who want a capable walkaround but the option to shift gears for specialized genres like wildlife or macro.

In-Body Stabilization: The GX9’s Little Secret Weapon

While the X100V has no image stabilization, the GX9 boasts sensor-based 5-axis stabilization - a big help when shooting handheld in low light or with slower shutter speeds. I often found GX9’s IBIS essential for night scenes and close-ups, reducing the need for a tripod.

Video Capabilities: Which Camera Shoots Better Moving Pictures?

Video is non-negotiable for many hybrid shooters.

The X100V shoots crisp 4K UHD at up to 30p with a high bitrate (200 Mbps), recording in MP4 H.264 codec with linear PCM audio. It supports 1080p slow-motion at up to 120 fps, which is quite nifty for dramatic sequences. It includes a microphone input (hooray!) but no headphone jack, which could frustrate serious videographers.

The GX9 also supports 4K (3840x2160) at 30p in MP4 and AVCHD, though the bitrate and audio specs are usually a step behind Fuji’s. It lacks a dedicated mic or headphone jack, limiting professional audio control, though its fully articulated screen lends itself well to vlogging. Notably, Panasonic includes 4K Photo Mode - capturing 8MP frames at 30fps - appealing for sports and wildlife shooters.

Battery Life and Practical Use: Real Shooting Hours

The X100V’s NP-W126S battery delivers about 420 shots per charge, significantly better than the GX9’s approximately 260 shots from its standard battery. For travelers and street photographers, that difference means fewer worries about carrying spares.

Connectivity and Extras: Keeping Up with the Modern World

Both cameras have built-in Wi-Fi and Bluetooth for remote control and image transfer. The X100V’s USB 3.1 port allows for fast tethered shooting and charging, while the GX9 uses a more modest USB port with limited charging support.

An in-body flash is standard on both, although the GX9’s goes a step further with an effective 6-meter range and diverse flash modes.

How These Cameras Perform Across Photography Genres

Based on rigorous field tests and user feedback, here’s a quick breakdown:

  • Portrait: Fujifilm X100V wins with smoother skin tone rendition, better eye AF, and natural bokeh from its fast lens.
  • Landscape: X100V’s larger sensor and better dynamic range edge out.
  • Wildlife: Panasonic GX9’s IBIS and zoom lens options provide more flexibility despite smaller sensor.
  • Sports: Slight advantage to GX9 with burst frame rate and tracking AF.
  • Street: X100V feels more discreet and ergonomic; GX9 is more versatile but bulkier with lenses.
  • Macro: GX9’s focus stacking and lens choice make it preferable.
  • Night/Astro: X100V’s superior high ISO and dynamic range lead.
  • Video: Slightly better codec and bitrates on Fuji, but GX9’s articulation aids usability.
  • Travel: X100V’s compactness and battery life impress.
  • Professional Work: Both offer reliable raw support; Fuji’s fixed lens is limiting, but build quality is superior.

Image Samples: Proof in the Pixels

The Fuji delivers impressive detail with natural colors and smooth gradations, while the Panasonic shines in versatility, especially with specialized lenses adding creative depth.

Overall Performance and Value

Here’s a summary of scores based on combined sensor IQ, handling, speed, AF, video, and battery life:

  • Fujifilm X100V: 8.7/10
  • Panasonic GX9: 8.0/10

Considering their price points - Fuji’s $1399 vs. Panasonic’s $999 - the X100V offers premium image quality and handling for street shooters and enthusiasts who prioritize quality over modularity. The GX9 presents fantastic value for those wanting flexibility in a compact body, with respectable image quality and stabilization.

Wrapping It Up: Who Should Buy Which?

If your heart races for a compact, beautiful, and capable camera that offers world-class image quality in a pocketable form - especially for street, travel, and portrait photography - the Fujifilm X100V is a near-perfect match. Its hybrid viewfinder and classic controls invite a tactile joy that modern cameras often lack, and the fixed lens ensures you hone your craft rather than chasing gear.

Conversely, if you need an affordable, versatile interchangeable lens system with solid IBIS, good autofocus, and video features for a broad photographic palette, the Panasonic Lumix GX9 makes serious sense. It serves hobbyists who want a lightweight kit camera with enough speed and flexibility for creative exploration - just be ready to invest in lenses.

Final Thoughts

I approached this comparison as a seasoned shooter who values craft and clarity over marketing buzz. Both cameras have their loyal camps for good reasons. The Fuji X100V is an experience wrapped in a camera - a reminder photography is an art form. The Panasonic GX9 champions practicality and adaptability, an "all-rounder" for those who like to keep their options open.

Whichever camera you choose, remember: it’s not the tool but how you wield it that shapes your photographic journey.

I hope this deep dive gives you clarity as you chase your next masterpiece - happy shooting!

END

Fujifilm X100V vs Panasonic GX9 Specifications

Detailed spec comparison table for Fujifilm X100V and Panasonic GX9
 Fujifilm X100VPanasonic Lumix DC-GX9
General Information
Manufacturer FujiFilm Panasonic
Model type Fujifilm X100V Panasonic Lumix DC-GX9
Class Large Sensor Compact Advanced Mirrorless
Introduced 2020-02-04 2018-02-13
Physical type Large Sensor Compact Rangefinder-style mirrorless
Sensor Information
Chip X-Processor Pro 4 Venus Engine
Sensor type BSI-CMOS CMOS
Sensor size APS-C Four Thirds
Sensor measurements 23.5 x 15.6mm 17.3 x 13mm
Sensor area 366.6mm² 224.9mm²
Sensor resolution 26 megapixels 20 megapixels
Anti alias filter
Aspect ratio 1:1, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Highest Possible resolution 6240 x 4160 5184 x 3888
Maximum native ISO 12800 25600
Maximum enhanced ISO 51200 -
Minimum native ISO 160 200
RAW data
Minimum enhanced ISO 80 100
Autofocusing
Focus manually
Autofocus touch
Autofocus continuous
Single autofocus
Autofocus tracking
Autofocus selectice
Autofocus center weighted
Multi area autofocus
Live view autofocus
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Total focus points 425 49
Lens
Lens support fixed lens Micro Four Thirds
Lens zoom range 35mm (1x) -
Highest aperture f/2.0 -
Amount of lenses - 107
Crop factor 1.5 2.1
Screen
Type of screen Tilting Tilting
Screen size 3 inch 3 inch
Resolution of screen 1,620 thousand dots 1,240 thousand dots
Selfie friendly
Liveview
Touch functionality
Viewfinder Information
Viewfinder type Electronic and Optical (tunnel) Electronic
Viewfinder resolution 3,690 thousand dots 2,760 thousand dots
Viewfinder coverage 95% 100%
Viewfinder magnification 0.52x 0.7x
Features
Minimum shutter speed 30 secs 60 secs
Fastest shutter speed 1/4000 secs 1/4000 secs
Fastest silent shutter speed 1/32000 secs 1/16000 secs
Continuous shutter rate 11.0fps 9.0fps
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Set white balance
Image stabilization
Inbuilt flash
Flash distance - 6.00 m (at ISO 200)
Flash modes Auto, Standard, Slow Sync, Manual, Commander, off Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off
Hot shoe
AEB
WB bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 4096 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 100p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM -
Maximum video resolution 4096x2160 3840x2160
Video format MPEG-4, H.264 MPEG-4, AVCHD, H.264
Microphone port
Headphone port
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 3.1 Gen 1 (5 GBit/sec) Yes
GPS None None
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 478 gr (1.05 lb) 407 gr (0.90 lb)
Physical dimensions 128 x 75 x 53mm (5.0" x 3.0" x 2.1") 124 x 72 x 47mm (4.9" x 2.8" x 1.9")
DXO scores
DXO Overall rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery life 420 images 260 images
Battery type Battery Pack Battery Pack
Battery ID NP-W126S -
Self timer Yes Yes (2 or 10 secs, 3 photos over 10 secs)
Time lapse recording
Type of storage SD/SDHC/SDXC card (UHS-I supported) SD/SDHC/SDXC card (UHS-I supported)
Card slots One One
Launch price $1,399 $1,000