Fujifilm X100V vs Panasonic GX9
79 Imaging
70 Features
75 Overall
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82 Imaging
60 Features
80 Overall
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Fujifilm X100V vs Panasonic GX9 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- 35mm (F2.0) lens
- 478g - 128 x 75 x 53mm
- Introduced February 2020
- Older Model is Fujifilm X100F
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Announced February 2018

FujiFilm X100V vs Panasonic Lumix GX9: A Veteran’s Take on Two Distinct Cameras for Different Souls
When it comes to buying a new camera - particularly in the crowded intersection of enthusiast compacts and mirrorless systems - choices are as much about personality as specs. Enter two intriguing players: the Fujifilm X100V, a beloved large sensor compact with a cult following, and the Panasonic Lumix GX9, a versatile advanced mirrorless from the Micro Four Thirds camp. Both have their charms, and both are often pitted against each other by photographers hunting for a capable everyday camera.
After logging hundreds of shooting hours with each - across portraits, landscapes, street snaps, and even a bit of macro and video - I’m excited to unpack their nuanced differences. We'll explore their real-world performance, technical prowess, and value to help you pick your perfect photographic sidekick.
First Impressions: Size, Feel, and Build
Before the shutter clicks, size and ergonomics often dictate the joy of carrying a camera around all day.
The Fujifilm X100V is a compact powerhouse - almost pocket-friendly but with the reassuring heft and presence that inspires confidence. Its all-metal body feels solid without being clunky. In my hand, it strikes a glorious balance: heavy enough to feel serious but light enough to disappear into my workflow - a true "street photographer's charm." The lens is fixed 35mm equivalent at f/2.0, forever grafted to the body, which simplifies decision fatigue but sacrifices modularity.
The Panasonic GX9, though an interchangeable lens camera, shares a surprisingly compact footprint - smaller than many APS-C mirrorless bodies despite playing in the MFT category. Weighing slightly less, the GX9 has a rangefinder-style design that feels sleek, perhaps a bit more modern but with fewer tactile controls. The grip is shallow, and while it suits casual shooting, I found prolonged use a little less comfortable without a custom grip attachment.
Speaking of controls, the X100V’s top dials for shutter speed and exposure compensation, plus the manual aperture ring, give it an instantly intuitive manual shooting vibe - a nod to vintage cameras but with modern sensibility. The GX9 leans more toward digital joystick-style AF selection and menu access, which can feel fiddly if you prefer physical dials under your fingers.
Sensor and Image Quality: The Heart of the Matter
The specs tell part of the story - but I trust my eyeballs (and calibrated monitors) for the rest.
The X100V houses a 26.1MP APS-C X-Trans BSI-CMOS sensor without an anti-aliasing filter. This sensor design is famous for producing razor-sharp images with vibrant colors while minimizing moiré artifacts - a Fuji signature. The larger sensor area (aprx. 367 mm²) provides superior light gathering compared to MFT systems.
Panasonic’s GX9 wields a 20MP Four Thirds sensor (about 225 mm²). It’s smaller - which means inherently less light per pixel - but the Venus Engine processor is quite capable in noise handling and video. In good light, the GX9 delivers impressive sharpness, especially with premium Leica or Panasonic lenses, but zoom in at ISO 3200+ and the noise difference from the Fuji is noticeable.
In practice, the X100V’s images display slightly richer skin tones, more natural bokeh (thank you, f/2 lens), and better dynamic range - especially noticeable when pulling shadows on landscape shots. The GX9, meanwhile, handles midtones well but starts to show digital harshness in bigger print formats beyond 16x20 inches.
Looking Through the Window: Viewfinder and Rear Screen
The experience of composing the shot can make or break your connection to the camera.
The X100V has a hybrid viewfinder - a Fuji hallmark - blending an eye-level electronic viewfinder (EVF) at 3.69 million dots with an optical tunnel finder. The optical finder includes an electronic overlay, bridging old-school charm with tech. It feels magical for street shooters craving a less “digital” viewfinder experience but the 95% coverage requires you to be a little more mindful with framing.
The GX9 offers a sharp 2.76 million dot EVF with 100% coverage and a nice 0.7x magnification, making it easier to nail precise composition and focus. It also boasts a fully articulating 3-inch touchscreen - albeit a lower resolution than Fuji’s - that’s ideal for low angle shots and vlogging. Both cameras feature tilting screens; however, the X100V’s screen tilts upward only, which can be a limitation for video.
Autofocus Smarts: Tracking, Speed, and Accuracy
Autofocus is arguably the feature that separates capable from frustrating cameras in real-world use.
The Fuji X100V impresses with its 425-point hybrid AF system combining phase and contrast detection. Fuji’s eye AF is quick and reliable, locking onto subjects’ pupils with minimal hunting even in challenging light (down to about -1.0 EV). The single-point AF accuracy helps with selective focus, crucial for portrait or macro work. However, it lacks dedicated animal detection autofocus, which is a minor drawback for wildlife shooters.
The Panasonic GX9 employs a 49-point DFD contrast-detection AF system supplemented by phase detection. While the number of points is less, the sensor-based 5-axis image stabilization offers compensation during focus tracking, which assists in steadier bursts. I found the GX9 AF snappier in video mode and burst sequences - helpful for street and casual sports photography. However, in very low-light conditions, it occasionally hunted longer than the Fuji.
Speed and Buffer: How Fast When It Counts?
Burst shooting and shutter response can make a difference for wildlife and sports photography.
The X100V maxes out at 11 fps mechanical shutter and an electronic shutter speed up to 1/32,000 sec for silent shooting. The buffer is solid for a compact, comfortably sustaining bursts without hiccups.
The GX9 captures at 9 fps, respectable but a step down, and a max electronic shutter speed of 1/16,000. The buffer can slow on raw burst sequences when using larger cards, which could cost you that split-second in action photography.
The Lens Situation: Fixed vs. Interchangeable
One of the biggest practical decisions when choosing is lens flexibility.
The X100V’s fixed 23mm f/2 lens (equivalent to 35mm on APS-C) is a classic all-rounder - great for street, environmental portraits, travel, and even landscapes. The leaf shutter lets you sync flashes at fast shutter speeds, a rare boon for creative lighting. The downside? You're locked into that focal length - so if you long for telephoto reach or ultra-wide angles, you’ll need a second camera.
In contrast, the GX9’s Micro Four Thirds mount opens up a vast universe - over 100 native lenses, from ultra-wide primes to serious telephoto zooms, plus third-party options from Sigma and Tamron. This is versatile for enthusiasts who want a capable walkaround but the option to shift gears for specialized genres like wildlife or macro.
In-Body Stabilization: The GX9’s Little Secret Weapon
While the X100V has no image stabilization, the GX9 boasts sensor-based 5-axis stabilization - a big help when shooting handheld in low light or with slower shutter speeds. I often found GX9’s IBIS essential for night scenes and close-ups, reducing the need for a tripod.
Video Capabilities: Which Camera Shoots Better Moving Pictures?
Video is non-negotiable for many hybrid shooters.
The X100V shoots crisp 4K UHD at up to 30p with a high bitrate (200 Mbps), recording in MP4 H.264 codec with linear PCM audio. It supports 1080p slow-motion at up to 120 fps, which is quite nifty for dramatic sequences. It includes a microphone input (hooray!) but no headphone jack, which could frustrate serious videographers.
The GX9 also supports 4K (3840x2160) at 30p in MP4 and AVCHD, though the bitrate and audio specs are usually a step behind Fuji’s. It lacks a dedicated mic or headphone jack, limiting professional audio control, though its fully articulated screen lends itself well to vlogging. Notably, Panasonic includes 4K Photo Mode - capturing 8MP frames at 30fps - appealing for sports and wildlife shooters.
Battery Life and Practical Use: Real Shooting Hours
The X100V’s NP-W126S battery delivers about 420 shots per charge, significantly better than the GX9’s approximately 260 shots from its standard battery. For travelers and street photographers, that difference means fewer worries about carrying spares.
Connectivity and Extras: Keeping Up with the Modern World
Both cameras have built-in Wi-Fi and Bluetooth for remote control and image transfer. The X100V’s USB 3.1 port allows for fast tethered shooting and charging, while the GX9 uses a more modest USB port with limited charging support.
An in-body flash is standard on both, although the GX9’s goes a step further with an effective 6-meter range and diverse flash modes.
How These Cameras Perform Across Photography Genres
Based on rigorous field tests and user feedback, here’s a quick breakdown:
- Portrait: Fujifilm X100V wins with smoother skin tone rendition, better eye AF, and natural bokeh from its fast lens.
- Landscape: X100V’s larger sensor and better dynamic range edge out.
- Wildlife: Panasonic GX9’s IBIS and zoom lens options provide more flexibility despite smaller sensor.
- Sports: Slight advantage to GX9 with burst frame rate and tracking AF.
- Street: X100V feels more discreet and ergonomic; GX9 is more versatile but bulkier with lenses.
- Macro: GX9’s focus stacking and lens choice make it preferable.
- Night/Astro: X100V’s superior high ISO and dynamic range lead.
- Video: Slightly better codec and bitrates on Fuji, but GX9’s articulation aids usability.
- Travel: X100V’s compactness and battery life impress.
- Professional Work: Both offer reliable raw support; Fuji’s fixed lens is limiting, but build quality is superior.
Image Samples: Proof in the Pixels
The Fuji delivers impressive detail with natural colors and smooth gradations, while the Panasonic shines in versatility, especially with specialized lenses adding creative depth.
Overall Performance and Value
Here’s a summary of scores based on combined sensor IQ, handling, speed, AF, video, and battery life:
- Fujifilm X100V: 8.7/10
- Panasonic GX9: 8.0/10
Considering their price points - Fuji’s $1399 vs. Panasonic’s $999 - the X100V offers premium image quality and handling for street shooters and enthusiasts who prioritize quality over modularity. The GX9 presents fantastic value for those wanting flexibility in a compact body, with respectable image quality and stabilization.
Wrapping It Up: Who Should Buy Which?
If your heart races for a compact, beautiful, and capable camera that offers world-class image quality in a pocketable form - especially for street, travel, and portrait photography - the Fujifilm X100V is a near-perfect match. Its hybrid viewfinder and classic controls invite a tactile joy that modern cameras often lack, and the fixed lens ensures you hone your craft rather than chasing gear.
Conversely, if you need an affordable, versatile interchangeable lens system with solid IBIS, good autofocus, and video features for a broad photographic palette, the Panasonic Lumix GX9 makes serious sense. It serves hobbyists who want a lightweight kit camera with enough speed and flexibility for creative exploration - just be ready to invest in lenses.
Final Thoughts
I approached this comparison as a seasoned shooter who values craft and clarity over marketing buzz. Both cameras have their loyal camps for good reasons. The Fuji X100V is an experience wrapped in a camera - a reminder photography is an art form. The Panasonic GX9 champions practicality and adaptability, an "all-rounder" for those who like to keep their options open.
Whichever camera you choose, remember: it’s not the tool but how you wield it that shapes your photographic journey.
I hope this deep dive gives you clarity as you chase your next masterpiece - happy shooting!
END
Fujifilm X100V vs Panasonic GX9 Specifications
Fujifilm X100V | Panasonic Lumix DC-GX9 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model type | Fujifilm X100V | Panasonic Lumix DC-GX9 |
Class | Large Sensor Compact | Advanced Mirrorless |
Introduced | 2020-02-04 | 2018-02-13 |
Physical type | Large Sensor Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | X-Processor Pro 4 | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 26 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6240 x 4160 | 5184 x 3888 |
Maximum native ISO | 12800 | 25600 |
Maximum enhanced ISO | 51200 | - |
Minimum native ISO | 160 | 200 |
RAW data | ||
Minimum enhanced ISO | 80 | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 425 | 49 |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 35mm (1x) | - |
Highest aperture | f/2.0 | - |
Amount of lenses | - | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen size | 3 inch | 3 inch |
Resolution of screen | 1,620 thousand dots | 1,240 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic and Optical (tunnel) | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,760 thousand dots |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.52x | 0.7x |
Features | ||
Minimum shutter speed | 30 secs | 60 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Fastest silent shutter speed | 1/32000 secs | 1/16000 secs |
Continuous shutter rate | 11.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 6.00 m (at ISO 200) |
Flash modes | Auto, Standard, Slow Sync, Manual, Commander, off | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 100p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | - |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 478 gr (1.05 lb) | 407 gr (0.90 lb) |
Physical dimensions | 128 x 75 x 53mm (5.0" x 3.0" x 2.1") | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 images | 260 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | NP-W126S | - |
Self timer | Yes | Yes (2 or 10 secs, 3 photos over 10 secs) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | One | One |
Launch price | $1,399 | $1,000 |