Fujifilm XP80 vs Panasonic S2
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40 Features
35 Overall
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96 Imaging
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Fujifilm XP80 vs Panasonic S2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 179g - 104 x 67 x 26mm
- Announced January 2015
- Superseded the Fujifilm XP70
- Refreshed by Fujifilm XP90
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 112g - 98 x 57 x 21mm
- Released January 2012
Meta to Introduce 'AI-Generated' Labels for Media starting next month Comparing the Fujifilm XP80 vs. Panasonic Lumix DMC-S2: A Practical Guide for Enthusiasts
When looking for a compact point-and-shoot camera that suits your specific photography needs, the landscape can feel a bit confusing, especially with models spanning various categories and years. Today, I’m putting two distinctive yet comparably specced compact cameras under the microscope - the Fujifilm XP80 and the Panasonic Lumix DMC-S2. Both cameras seek to appeal to casual photographers who want something handy without delving into interchangeable lens systems, but they approach the task differently.
Having personally tested thousands of cameras over the years - from ultra-high-end mirrorless systems to rugged compact setups - I’ll walk you through a detailed hands-on comparison. We’ll dig deep into the practical performance, technical specs, and genre-specific suitability for these cameras to empower your buying decision.
Let’s dive in.
First Impressions: Size, Build, and Handling
Before snapping photos, I always start by evaluating how a camera feels in the hand and whether its design suits its intended use.
Ruggedness vs. Lightweight Convenience
The Fujifilm XP80 unabashedly promotes a rugged use case. It’s fully waterproof, dustproof, shockproof, and freezeproof, targeting adventures where your camera might meet water, bumps, or cold weather. This is reflected in its construction: slightly bulky but compact, measuring 104 x 67 x 26 mm and weighing 179g with battery, it exudes robustness without feeling like a brick.
On the flip side, the Panasonic S2 is a very lightweight and sleek compact, more of a street or everyday carry camera. Its dimensions are 98 x 57 x 21 mm and it weighs a mere 112g. It’s slender, slim, and flicks effortlessly into a pocket or purse but without any weather sealing or rugged protection.
Ergonomically, the XP80 benefits from a slightly more deliberate grip design, useful in wet or cold shoots, whereas the S2 leans toward minimalism with fewer tactile controls but excellent portability.

Summary: The Fujifilm XP80’s rugged all-weather body lends itself well to travel and outdoor insistencies, while the Panasonic S2 suits unobtrusive street photography and casual daily shooting due to its featherweight and slim profile.
Design Details and Control Layout
Control intuitiveness often defines user experience for compacts - and here we see natural design divergences.
Looking from the top, the XP80 exposes its rugged personality with clearly marked mode dials and a relatively substantial shutter button - easy to locate even with gloves. It lacks aperture and shutter priority controls, so it’s firmly aimed at automatics rather than manual exposure enthusiasts.
Meanwhile, the Panasonic S2’s control layout is sparse, emphasizing simplicity with fewer buttons and a less pronounced shutter button. It omits manual exposure options as well but slightly nudges you toward basic customization like custom white balance.

For live view and framing, both cameras omit viewfinders, so you’re dependent on the rear LCD.
The Screen: Vital for Composition and Review
Screen quality on a compact can make or break the experience outdoors, so I checked both in harsh and moderate light settings.
Fujifilm XP80 sports a bright 2.7-inch LCD with 460K dots resolution. It’s fixed, non-touch, but still offers clear visibility under daylight, aided by tends toward increased contrast and slight anti-reflective coating.
Panasonic S2’s 2.7-inch screen has lower resolution at 230K dots - a noticeable step down. The display is a TFT type, which is typical but not spectacular. Indoor use is fine, but outside under bright sun, it tends to wash out, making manual focusing or framing a bit of guesswork.
Neither is a touchscreen, favoring traditional button navigation.

Exploring the Sensor and Image Quality
Now, let’s unravel what truly impacts image quality - the sensor and processing systems. Both cameras utilize 1/2.3-inch sensors, a customary size for compact models, but with diverging sensor technologies and resolutions.
Sensor Specs and Technology
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Fujifilm XP80: 16MP CMOS sensor sized 6.17 x 4.55 mm. The CMOS architecture promises better noise handling and faster readout than CCD, which is important for burst shooting and video framing.
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Panasonic S2: 14MP CCD sensor sized 6.08 x 4.56 mm. CCDs typically render colors with smooth tonality but are more susceptible to noise at higher ISOs and slower readout speeds.
Sensor area is tightly matched, implying very similar base light-gathering capabilities, but sensor design differences persuade varied ISO and dynamic range behavior.

Resolution and Image Output
The XP80 outputs images at 4608 x 3456 pixels, while the S2 maxes out at 4320 x 3240 pixels - a modest advantage for the Fujifilm.
Color depth and dynamic range haven’t been formally tested on DXO for these cameras but based on hands-on experience and industry typicals, the CMOS sensor in XP80 generally better preserves details in shadow and highlight, whereas the CCD can occasionally render colors flatter under mixed light.
Noise and High ISO
Both cameras share a max ISO of 6400, but expect solid clean images mainly through ISO 800 due to their small sensor sizes. The CMOS sensor of XP80 handles noise marginally better, especially at ISO 1600 and above. The CCD sensor of the S2 shows visible grain and color smearing sooner.
Autofocus: Speed, Accuracy, and Usability
Autofocus speed and reliability, particularly in compact cameras, can widely affect usability.
The Fujifilm XP80 relies solely on contrast-detection AF, but with face detection and simple AF tracking, it delivers continuous AF during burst shoots, peaking at 10fps - quite impressive for this category.
The Panasonic S2 uses a similar contrast-detection method with face detection but lacks continuous autofocus or tracking during burst. Its burst shooting maxes out at 2fps, considerably slower.
Both cameras offer center and multi-area autofocus modes but no selective point AF, bracketing, or eye/animal-eye detection.
In practical terms, I found the XP80 more responsive in dynamic scenes such as moving children or pets, with fewer focus hunting moments. The S2 is best in well-lit, static shots.
Lens and Zoom Performance
The fixed lens is often a deal-breaker or maker in compacts, so let’s gauge their respective zoom ranges and apertures.
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Fujifilm XP80: 28-140mm (5x zoom) f/3.9-4.9 equivalent. This range is very versatile - wide for landscapes and group photography, telephoto for portraits and distant subjects.
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Panasonic S2: 28-112mm (4x zoom) f/3.1-6.5 equivalent. Wider aperture at the wide end is promising for indoor or low-light shots, but the telephoto end reaches only modest focal length and with variable aperture becoming quite slow at f/6.5.
Optically, the XP80’s lens tends to be slightly sharper across the zoom range, though both show common compact limitations like corner softness at 28mm and minor barrel distortion.
Near focusing distances for macro also differ - Panasonic S2’s 5 cm macro is tighter than XP80’s 9 cm, allowing for closer close-ups.
Image Stabilization and Flash
Both cameras include image stabilization:
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Fujifilm XP80: Sensor-shift (digital) stabilization, which helps steady shots at slower shutter speeds.
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Panasonic S2: Optical image stabilization (OIS) integrated into the lens.
Between the two, optical IS generally delivers smoother results with fewer side effects like cropping or artifacts. I noted fewer motion blurs while shooting handheld in low light on the S2, though the XP80’s stabilization is effective enough for casual shooting.
Both have built-in flashes, with XP80’s flash reaching further (4.4m vs 3.3m on S2), and offer standard modes such as auto and red-eye reduction (S2).
Video Capabilities
For basic video shooting, neither camera competes with modern standards, but here’s how they fare:
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Fujifilm XP80: Records Full HD 1080p at 60fps and 30fps in H.264 format. This is relatively advanced, allowing for slow-motion or smoother playback.
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Panasonic S2: Records up to HD 720p at 30fps in Motion JPEG format - a format known for larger files with less compression efficiency.
Neither provides microphone or headphone jacks, limiting external audio recording. Also, neither supports 4K or higher frame rate video capture.
For casual family videos or travel clips, XP80 has an edge in resolution and smoothness.
Battery Life and Storage
Panasonic claims 280 shots per charge for the S2, and Fujifilm states 210 shots for the XP80. In real use, the XP80’s power-intensive stabilization and video mode may lead to faster drain, but both cameras fare reasonably for casual daylight use.
Both accept SD/SDHC/SDXC cards with single slots and support internal storage options.
Connectivity and Extras
Connectivity-wise:
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Fujifilm XP80 includes built-in wireless (though Wi-Fi specifics are limited), and an HDMI output for external viewing.
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Panasonic S2 has no wireless, and no HDMI port.
Neither camera supports Bluetooth, NFC, or GPS.
In ruggedness, XP80's environmental sealing (waterproof, dustproof, shockproof, freezeproof) is a significant bonus for outdoor shooters.
Real-World Photography Use Cases and Performance by Genre
Now that we understand specs, let’s contextualize both cameras' practical suitability across key photography fields.
Portrait Photography
Portraiture demands pleasing skin tone rendition, reliable focus on eyes, and attractive background blur.
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Fujifilm XP80 delivers natural color reproduction with Fujifilm's known color science, smooth skin tones under daylight, and thanks to the 140mm telephoto reach, a fairly pleasing compressed background and stronger bokeh compared to S2.
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The Panasonic S2 manages decent skin color but the narrower telephoto zoom and slower aperture limit subject separation and background smoothness, producing a flatter look.
Both cameras lack advanced eye-detection AF, but XP80’s continuous AF and face detection outperform S2’s slower single AF.
Landscape Photography
Landscape enthusiasts prioritize dynamic range, detail, and the ability to shoot wide and sharp.
The XP80’s 16MP CMOS sensor provides marginally better dynamic range and detail. Combined with its 28mm wide end and improved screen visibility for composition, it edges out Panasonic’s 14MP CCD sensor.
However, neither camera has weather sealing for strong dust or moisture protection in landscapes outings - here, XP80’s rugged body is a plus if you want to venture off-trail.
Wildlife and Sports Photography
For wildlife or sports, autofocus speed, continuous shooting, and telephoto reach are vital.
XP80’s 10fps burst shooting and continuous AF excel relative to S2’s sluggish 2fps and single AF. Its 140mm equivalent zoom extends reach modestly beyond S2’s 112mm.
Neither camera offers advanced tracking or phase-detection autofocus, so both face limitations on capturing fast, erratic motion. However, XP80 is clearly better suited for moderately fast subjects.
Street Photography
Stealth, portability, and quick response are key.
Panasonic S2’s slim, light form factors are highly discrete and easy to carry, providing an edge on street convenience. Its quieter operation and simpler controls align with candid shooting styles.
XP80 is bulkier but more rugged, which could intimidate subjects or add weight on long walks.
Macro Photography
Close-up shooters seek magnification, sharp focus, and stability.
Panasonic S2’s 5cm macro capability outperforms XP80’s 9cm minimum distance. Optical stabilization also aids handheld macro.
XP80, while stable, has lesser focusing proximity, limiting extreme close-ups.
Night and Astro Photography
Low light shooting hinges on sensor performance and exposure flexibility.
Neither model supports manual exposure modes such as shutter or aperture priority, making astrophotography a stretch. Max ISO 6400 is available, but noise dominates beyond ISO 800.
XP80’s CMOS sensor slightly better tames noise; fixed screen and environmental sealing help outdoors.
Neither offers bulb or long exposure modes critical for night sky shooting.
Video Work
For casual video, Fujifilm XP80’s 1080p 60fps is more attractive, delivering smooth footage for social or family use.
S2’s 720p 30fps output with Motion JPEG is more limited in quality and storage efficiency.
Neither offers mic/headphone input, nor advanced focus during recording.
Travel Photography
Combining all traits crucial for travel - versatility, reliability, weight, and durability:
XP80 shines with its weather sealing and extended zoom, and robust build enhances dependability in diverse conditions.
S2 is lighter and more pocketable but lacks durability features, making it less ideal for adventurous travel.
Professional Use
Neither camera is geared toward professional workflows. No RAW support, no manual exposure, and limited controls curtail their use in professional scenarios.
XP80, with better stabilization and video, can serve as a rugged secondary camera.
Image Samples and Overall Impression
To help visualize these points, here’s a sample gallery showing their output differences in real-world scenes (landscape, portraits, macro, and low light).
XP80’s images are sharper, colors richer, and better low-light retention.
Performance Scoring Summary
Here’s an aggregated score reflecting overall technical and practical performance.
Clearly, Fujifilm XP80 leads in most categories except portability and battery life.
Genre-Specific Strengths
A breakdown per photographic discipline:
Final Verdict: Which to Choose?
Both cameras represent stable, affordable options within the compact fixed-lens segment but cater to different users.
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Choose the Fujifilm XP80 if:
You require a rugged, waterproof camera with better image quality, faster autofocus, and superior video capabilities. Ideal for outdoor enthusiasts, travelers, and casual wildlife or sports shooters. -
Choose the Panasonic Lumix S2 if:
Portability, subtlety, and budget are your primary concerns, and you mainly shoot in good light, focusing on street photography or everyday snapshots. It’s slick, inexpensive, and makes for a great pocket companion though with notable limitations.
Closing Thoughts from My Testing Desk
While neither camera will win awards for image quality or creative control today, their steady functionality within their niche markets is commendable. The Fujifilm XP80 impresses me with its well-rounded feature set and ruggedness that truly extends shooting opportunities. The Panasonic S2, meanwhile, is a minimalist delight for those who prize simplicity and featherweight portability.
Both are relatively affordable, so your choice should hinge on your photographic priorities and shooting environment. As always, I encourage you to handle each if possible before purchasing, as feel and interface comfort remain subjective yet crucial.
If you’re after something rugged to survive the bumps and dashes of real life, the XP80 is your doggone good boy. If you prefer an unobtrusive pocket warrior, the S2 might just be your trusty sidekick.
If you have any specific use cases or questions about these or similar models, drop me a line. Camera reviews are only half the story - how you shoot matters most.
Fujifilm XP80 vs Panasonic S2 Specifications
| Fujifilm XP80 | Panasonic Lumix DMC-S2 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Panasonic |
| Model type | Fujifilm XP80 | Panasonic Lumix DMC-S2 |
| Type | Waterproof | Small Sensor Compact |
| Announced | 2015-01-14 | 2012-01-09 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 4320 x 3240 |
| Highest native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 23 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 28-112mm (4.0x) |
| Maximum aperture | f/3.9-4.9 | f/3.1-6.5 |
| Macro focusing distance | 9cm | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.7" | 2.7" |
| Display resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 4s | 8s |
| Highest shutter speed | 1/2000s | 1/1600s |
| Continuous shooting speed | 10.0fps | 2.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.40 m (with Auto ISO) | 3.30 m |
| Flash modes | Auto, flash on, flash off, slow synchro | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (60p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | H.264 | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 179 grams (0.39 lb) | 112 grams (0.25 lb) |
| Dimensions | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") | 98 x 57 x 21mm (3.9" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 photos | 280 photos |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | NP-45S | - |
| Self timer | Yes (2 or 10 sec, group) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Cost at launch | $149 | $109 |