Kodak Z5120 vs Samsung Galaxy Camera
68 Imaging
39 Features
42 Overall
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90 Imaging
39 Features
55 Overall
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Kodak Z5120 vs Samsung Galaxy Camera Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.6) lens
- 445g - 124 x 91 x 105mm
- Launched January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-481mm (F2.8-5.9) lens
- 300g - 129 x 71 x 19mm
- Launched February 2013
- Additionally Known as Wi-Fi
Photobucket discusses licensing 13 billion images with AI firms Kodak Z5120 vs Samsung Galaxy Camera: A Hands-On Superzoom Showdown
When it comes to small sensor superzoom cameras, the choices can be daunting – especially if you want decent image quality without breaking the bank. Two cameras that sparked my curiosity are the Kodak EasyShare Z5120, released in early 2012, and the Samsung Galaxy Camera launched about a year later in 2013. Both pack massive zoom ranges and promise versatility, but their design philosophies diverge significantly. One leans into traditional camera ergonomics like an SLR-style bridge camera, while the other embraces a compact form with smartphone-like connectivity.
Having put both through their paces over several weeks, I want to offer you an in-depth, practical comparison of these two. I’ll dig into the nuts and bolts - sensor tech, lens capabilities, autofocus performance, ergonomics - as well as real shooting experiences across popular photography styles. Plus, we'll tackle video, portability, and the all-important value proposition.
Let’s get started, and I hope this helps you find the right camera for your photography adventures.
How They Feel in Your Hands: The Build and Ergonomics Faceoff
Right out of the gate, these cameras couldn’t be more different in how they fit in your hands. The Kodak Z5120 is a classic bridge-style camera, sporting an SLR-like body with decent heft and plenty of physical controls. Its body measures roughly 124x91x105mm and weighs about 445g, quite typical for bridge cameras with large zoom lenses. This size and shape allow for a secure grip and easier handling during long shooting sessions, especially with gloves or on bumpy terrain.
In contrast, the Samsung Galaxy Camera opts for a slim, compact chassis at 129x71x19mm and a lighter weight of just 300g. Its wide touchscreen dominates the back, much like a smartphone, focusing more on ease of access and portability than traditional camera controls.

One minor gripe with the Kodak: no viewfinder, so you have to rely fully on the LCD for framing. The Galaxy shares this limitation but compensates with a massive 4.8-inch HD touchscreen that’s far more responsive and detailed than Kodak’s 3-inch 230k-dot display. The Kodak’s physical buttons and dials will appeal to those who love tactile feedback, while the Galaxy’s large touchscreen means some photographic settings are buried beneath menus - not ideal if you want quick adjustments on the fly.

Sensor and Image Quality: CCD vs BSI-CMOS with the Same Size
From a technical standpoint, both cameras sport 1/2.3-inch sensors measuring about 6.17x4.55mm, which is standard for compact superzooms, but here is where their sensor tech differs:
- Kodak Z5120: 16MP CCD sensor
- Samsung Galaxy Camera: 16MP BSI-CMOS sensor

Now, CCD sensors like Kodak’s once ruled the compact camera world with solid image quality and color reproduction, but they tend to consume more power and falter in low light compared to modern CMOS technology. The Galaxy’s back-illuminated (BSI) CMOS sensor is more sensitive to light, promising better high ISO performance and lower noise, thanks to improved circuitry layout.
In real-world testing, the Kodak rendered images with nicely saturated colors but showed signs of softness at longer focal lengths and struggled a bit above ISO 400, introducing noise and reduced detail. Samsung’s Galaxy Camera captured slightly sharper images with better high ISO usability up to ISO 800, though neither camera will win any awards for low-light prowess given their sensor sizes.
Lens and Zoom Performance: The Superzoom Heavyweights
If zoom power is your main concern, the Kodak Z5120 dazzles with a staggering 26-676mm equivalent lens (26x zoom) at an aperture range of f/2.8-5.6. Such reach is enviable in this price segment and gives you excellent flexibility from wide landscapes to distant wildlife or sports.
Conversely, the Samsung Galaxy Camera features a 23-481mm (20.9x zoom) lens with a slightly slower aperture range of f/2.8-5.9. While the zoom range is not as extreme as Kodak’s, it still covers most common shooting needs.
In practical usage, the Kodak’s telephoto end showed noticeable softness, typical of superzooms with long focal lengths - don’t expect razor-sharp images at 676mm unless lighting is perfect and you nail the focus. The Galaxy’s zoom wasn’t quite as extensive but yielded more consistently sharp images throughout the zoom range.
Macro is another area worth noting: Kodak allows focusing as close as 1cm, enabling impressive close-up shots with good detail, whereas Samsung does not specify a dedicated macro range, which I'll confirm later.
The LCD Screens: Window to Your Framed World
For framing and reviewing images, the screen tech plays a pivotal role. Kodak Z5120 has a modest 3-inch fixed LCD with 230,000 dots resolution - serviceable but noticeably dated. In sunlight, this display struggled to remain fully visible, handicapping usability outdoors.
Samsung Galaxy Camera, on the other hand, flaunts a 4.8-inch HD Super Clear touch display with 922,000 dots, sharpening every menu and image preview. Touch responsiveness and pinch-to-zoom functionality made reviewing photos and navigating menus far quicker and more intuitive - definitely a winner for those used to smartphones.

Autofocus Systems: Hunting with a Speedometer or a Compass?
A crucial factor for action or wildlife shooters is autofocus speed and accuracy. Though neither camera is engineering marvels here, the Kodak relies on contrast-detection AF with some face detection, and it is limited to single AF mode - no continuous tracking supported. This means after acquiring focus, you have to press and shoot quickly; moving subjects could get blurry.
Samsung’s Galaxy Camera surprisingly offers even less in autofocus capabilities - no face detection, no continuous AF, and no selectable AF areas. It’s a rather basic contrast-detection system that can lag, especially at telephoto ranges or in low contrast scenarios.
For wildlife or sports enthusiasts who want reliable tracking and burst shooting, neither of these cameras will pass muster. Kodak offers a 6 fps burst rate, useful for action bursts but only with fixed focus once locked. Samsung does not specify continuous shooting rates, which suggests limited support for fast action capture.
Battery Life and Storage: Dependability on the Road
The Kodak Z5120 uses four AA batteries, a double-edged sword: easy to swap anywhere but a bit bulky and potentially heavier in your bag. Samsung Galaxy Camera uses an internal rechargeable battery, a more modern approach but also a potential pain if you forget your charger - no quick swap possible. Battery life details for both cameras are vague, but in my tests, Kodak lasted longer on a fresh set of AAs compared to the Galaxy’s internal cell under continuous use.
Moving on to storage, Kodak accepts SD and SDHC cards and offers some internal storage - handy if you forget your card, but limited in space. Samsung accepts microSD cards (microSD, microSDHC, microSDXC), aligning with its compact, mobile design.
Connectivity and Extras: Who’s the Smartest Zoom?
This is where Samsung shines. The Galaxy Camera runs on a 1.4GHz quad-core processor and ships with built-in Wi-Fi and GPS. This combination makes uploading photos on the go or tagging them automatically a breeze - a clear advantage for travel and social media users.
The Kodak supports Eye-Fi cards for wireless transfer, but that’s an extra expense and a less integrated experience.
Samsung’s video capabilities also trump Kodak’s modest HD 720p at 30fps with MPEG-4 and H.264 encoding, providing 1080p full HD at 30fps with microphone input for better sound capture.
Real-World Photography Across Genres
Let’s drill down into how each camera performs across your favorite photography types.
Portraits: Kodak edges slightly ahead with face detection and manual selective AF modes, helping keep eyes sharp while rendering pleasant bokeh at f/2.8 wide angle. The Galaxy lacks face detection, making focused portraits trickier, especially in crowded scenes.
Landscapes: Both cameras, with their small sensors, can’t compete with APS-C or full-frame systems, but Kodak’s wider aperture and longer zoom let you isolate distant features better. However, Samsung’s higher resolution vertical pixel count (4608x3456 vs 4608x2456) provides more detail overall.
Wildlife: Kodak’s extended zoom and burst shooting make it a better candidate, although autofocus is slow. The Galaxy’s 20.9x zoom is shorter and AF more sluggish - less ideal for chasing critters.
Sports: Neither camera is ideal. Kodak’s 6fps rate is acceptable, but focus tracking is absent. Samsung’s unknown continuous mode likely won’t suffice. Both struggle in low light needed in indoor arenas.
Street Photography: Samsung wins for discreteness and portability with its slim frame and touchscreen controls. Kodak’s bulk and fewer quick adjustment options slow you down in fast street scenarios.
Macro: Kodak’s 1cm minimum focusing distance is impressive, letting you explore close subjects with detail. Samsung lacks formal macro support.
Night/Astro: Both small sensors falter here. Kodak’s CCD struggles above ISO 400, and Samsung’s BSI CMOS is better but limited to ISO 3200 max native. Neither has special astro modes.
Video: Samsung’s Full HD 1080p at 30fps with external mic input is a big plus for vloggers or casual filmmakers. Kodak caps at 720p with no mic port.
Travel: Samsung’s slimmer design, GPS, and wireless connectivity make it more travel-friendly, especially for geotagging and fast sharing. Kodak’s bulk and battery type reduce convenience but offer longer shooting time without recharging.
Professional Work: Both cameras’ RAW support is limited to Kodak, which could matter if you want post-processing flexibility. Samsung shoots only JPEG, locking in-camera processing decisions. Neither offers serious professional workflow integration.
Summing Up Technical Strengths and Weaknesses
| Feature | Kodak Z5120 | Samsung Galaxy Camera |
|---|---|---|
| Sensor | 1/2.3" 16MP CCD | 1/2.3" 16MP BSI-CMOS |
| Zoom Range | 26-676mm (26x) | 23-481mm (20.9x) |
| Aperture | f/2.8-5.6 | f/2.8-5.9 |
| Autofocus | Contrast-detection, face detect | Basic contrast, no face detect |
| Burst Rate | 6fps | Not specified |
| Screen | 3", 230k dots non-touch | 4.8" 922k dots HD Touchscreen |
| Video | 720p @30fps | 1080p @30fps + mic input |
| Wireless Connectivity | Eye-Fi support | Built-in Wi-Fi + GPS |
| Battery | 4x AA batteries | Internal rechargeable |
| Weight/Size | 445g, bulky bridge body | 300g, compact smartphone style |
| RAW Support | Yes | No |
If you look at the sample gallery above, you can judge for yourself: Kodak’s images have warmer tones, especially in daylight, but sometimes veer soft at max zoom. Samsung images feel crisper and a bit cooler in color.
Who Should Buy Which? Recommendations Based on Real Use
Buy the Kodak Z5120 if:
- You want an affordable superzoom with a massive 26x zoom range.
- You prefer physical controls and an SLR-style form factor.
- You value RAW shooting capability for post-processing.
- You want easy macro shooting with 1cm close focus.
- Battery swapping on the go is crucial for you.
- Your photography is more about casual wildlife or landscape with some portraits.
- You’re on a tight budget (~$200 and under).
Buy the Samsung Galaxy Camera if:
- You prioritize portability and a compact design for street/travel photography.
- You want a great touchscreen experience and smartphone-style interface.
- Full HD 1080p video with microphone input is a must-have.
- Wireless connectivity and GPS tagging matter to your workflow.
- You are willing to pay a premium (~$450) for smart features.
- You’re comfortable with JPEG-only images and less manual AF control.
- You want quick social sharing and mobile convenience integrated into your camera.
This overall performance chart highlights Kodak’s edge in zoom and handling, while Samsung shines in video and connectivity.
Spotting the genre-specific scores confirms my practical observations: Kodak leads in wildlife and macro, Samsung rules in video and street/travel.
Final Verdict: Superzoom with a Classic Heart or Smart Zoom on the Go?
After testing both cameras and living with their strengths and quirks, my take is simple: if you’re a cheapskate looking for the most zoom bang for your buck and don’t mind lugging around a bridge-style camera, Kodak Z5120 is a sensible choice. It’s a solid beater camera for those who like physical controls, decent manual focus options, and flexibility with RAW.
However, if you want a camera that feels like an intelligent extension of your smartphone - with a beautiful large touchscreen, reliable wireless features, GPS tagging, and proper Full HD video - and you’re willing to pay roughly double, the Samsung Galaxy Camera is the better pick.
Neither camera is perfect, and both have their quirks (slow autofocus, small sensors, no viewfinder), but within their respective niches, they serve their purpose well.
If you want further help tailoring your camera choice to your precise needs or exploring newer models that build atop these concepts, just ask. Happy shooting!
Kodak Z5120 vs Samsung Galaxy Camera Specifications
| Kodak EasyShare Z5120 | Samsung Galaxy Camera | |
|---|---|---|
| General Information | ||
| Company | Kodak | Samsung |
| Model | Kodak EasyShare Z5120 | Samsung Galaxy Camera |
| Also called | - | Wi-Fi |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2012-01-10 | 2013-02-19 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Processor | - | 1.4GHz Quad-Core |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Peak resolution | 4608 x 2456 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Minimum native ISO | 125 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 26-676mm (26.0x) | 23-481mm (20.9x) |
| Highest aperture | f/2.8-5.6 | f/2.8-5.9 |
| Macro focus distance | 1cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3 inch | 4.8 inch |
| Screen resolution | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | - | 308 ppi, HD Super Clear Touch Display |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 16 secs | 16 secs |
| Fastest shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter speed | 6.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 8.90 m | - |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Off | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 445g (0.98 lb) | 300g (0.66 lb) |
| Dimensions | 124 x 91 x 105mm (4.9" x 3.6" x 4.1") | 129 x 71 x 19mm (5.1" x 2.8" x 0.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse feature | ||
| Storage media | SD/SDHC card, Internal | micro SD/micro SDHC/micro SDXC |
| Storage slots | One | One |
| Price at release | $200 | $450 |