Kodak S-1 vs Panasonic GX850
88 Imaging
52 Features
61 Overall
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90 Imaging
54 Features
70 Overall
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Kodak S-1 vs Panasonic GX850 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 290g - 116 x 68 x 36mm
- Launched June 2014
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Introduced January 2017
- Also referred to as Lumix DMC-GX800 / Lumix DMC-GF9
Meta to Introduce 'AI-Generated' Labels for Media starting next month Kodak Pixpro S-1 vs Panasonic Lumix GX850: A Deep Dive into Entry-Level Micro Four Thirds Mirrorless Cameras
Choosing the right mirrorless camera for your creative journey can be a challenging endeavor, especially when weighing options from different brands that share similar sensor formats but diverge sharply in features, performance, and usability. Today, we bring to you a comprehensive, expert-level comparison between two entry-level Mirrorless cameras based on the Micro Four Thirds system: the Kodak Pixpro S-1 and the Panasonic Lumix DMC-GX850 (also known as GX800 or GF9 in other regions). Through rigorous hands-on testing and technical analysis, we’ll uncover how these models stack up for diverse photography genres and use cases - from portraiture to astrophotography, video to travel, and everything in between.
Our goal is to deliver actionable insights tailored to the needs of enthusiasts and professional photographers alike, balancing real-world usage with industry-standard benchmarks.
First Impressions and Ergonomics: Size, Handling, and Controls
The very first encounter with a camera often sets the tone for the shooting experience. Both the Kodak S-1 and Panasonic GX850 adopt a rangefinder-style mirrorless design with Micro Four Thirds lens mounts, but their physical dimensions, ergonomics, and control layouts differ.
| Feature | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| Dimensions (WxHxD mm) | 116 x 68 x 36 | 107 x 65 x 33 |
| Weight (g) | 290 | 269 |
| Screen | 3" Tilting, 920k dots (non-touch) | 3" Tilting, 1040k dots (touchscreen) |
| Viewfinder | None | None |
| Built-in flash | No | Yes |
| Storage Slots | 1 SD/SDHC/SDXC | 1 microSD/SDHC/SDXC |

In terms of size and weight, the GX850 is marginally more compact and lighter, making it a strong candidate for street photographers and travelers who prioritize portability. The Kodak S-1’s slightly larger profile translates into a chunkier grip, which some users might find more comfortable during extended shoots, especially with larger lenses.
The Kodak S-1 lacks a touchscreen, which might feel restrictive compared to the GX850’s fully articulated touchscreen interface – a huge plus for vlogging, creative angles, and intuitive exposures control through touch AF. Despite neither camera having electronic viewfinders, the S-1’s non-touch screen limits rapid autofocus point selection compared to the GX850’s touch capabilities.
The Panasonic includes a built-in flash, whereas the Kodak requires an external unit for fill or low-light flash shooting. This can be a worthy advantage if you want to keep your kit minimal.
The top control layout, explored below, also sheds light on the user interface experience.

Summary: If you value a compact, touchscreen-enabled design with integrated flash, the GX850 has a clear edge. The S-1’s slightly larger body might cater better to those seeking a more substantial grip and physical dials, despite the absence of touchscreen and flash.
Sensor and Image Quality – Exploring the Core Capabilities
At the heart of every camera lies its sensor, and understanding the specifications alongside performance helps us anticipate image quality across lighting conditions, genres, and workflows.
| Specification | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| Sensor Type | CMOS Four Thirds | CMOS Four Thirds |
| Sensor Size | 17.3 x 13 mm | 17.3 x 13 mm |
| Sensor Area | 224.90 mm² | 224.90 mm² |
| Resolution | 16 MP (4640 x 3480) | 16 MP (4592 x 3448) |
| Anti-Aliasing Filter | Yes | No |
| ISO Range (Native) | 200 – 12800 | 200 – 25600 (extended down to 100) |
| RAW Support | Yes | Yes |

Both cameras harness a similar Four Thirds format sensor with 16 megapixels - a balanced resolution ideal for enthusiasts who want quality files without unwieldy sizes. However, the GX850’s sensor benefits from Panasonic’s omission of an anti-aliasing (AA) filter, allowing for crisper fine detail at the cost of slight risk of moiré in complex patterns. The Kodak S-1 retains the AA filter, offering a more conservative but safer approach to artifacts.
ISO sensitivity reveals additional flexibility on the GX850’s part, boasting a higher native max ISO of 25600 compared to the S-1’s 12800, as well as a lower extended ISO 100, useful for shooting bright scenes at wider apertures or longer exposures without ND filters.
While neither camera breaks new ground in sensor technology, the GX850 edges ahead in dynamic range and color depth scores according to DxO Mark’s tests (with a solid 73 overall score), whereas Kodak’s sensor was not officially tested - implying potentially less refined image processing.
Together with a processor advantage (Venus Engine inside the GX850), you can expect Panasonic’s files to be better tuned for color fidelity, noise control, and tonal gradation out of the box.
Autofocus Systems and Shooting Dynamics – Capturing the Decisive Moment
Autofocus performance can truly define your shooting experience, especially in fast-paced genres like wildlife, sports, or street photography.
| Feature | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| AF System Type | Contrast Detection | Contrast Detection |
| AF Points | 25 | 49 |
| Face Detection | Yes | Yes |
| Touch AF | No | Yes |
| Continuous AF | Yes | Yes |
| Tracking AF | Yes | Yes |
| AF Assist Light | Yes | Yes |
The Kodak S-1 offers 25 contrast-detection points, which is modest but functional. The GX850 boasts 49 contrast-detection points, nearly doubling coverage and improving focus precision in complex scenes.
Thanks to its touchscreen, the GX850 also enables quick, intuitive focus point selection, live view AF adjustments, and focus touch shutter options - key advantages when working with moving subjects or precise macro framing.
Neither camera incorporates phase-detection AF or hybrid AF systems, so high-speed tracking lags behind modern hybrid autofocus rivals. However, in regular daylight and low-light conditions, both perform adequately.
The S-1’s maximum shutter speed is capped at 1/4000s; the GX850 extends this to 1/500s mechanically but offers up to 1/16000s in electronic silent shutter mode - a boon for bright light shooting with fast lenses wide open.
The GX850 shoots up to 10 frames per second continuously, doubling the S-1’s 5 fps, which is critical for capturing action, wildlife, or fleeting moments.
LCD and User Interface – Reviewing the Photographer’s Window
How a camera communicates feedback and control options plays a huge role, especially in entry-level models aiming to balance simplicity and creative control.
| Feature | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| Screen Size | 3" | 3" |
| Resolution | 920k dots | 1040k dots |
| Touch Capability | No | Yes |
| Articulation | Tilt | Tilt |
| EVF | None | None |

The GX850’s higher resolution, capacitive touchscreen, and selfie-friendly flip-up design (up to 180 degrees) make it ideal for vloggers, self-portraits, and creative framing from unorthodox angles. Touch AF and menu controls feel responsive and intuitive, significantly improving usability over the Kodak S-1's non-touch LCD.
Both cameras lack electronic viewfinders, which can be an obstacle for traditionalists or bright outdoor shooting. Nevertheless, for street, travel, and casual photography, the large tilting screens suffice.
Lens Ecosystem: Flexibility and Accessory Compatibility
Choosing a camera system entails understanding your access to glass, given your photographic ambitions.
Both cameras mount the Micro Four Thirds lens system, notably well-supported by nearly a hundred prime and zoom options from multiple manufacturers - Panasonic, Olympus, Sigma, and third parties. This makes both cameras compatible with the same extensive lens lineup, providing everything from ultra-wide landscapes to telephoto wildlife lenses and macro optics.
The GX850 has a stronger presence within the Panasonic lineup, meaning it benefits from optimized lens-body communication, features like autofocus speed, and post-focus capabilities that certain lenses and firmware updates can unlock.
The Kodak’s comparatively limited system support extends primarily only to standard Micro Four Thirds lenses, but given the shared mount, this is not a major disadvantage.
Build Quality and Weather Sealing – Durability Considerations
Neither camera offers weather sealing or ruggedness ratings, so their performance in harsh environments is limited. Both are intended primarily for controlled, casual shooting conditions.
The Kodak S-1’s slightly thicker body may provide modestly more structural integrity, though no certifications exist to support claims of dust or splash resistance.
Video Capabilities – Shooting Beyond Stills
Video features distinguish cameras more and more, especially with YouTube, vlogging, and hybrid content creators in mind.
| Codec & Resolution | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| Max Resolution | Full HD 1920x1080 @ 30fps | 4K UHD 3840x2160 @ 30fps |
| Slow Motion | 640 x 480 @ 120fps | Full HD 60fps |
| Video Formats | Not specified | MP4, AVCHD |
| Microphone Input | No | No |
| Headphone Input | No | No |
| Image Stabilization | Sensor based, yes | No in body (lens-based) |
The GX850 towers over the Kodak S-1 in video capabilities, supporting 4K recording at 30p with 100 Mbps bitrate, plus higher frame-rate Full HD capture at 60p, which is essential for smooth, high-quality footage.
The Kodak S-1 is constrained to 1080p at 30fps or lower frame-rate video modes with no 4K option.
Neither camera has a microphone or headphone jack, limiting professional audio workflows, but for casual video creation, the GX850’s 4K and slow motion benefits are significant.
Panasonic’s 4K Photo mode allows freezing moments at 8MP from video footage, a handy feature for event or wildlife shooters.
Battery Life and Storage
Battery endurance affects how much you can shoot before swapping or charging.
| Spec | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| Battery Life (CIPA) | 410 shots | 210 shots |
| Battery Type | Rechargeable pack (LB-070) | Rechargeable pack (Proprietary) |
| Storage Format | SD / SDHC / SDXC | MicroSD / SDHC / SDXC |
The Kodak S-1 boasts nearly double the rated battery life, which can be significant for day-long excursions without access to chargers. That said, real-world usage varies, especially with LCD use and video shooting.
The GX850 uses microSD cards by default, a notable deviation that may inconvenience some photographers accustomed to full-size SD cards.
Genre-Specific Performance and Recommendations
Understanding how each model performs in differing photographic styles will help you choose based on your creative priorities.
Portrait Photography
- Kodak S-1: Good skin tone reproduction thanks to its AA filter and typical Four Thirds color profile but limited autofocus points and no touch AF make eye detection less flexible.
- Panasonic GX850: Superior autofocus with 49 points, touch AF, and face detection aids in sharp eye-focused portraits. The no AA filter sensor delivers crisper details ideal for portraiture. Selfie-friendly flip screen is great for solo portraits.
Landscape Photography
- Both share the Micro Four Thirds advantage of smaller sensor size relative to full frame, but similar Raws can be expected.
- GX850 edges with wider ISO range and better dynamic range, letting you pull more shadow detail and shoot in varied lighting.
- Lack of weather sealing affects prolonged outdoor shooting for both, but extensive lens options like Panasonic’s high-quality ultra-wides compensate.
Wildlife Photography
- The higher continuous frame rate (10 fps) on the GX850 paired with more AF points improves tracking fast-moving animals.
- Kodak’s 5 fps is adequate for casual wildlife but less optimal.
- Telephoto lens choice and autofocus responsiveness on the GX850 gives it an advantage in capturing fleeting moments.
Sports Photography
- The GX850’s faster burst rate and larger AF coverage support more precise subject tracking, critical in sports.
- Both suffer without phase-detection AF and may struggle in very low light.
Street Photography
- The GX850’s compact size and quiet electronic shutter up to 1/16000s allows discreet shooting.
- The S-1’s bulkier build and slower maximum shutter may feel less stealthy.
- Flip-up screen and touchscreen controls on the GX850 help in quick candid shots and unconventional framing.
Macro Photography
- Panasonic’s GX850 supports post-focus, focus bracketing, and stacking, powerful aids for macro shooters, while the Kodak lacks these.
- Both rely on lens choice for magnification.
Night and Astro Photography
- Kodak’s higher battery life could be an advantage during extended nighttime shoots.
- GX850’s extended ISO range and silent shutter modes support astro work better.
- Both lack dedicated long-exposure modes but manual exposure controls are present.
Video and Vlogging
- GX850 dominates here with 4K, slow motion, and touchscreen for focus and control.
- No microphone input limits professional audio but is adequate for casual use.
Travel Photography
- GX850’s size, weight, and versatility with 4K video and articulation favor travel creatives.
- S-1’s battery life and traditional controls appeal if you prefer longer shooting sessions combined with a solid grip.
Professional Workflow Integration
- Both output RAW files fitting professional editing.
- High-resolution touchscreens and faster continuous shooting on the GX850 improve editing workflow speed.
- Lack of USB 3.0 or faster ports on either restricts quick image offloading.
Final Performance Scores and Value Considerations
| Aspect | Kodak Pixpro S-1 | Panasonic Lumix GX850 |
|---|---|---|
| Image Quality | Moderate | Very Good |
| Autofocus Speed | Moderate | Good |
| Burst Rate | Average (5 fps) | Excellent (10 fps) |
| Video | Basic 1080p | 4K UHD |
| Battery Life | Very Good (410 shots) | Moderate (210 shots) |
| Build and Ergonomics | Moderate | Good |
| User Interface | Basic | Advanced (Touchscreen) |
| Price at Launch (USD) | Approx. $250 | Approx. $550 |
Genre-Specific Ratings: Where Each Camera Shines Most
- Kodak S-1: Best suited for budget-conscious beginners focusing on casual photography, landscapes, and longer shooting sessions needing battery endurance.
- Panasonic GX850: Excels in hybrid photography/videography, street, portrait, and action capture, ideal for enthusiasts who want advanced features in a compact, versatile body.
Solid Choice or Starter? Our Expert Verdict
Both the Kodak Pixpro S-1 and Panasonic Lumix GX850 target similar entry-level photographers but diverge in emphasis.
-
Choose the Kodak S-1 if you desire:
- Budget-friendly access to interchangeable lens mirrorless.
- Longer battery life for all-day shoots.
- Physical dials and straightforward operation without touchscreen complexity.
- Focus primarily on still photography in good light.
-
Choose the Panasonic GX850 if you want:
- More modern usability with touchscreen, selfie screen, and quick control.
- Superior autofocus, faster burst rates, and extended ISO flexibility.
- 4K video capability for hybrid creators.
- Portability and low-light adaptability.
- Access to wide focus features such as focus bracketing and post-focus.
No electronic viewfinder on either model is a drawback to consider if you rely on eye-level composing.
What to Pick for Your Creative Ambitions?
Both cameras provide a compelling introduction to Micro Four Thirds mirrorless photography, but your choice boils down to how and what you shoot, and the importance of video or touchscreen usability.
If you can try both models in hands-on settings - checking how they feel, how quickly you can operate them, and test autofocus in your preferred shooting conditions - that will always make the difference.
In the meantime, for a well-rounded package and future-proofing, the Panasonic Lumix GX850 remains the stronger, more versatile camera, despite a steeper price tag.
The Kodak S-1 has its place as a budget-friendly still photo machine with good battery life and ease of use but feels dated in comparison to today’s touchscreen-controlled, 4K-capable mirrorless standards.
Supporting Your Journey Forward
No matter your choice, remember the significance of pairing these bodies with the right lenses, stabilization systems, and accessories - be it a sturdy tripod for landscapes, a fast prime for portraits, or an external mic for videos (not supported natively but possible with adapters).
Invest in quality lenses and practice with different genres to unlock each camera’s potential.
Get started with the Panasonic GX850 if you want to step into 4K video storytelling and fast-action shooting.
Consider the Kodak S-1 if you want a no-frills introduction to interchangeable lenses and a budget-conscious stills-focused system.
In closing, both the Kodak Pixpro S-1 and Panasonic Lumix GX850 hold unique appeals to varying photographers, and understanding your photographic priorities will turn this choice into a rewarding start - or upgrade - in your mirrorless journey.
Happy shooting!
If you found this comparison useful, consider exploring lenses, accessories, and sample galleries available for Micro Four Thirds systems. Hands-on trials remain invaluable to appreciate subtle differences we’ve spotlighted here.
Kodak S-1 vs Panasonic GX850 Specifications
| Kodak Pixpro S-1 | Panasonic Lumix DMC-GX850 | |
|---|---|---|
| General Information | ||
| Company | Kodak | Panasonic |
| Model | Kodak Pixpro S-1 | Panasonic Lumix DMC-GX850 |
| Also referred to as | - | Lumix DMC-GX800 / Lumix DMC-GF9 |
| Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Launched | 2014-06-24 | 2017-01-04 |
| Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | - | Venus Engine |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Four Thirds |
| Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
| Sensor area | 224.9mm² | 224.9mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4640 x 3480 | 4592 x 3448 |
| Maximum native ISO | 12800 | 25600 |
| Minimum native ISO | 200 | 200 |
| RAW files | ||
| Minimum enhanced ISO | - | 100 |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 25 | 49 |
| Lens | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Available lenses | 107 | 107 |
| Crop factor | 2.1 | 2.1 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen size | 3" | 3" |
| Resolution of screen | 920k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 30 seconds | 60 seconds |
| Fastest shutter speed | 1/4000 seconds | 1/500 seconds |
| Fastest silent shutter speed | - | 1/16000 seconds |
| Continuous shutter speed | 5.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 4.00 m (at ISO 100) |
| Flash options | Auto, Red-Eye Reduction, Fill Flash, Flash Off, Slow Sync, Rear Curtain Sync, Slow Sync+ Red-Eye Reduction | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30, 120 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video file format | - | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 290 gr (0.64 lb) | 269 gr (0.59 lb) |
| Physical dimensions | 116 x 68 x 36mm (4.6" x 2.7" x 1.4") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | 73 |
| DXO Color Depth score | not tested | 23.2 |
| DXO Dynamic range score | not tested | 13.3 |
| DXO Low light score | not tested | 586 |
| Other | ||
| Battery life | 410 photographs | 210 photographs |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | LB-070 | - |
| Self timer | - | Yes (2, 10 sec, 3 images/10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | microSD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Pricing at release | $250 | $548 |