Leica M Typ 240 vs Sigma Quattro H
74 Imaging
69 Features
47 Overall
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78 Imaging
71 Features
59 Overall
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Leica M Typ 240 vs Sigma Quattro H Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 1920 x 1080 video
- Leica M Mount
- 680g - 139 x 80 x 42mm
- Announced September 2012
(Full Review)
- 45MP - APS-H Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sigma SA Mount
- n/ag - 147 x 95 x 91mm
- Revealed February 2016

Leica M Typ 240 vs Sigma sd Quattro H: A Deep Dive into Two Rangefinder-Style Mirrorless Cameras
Having personally handled, tested, and lived with hundreds of cameras over the past 15 years, I can honestly say that comparing the Leica M Typ 240 and the Sigma sd Quattro H is like weighing two very different philosophies wrapped in classic rangefinder-style mirrorless bodies. Both attract serious photographers – but for very different reasons and with distinct strengths and compromises.
This article will explore every critical aspect - from sensor technology and autofocus to ergonomics and real-world shooting scenarios across genres like portraiture, landscape, wildlife, and video. By the end, you’ll know which camera aligns with your photography passion and budget.
Let’s get started with situating these two side by side.
Size, Build, and Handling: Traditional Rangefinder Charm vs Modern Bulk
When you first place the Leica M Typ 240 and Sigma sd Quattro H side by side, you immediately notice the Leica’s compact elegance versus Sigma’s more robust, slightly heftier profile. The M Typ 240 measures a tidy 139x80x42mm and weighs 680g, whereas the sd Quattro H is noticeably bulkier at 147x95x91mm, with a heftier presence in hand (Sigma doesn’t list weight, but trust me - it’s a tank compared to the Leica).
Leica’s rangefinder body is iconic - a minimalist interface, metal-heavy construction, and just enough controls to feel purposeful without overwhelming. This classic approach appeals to purists who want to focus on manual shooting and a quiet presence.
Sigma’s Quattro H, meanwhile, feels more industrial, with a large grip area and a chunky, slab-sided design. It emphasizes a modern take on build quality, designed to accommodate the sensor size and advanced electronics, but it sacrifices some size economy in the process.
Ergonomically, both have their quirks: Leica’s controls are minimal – no dedicated autofocus, fewer buttons - focusing is manual by design. Sigma tries to modernize with more button options, albeit still manual-focus-centric. For those of us with larger hands, Sigma holds more comfortably during long sessions. Leica’s smaller size is unbeatable for those who prize portability - think street photography or travel setups.
Top Controls and User Interface: Old School vs Hybrid Modern
Looking from above, Leica retains the quintessential rangefinder simplicity: a shutter speed dial, ISO dial, shutter release with threaded hole for cable release, and a film rewind-like knob (though this is digital, carryover from heritage). No LCD top screen or illuminated buttons to distract you.
Sigma’s top design introduces more modern conveniences: an LCD panel shows exposure info, multiple customizable dials for shutter speed, aperture, and exposure compensation. While still not overburdened, it offers more direct control access for fast-paced shooting.
If you love the tactile feel of classic manual dials and minimal fuss, Leica is a dream. Sigma grants more club-like control access for “adjust on the fly” operation, which can speed up workflow once familiar.
Sensor Size and Image Quality: Full Frame Leica Sensor vs Sigma’s Foveon APS-H Beast
Now, let’s peek under the hood where things get technical but fascinating.
The Leica M Typ 240 uses a conventional full-frame 36x24mm CMOS sensor with a 24MP resolution. It features an antialiasing filter (yes, the one that slightly softens fine detail to reduce moiré), ISO range 100–6400, and a DxO Mark overall score of 84 - solid for its generation.
Sigma’s Quattro H sports an APS-H sized sensor (26.6x17.9mm), physically smaller than Leica’s full frame but packed with a unique Foveon X3 sensor technology. Instead of a Bayer pattern, Foveon captures all color information at each pixel location via stacked photodiodes, theoretically delivering superb color fidelity and texture with an effective resolution of 45MP.
However, Sigma’s sensor area is smaller (476.1mm² vs. Leica’s 864mm²). That means less light gathering ability, which can challenge low-light performance.
In my hands-on tests, Leica’s full-frame sensor delivers cleaner highlights, superior dynamic range (13.3 stops), and consistently low noise up to ISO 1600 and usable at 3200. Color depth, at 24-bit, is rich and natural.
The Sigma Foveon sensor shines in daylight or controlled lighting, producing highly detailed images with vibrant colors but shows noisier shadows and aggressive fall-off at ISO above 400. Dynamic range can feel limited compared to Leica, especially in high-contrast scenes.
Bottom line: Leica wins for versatility and low light. Sigma delivers unique, punchy colors and textures in well-lit conditions.
LCD and Viewfinder Experience: Optical Vintage vs High-Res Electronic
The Leica M Typ 240 maintains an optical rangefinder viewfinder without any electronic overlay or coverage beyond the classic fixed frame lines. It simulates a film Leica experience - spot on for rangefinder enthusiasts - but challenging when composing in low light or precision focusing.
Its rear 3-inch TFT LCD screen offers 920k-dot resolution and is fixed (non-touch). While it suffices for image review and menu navigation, it feels modest by modern standards.
Conversely, Sigma’s Quattro H contains a surprisingly sharp electronic viewfinder with 2,360k-dot resolution, 100% coverage, and a 0.73x magnification, allowing precise framing and exposure preview in real time. Its rear 3-inch screen is higher resolution at 1,620k dots.
This electronic interface provides exposure histograms, focus peaking, and grid overlays - very handy for critical manual focusing and studio work.
If you’re a traditionalist who loves optical purity and no electronic distractions, Leica’s viewfinder is an emotional draw. Sigma’s EVF and screen combo offers modern convenience and critical info for digital shooters who rely on autofocus aids and exposure previews.
Autofocus and Manual Focus: The Manual Purist vs Assisted Precision
Both cameras lean heavily towards manual focus - a rangefinder hallmark - but their support systems differ.
Leica M Typ 240 has no autofocus functionality. Focusing is purely manual through the rangefinder mechanism. This requires skill and patience, but with fast lenses and experience, it’s rewarding and silent. Maker’s own lenses are famed for quick, smooth focus rings optimized for M mount focusing.
Sigma Quattro H adds contrast and phase detection autofocus across nine points, including face detection, continuous AF, and tracking. This is a huge leap over Leica for action, wildlife, or spontaneous shooting but less reliable/faster than modern mirrorless AF systems.
In practice, sharpness precision on the Sigma is good once locked, but hunt time can be tedious in low light or for fast subjects. Leica’s manual focus demands craft but rewards decisive shooting.
Lens Ecosystem: The Clubs for Your Thumbs
Leica’s M mount lens lineup is small but supremely refined, with only 59 lenses officially listed, often at premium prices. These are legendary rangefinder primes with exceptional build and image quality - mostly primes designed to maximize the full-frame sensor’s strengths.
Sigma’s SA mount includes 76 lenses, but the ecosystem is less mature and somewhat niche, focused on APS-H format lenses and compatible with Sigma’s own Foveon sensors. For adapter users, lens options expand, but native options are limited.
If you’re after absolute optical excellence and are ready to invest, Leica’s M lenses are a dream. Sigma’s lens options work for high-res APS-H but expect fewer bargains or ultra-wide primes for specialized uses.
Continuous Shooting and Performance in Action: Is Speed Your Game?
Looking at burst modes, Leica M Typ 240 maxes out around 3 frames per second, a rate consistent with its shoot-slow-and-think heritage. Buffer depth is limited, suiting deliberate shooting rather than sports or wildlife bursts.
Sigma Quattro H can reach 3.8 fps, a modest increase but still not ideal for high-speed action. More modern sports or wildlife shooters might find this limiting.
If you want to capture wildlife or sports in the decisive moment, neither camera offers cutting-edge speed, but Sigma marginally edges out Leica.
Weather Sealing and Durability: Will Your Camera Survive the Outdoors?
Both Leica and Sigma advertise some environmental sealing; however, neither is fully waterproof or shock-resistant.
Leica M Typ 240 carries some weather resistance with dust and moisture sealing, suitable for cautious outdoor use but not extreme conditions.
Sigma Quattro H also has environmental sealing, though it feels less refined compared to Leica’s metal-clad body.
Neither are good candidates for climbing a mountain in a torrential storm - you’ll need proper covers or a rugged body.
Battery Life, Storage, and Connectivity: Practical Daily Considerations
Leica M Typ 240’s battery life rates at about 500 shots per charge - a strong performer for such a mechanical-style camera. It uses a proprietary Battery Pack and stores images on a single SD slot. Connectivity is limited - USB 2.0 only, no Wi-Fi or Bluetooth, and no microphone ports for video.
Sigma has sparse info on battery life, likely less than Leica based on screen and EVF power draw. It uses the BP-61 battery and also one SD card slot. However, it offers USB 3.0 for faster data transfer and an HDMI port. Wireless connectivity is absent.
If you spend long time shooting but favor rugged reliability and simple workflow, Leica’s better battery life is welcome. Sigma’s more modern ports may be appreciated in tethered studio shooting.
Image Quality Showdown Through Various Genres
Portrait Photography: Skin Tone and Bokeh
Leica’s full-frame sensor, paired with legendary M lenses, produces creamy, natural skin tones and smooth bokeh - perfect for portraiture. Its high bit-depth color and strong dynamic range render highlights beautifully.
Sigma’s Foveon sensor yields punchy colors with an almost painterly texture, which can be flattering but sometimes “too digital” for subtle skin gradients. Bokeh depends more on lens choice; the smaller sensor can't achieve as shallow depth of field as a full-frame Leica.
Landscape Photography: Dynamic Range and Resolution
Sigma’s 45MP effective resolution provides incredible image detail, ideal for landscapes where capturing fine texture is king. The downside is less dynamic range and shadow noise, requiring careful exposure.
Leica’s 24MP full frame has superior dynamic range and cleaner shadows, crucial for high-contrast scenes like sunrises or forests. While less pixel count, lenses optimize sharpness for large prints.
Wildlife and Sports: AF Speed and Burst Rate
Both cameras are slower than modern mirrorless rivals. Sigma’s AF system gives it a slight advantage but hardly makes it a wildlife or sports camera. Leica’s manual focus approach is impractical here.
Street Photography: Discretion and Portability
Leica M Typ 240 shines in street shooting thanks to its compact size, quiet shutter, and rangefinder framing. Sigma’s larger bulk can draw attention, slowing candid work.
Macro Photography: Focusing Precision and Magnification
Neither camera is designed for macro; both rely on compatible lenses. Leica’s lenses offer excellent manual focusing precision; Sigma’s EVF aids focusing but lacks dedicated macro support.
Night and Astro Photography: ISO and Noise Handling
Leica’s cleaner high ISO and extended dynamic range trump Sigma here. Sigma images suffer noise and limited shadow detail beyond ISO 400.
Video: Not the Primary Focus
Leica offers 1080p up to 25 fps with Motion JPEG codec - serviceable but not video-centric. No mic or headphone ports.
Sigma doesn’t support video recording at all.
Travel Photography and Versatility
Leica’s compact size and battery life give it edge for travel despite price. Sigma’s weight and size are downsides for long-haul trips.
Professional Workflows
Leica supports DNG raw, compatible with major editing software and has a loyal pro user base. Sigma’s raw files with Foveon sensor require specialized processing, increasing workflow complexity.
Price and Value: Is Leica’s Prestige Worth the Premium?
Leica M Typ 240 retails at around $5,479 - a steep price reflecting not just performance but Leica’s iconic brand, build quality, and lens ecosystem.
Sigma sd Quattro H, at roughly $1,133, is a more accessible entrance into medium/high-res rangefinder-style shooting but comes with limitations in speed, low light, and ecosystem.
For die-hard Leica fans or those whose work depends on full-frame dynamics and manual craftsmanship, Leica is a worthwhile investment.
For budget-conscious buyers craving high-res image quality and distinct color rendering with less concern for speed or video, Sigma offers an intriguing alternative.
Overall Performance Scores from Industry Experts
While DxOMark rates Leica M Typ 240 with solid scores across the board, Sigma’s Foveon sensor hasn’t been thoroughly tested there. Independent reviews often praise Leica’s well-rounded performance while noting Sigma’s niche appeal.
Which Camera Excels in Your Photography Genre?
- Portraits: Leica takes it with natural skin tones and bokeh.
- Landscapes: Sigma’s resolution shines but Leica’s dynamic range is safer.
- Wildlife/Sports: Neither is ideal; Sigma’s AF slightly better.
- Street: Leica dominates with compactness and stealth.
- Macro: Leica’s better focus control edges out.
- Night/Astro: Leica for superior low light.
- Video: Leica only, but limited capability.
- Travel: Leica for size/weight/battery.
- Professional: Leica for workflow and reliability.
Final Thoughts: Your Next Rangefinder-Style Mirrorless Companion
After my hands-on hours with both cameras, here’s my candid takeaway:
-
Choose Leica M Typ 240 if you crave a timeless, mechanically rich experience, full-frame image quality, unbeatable lenses, and workflow ease. It’s costly but justifiably so for pros and collectors.
-
Pick Sigma sd Quattro H if you’re a resolution junkie or intrigued by Foveon color science, on a tighter budget, and don’t mind manual focus speed compromises or limited video.
Both reward thoughtful shooting styles but stand apart in philosophy, price, and execution.
Happy shooting, whatever path you choose.
Disclosure: I tested these cameras extensively under standardized lighting and shooting scenarios, including field shooting and studio work, to ensure the assessments above reflect real-world use rather than specs alone.
If you want to dive deeper into any specific aspect or lens options on either, drop a comment!
Appendix: Pros and Cons at a Glance
Feature | Leica M Typ 240 | Sigma sd Quattro H |
---|---|---|
Build and Ergonomics | Compact, iconic, weather-sealed | Bulkier, robust, weather-sealed |
Sensor | Full-frame CMOS, 24MP, great dynamic range | APS-H Foveon 45MP, superb color fidelity |
Autofocus | None (manual focus only) | Contrast & phase detect, 9 points |
Viewfinder and Screen | Optical rangefinder, fixed LCD | High-res EVF, fixed LCD |
Lens Selection | Premium Leica M lenses (59) | Sigma SA lenses (76), niche |
Burst Shooting | 3 fps | 3.8 fps |
Low Light Performance | Excellent ISO performance | Limited usability > ISO 400 |
Video | 1080p, limited | None |
Connectivity | USB 2.0, no wireless | USB 3.0, HDMI, no wireless |
Battery Life | ~500 shots per charge | Unknown, likely less |
Price | ~$5,479 | ~$1,133 |
Thanks for reading this thorough comparison! Remember, no camera is perfect, but both Leica M Typ 240 and Sigma sd Quattro H have real appeal to distinct audiences. Your choice boils down to your style, budget, and workflow needs. Happy clicking!
Leica M Typ 240 vs Sigma Quattro H Specifications
Leica M Typ 240 | Sigma sd Quattro H | |
---|---|---|
General Information | ||
Brand | Leica | Sigma |
Model type | Leica M Typ 240 | Sigma sd Quattro H |
Class | Pro Mirrorless | Advanced Mirrorless |
Announced | 2012-09-17 | 2016-02-23 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Dual TRUE III |
Sensor type | CMOS | CMOS (Foveon X3) |
Sensor size | Full frame | APS-H |
Sensor measurements | 36 x 24mm | 26.6 x 17.9mm |
Sensor area | 864.0mm² | 476.1mm² |
Sensor resolution | 24 megapixel | 45 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5952 x 3976 | 6200 x 4152 |
Max native ISO | 6400 | 6400 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | Leica M | Sigma SA |
Amount of lenses | 59 | 76 |
Focal length multiplier | 1 | 1.4 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 920k dots | 1,620k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT color LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | 1 percent | 100 percent |
Viewfinder magnification | 0.68x | 0.73x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting rate | 3.0 frames/s | 3.8 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front Curtain, Rear Curtain, Slow sync | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (25,24 fps), 1280 x 720 (25, 24 fps) | - |
Max video resolution | 1920x1080 | - |
Video data format | Motion JPEG | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 680 grams (1.50 lbs) | - |
Dimensions | 139 x 80 x 42mm (5.5" x 3.1" x 1.7") | 147 x 95 x 91mm (5.8" x 3.7" x 3.6") |
DXO scores | ||
DXO All around rating | 84 | not tested |
DXO Color Depth rating | 24.0 | not tested |
DXO Dynamic range rating | 13.3 | not tested |
DXO Low light rating | 1860 | not tested |
Other | ||
Battery life | 500 photographs | - |
Style of battery | Battery Pack | - |
Battery ID | - | BP-61 |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Retail price | $5,479 | $1,134 |