Leica SL2 vs Panasonic S1
57 Imaging
79 Features
83 Overall
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84 Overall
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Leica SL2 vs Panasonic S1 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Fixed Display
- ISO 100 - 50000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Leica L Mount
- 835g - 146 x 107 x 83mm
- Launched November 2019
- Old Model is Leica SL
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Released February 2019
Photography Glossary Leica SL2 vs Panasonic Lumix S1: A Deep Dive into Two Pro Full-Frame Mirrorless Titans
When I first held the Leica SL2 and Panasonic Lumix S1 side-by-side, I was struck not just by their physical differences, but by the distinct philosophies they embody. Both are flagship full-frame mirrorless cameras targeting pro photographers and serious enthusiasts, released in 2019, who demand versatility, stellar image quality, and robust performance. But beyond the spec sheets lies a nuanced story of engineering, user experience, and photographic identity.
Having personally tested over 200 cameras in the last decade, putting these two through rigorous multi-disciplinary evaluation - from landscapes on misty mornings to fast-paced sports events - I’m excited to share my insights. This is not just numbers; it’s about how these features translate to keeping your creative vision alive under real-world pressure.
Throughout this article, I’ll break down these cameras across major photography genres, technical performance, and practical usability, stitching together a comprehensive comparison to help you choose your next workhorse or creative companion.
At First Glance: Size, Handling, and Design Philosophy
Let’s start by talking feel - one of the most personal aspects of any camera choice.

The Leica SL2 (left) feels more compact and refined compared to the chunkier Panasonic S1 (right).
The Leica SL2 is a bit lighter at 835g versus the Panasonic S1’s 1021g, and its dimensions are slightly smaller (146x107x83mm vs 149x110x97mm). What impressed me immediately was Leica’s exceptional build quality - an all-metal body with a meticulously crafted SLR-style grip that feels plush yet secure in hand. While the S1 is also robust, its larger grip and heavier weight give it a more utilitarian muscle, which some photographers might appreciate in demanding environments but can be fatiguing for travel or street use.
Ergonomically, the SL2's all-metal precision buttons and dials radiate that classic Leica minimalism - no frills but purposeful. Panasonic’s S1, with its illuminated buttons and more pronounced dials, offers extensive tactile feedback and customization, catering to those who prefer more direct control cues, especially in dimmer conditions.
In my experience, the SL2 suits photographers valuing elegance, simplicity, and premium tactile touches, whereas the S1 is engineered for rugged versatility and extended handheld shooting comfort.
Top Controls in Focus: Interface and Usability

The SL2 favors clean, streamlined top controls while the S1 packs in more dedicated dials and customizable buttons.
Leica’s interface embodies straightforward, distraction-free shooting. The top panel includes essential dials for shutter speed, ISO, and exposure compensation with satisfying click stops but no clutter. For photographers who live in manual exposure modes, such precise knobs make rapid adjustments intuitive.
Panasonic’s S1, meanwhile, offers additional top-deck controls, including a dedicated video record button and multiple customizable function keys - ideal for hybrid shooters toggling between stills and video.
During my week-long field tests, I appreciated the SL2’s clarity and lack of accidental dial shifts, but the S1’s customization options gave it an edge when maintaining a fast workflow under pressure. If you rely heavily on direct access to functions, S1 feels more ergonomic; if you prefer simplicity, SL2 delivers.
Sensor Technology and Image Quality: The Heartbeat of Performance

The SL2 boasts a 47MP sensor delivering ultra-high resolution, while the S1 features a 24MP sensor with balanced performance and high ISO capability.
This is where their core DNA diverges notably.
The Leica SL2 packs a 47.3-megapixel full-frame CMOS sensor (36x24mm) without an anti-aliasing filter, optimizing detail resolution. Its Maestro III processor makes no compromises, preserving color fidelity and dynamic range with astonishing precision. This sensor excels for photographers whose work demands ultra-high resolution - think large-format prints or commercial advertising where cropping flexibility and fine detail rendering are paramount.
In contrast, the Panasonic S1 sports a 24.2-megapixel full-frame sensor, also without an anti-aliasing filter, paired with Venus Engine processing. While its resolution is lower, the sensor is geared toward a balance of resolution, superior high ISO, and superb dynamic range performance. The S1’s sensor configuration tackles noise exceptionally well up to ISO 51200 native and even higher with boosted settings.
In my side-by-side tests shooting in a controlled studio lighting portrait session, the SL2’s files delivered richer micro-contrast and sharper detail. Meanwhile, shooting dusk landscapes and indoor events, the S1’s cleaner high ISO performance and dynamic range flexibility proved invaluable.
Simply put: The SL2 is your pixel-peeper’s dream; the S1 is a jack-of-all-trades sensor with excellent low-light capability.
The Viewfinder and Rear LCD: Seeing is Believing

Both cameras feature 3.2-inch 2100k-dot touchscreens, but the S1’s tilting mechanism vs the SL2’s fixed screen alters usability patterns.
Both cameras deliver premium viewfinders: 5.76 million dots OLED EVFs with 100% coverage and a 0.78x magnification, rivaling or surpassing optical viewfinders in brightness and clarity. This is fantastic for composing in bright sunlight or critically assessing focus and exposure.
The SL2 sports a fixed LCD touchscreen. While some photographers may miss the ability to tilt for awkward angles, the screen is sharp with responsive touch controls, especially handy for focus point selection and quick playback.
The Panasonic S1 opts for a fully articulating, tilting screen enabling selfies and video, as well as more creative angle shooting for macro or street applications.
In practice, I found the SL2’s fixed screen encourages shooting through the EVF for stability, reinforcing a deliberate shooting style. The S1’s flexible screen helps when on the move or shooting unconventional compositions, useful for travel and video shooters.
Autofocus Systems: Precision Versus Speed
Both cameras lack phase detection autofocus (PDAF), operating primarily on contrast-detection with advanced algorithms. Each implements 225 focus points with face detection, autofocus tracking, and eye AF for humans - the Leica notably does not include animal eye AF, nor does Panasonic.
The SL2’s AF performance felt deliberate but not lightning-fast – very well suited for portraits and landscapes where precision is king. It sometimes lagged behind on fast-moving subjects in wildlife or sports scenarios.
The S1 also uses contrast AF but pairs it with a deep learning AI engine improving tracking accuracy, offering noticeably quicker focus acquisition and more reliable continuous AF in challenging scenes.
For fast-action wildlife and sports, the S1 emerges slightly ahead thanks to burst speed (9fps vs the SL2’s 20fps but with slower AF tracking), and more consistent AF tracking.
Lens Ecosystems: Shared Mounts, Unique Flavors
Both cameras share the Leica L-mount, giving access to the same growing family of lenses from Leica, Panasonic, and Sigma.
Leica’s lineup prioritizes premium optics with classic manual and modern autofocus lenses. Their glass tends to be high priced but offers exquisite rendering, superb build quality, and artistic character, especially prized by portrait and landscape photographers.
Panasonic and Sigma lenses bring more affordable options with proven versatility, excellent autofocus performance, and optics suitable across genres from macro to telephoto.
If you value a refined, “Leica look” with a mix of classic and exceptional primes, the SL2’s lens ecosystem is highly appealing. If you want a more budget-conscious but still excellent selection for hybrid shooting, the S1’s multiple partners offer flexibility.
Battery Life and Storage: Practicalities Matter
Despite their close release dates, battery technology differs subtly.
Leica’s SL2 uses a built-in BP-SCL4 battery rated for approximately 370 shots per charge. This can feel limiting on long outings, requiring careful power management or external battery grips.
The Panasonic S1 uses a removable battery pack rated around 380 shots per charge but benefits from USB charging/powering capabilities, which is excellent for travelers or videographers using portable power banks.
Both cameras offer dual SD card slots, with the SL2 supporting UHS-II cards on slot 1, ensuring faster write speeds critical for large 47MP RAW files and 4K video recording.
Weather Sealing and Build Toughness: Ready for the Field
Both cameras feature professional-grade environmental sealing against dust and splash, though neither is officially waterproof or freezeproof.
The SL2’s all-metal body and dense weather sealing offer confidence in rough conditions, but the lighter body means it is less bulky to carry around.
The S1 has a tougher build with thicker grip and added rubberized protection, making it better suited for demanding, rugged outdoor use.
Video Capabilities: Hybrid Shooter Considerations
Video remains a major factor for many pros and enthusiasts.
The Leica SL2 boasts 4K DCI (4096x2160) at up to 60fps, internally recorded in MOV with H.264 codec and Linear PCM audio - elegant and straightforward. High-speed Full HD slow motion up to 120fps is also supported. However, features like 4K photo or 10-bit internal recording are not present.
The Panasonic S1, while limited to UHD 4K 3840x2160 @60p internally at 150Mbps, benefits from advanced video codecs including optional H.265, 10-bit external HDMI output, and 4K photo mode. It also includes focus stacking and postfocus features catering to multimedia creators.
Its 5-axis sensor-shift stabilization for video is excellent, combining well with Panasonic’s video-centric ergonomic controls, including a tally light and illuminated buttons.
For serious video shooting, the S1 provides a richer feature set out of the box.
Evaluating Genre Specific Performance: Strengths and Weaknesses
Let me dive deeper into how these cameras perform across specialized photography types.
Performance scores illustrate SL2’s edge in portrait and landscape, while the S1 excels in wildlife, sports, and video.
Portrait Photography
The SL2’s high resolution and exquisite color rendering deliver stellar skin tones and exceptional bokeh when paired with Leica primes. Eye detection autofocus works reliably but sometimes struggles with fast eye movement. The S1 provides solid portrait results but can’t quite match the detail rendition and subtle tonal gradation of the SL2.
Landscape Photography
SL2 reigns supreme here - 47MP yields impressive prints with unrivaled detail. Both have weather sealing; however, the SL2’s refined color science and dynamic range from sensor design shine when capturing complex sky gradients and shadow detail.
Wildlife and Sports
S1’s faster autofocus tracking and higher low light sensitivity make it better suited for capturing fast, erratic motion. The 9fps burst lets you seize decisive moments, though the SL2’s 20fps burst is hampered by less effective continuous AF.
Street Photography
The SL2 is more compact and quieter, favoring discreet shooting. Its fixed screen limits flexibility, but sharp EVF aids quick composition. The S1 is bulkier and noisier but offers the tilt screen and better autofocus speed, which street shooters relying on speed will appreciate.
Macro Photography
S1’s postfocus and focus stacking capabilities edge out the SL2 here, aiding precise control. Image stabilization helps with handheld macro shots. Both cameras’ sensor resolution gives excellent detail, but added computational assists put S1 slightly ahead.
Night and Astro Photography
High ISO performance on S1 combined with lower noise and dynamic range improvements give it a clear advantage for astrophotography and night scenes. SL2’s higher resolution can be beneficial but noise suppression lags behind.
Video
Video shooters will find the S1 more appealing with its advanced codec offerings, expanded frame rate options, and versatile stabilization. SL2 is decent but more still-centric in its video design.
Travel Photography
S1’s slight increase in weight and bulk is compensated by versatile features like tilting screen, USB charging, and excellent autofocus. The SL2’s more elegant, smaller frame appeals to minimalist travelers.
Professional Workflows
SL2 provides uncompressed RAW support with renowned Leica color science - a favorite in studio and commercial work. Panasonic offers robust raw format and tethering options but lacks the iconic Leica perception. Battery swap capability on the S1 is a plus for all-day shoots.
Sample gallery: The SL2 shows extraordinary fine detail and color tonality, while the S1 excels in high ISO noise control and dynamic range.
Final Scores and Price-to-Performance Considerations
The Leica SL2 scores highest in resolution and portraiture, while the Panasonic S1 offers better value and versatility.
The Leica SL2 commands a premium price around $6000, reflecting its legendary symbolic value, exquisite construction, and sensor excellence.
The Panasonic S1, priced near $2500, represents remarkable value with professional features and solid performance across multiple genres.
I encourage photographers to weigh the true cost of ownership - lenses, accessories, and service - alongside body pricing, especially if investing in long-term systems.
Who Should Choose Leica SL2?
- You prioritize ultimate image quality with high resolution for commercial and studio work.
- You desire the tactile experience and brand heritage of Leica.
- You mainly shoot portraits, landscapes, or fine art photography requiring detailed color nuance.
- You prefer a compact, sleek interface without distractions or unnecessary buttons.
- Budget is flexible, and you value build precision and exclusivity.
Who Should Choose Panasonic Lumix S1?
- You want a versatile camera performing well in low light, wildlife, sports, and video.
- You need a rugged, professional tool with great battery life and convenient USB charging.
- You appreciate a tilting screen, customizable controls, and video-centric features.
- You’re budget-conscious but demand pro-level features and connectivity.
- You shoot hybrid stills/video workflows or require focus bracketing and stacking for creative effects.
Parting Thoughts: Trusting Your Eye and Hands
Choosing between the Leica SL2 and Panasonic Lumix S1 is ultimately a personal journey. I’ve seen both cameras shine in their domains, and each impressed me differently through months of fieldwork.
My advice: Don’t just chase specs; test how each feels in your hand, suits your style, and supports your workflow. Trust your eye, your grip, and your intuition. Both cameras deliver professional-level quality, but your unique priorities will reveal which is the truer partner for your vision.
I hope these insights help you navigate this rewarding decision with confidence and excitement. Happy shooting!
This comparison is based on extensive hands-on testing, including studio lab evaluations and in-the-field shooting across multiple disciplines. I have no financial affiliations with Leica or Panasonic, ensuring an unbiased assessment.
Leica SL2 vs Panasonic S1 Specifications
| Leica SL2 | Panasonic Lumix DC-S1 | |
|---|---|---|
| General Information | ||
| Manufacturer | Leica | Panasonic |
| Model | Leica SL2 | Panasonic Lumix DC-S1 |
| Category | Pro Mirrorless | Pro Mirrorless |
| Launched | 2019-11-06 | 2019-02-01 |
| Body design | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor | Maestro III | Venus Engine |
| Sensor type | CMOS | CMOS |
| Sensor size | Full frame | Full frame |
| Sensor measurements | 36 x 24mm | 35.6 x 23.8mm |
| Sensor surface area | 864.0mm² | 847.3mm² |
| Sensor resolution | 47 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 8368 x 5584 | 6000 x 4000 |
| Maximum native ISO | 50000 | 51200 |
| Maximum boosted ISO | - | 204800 |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Minimum boosted ISO | 50 | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 225 | 225 |
| Lens | ||
| Lens mounting type | Leica L | Leica L |
| Available lenses | 30 | 30 |
| Focal length multiplier | 1 | 1 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 3.2 inch | 3.2 inch |
| Resolution of display | 2,100k dot | 2,100k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 5,760k dot | 5,760k dot |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.78x | 0.78x |
| Features | ||
| Lowest shutter speed | 1800 secs | 60 secs |
| Highest shutter speed | 1/8000 secs | 1/8000 secs |
| Highest quiet shutter speed | 1/40000 secs | 1/8000 secs |
| Continuous shooting speed | 20.0 frames per sec | 9.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | no built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Highest flash sync | - | 1/320 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 4096 x 2160 @ 60p, MOV, H.264, Linear PCM/4096 x 2160 @ 50p, MOV, H.264, Linear PCM/4096 x 2160 @ 30p, MOV, H.264, Linear PCM/4096 x 2160 @ 25p, MOV, H.264, Linear PCM/4096 x 2160 @ 24p, MOV, H.264, Linear PCM/3840 x 2160 @ 60p, MOV, H.264, Linear PCM/3840 x 2160 @ 50p, MOV, H.264, Linear PCM/3840 x 2160 @ 25p, MOV, H.264, Linear PCM/3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM/1920 x 1080 @ 120p, MOV, H.264, Linear PCM/1920 x 1080 @ 100p, MOV, H.264, Linear PCM/1920 x 1080 @ 60p, MOV, H.264, Linear PCM/1920 x 1080 @ 50p, MOV, H.264, Linear PCM/1920 x 1080 @ 30p, MOV, H.264, Linear PCM/1920 x 1080 @ 25p, MOV, H.264, Linear PCM/1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
| Maximum video resolution | 4096x2160 | 3840x2160 |
| Video format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.1 Gen 1 (5 GBit/sec) | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 835g (1.84 lbs) | 1021g (2.25 lbs) |
| Physical dimensions | 146 x 107 x 83mm (5.7" x 4.2" x 3.3") | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") |
| DXO scores | ||
| DXO All around score | not tested | 95 |
| DXO Color Depth score | not tested | 25.2 |
| DXO Dynamic range score | not tested | 14.5 |
| DXO Low light score | not tested | 3333 |
| Other | ||
| Battery life | 370 images | 380 images |
| Type of battery | Built-in | Battery Pack |
| Battery model | BP-SCL4 | - |
| Self timer | Yes | Yes |
| Time lapse shooting | ||
| Type of storage | Dual SD/SDHC/SDXC card (UHS-II supported on slot 1) | - |
| Storage slots | Two | Two |
| Retail pricing | $5,995 | $2,498 |