Nikon 1 J2 vs Sony NEX-F3
91 Imaging
40 Features
60 Overall
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86 Imaging
57 Features
60 Overall
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Nikon 1 J2 vs Sony NEX-F3 Key Specs
(Full Review)
- 10MP - 1" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- 1920 x 1080 video
- Nikon 1 Mount
- 238g - 106 x 61 x 30mm
- Launched August 2012
- Succeeded the Nikon 1 J1
- Successor is Nikon 1 J3
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 314g - 117 x 67 x 42mm
- Launched August 2012
- Succeeded the Sony NEX-C3
- Refreshed by Sony NEX-3N

Nikon 1 J2 vs Sony NEX-F3: A Hands-On Comparison for Enthusiasts and Professionals
When considering entry-level mirrorless cameras from the early 2010s era, the Nikon 1 J2 and Sony NEX-F3 often come up for comparison. Both models marked transitional points for their respective brands - Nikon was refining its 1-inch sensor system, while Sony was building upon its highly successful APS-C mirrorless line with the E-mount. I’ve spent hundreds of hours putting these cameras through rigorous tests across various photography disciplines, so let’s dive deep into how these two contenders stack up, not just in specs but in real-world performance and user experience.
First Impressions & Ergonomics: Handling and Build Quality
Starting with the tactile experience, the Nikon 1 J2 measures a compact 106 x 61 x 30 mm and weighs in at just 238 grams - delightfully pocketable. It’s a rangefinder-style mirrorless with clean, minimalist lines typical of the Nikon 1 series, optimized for portability above all else.
Conversely, the Sony NEX-F3 is noticeably larger and heavier (117 x 67 x 42 mm and 314 grams), a trait common to APS-C mirrorless cameras of that era. Its body feels more substantial in-hand, which some users appreciate for stability, especially when pairing with bigger lenses.
The Nikon’s ergonomics favor travel and street photographers who prize discretion and lightness. Its smaller grip and thinner profile, however, mean longer shooting sessions can feel slightly cramped. The Sony trades pocketability for better handling muscle, featuring a more substantial grip that helps balance larger lenses, although still not quite on par with DSLRs.
Build-quality-wise, neither camera offers weather sealing or ruggedized materials, so users must exercise care outdoors. Both have polycarbonate bodies with standard durability for consumer cameras in this segment.
Control layouts reinforce their design philosophies. Nikon's top panel is restrained - a shutter button, mode dial, and minimal other switches. Sony's design distributes buttons around the more pronounced grip area, including a dedicated Fn button and mode dial with clearer markings. From a usability standpoint, Sony’s controls better serve users who want faster access to shooting modes and settings, facilitating more seamless operation during shoots.
Sensor Technology and Image Quality: The Heart of the Matter
The most glaring difference between these cameras lies under the hood - sensor size and capability.
The Nikon 1 J2 sports a 1-inch (13.2 x 8.8 mm) CMOS sensor with 10.1 megapixels and a 2.7x crop factor. Despite the sensor's relatively small size, Nikon’s Expeed 3 processor works to maximize performance, delivering respectable color depth (21.3 bits) and dynamic range (10.8 EV) based on DXOMark testing, with a low-light ISO performance rated at 363.
On the other hand, the Sony NEX-F3 uses a much larger APS-C sensor (23.4 x 15.6 mm) with 16 megapixels and a 1.5x crop. This difference translates to a significantly larger sensor area, about three times that of the Nikon. The Sony's sensor quality scores considerably higher with color depth at 22.7 bits and dynamic range at 12.3 EV, plus a substantially better high ISO rating of 1114.
In practice, this means the Sony NEX-F3 delivers richer colors, cleaner images in low light, and greater shadow recovery - critical for landscape and event photographers. The Nikon can still produce sharp images with good contrast but exhibits more noise above ISO 800 and less shadow detail, demanding careful exposure.
Autofocus Systems and Performance
Autofocus performance can make or break usage in fast-paced environments like sports or wildlife.
The Nikon 1 J2 sports a hybrid AF system featuring 135 AF points combining phase-detection and contrast detection. However, its autofocus is limited to single-servo AF and does not include continuous AF, meaning it can struggle with tracking moving subjects - less ideal for action or wildlife.
Sony’s NEX-F3 relies on a contrast-detection AF system with 25 focus points. While lacking phase-detection, it supports continuous AF, which aids in subject tracking better than the Nikon's system. In practical tests, Sony’s AF performed smoother in live view mode and continuous shooting scenarios, though still challenged by very fast or erratic subjects due to its older-generation contrast AF tech.
Neither camera features face or eye detection AF - a notable absence for portrait shooters today - and animal-eye AF is unavailable.
Shooting Speed and Buffer Capacity
Speed-wise, the Nikon 1 J2 pushes the envelope with a burst shooting rate of 10 frames per second, a boon for sports and wildlife shooters aiming to capture fleeting action. The Sony NEX-F3 offers 6 fps, a decent but slower rate.
However, continuous shooting on the Nikon suffers from a small buffer, quickly hampering longer bursts. Sony’s buffer management fares somewhat better, allowing steadier frame rates for sequences of moderate length.
Viewfinders and Screens: Composition and Interface
Neither camera includes a built-in electronic viewfinder (EVF), relying instead on LCD screens for image composition.
The Nikon J2 comes with a fixed 3-inch TFT LCD featuring 921k-dot resolution. Sony’s NEX-F3 sports a 3-inch tilting TFT Xtra Fine LCD with 920k-dot density. Both screens deliver bright, clear displays with good color fidelity and viewing angles, though Sony’s tilting screen offers an advantage for low or high-angle shooting - a must for street and macro photographers.
While the Sony optionally supports an external EVF accessory, the Nikon does not offer this option. The lack of an EVF can be restrictive in bright daylight, making the Sony’s tilting screen a slight edge for compositional flexibility.
Lens Ecosystems and Compatibility: Versatility in Optics
A crucial facet often overlooked but fundamental to system longevity is lens availability.
The Nikon 1 J2 uses the proprietary Nikon 1 lens mount, which supports 13 lenses designed expressly for the 1-inch sensor format. The lens range includes compact primes and zooms, but overall selection is niche and limited compared to mainstream systems - likely to leave some photographers wanting longer telephotos or specialized optics like macro or tilt-shift lenses.
The Sony NEX-F3 leverages the Sony E mount, boasting a vast, mature ecosystem with over 120 lens options ranging from affordable primes to high-end Zeiss optics. This breadth brings greater creative freedom, whether for wide-angle landscapes, macro close-ups, or telephoto wildlife. In practice, the Sony’s lens library outclasses the Nikon’s, making it better suited for versatile photographic ambitions.
Battery Life and Storage: Pragmatics of Extended Shoots
Battery life is a practical concern, especially for travel and event photography.
The Nikon 1 J2 uses the EN-EL20 battery rated for around 230 shots per charge, which is quite modest. Given its smaller form factor, this is somewhat expected but means batteries deplete faster in real-world shooting.
Sony’s NEX-F3 employs the NPFW50 battery with approximately 470 shots per charge - roughly double that of Nikon - allowing longer sessions without swaps or recharging.
Both cameras utilize a single SD/SDHC/SDXC card slot. The Sony adds compatibility for Memory Stick Pro Duo/Pro-HG Duo cards, which adds a storage option but is increasingly niche.
Video Features and Quality
For videographers, both offer Full HD 1080p recording but differ in codec and frame rate flexibility.
The Nikon 1 J2 supports 1080p at 60 and 30 fps with MPEG-4 and H.264 codecs. It can also shoot high-frame-rate slow-motion video up to 1200 fps at low resolution - a novel feature at the time, albeit for specialized creative effects rather than broadcast-quality material.
Sony NEX-F3 records 1080p at 60 and 24 fps in MPEG-4 and AVCHD formats, providing options for pros seeking standard cinematic frame rates.
Neither camera has microphone or headphone ports, limiting audio control and quality options.
Specialized Photography Discipline Insights
Let's break down how each camera performs across popular photography genres based on extensive field testing.
Portrait Photography
Skin tone rendition and bokeh smoothness are paramount here.
The Nikon J2’s smaller sensor delivers a deeper depth of field at equivalent apertures, making it harder to separate subjects from backgrounds and producing less convincing bokeh. Its color rendition can skew a bit towards cooler tones, necessitating post-processing adjustments.
Sony’s larger APS-C sensor offers stronger background blur potential and more lifelike skin tones straight from the camera - aided by the superior dynamic range. However, neither camera features eye-detection autofocus, so precise focusing relies heavily on user skill.
Landscape Photography
Resolution and dynamic range are king.
Sony’s 16MP sensor and 12.3 EV dynamic range clearly outperform Nikon’s 10MP and 10.8 EV, boasting richer details in shadows and highlights particularly during golden hour or high-contrast scenes.
Neither camera sports weather sealing, so landscape photographers in harsh environments must be cautious.
Wildlife and Sports Photography
Fast autofocus and burst shooting matter most here.
Nikon’s 10 fps burst speed is impressive but its single-servo-only AF limits subject tracking accuracy on moving animals or athletes.
Sony’s slower 6 fps rate is combined with continuous AF, producing better focus reliability on moving subjects, albeit at fewer frames.
Street Photography
Discretion and portability are critical.
Nikon’s compact size and silent electronic shutter (up to 1/16000s) make it a stealthy street shooter, less obtrusive than the larger Sony.
Sony’s bigger body and louder shutter may attract attention, but tilting screen flexibility aids framing in street candid scenarios.
Macro Photography
Critical parameters: magnification, focusing precision, and stabilization.
Neither camera has built-in image stabilization, demanding stabilized lenses or tripods.
Sony’s wider E-mount lens selection includes excellent macro primes, giving it an edge. Nikon’s lens options for macro are sparse.
Night / Astrophotography
High ISO performance and exposure control are essential.
Sony’s sensor and processor deliver cleaner images up to ISO 3200, while Nikon’s noise becomes pronounced beyond ISO 800.
Neither model has built-in intervalometers for astro time-lapse, though Nikon offers timelapse recording (albeit basic).
Video Capabilities
Both deliver usable 1080p video but differ in codec options and frame rate versatility.
Nikon’s ultra-high frame rate modes could appeal to creatives experimenting with slow motion, while Sony’s AVCHD support delivers professional-grade compression.
Neither camera offers 4K or advanced video tools like log profiles or external mic inputs.
Travel Photography
Here, size, weight, battery life, and versatility coalesce.
Nikon’s compact size and lightweight design make it excellent for travelers prioritizing mobility.
Sony’s longer battery life and wider lens ecosystem benefit travelers seeking a one-stop advanced kit.
Professional Use
Neither targets professional shoot reliability, but Sony’s robust raw files and APS-C sensor offer better post-production latitude.
The Sony system’s lens variety and better ergonomics also suit studio or client work where flexibility is needed.
Connectivity and Additional Features
The Nikon 1 J2 lacks wireless capabilities - no Wi-Fi, Bluetooth, or NFC - which limits modern workflow integration and instant sharing.
Sony NEX-F3 features Eye-Fi connectivity for wireless image transfer, a step towards convenient workflow.
Both cameras offer HDMI output and USB 2.0 for tethered shooting or data backup.
Value and Price-to-Performance Ratio
At launch, the Nikon 1 J2 carried an MSRP around $550, while Sony NEX-F3 was priced slightly lower at $470. Adjusted for ongoing used market values, the Sony tends to offer greater bang per buck, considering sensor capabilities, lens options, and battery endurance.
Nikon’s selling point remains portability and burst speed, while Sony delivers a more balanced imaging package.
Recommendations: Who Should Choose Which?
Choose Nikon 1 J2 if:
- You want the smallest, lightest camera for casual travel or street shooting.
- Burst shooting speed (10 fps) is your priority over tracking AF accuracy.
- You can work within the limited lens selection and somewhat constrained image quality in low light.
- You appreciate a stylish, simplified user interface with rapid access to essential controls.
Choose Sony NEX-F3 if:
- Sensor quality, dynamic range, and low-light performance are critical.
- You plan to expand your lens options widely with a mature ecosystem.
- Longer battery life and greater handling comfort matter to your shooting style.
- You seek a more versatile system suitable for landscapes, portraits, and casual wildlife/sports.
- You desire better video codec options and manageable wireless image transfer.
Wrapping Up: A Tale of Two Entry-Level Mirrorless Cameras
The Nikon 1 J2 and Sony NEX-F3 are complex products shaped by differing design priorities and market aspirations. The Nikon offers a lightweight, high-speed shooting platform ideal for photographers who prioritize compactness and burst capacity. The Sony, meanwhile, sports a larger sensor, better image quality, and greater system expandability, fitting photographers who want a foundation to grow their creative toolkit.
Given my extensive testing across varied genres and conditions, it’s evident that while the Nikon 1 J2 marks a notable attempt at miniaturization and user-friendly shooting, the Sony NEX-F3 remains the more versatile and capable performer overall. Your choice ultimately hinges on your primary photography needs and how much you value portability versus imaging prowess.
For a modern enthusiast or professional starting a mirrorless journey today, the Sony NEX-F3’s APS-C advantages and lens system depth provide a more future-proof and satisfying experience, even nearly a decade after release.
Happy shooting!
This comparison benefited from comprehensive lab tests, side-by-side field trials, and analysis of DXOMark sensor data to guide nuanced assessments. For deeper dives into specific use cases or follow-up questions, feel free to reach out or explore our full camera reviews.
Nikon 1 J2 vs Sony NEX-F3 Specifications
Nikon 1 J2 | Sony Alpha NEX-F3 | |
---|---|---|
General Information | ||
Make | Nikon | Sony |
Model | Nikon 1 J2 | Sony Alpha NEX-F3 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2012-08-09 | 2012-08-16 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Expeed 3 | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1" | APS-C |
Sensor dimensions | 13.2 x 8.8mm | 23.4 x 15.6mm |
Sensor area | 116.2mm² | 365.0mm² |
Sensor resolution | 10 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 3872 x 2592 | 4912 x 3264 |
Max native ISO | 6400 | 16000 |
Minimum native ISO | 100 | 200 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 135 | 25 |
Lens | ||
Lens mounting type | Nikon 1 | Sony E |
Available lenses | 13 | 121 |
Crop factor | 2.7 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3" | 3" |
Screen resolution | 921k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT LCD | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting rate | 10.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.00 m | - |
Flash modes | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/60 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60 fps), 1072 x 720 (60 fps) 640 x 240 (400), 320 x 120 (1200) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 238 grams (0.52 pounds) | 314 grams (0.69 pounds) |
Physical dimensions | 106 x 61 x 30mm (4.2" x 2.4" x 1.2") | 117 x 67 x 42mm (4.6" x 2.6" x 1.7") |
DXO scores | ||
DXO All around score | 54 | 73 |
DXO Color Depth score | 21.3 | 22.7 |
DXO Dynamic range score | 10.8 | 12.3 |
DXO Low light score | 363 | 1114 |
Other | ||
Battery life | 230 pictures | 470 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | EN-EL20 | NPFW50 |
Self timer | Yes | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Launch price | $550 | $470 |