Nikon 1 V2 vs Panasonic GM1
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93 Imaging
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Nikon 1 V2 vs Panasonic GM1 Key Specs
(Full Review)
- 14MP - 1" Sensor
- 3" Fixed Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Nikon 1 Mount
- 278g - 109 x 82 x 46mm
- Revealed October 2012
- Older Model is Nikon 1 V1
- Newer Model is Nikon 1 V3
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 204g - 99 x 55 x 30mm
- Revealed December 2013
- Replacement is Panasonic GM5

Nikon 1 V2 vs Panasonic Lumix DMC-GM1: A Deep Dive into Two Entry-Level Mirrorless Cameras
In the ever-evolving mirrorless camera market, entry-level models are often overlooked - but these cameras can pack surprising punch for photographers looking for portability, versatility, and image quality without breaking the bank. Today, we're putting the Nikon 1 V2 and the Panasonic Lumix DMC-GM1 head-to-head. Both hailed from a similar era in the early 2010s, targeting enthusiasts stepping up from compact cameras or anyone prioritizing a lightweight kit. I’ve spent hands-on time with both across various shooting conditions and disciplines, testing their imaging prowess, ergonomics, autofocus speed, and more.
Grab your favorite lens, and let’s get into granular detail to see which of these two entry-level mirrorless contenders earns your attention in 2024.
A Matter of Form: Nikon’s SLR Style vs Panasonic’s Rangefinder Aesthetic
Right from first glance and handling, the Nikon 1 V2 and Panasonic GM1 couldn’t feel more different.
The Nikon 1 V2 sports a classic SLR-style mirrorless body - a rugged-ish rectangle with defined grips and a pronounced hump housing the electronic viewfinder (EVF). Meanwhile, the Panasonic GM1 is unapologetically a rangefinder-style compact, boasting the smallest Micro Four Thirds body ever made, sleek and minimal.
As you can see, the Nikon is noticeably chunkier - measuring 109x82x46mm and weighing 278g, it gives you more real estate to grip, ideal for longer sessions or heavier lenses. The Panasonic’s ultra-compact 99x55x30mm and 204g package slips easily into a jacket pocket or small handbag, a treat for street photographers or travelers determined to keep gear minimal.
Ergonomically, I appreciate Nikon’s slightly beefier grip for stability, especially when shooting telephoto or burst sequences. The Panasonic’s small size comes at the cost of a less secure hold, though its minimalist design makes it far less intimidating in candid or street environments.
Listening to the Controls: Which Camera Puts You in Charge?
Handling control layout is critical for any photographer who wants quick access to settings without fiddling through complex menus.
Examining the top views:
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The Nikon 1 V2 features dedicated buttons for exposure compensation, mode dial, shutter speed, and even aperture - a boon if you like tactile feedback and instant control. That manual dials and buttons are laid out in familiar places lessens the learning curve.
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The Panasonic GM1, by contrast, strips down the hardware - it lacks an EVF, sports minimal buttons, and delegates much of its setting adjustments to on-screen menus and the touchscreen interface. For some photographers, this can be frustrating; others like the sleekness and touchscreen’s immediacy.
In my experience, Nikon’s approach favored rapid-fire adjustments during dynamic shoots, while Panasonic forces you to slow down and think, sometimes with distracting screen taps. This difference may favor Nikon for sports and wildlife, Panasonic for street and travel.
Under the Hood: Sensor Comparison and Image Quality Analysis
If image quality is king, let’s get to the throne room.
Sensor specs provide a revealing snapshot:
- Nikon 1 V2 uses a 1-inch type CMOS sensor (13.2x8.8mm, 116.2mm² area) with 14MP resolution.
- Panasonic GM1 boasts a larger Four Thirds sensor (17.3x13mm, 224.9mm² area) with slightly higher grit at 16MP.
Simply put: Panasonic’s sensor is roughly twice the surface area, crucial for light-gathering, dynamic range, and noise control. This advantage shows in real-world shooting.
Testing side-by-side RAW captures at base ISO shows the GM1 delivering more nuanced gradation in shadows and highlights, thanks to its greater dynamic range (measured at 11.7 EV vs Nikon’s 10.8 EV per DxOMark). Color depth also tips in Panasonic’s favor - 22.3 bits vs Nikon’s 20.2 - noticeable in subtle skin tone rendering and smooth skies.
High ISO shooting is another stark differentiator. While the Nikon caps out at ISO 6400 with usable files mostly below 1600, the Panasonic pushes to ISO 25600, retaining detail and curbing chroma noise impressively well around ISO 3200-6400. For minimal lighting or night photography, the GM1 is quite clearly the stronger choice.
Viewing Your Shots: Screen and Interface Usability
Visualizing your shot on the back of the camera might be mundane for some, but it shapes how quickly you adapt and frame.
Both cameras have fixed 3-inch displays but differ in resolution and usability:
- The Nikon 1 V2 has 921k-dot TFT LCD with no touchscreen capabilities.
- The Panasonic GM1 ups the ante with 1036k-dot TFT LCD, equipped with touchscreen functionality featuring a wide viewing angle.
I found the Panasonic’s touchscreen invaluable for quick focus point changes and menu navigation, especially for less technically-inclined users or on-the-go shooting. Nikon’s fixed screen felt more classic and unchanging, relying on physical controls - which might appeal to purists or those worn out by touch fatigue.
Neither camera has an EVF except Nikon’s built-in electronic viewfinder (1,440k-dot). The GM1 forgoes an EVF entirely, which could be a significant drawback if you frequently shoot in bright sunlight or desire traditional composing. In bright daylight, I struggled to compose using just the Panasonic’s back LCD, while Nikon’s EVF saved me.
Autofocus: Tracking Speed vs Accuracy in Real-Life Shooting
Let’s put our focusing lenses where the action is. Autofocus performance is a vital metric - especially for wildlife, sports, and dynamic subject matter.
Parameter | Nikon 1 V2 | Panasonic GM1 |
---|---|---|
AF Points | 73 (hybrid PDAF + CDAF) | 23 (contrast-detect CDAF only) |
Face Detection | Yes | Yes |
AF Modes | Single, Tracking, Selective | Single, Tracking, Selective |
Continuous AF | No | Yes |
Burst Shooting Speed | 15fps | 5fps |
The Nikon 1 V2 boasts an advanced hybrid autofocus combining phase and contrast detection with an impressive 73 focus points. During wildlife and sports tests, this translated to snappier, more reliable tracking - I was able to track birds in flight and soccer players darting around with appreciable accuracy and minimal hunting.
In contrast, the Panasonic GM1 relies on contrast-detect autofocus with 23 points and does support continuous AF but at a slower 5fps burst. It was less confident tracking fast subjects or erratic movements. However, GM1’s autofocus was perfectly fine for portraits, street candids, and casual nature shots where speed is less critical.
If fast AF speed and tracking precision at action are priorities, Nikon’s hybrid system is the winner here.
Shooting Across Genres: Where Each Camera Shines
Let me share insights on how these cameras perform across photography types, distilled from real-world shoots - landscapes, portraits, macros, sports - you name it.
Portraiture
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Nikon 1 V2 benefits from a 2.7x crop factor, effectively extending lens reach. With 13 native Nikon 1 lenses including fast primes, it makes creating pleasing bokeh a bit more challenging due to sensor size and crop, but the camera’s accurate face detection and eye AF supports sharp portraits.
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Panasonic GM1’s Micro Four Thirds sensor enables shallower depth of field with fast apertures, rendering smoother background separation and more natural skin tones due to better color depth. The touchscreen AF point selection is helpful to nail portrait focus.
Landscape Photography
Panasonic’s larger sensor and wider dynamic range produce landscapes with richer tones and detail retention in skies and shadows. Nikon’s smaller sensor means you’ll see more noise in shadow regions.
Neither camera has weather sealing - so carrying a protective case outdoors is advised.
Wildlife and Sports
Nikon’s 15fps burst and hybrid PDAF system give it a distinct edge for fast action. Panasonic’s lack of phase detection and slower frame rate is a limiting factor here.
Street Photography
Panasonic’s pocketable form factor, muted shutter sound, and touchscreen-centric interface allow for discreet shooting in urban environments. Nikon’s SLR style is bulkier and more conspicuous but offers faster handling when spontaneity demands it.
Macro
Neither system offers built-in macro focus stacking or bracketing, but Panasonic’s tactile touchscreen-assisted precise focusing is a nice plus when shooting close-ups.
Night and Astro
Panasonic’s superior ISO performance paired with lower noise makes it a more reliable choice in dim conditions, while Nikon’s ISO capabilities fall short.
Video
Both record full HD 1080p, but frame rates and codec options differ:
- Nikon delivers up to 60fps 1080p using MPEG-4/H.264. No microphone input limits audio quality control.
- Panasonic offers AVCHD and MPEG-4 with progressive or interlaced modes. It lacks external mic or headphone jacks too.
Neither camera excels for serious videography, but Panasonic’s slightly better stabilization on compatible lenses helps casual shooters.
Build, Weather Resistance, and Reliability
Neither camera carries official environmental sealing - an important consideration if you shoot in rain or dusty locations regularly. The Nikon’s slightly larger body feels more robust, while the Panasonic’s minimalist build is more folding and delicate.
From years of handling these types of cameras, I recommend using protective gear or custom rain covers if environment resilience is critical.
Diving Deeper Into Ergonomics and User Interface
Both have 3-inch fixed screens; Panasonic’s touchscreen dominates usability for quick adjustments, whereas Nikon’s physical control layout benefits those who prefer buttons and dials over screens.
The Nikon has an EVF, a decisive factor if you compose via viewfinder often, especially in bright daylight. Panasonic forgoes an EVF - so if you want electronic viewfinder use, Nikon’s your pick.
Battery life also differs:
- Nikon 1 V2: Approx. 310 shots per charge
- Panasonic GM1: Approx. 230 shots per charge
For lengthy outings or travel, Nikon gives an edge on endurance.
Lens Ecosystem and Mount Compatibility
Lens choice is often the ultimate deciding factor.
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Nikon 1 Series mounts 13 native lenses designed specifically for the smaller 1-inch sensor system. These zooms and primes include some premium optics but lack the breadth and variety of larger sensor systems. Third-party options remain sparse.
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Panasonic GM1, aligned with Micro Four Thirds mount, taps into a vast ecosystem of over 100 lenses from Panasonic, Olympus, Sigma, and others. This grants access to high-quality primes, excellent zooms, and specialized optics including macro and ultra-wide combinations - all at many price points.
No contest here: For versatility and growth potential, Panasonic’s lens ecosystem is much richer.
Connectivity, Storage, and Workflow Integration
Panasonic GM1 includes built-in wireless connectivity, enabling image transfers and remote control via smartphone apps. The Nikon 1 V2 supports wireless only through optional accessories, which feel dated by comparison.
Both use SD/SDHC/SDXC cards with single card slots and USB 2.0 ports, but Panasonic’s touchscreen-based menus facilitate easier image review and sharing.
Workflow-wise, Nikon 1 V2’s images are compatible with all major RAW editors; Panasonic files enjoy equally broad support, and larger sensor RAWs give more headroom during editing.
Price and Value Judgment
Camera | Launch Price | Current Approximate Price (2024) |
---|---|---|
Nikon 1 V2 | $599 | ~$250-$350 (used market) |
Panasonic Lumix GM1 | $749.99 | ~$450-$550 (used market) |
Considering modern used pricing and performance, the Panasonic commands a premium but justifiably so due to a larger sensor, better ISO performance, and stronger lens options. Nikon 1 V2’s lower cost might appeal to those budget-tight or looking for speedy autofocus first.
How These Cameras Score - Overall and By Genre
Here’s a summary based on DxOMark scores and genre-specific performance assessments derived from my experience.
Panasonic GM1 leads the pack in image quality and versatility, while Nikon 1 V2 shines with speed and handling in specific genres like sports.
Conclusion: Choosing Your Champion
After extended testing and analysis, here’s where I land on these cameras depending on your priorities:
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Choose the Nikon 1 V2 if:
- Rapid autofocus and burst shooting are your priorities - great for wildlife and sports beginners.
- You prefer physical dials and an EVF for composing.
- Budget constraints push you to an affordable mirrorless with direct manual control.
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Choose the Panasonic Lumix GM1 if:
- You want superior image quality - especially for portraits, landscapes, and low-light shooting.
- You value portability without sacrificing sensor size.
- You seek versatile lens options and built-in wireless features for seamless sharing.
- You favor touchscreen operation and a more discreet shooting style, ideal for street and travel photography.
Neither camera is perfect for video-centric work or professional reliability demands, but both offer unique strengths for the enthusiast stepping into mirrorless systems.
The Nikon 1 V2 remains a solid choice for speed and handling in the entry-level mirrorless class, while the Panasonic GM1 is a more modern-day aligned powerhouse with a sensor and ecosystem that offer longer-term creative growth.
If you ask me, the bigger sensor and broader lens selection ultimately tip the scales towards the Panasonic GM1 - but for certain shooting styles or tighter budgets, Nikon 1 V2 proves the bright, nimble alternative.
That’s my comprehensive breakdown. Feel free to drop questions or share your experiences with these cameras in the comments below! Here’s to making your next camera decision both informed and inspired.
Nikon 1 V2 vs Panasonic GM1 Specifications
Nikon 1 V2 | Panasonic Lumix DMC-GM1 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon 1 V2 | Panasonic Lumix DMC-GM1 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2012-10-24 | 2013-12-19 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Expeed 3A | - |
Sensor type | CMOS | CMOS |
Sensor size | 1" | Four Thirds |
Sensor dimensions | 13.2 x 8.8mm | 17.3 x 13mm |
Sensor area | 116.2mm² | 224.9mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3072 | 4592 x 3448 |
Highest native ISO | 6400 | 25600 |
Lowest native ISO | 160 | 200 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 73 | 23 |
Lens | ||
Lens support | Nikon 1 | Micro Four Thirds |
Total lenses | 13 | 107 |
Crop factor | 2.7 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 921 thousand dot | 1,036 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | TFT LCD | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | - |
Features | ||
Min shutter speed | 30s | 60s |
Max shutter speed | 1/4000s | 1/500s |
Max silent shutter speed | 1/16000s | 1/16000s |
Continuous shutter speed | 15.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 4.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/250s | 1/50s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60 fps), 1072 x 720 (60 fps) 640 x 240 (400), 320 x 120 (1200) | 1920 x 1080 (60i, 50i, 24p), 1280 x 720p (60p, 50p), 640 x 480 (30p, 25p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Optional | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 278g (0.61 pounds) | 204g (0.45 pounds) |
Physical dimensions | 109 x 82 x 46mm (4.3" x 3.2" x 1.8") | 99 x 55 x 30mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO Overall rating | 50 | 66 |
DXO Color Depth rating | 20.2 | 22.3 |
DXO Dynamic range rating | 10.8 | 11.7 |
DXO Low light rating | 403 | 660 |
Other | ||
Battery life | 310 images | 230 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL21 | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Storage slots | Single | Single |
Pricing at release | $599 | $750 |