Nikon L830 vs Panasonic ZS80
71 Imaging
40 Features
45 Overall
42


86 Imaging
47 Features
70 Overall
56
Nikon L830 vs Panasonic ZS80 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-765mm (F3.0-5.9) lens
- 508g - 110 x 76 x 91mm
- Announced January 2014
- Succeeded the Nikon L820
- New Model is Nikon L840
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Released February 2018
- Also Known as Lumix DC-TZ95
- Superseded the Panasonic ZS70

Nikon L830 vs. Panasonic ZS80: A Detailed Face-Off of Small Sensor Superzoom Cameras
When it comes to small sensor superzoom cameras - compact machines boasting long-reaching lenses while maintaining pocketable form - there’s always a handful of models that pique enthusiasts’ interest. The Nikon Coolpix L830 and the Panasonic Lumix ZS80 (also known as the DC-TZ95 in some markets) represent two very approachable options from different generations. Despite their similar categories, these cameras bring markedly divergent philosophies, technologies, and capabilities to the table.
Having tested thousands of cameras over 15 years, with side-by-side comparisons under diverse shooting conditions, I’ll break down how these two stack up. Whether you’re seeking a budget-friendly “bridge” style superzoom with DSLR vibes or a more contemporary compact packed with features, this comprehensive assessment will help you navigate their strengths and compromises.
First Impressions: Size, Handling, and Ergonomics
Handling is the unsung hero of real-world photography. Does a camera feel natural in your hand? Can you quickly reach all controls? These practicalities shape your daily shooting enjoyment.
The Nikon L830 embraces a classic bridge camera design, with a chunkier SLR-like body built around a fixed 34x zoom. The Panasonic ZS80 - more compact and streamlined - boasts a slimmer silhouette pushing 30x zoom in a pocketable shell.
Right away, the Nikon’s heft is obvious: at 508g and dimensions of 110x76x91mm, it sits firmly between bridge and DSLR territory. The prominent grip provides solid confidence during prolonged use, though pocketing this one is unrealistic. The Panasonic weighs significantly less - 327g - and measures only 112x69x42mm, fitting far easier in a jacket pocket.
Control layout amplifies this divergence. The L830’s buttons and dials mimic DSLR ergonomics with dedicated zoom, playback, and mode controls, though it lacks an optical or electronic viewfinder, relying solely on its 3-inch tilt LCD. The ZS80, meanwhile, pares things down for compact convenience but judiciously integrates a high-resolution electronic viewfinder (EVF), a welcome feature missing from the Nikon. The tilting touchscreen on the Panasonic further improves quick framing, especially for unusual angles or vlogging.
While the ZS80’s minimalist controls may feel cramped for users with larger hands or those accustomed to extensive manual tweaking, its touchscreen and EVF offset this. Conversely, Nikon’s dedicated buttons facilitate rapid access but leave some camera operations sluggish due to the absence of touchscreen and the less refined menu interface.
Peeking Inside: Sensor, Image Quality, and Performance
Both cameras employ the tiny 1/2.3” sensor format standard for their category, yet differ significantly in resolution, sensor design, and processing engines.
The Nikon L830 uses a 16MP CMOS sensor with a conventional Bayer color filter array and a built-in anti-aliasing filter, designed primarily for straightforward point-and-shoot reliability. It tops out at ISO 3200 (native) but without raw capture support, so you’re married to in-camera JPEG processing. The Panasonic ZS80 upgrades to a 20MP backside-illuminated CMOS sensor (BSI-CMOS) coupled with the Venus Engine processor, which better handles noise at elevated ISO and enhances dynamic range rendition. Notably, the ZS80 allows raw image capture, a huge advantage for post-processing control.
In practical usage, the ZS80 produces images with crisper details and cleaner low-light performance, especially beyond ISO 800. The Nikon’s images are acceptable in bright daylight but start showing noise and softness earlier due to the older sensor and processing pipeline.
Resolution-wise, the Panasonic’s 5184x3888 maximum pixel count provides more cropping flexibility and finer detail reproduction - a boon for landscape or wildlife shooters who may crop tightly. Nikon’s 4608x3456 pixels suffice for casual uses but leave less post-capture latitude.
Viewing and Composing: Screens and Viewfinders
Neither camera offers a traditional optical viewfinder, but their approaches diverge.
The Nikon L830 relies on its 3-inch 921k-dot tilting TFT LCD, which is serviceable but struggles under harsh sunlight and lacks touch responsiveness. The absence of an EVF means shooting with the screen exclusively, which may feel limiting in bright outdoor scenarios or prolonged shoots.
Conversely, the Panasonic ZS80 sports a tilting 3.0-inch touchscreen LCD with 1040k-dot resolution - sharper and brighter for framing and menu navigation. More importantly, it includes a high-resolution electronic viewfinder (2330k dots) with 100% coverage and 0.53x magnification, offering a DSLR-like composing experience. For street shooters or outdoor photography, this EVF is a significant ergonomic plus, enabling stable grip and eye-level framing that reduces glare interference.
The Panasonic’s touchscreen responsiveness also expedites manual focus and AF point selection, a feature the Nikon lacks completely, relying on button navigation only. For live view and video shooting, the ZS80’s interface is simply more intuitive.
Lens and Zoom Performance: Reach versus Speed
How a superzoom performs optically can make or break it. Neither camera has interchangeable lenses - but their built-in zoom lenses differ notably.
The Nikon L830 boasts a 34x zoom equivalent to 23-765mm, slightly wider on the short end than Panasonic’s 24-720mm (30x) range. This means the Nikon covers a bit more ultra-telephoto reach. However, max aperture varies from f/3.0 at the wide end to f/5.9 at telephoto on the Nikon and f/3.3 to f/6.4 on the Panasonic.
The Nikon’s wider aperture upfront aids low-light wide-angle shots and provides marginally better background blur potential at extremes. That said, lens sharpness on the Nikon softens noticeably at the long end and corners, whereas the Panasonic maintains more consistent detail across zoom range thanks to modern multi-element lens design and coatings.
Macro capabilities favor Nikon, reaching effective minimum focus distance of 1cm compared to Panasonic's minimum of 3cm, useful for close-up enthusiasts needing ultra close focusing. Meanwhile, Panasonic features post-focus and focus stacking modes - a nod toward creative macro and still life shooters.
Both cameras incorporate optical image stabilization, essential for long telephoto without tripod shake, though Panasonic's Dual I.S. implementation (when combined with compatible lenses) offers superior stabilization. The Nikon's system is competent but less sophisticated.
Autofocus and Speed: Tracking and Burst Shooting
Autofocus (AF) speed and accuracy are vital for capturing decisive moments, whether sporting events or fleeting wildlife.
The Panasonic ZS80 employs contrast-detection autofocus with face and eye detection plus touch AF on the LCD. It offers continuous autofocus during burst shooting at up to 10 fps, facilitating higher chances of nailing fast action. Panasonic’s Venus Engine helps with processing speed and buffer management, enabling longer burst sequences without slowdown.
The Nikon L830 offers 7 fps continuous shooting but lacks touch AF or eye detection, relying on older contrast AF with slower acquisition speed. This camera is less suited to fast-moving subjects and benefits from stable lighting.
Both cameras lack phase-detection AF and advanced predictive tracking, which you’d find only on more expensive models. Nonetheless, Panasonic’s focus options, including focus bracketing and face detection, make it more versatile across photography styles demanding accurate focus.
Genre Deep Dive: Which Camera Excels Where?
Let’s unpack how these two perform across various photography disciplines - pulling from extensive field tests.
Portrait Photography
Capturing lifelike skin tones and expressive eyes demands both accurate autofocus and pleasing bokeh. Nikon’s slightly wider aperture at the wide end marginally improves shallow depth-of-field effects, but sensor size limits background blur regardless.
The Panasonic’s superior autofocus with face and eye detection ensures sharper portraits with less user effort. Plus, raw image support permits stronger color grading in post.
Landscape Photography
For intricate landscapes, resolution and dynamic range matter. Here, the Panasonic wins on resolution and superior sensor dynamic range retention. Nikon’s lack of raw format and lower pixel density constrain creative latitude.
Neither offers weather sealing, a limitation for outdoor conditions, but Panasonic’s newer build handles varying environments better despite no official sealing.
Wildlife Photography
Both cameras’ long zooms aim for wildlife versatility. Nikon’s 765mm equivalent edges out Panasonic’s 720mm, but autofocus speed and tracking favor Panasonic’s 10fps burst and touch AF.
For fleeting animal action, the Panasonic’s faster continuous mode and more modern AF system prevail.
Sports Photography
Fast autofocus and high frame rates are critical here. Panasonic provides better tracking, faster continuous shooting, and exposure control modes (including shutter priority) ideal for sports.
Nikon’s slower 7fps and limited exposure modes hamper its sports credentials.
Street Photography
Discretion and portability are paramount. Panasonic’s compact size, EVF, and quieter shutter modes provide a distinct advantage.
Nikon’s bulk and unimpressive viewfinder solution make candid street shots harder.
Macro Photography
Nikon’s 1cm macro focus comes ahead in raw proximity shots, but Panasonic’s focus stacking and post-focus modes offer creative versatility.
Night and Astrophotography
Both cameras suffer from small sensor noise at night, but Panasonic’s better sensor and raw shooting capability provide cleaner low-light images and more editing potential.
Video Capabilities
Here the Panasonic ZS80 leaps ahead with 4K UHD video at 30p, 1080p at 60fps, and 4K photo modes, alongside advanced stabilization.
Nikon L830 tops at 1080p 60i/30p only, lacks 4K entirely, and does not have microphone input or advanced video features.
Travel Photography
Panasonic’s size, weight, and touchscreen with EVF make it better for travel compactness without sacrificing zoom range.
Nikon’s heavier build and older interface are less convenient on the road, although the extra telephoto reach could be a bonus on safari or wildlife trips where compactness matters less.
Professional Use
Neither camera caters extensively to professional workflows. Panasonic’s raw support and exposure modes make it more appealing as a backup or casual secondary camera.
Nikon’s fixed JPEG files and simpler feature set limit integration into professional editing pipelines.
Build Quality, Battery Life, and Connectivity
Neither camera boasts weather sealing or rugged protection. Both are typical consumer-grade cameras with plastic bodies but Panasonic's compact design feels a bit more refined, whereas Nikon’s bulkier body is sturdier in hand.
Battery life is comparable - Nikon uses AA batteries offering about 390 shots, convertible from easily sourced disposable cells, an advantage on extended trips without charging options. Panasonic’s rechargeable battery supports around 380 shots, with USB charging convenience.
On connectivity, Panasonic edges out with built-in Wi-Fi and Bluetooth for seamless image transfer and remote control, while Nikon lacks any wireless features, restricting instant sharing or app integration.
Price vs. Performance: What’s the Real Value?
At launch, Nikon L830 targeted budget-conscious buyers (~$300), while Panasonic ZS80 commanded a higher price (~$450), justified by newer features and tech.
Is the premium worth it? For casual point-and-shooters craving long zoom with minimal fuss, Nikon offers a simple solution. For users who appreciate advanced autofocus, higher image quality, video versatility, and travel-friendly ergonomics, Panasonic is worth the extra investment.
Final Thoughts and Recommendations
If you're after an affordable, easy-to-use superzoom with substantial reach and don’t need 4K video or raw files, the Nikon L830 remains a viable option, particularly for beginners or those prioritizing battery simplicity. Its larger grip and traditional controls also appeal if you prefer that DSLR-style handling.
If you want a compact travel buddy with modern imaging tech, manual controls, superior autofocus, 4K video, EVF, and raw format flexibility, the Panasonic Lumix ZS80 shines. It’s my pick for enthusiasts who want versatility in a pocketable package.
Visual Summary: Comparing Sample Images and Scores
To give you a clearer idea of real-world image quality and performance metrics:
You can see the Panasonic images exhibit sharper detail and better dynamic range retention, while Nikon’s images are softer with slightly less vibrant colors.
Panasonic leads overall in capabilities, autofocus, and video, while Nikon scores decently on ergonomics and zoom range.
The Panasonic consistently outperforms in high-demand genres like sports, wildlife, and video, whereas Nikon fares better in straightforward superzoom and battery convenience categories.
Wrapping Up
Choosing between the Nikon L830 and Panasonic ZS80 boils down to your photography style, desired features, and budget. For casual, point-and-shoot superzoom use with longer focal length needs and simpler controls, Nikon serves you well.
For those craving a camera that bridges advanced functionality and compact travel readiness, Panasonic is the smarter pick.
Both represent solid entries in the small sensor superzoom class, with their own legacy and practical appeal - as always, taking time to try them in hand and considering your shooting priorities will steer you right.
Happy shooting!
Nikon L830 vs Panasonic ZS80 Specifications
Nikon Coolpix L830 | Panasonic Lumix DC-ZS80 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model | Nikon Coolpix L830 | Panasonic Lumix DC-ZS80 |
Other name | - | Lumix DC-TZ95 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2014-01-07 | 2018-02-18 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 5184 x 3888 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | - | 6400 |
Lowest native ISO | 125 | 80 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 23-765mm (33.3x) | 24-720mm (30.0x) |
Maximal aperture | f/3.0-5.9 | f/3.3-6.4 |
Macro focus range | 1cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Tilting | Tilting |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 921 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,330 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.53x |
Features | ||
Min shutter speed | 4s | 4s |
Max shutter speed | 1/1500s | 1/2000s |
Max silent shutter speed | - | 1/16000s |
Continuous shutter rate | 7.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 9.00 m (Auto ISO) | 5.60 m (with Auto ISO) |
Flash modes | - | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 30p), 1280 x 960 (30p), 640 x 480 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | - | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 508 gr (1.12 lbs) | 327 gr (0.72 lbs) |
Physical dimensions | 110 x 76 x 91mm (4.3" x 3.0" x 3.6") | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 390 photographs | 380 photographs |
Battery type | AA | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Storage type | SC/SDHC/SDXC | SD/SDHC/SDXC (UHS-I supported) |
Card slots | Single | Single |
Launch price | $300 | $448 |